View allAll Photos Tagged Refuse
File name: 08_06_036060
Title: Dirty streets and alleys Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1942
Physical description: 1 negative : film, black & white; 4 x 5 in.
Genre: Film negatives
Subject: Refuse; Boston (Mass.)
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Refuse Fascism NO FASCIST TAKEOVER OF DC! Gathering Rally Before March at Dupont Circle, NW, Washington DC on Saturday afternoon, 16 August 2025 by Elvert Barnes Photography
Visit REFUSE FASCISM website at refusefascism.org/events/scenes-from-august-16-march-to-t...
SUMMER 2025 TRUMP'S TAKEOVER OF WASHINGTON DC Project
Elvert Barnes Protests Photography 2025 at elvertxbarnes.com/protests
Elvert Barnes August 2025 at exbphoto.com/2025
File name: 08_06_036057
Title: Dirty streets and alleys Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1942
Physical description: 1 negative : film, black & white; 4 x 5 in.
Genre: Film negatives
Subject: Refuse; Boston (Mass.)
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Jimmy Cliff (Jamaica) @ WOMADelaide Festival 2013The Godfather of roots reggae refuses to mark time as a creative artist. Jimmy Cliff’s new album Rebirth is produced by punk rock icon Tim Armstrong from the band Rancid, an unlikely project that has nevertheless revived the feisty spirit of the 64-year-old Jamaican’s uplifting music. It marks yet another fascinating chapter in Jimmy’s long, rich musical tale. Leaving the small Jamaican town of St James, Jimmy was only 14 when headed to Kingston and convinced record store proprietor Leslie Kong to produce his first hit, Hurricane Hattie. After representing Jamaica at the 1964 New York World’s Fair, he signed with Island Records and moved to London, enjoying such hits as Waterfall and Wonderful World, Beautiful People, before his music for the 1972 film The Harder They Come brought him unprecedented renown. He topped international charts with the songs, You Can Get It If You Really Want, Many Rivers to Cross and, in 1993, his version of Johnny Nash’s I Can See Clearly Now. His legion of fans extends to Paul Simon, who went to Jamaica to record Mother and Child Reunion with Jimmy’s band, and Bob Dylan, who declared Jimmy’s 1970 song Vietnam as the greatest protest song ever written – a poignant anti-war anthem that Jimmy still sings to reflect current armed conflicts.
This is what happens when you don't let housekeeping clean your hotel room for a day. Well, my hotel room in Toronto anyway. The rest of the room was pretty messed up too.
Catalogo refuse-temporada verano 2011.
Acapulco en la azotea.
Fotografia- marco+chuy/ lalo hernandez.
Direccion- cadena y asociados.
Arte- los contratistas.
one plastic bottle floating on a sea of blue.... the title sits in contrast to the wonderful music of rhapsody in blue.
File name: 08_06_036074
Title: Dirty alleys in Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1934 - 1956 (approximate)
Physical description: 1 negative : film, black & white; 4 x 5 in.
Genre: Film negatives
Subject: Refuse; Boston (Mass.)
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
The Athlone 10KM and 5KM road races were held in Clonown Village, Co. Roscommon, Ireland on Sunday 28th of April 2013 at 14:30 and 15:00. Clonown is a small townland on the west bank of the River Shannon and is situated about 3 miles south of the town of Athlone. Whilst the townland is almost completely rural it is accessed easily from major routes and towns by the M6 motorway.
This race completely defied the fact that it is only the second year of it's existence. Every aspect of the organisation was professional: from stewarting, registration, start of races exactly on time, car-parking, and post race refreshments. The 10KM route followed an anti-clockwise loop. The race started on the L2035 Togher Road (about 100m from Clonown Centre) and heads towards the old Ballinasloe Rd and back via Creggan with the finish at the Clonown Community Centre. The 5KM run was added this year to provide a managable challenge for people who are following programmes such as Operation Transformation. The 5KM race route follows a meandering around the townland. The race starts at the church in Clonown and head clockwise around the Ballinaculla townland which offers lovely views of the River Shannon. The route then goes to the Drumlosh road and runs for 1.5 km before the roundabout which is the 3km mark. The race then turns around and returns back to the village and finish at Clonown Community Centre. Both races share some of the race route for the Flatline Athlone Half held in September (www.athlonehalfmarathon.com/) which makes the race routes very fast and flat.
Overall Race Summary
Participants: Approximately 400 people took part in both events with runners, joggers, walkers, and families involved.
Weather: This was a wonderfully bright dry afternoon but a very strong wind made difficult running conditions in places.
Course: Very flat accurately measured course on rural roads and bog roadway. There were waterstops provided at various points and by locals along the route. Very well stewarded.
Refreshments: There were lots of refreshments served in the community center aftwards.
Location Map: This is the start/finish area on Google StreetView [goo.gl/maps/W0Hxc]
Some Useful Links
The Clonown area on Google Streetview [goo.gl/maps/W0Hxc]
Facebook Page for the Athlone 10KM Race 2013 www.facebook.com/Athlone10krun?fref=ts
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
I ran the race - but my photograph doesn't appear here in your Flickr set!
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
You were hidden behind another participant as you passed our camera
Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
If you want to contribute something for these images?
We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. If you feel that the image(s) you request are good enough that you would ordinarily pay for their purchase we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.
Refuse Fascism TRUMP MUST GO NOW! Independence Day Rally at Logan Circle, NW, Washington DC on Friday afternoon, 4 July 2025 by Elvert Barnes Protest Photography
JIM KEADY
Visit Refuse Fascism 4 July 2025 TUMP MUST GO NOW website at refusefascism.org/2025/06/12/july-4th-week-in-washington-dc/
Elvert Barnes Protests Photography 2025 at elvertxbarnes.com/protests
Elvert Barnes July 2025 at exbphoto.com/2025
Elvert Barnes former 4 JULY docu-project at elvertbarnes.com/4July.html
The blanket protest began on 14 September 1976 when newly convicted prisoner Kieran Nugent refused to wear prison uniform. Nugent had previously been interned in the compounds of Long Kesh during 1975, but was arrested in May 1976 and received a three year sentence after being convicted of possessing weapons and hijacking a car. In 1985, Nugent gave an interview describing his arrival at the newly constructed H-Blocks at the prison complex:
I was brought straight to the blocks. Cell 17, D wing H1 or 2. I was stripped and beaten. The screws who knew me said, 'We are the bosses now. There are no OCs here'. A screw said to me, 'What size are you in the waist and what size are you for shows?' I asked him 'What for?' and he told me 'For a uniform'. I said, 'You have got to be joking'. I was the only one in the H-Blocks. They dragged me into the cell. Davy Long [one of the warders] wanted me to compromise. He suggested I wore my own shoes and trousers if I wore a prison shirt. I just laughed. He locked the door. I lay on the floor all night without mattress, blankets or anything else. The heat was reasonable in all fairness and I slept.
Nugent was given a blanket on the second day of his imprisonment, which he wore during an exercise period.Nugent only wore a prison uniform once, when his mother visited the prison. He told her:
You will not be seeing me for three years because to have a visit I have to wear uniform. If they want me to wear a uniform they'll have to nail it to my back.
Other newly convicted prisoners joined the protest, and at first they were allowed to wear blankets during the exercise period but eventually they were ordered to leave the blankets in their cells.
-Wikipedia-
real life example of ReCeive voluntarily: 7 packs of ketchup with 1 used at the end of the meal. TOWO's Creed#1: ReFuse - say no, ask for what you need...if not sure, underestimate as you can always ask for more. Restaurants may not take back unopened packs even when you return them as they're not sure if the packs have been tampered with.
The gaint building in the background is Covanta Hillsborough, Inc. That place is a beast. It can eat 1,800 tons-per-day.
Learn more about this location here:
www.covantaholding.com/site/locations/covanta-hillsboroug...
Refuse Fascism NO FASCIST TAKEOVER OF DC! March along Constitution Avenue between 15th and 17th Street, NW, Washington DC on Saturday afternoon, 16 August 2025 by Elvert Barnes Photography
Visit REFUSE FASCISM website at refusefascism.org/events/scenes-from-august-16-march-to-t...
SUMMER 2025 TRUMP'S TAKEOVER OF WASHINGTON DC Project
Elvert Barnes Protests Photography 2025 at elvertxbarnes.com/protests
Elvert Barnes August 2025 at exbphoto.com/2025
US Refuses to Prosecute Border Patrol Agent Who Killed Rock-Throwing Mexican Teen (VIDEO)
The US Justice Department quietly announced late on an August Friday night that it would not pursue charges against a US Border Patrol Officer who shot and killed a rock-throwing Mexican teen on the Mexico side of the border.
File name: 08_06_036081
Title: Dirty alleys in Boston
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1934 - 1956 (approximate)
Physical description: 1 negative : film, black & white; 4 x 5 in.
Genre: Film negatives
Subject: Refuse; Boston (Mass.)
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.