View allAll Photos Tagged Refa
L'archange Raphael
Raphaël (de l’hébreu : refa- : « guérir » et -El : « Dieu » ; c'est-à-dire « Dieu guérit ») est le troisième archange reconnu par l’Église catholique et cité dans le livre de Tobie (12:15)
Le Jardin Bonaparte est un parc public bénéficiant d'une vue exceptionnelle sur la baie et le vieux port. Avec ses 20 000 m2 de jardin et ses nombreuses aires de jeux, ce jardin raviront les petits comme les plus grands.
Archangel Raphael
Raphael (from Hebrew: refa-: "to heal" and -El: "God"; that is to say "God heals") is the third archangel recognized by the Catholic Church and cited in the book of Tobit (12:15)
The Jardin Bonaparte is a public park enjoying an exceptional view of the bay and the old port. With its 20,000 m2 of garden and its many play areas, this garden will delight young and old alike.
L'archange Raphael
Raphaël (de l’hébreu : refa- : « guérir » et -El : « Dieu » ; c'est-à-dire « Dieu guérit ») est le troisième archange reconnu par l’Église catholique et cité dans le livre de Tobie (12:15)
Le Jardin Bonaparte est un parc public bénéficiant d'une vue exceptionnelle sur la baie et le vieux port. Avec ses 20 000 m2 de jardin et ses nombreuses aires de jeux, ce jardin raviront les petits comme les plus grands.
Archangel Raphael
Raphael (from Hebrew: refa-: "to heal" and -El: "God"; that is to say "God heals") is the third archangel recognized by the Catholic Church and cited in the book of Tobit (12:15)
The Jardin Bonaparte is a public park enjoying an exceptional view of the bay and the old port. With its 20,000 m2 of garden and its many play areas, this garden will delight young and old alike.
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Petit rappel mes images ne sont pas libres de droit. Pour les utiliser contactez www.adagp.fr. comme mentionner dans ma bio. Merci et excellent week-end à toutes et tous.
Damla Aydin (Cello) (Turkey-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Modernisme - Art Nouveau - Modern Style - Tiffany - Jugendstil - Sezessionstil - Wiener Sezession - Stile900 - Floreale - Liberty
CATALÀ
Fa més de dos anys em vaig adonar que aquesta casa és Modernist i també em vaig adonar que era desconeguda per la gran majoria de la gent de Camprodon, per tant, és una casa desconeguda des del punt de vista artístic. He parlat amb els actuals propietaris que tenen els documents de la compra però no hi consta el nom de l'arquitecte. Disortadament no consta com edifici Modernista.
Refª: ca.wikipedia.org/wiki/Modernisme_a_Camprodon
ENGLISH
More than two years ago I realized that this house is Modernist and I also realized that it was unknown to the vast majority of people in Camprodon, so it is an unknown house from an artistic point of view. I have spoken to the current owners who have the purchase documents but the architect's name is not on them. Unfortunately it is not listed as a Modernist building.
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AVISO
Gracias amigos Flickeros por visitar mi galería, por sus comentarios y favoritos. Tened todos un magnífico día.
NOTICE
Thank you Flicker friends for visiting my gallery, for your comments and favorites. Wish you wonderful day.
COMPTE!
Gràcies amics Flickers per visitar la meva galeria, pels vostres comentaris i favorits. Tingueu un dia estupend.
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Cello
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Dambura
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
مابقى شي"ن" اقوله غير
ربي يرحم الحال ..
Model : Refa'a - رفعة
P.S ; I'm getting ready to the Final exams .. It's come in a bad bad bad time . .
wish me luck .. i will start from 10 \ 1 and will be AN offline for 2 week . .
will miss yah all :* *K*
*12\365 project*
{ 8\10 come back project }
Cello
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
من ارشيفي*
model : Refa'a - رفعة
Me no.11 : When i have some feeling for someone that i don't know , I just get lost and Confused ,
I show some care But After that i agnore theme And after that i show them some care againe . .
It's just happend when i like someone i Don't know . .
الحقيقة الحادية عشر:
شي غريب فيني , غريب كثييير ..!
ويوضح لي باني انسانة جد متقلبة وماعندي استقرار بالمواضيع العاطفية
يعني
لما احمل مشاعر لحد معين ما اعرفه شخصيا ,,
كل شي عندي يتلخبط مشاعري كلها تتلخبط لما يكون هالشخص معاي
مو شخصيا ..! اقصد قريب مني في النت او اي مكان بعيد عن الواقع
بالرغم اني احمل له بعض المشاعر ارفض اني ابوح
فيني كبرياء سخيف خخخ يمنعني بأني ابوح للشخص باللي احسه
فأحاول اتجاهله ..
وفعلا اتجاهله يومين .. بس بعد يومين ارجع اعطيه شويه اهتمام
اهتمام هااادي مايخلي هالشخص يحس بشي
وبعدين ارجع اختفي
( للعلم تجاهلي واختفائي مش شي مخطط له )
لا يعني انا اوردي افقد الاهتمام واتملل مثل مايقولون وانسى الموضوع من الاساس
بس عقب يختلط عندي كل شي وارجع اهتم
وعقب ارجع اسوي اقنور وطاف ..
وعقب اهتم ؟؟؟
الموضوع غريب وايد .. لدرجة اني ماعرف شنو احساسي بالضبط
امممم
بس الي اعرفه اني انسانة اخاف لما احس اني بدخل بعلاقة مع حد
واخاف من سالفة الارتباط بشكل خاص وكبير
(( وبين قوسين : هالحقيقة تنطبق لما التقي باشخاص ما اعرفهم شخصيا فقط ))
This fact is for someone*
*27\365 project*
{ 11 \ 35 Me project }
Another side of Al Refa'ee House in the island of Farasan - South of Saudi Arabia
More information can be found here
La capella de Santa Maria del Villar és un petit edifici religiós de Riells del Fai de nau rectangular, orientat de ponent a llevant, amb un absis semicircular i volta de quadrant d'esfera. Presenta una finestra doble esqueixada a l'absis, amb pedra regular i coronada per un arc de mig punt. A l'interior, a la banda esquerra, hi ha una absidiola semicircular empotrada en el mur, coronada per un arc adovellat, que serveix de fornícula per a la imatge de la Verge de la Llet. La volta original es refà en forma de volta d'aresta barroca el 1779. De la mateixa època són el campanar d'espadanya i el portal d'entrada amb l'ull de bou. La coberta és a dues aigües, amb teula àrab. L'aparell permet distingir les diferents etapes de construcció, sense presentar cap tipus de decoració. La imatge de la Verge és de terra cuita, i data del segle XVIII. A la llinda de la porta s'hi pot llegir la inscripció: "Renovada per Vicens de Montagut y Villar. Any 1799. Ave Maria".
El lloc "Villars" es documenta el 1007, però l'església apareix el 1195, encara que pot ser anterior. La família Villar ha estat patrona de la capella, promovent la restauració del 1779. Des d'aleshores, es coneix també com a la Capella de la Verge de la Llet, que es venerava en una estatueta en la fornícula esquerra de l'absis.
A la Guerra Civil fou profanada i torna al culte el 1940. S'hi celebra un aplec els dilluns després de la Primera Pasqua.
Aquesta imatge ha jugat a En un lugar de Flickr.
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Tammam Al Ramadan (ney) (Syrie-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Percussion set-up
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Aren Dolma (voice) (Tibet-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Damla Aydin (Cello) (Turkey-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Fakher Madallal (voice, percussion) (Syria-BE), Damla Aydin (Cello) (Turkey-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
FLTR: Simon Leleux (percussion) (BE), Tammam Al Ramadan (ney) (Syrie-BE), Tarek Alsayed Yahya (oud) (Syrie-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Cambrils, 26 d'abril de 2018 Si et resisteixes, et maten
Si no ho fas, no et creuen i et qüestionen
Si refàs la teva vida, 'tampoc devia ser per tant'
No és abús, és VIOLACIÓ.
#LaManadaSomNosaltres
#noésno
Cambrils, 26 d'abril de 2018 Si et resisteixes, et maten
Si no ho fas, no et creuen i et qüestionen
Si refàs la teva vida, 'tampoc devia ser per tant'
No és abús, és VIOLACIÓ.
#LaManadaSomNosaltres
#noésno
#52anónimos
L'abadia de Sant Hilari (en francès Abbaye de Saint-Hilaire) és una antiga abadia benedictina fortificada situada a Saint-Hilaire (en occità Sant Ilari, en francès Saint-Hilaire), en el departament francès de l'Aude.
Fundada a finals del segle VIII, en el X i per voluntat dels comtes de Carcassona, l'abadia fou dedicada a Saint Hilaire (San Hilario), primer bisbe de Carcassona. El monestir fou pròsper fins el segle XIII, però les devastacions a causa de la guerra dels Cent Anys, la pesta negra i els períodes de fam afectaren negativament en ell i van causar el seu declivi. No obstant, la producció tradicional vinícola de la regió i de l'abadia derivà en que, el 1531, els monjos de Saint-Hilaire descobrissin el primer vi efervescent del món: el Blanquette de Limoux.
En el segle VII, sobre una capella construïda en el segle anterior per ordre de Sant Hilari, primer bisbe de Carcassona, que evangelitzà la regió del Carcassès, s'edifica una església, primer pas del que seria posteriorment l'abadia, que es menciona per primer cop a l'any 825 sota l'advocació de Sant Serni, primer bisbe de Tolosa.
Un segle més tard, concretament el 22 de febrer de 970, s'hi descobreixen les restes del primer bisbe de Carcassona i constructor de la primera capella. Els comtes de Carcassona, Roger I i la seva esposa Adelaida de Gavaldà, sol·liciten a l'orde de Sant Benet que es converteixin en els seus benefactors, i una carta de Lluís I el Pietós autoritza als monjos a escollir el seu abat, al mateix temps que passa a l'advocació de Sant Hilari.
Fins el segle XII, l'abadia es beneficia de la protecció dels comtes de Carcassona i nombrosos membres de la família Trencavell hi són enterrats. Paral·lelament, adquireix gran importància en tota la regió multiplicant-se les donacions. Durant la croada contra els albigesos, els monjos són acusats d'heretgia i entregats als dominics. El monestir és devastat i donat, juntament amb les seves terres, a la comunitat de germans predicadors del monestir de Prouille fins l'any 1246, que el rei de França Lluís IX intervé demanant al senescal de Carcassona tornar les terras a l'abat de Sant Hilari. L'abadia pateix les conseqüències de la devastació anterior i s'esfondra part del creuer, que es refà entre 1237 i 1260.
En la primera meitat del segle XIV s'edifica el claustre, però immediatament comença a patir etapes de dificultats econòmiques al no ser suficients els ingressos per a mantenir als 29 monjos que hi havia, que es va reduir a l'any 1344 per ordre del bisbat de Carcassona. La guerra dels Cent Anys i la pesta negra agreujaren aquests problemes, ja que es va haver de fortificar el monestir, generant més despeses. És en aquesta època que els monjos de Sant Hilari creen el Blanquette de Limoux, l'any 1531, als cellers adjunts de l'abadia.
En el segle XVI el monestir es sotmet al in commendam, traspassant els seus béns a particulars, però la decadència econòmica segueix i, l'any 1758, el bisbe de Carcassona dicta un decret suprimint els oficis claustrals i places monacals, convertint-se en església parroquial. A finals del segle XVIII l'abadia és venuda.
L'església abacial fou edificada en el segle XII tot i que no va ser acabada, bastint un mur de pedra com a façana occidental. Consta d'un absis semicircular on hi ha tres vitralls, possiblement del segle XIX. La nau està constituïda per tres voltes ogivals del segle XIII. Conté la joia artística de l'abadia, l'anomenat sarcòfag de Sant Serni, atribuït al Mestre de Cabestany. És una carcassa tallada en un sol bloc de marbre blanc del Pirineu, que explica, de dreta a esquerra, la vida de Sant Serni, el primer bisbe de Tolosa, al segle III, i s'atribueix al Mestre de Cabestany.
El claustre, en forma de trapezi irregular, data del segle XIV. Els capitells, de pedra sorrenca procedent de les pedreres de Razès, estan decorats amb fullatge, rostres humans o animals. En un dels seus laterals, sota una arcada, té un tauler d'escacs esculpit. És centrat per un font del segle XVI.
La sala de l'abat, contigua a la sala capitular, es va reservar per a l'abat, com a menjador privat o dormitori i té una decoració molt ben conservada. A les pintures de les bigues del sostre, que daten de finals del segle XV, s'hi representen formes geomètriques, d'animals i representacions humanes, algunes d'elles pujades de to.
A la part sud de la galeria del claustre hi havia el refectoris, un per als monjos i una altre per les visites. Els dos refectoris estan separats per una paret gruixuda que conté un púlpit incrustat de volta de creueria que data del segle XIV.
A la part sud-oest roman el que ha arribat als nostres dies de la part fortificada.
Des de 1840 està inscrit com a Monument Històric francès.
Aquesta foto ha jugat a Quel est ce lieu?.
Ayah Refa'i and Muhammed Shobaki, in a play in the last day of a summer camp in Askr Development Center, New Askr Refugee Camp.
New Askr Refugee camp, is not recognized by the United Nation, so by that the Home of 6000 citizen has no Schools or Clinics, children have to walk 2 Kilometer to go to school, in the near refugee camps.
Fakher Madallal (voice, percussion) (Syria-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Tammam Al Ramadan (ney) (Syrie-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)
FLTR: Aren Dolma (voice) (Tibet-BE), Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE), Shahab Azinmehr (setar, tar) (Iran-BE)
Refa brings together renowned musicians from Syria, Tibet, Iran, Afghanistan, Turkey and Belgium who are united by their desire to weave links between their music. The group has developed an original repertoire at the crossroads between their different traditions.
After a fantastic five-year adventure with two albums, more than a hundred concerts in Belgium and abroad, rave reviews including the first place in the annual list of the Transglobal World Music Charts in 2016 and the Klara for best Belgian world music album in 2019, Refugees for Refugees has written a new chapter in one of the success stories of traditional music in recent years.
They will continue under a new name and a new line-up. Refugees for Refugees becomes Refa.
“In the first place, we want to be seen as musicians, as people and not as refugees,” says Syrian ud-player Tarek Alsayed. “Our previous name pushed us into a victim role.” The statement is clear: from refugees into musicians.
Line-up
Aren Dolma (voice) (Tibet-BE)
Damla Aydin (Cello) (Turkey-BE)
Fakher Madallal (voice, percussion) (Syria-BE)
Mohammad Aman Yusufi (dambura, voice) (Afghanistan-BE)
Simon Leleux (percussion) (BE)
Shahab Azinmehr (setar, tar) (Iran-BE)
Tammam Al Ramadan (ney) (Syria-BE)
Tareq Alsayed Yahya (ud) (Syria-BE)