View allAll Photos Tagged Redbricks
Just a short walk from the Ashton Canal is this hidden gem. The Fairfield Moravian settlement is a beautifully maintained collection of red brick houses set around wide cobbled streets. Some history here - manchesterhistory.net/manchester/outside/moravian.html
No call for artistic or technical proficiency, it would appear. Now converted to flats.
I especially like the jolly red bricks and the weather vane.
Die zum Alten Rathaus von Berlin gehörende Laube ist 1871 in ihrer hochmittelalterlich-gotischen Fassung in den Park von Babelsberg (Potsdam) versetzt worden.
In 1871, the arbor belonging to the Old Town Hall of Berlin was transferred to the Park of Babelsberg (Potsdam) in its highly medieval-Gothic version.
Bizarre seating arrangement outside no 144b. It's mild, but not that mild... Quite a sorry scene. Colour version of a similar, mono shot.
Herstmonceux Castle, East Sussex
Grade l listed.
List Entry Number: 1272785
Listing NGR: TQ6463810388
Details
This list entry was subject to a Minor Amendment on 24/04/2020
TQ 61SW 13/406
HERSTMONCEUX HERSTMONCEUX PARK Herstmonceux Castle, with attached bridges to north and south and causeway with moat retaining walls to west.
GV I Castle/country house. c1441 (when licence to crenellate was granted) for Sir Roger Fiennes; further embellished mid C16 for Baroness and Lord Dacre; altered mid-late C17 for Lord Dacre; part demolished 1776-1777 for Robert Hare; restored and rebuilt early C20, mostly 1911-1912, for Lieutenant Colonel Claude Lowther and 1930s for Sir Paul Latham.
Red brick in English bond with some blue header diaper work; stone dressings; plain tile roofs. Square on plan with inner courtyard, this originally divided into four courts and containing Great Hall, but these and the internal walls of the castle demolished C18; south range and south ends of east and west ranges restored by Lowther, the remainder restored by Latham. Two storeys with attic and basement in parts; five x four wide bays with tapering polygonal towers at corners and between bays, taller at angles and centre. Built and restored in C15 style: exterior has one-light or two-light windows, some transomed; courtyard has more wider windows and some with cusped or round-headed lights; four-centred-arched or segmental-arched moulded or chamfered doorways with C20 studded board doors; tall plinth with moulded offset; moulded string below embattled parapet with roll moulded coping; rainwater pipes with decorative initialled heads; stacks with ribbed and corniced clustered flues; steeply-pitched roofs with roll-moulded coping, some with hipped ends.
South (entrance) elevation: three-storey central gate tower has tall recess containing wide, panelled door, window of two cusped, transomed lights above, and grooves for former drawbridge arms; on second floor two transomed windows of two round-headed lights flank coat of arms of Sir Roger Fiennes; flanking towers have gun ports at base, looped arrow slits, machicolated parapets with arrow slits to merlons, and towers rising above as drums. Projecting from gate tower is long bridge (mostly C20) of eight arches, that to centre wider and shallower, with cutwaters, stone parapet, and central corbelled embrasure with flanking tower buttresses.
North side: central gate towers formerly had rooms on lower floors, of which truncated walls and first-floor fireplace fragment remain; machicolated parapet; at left end of range C17 window openings with later eighteen-pane sashes. West side: attached causeway containing basement room and with three half-arched bridge on south side, walling returning as moat retaining walls; main range has a basement doorway with side-lights in chamfered embrasure.
East side: the second tower has C16 first-floor bow window; tall windows to central tower (which contains chapel); right half of range has older windows blocked and larger C17 replacement openings with later eighteen-pane sashes.
Courtyard: seven-bay arcade to north side and central corbelled stack with clock; three-bay 1930s Great Hall (now library) on west side with decorative tracery to windows and offset buttress; gable of former chapel on east side, has perpendicular tracery to window, a two-storey bay window and two crow-stepped gabled attic windows to its left; several doorways and a two-storey bay window to south side; hipped-roofed dormers; brick-lined well in south-west corner.
Interior: some original features survive, including fireplaces, privies, doorways, dungeon and brick-lined dovecote in south-east tower; other old features were brought in from elsewhere, including doors, fireplaces, panelling. In south range: porter's room has old fireplace and relocated linenfold door (found in cellar); reused traceried wood panelling in rebuilt dining room fireplace; stair hall has fine early C17 wooden stair (brought from Theobalds, Herts) with strapwork roundels between square vase balusters, elaborate relief decoration, and lion finials holding shields; at head of stair; elaborate doorcase of same period ribbed ceiling with pendant finials. Drummers Room has reused panelling, part dated 1697, with fluted pilasters and frieze and elaborately arcaded and fluted-pilastered overmantel. Green Room, on second floor, has restored fireplace with crests and beasts on hood; moulded beams and bosses; and reused traceried panel below courtyard window.
North range: very fine late C17 stair (brought from Wheatley Hall, Doncaster; possibly from the workshop of Grinling Gibbons) with baskets-of-flowers and pendant finials to newels, balustrades of open, leafy, scrollwork with flower roundels, and at head of stair two elaborately carved doorcases in similar style with shields in broken pediments. Former ball room has arched ceiling with decorative plasterwork; C17-style panelling; reused elaborately-decorated C17 wooden fireplace overmantel (from Madingley Hall, Cambs.) with two orders of caryatids and embossed panels.
East range: former chapel has reused C15 wooden screen (from France) set in west wall; former Drawing room has elaborate stone fireplace, 1930s in C16 style, and in ante room a reused richly decorated fireplace with griffins and portrait roundels. The C15 castle was well restored in the early C20 and the many fine features which were brought in at that time add to its importance.
Listing NGR: TQ6463810388
Sources
Books and journals
Calvert, D , The History of Herstmonceux Castle
Pevsner, N, Nairn, I, The Buildings of England: Sussex, (1965), 534-6
'Country Life' in 18 May, (1929), 702-709
'Country Life' in 7 December, (1935), 606-612
'Country Life' in 14 December, (1935)
Other
Register of Parks and Gardens of Special Historic Interest in England, Part 14 East Sussex,
historicengland.org.uk/listing/the-list/list-entry/1272785
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Before 1066 Herst (meaning forest or wood) was the name of a prominent local Anglo-Saxon family and ownership of the family's estate passed into the hands of the victorious Normans. In 1131 the manor and estates were transferred to Drogo de Monceux, a great grandson of William the Conqueror . Drogo's son Ingleram married Idonea de Herst, thus founding the Herstmonceux line.
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Herstmonceux Castle Gardens and Grounds is a 300 acre estate including woodland, formal themed gardens and of course a 15th century moated castle.
Made from red brick Herstmonceux Castle is one of the earliest examples of a brick built building in England.
Read more about the history here:-
The Mexican Fleabane (Erigeron karvinskianus) makes a carpet of grey-green foliage that sticks around all year and is covered all summer in daisies that fade from white to pink. To top it all, it’s an effortless self-seeder, always choosing the best spot. Loves sun, the seaside and tiny cracks, hates very harsh winters.
From the turn of the century until the late 1960’s inmates of the Lorton correctional facility operated nine kilns on this site.
The bricks stacked inside this kiln are ready to be baked. For 4 to 5 days coal fires in each of the hearths were stoked around the clock. Hot air rose along the inside of the vaulted walls but did not escape through the hole in the ceiling. Heat was sucked down through the bricks, between louvers in the floor, across an underground flue, and up the tall chimney that stands beside the kiln.
These kilns were a primary local source of the red brick used in constructing the historic durable buildings now seen throughout northern Virginia. Today beehive kilns are little used.
O West Norway Museum of Decorative Art, ou KODE 1, em Bergen, Noruega, é um edifício neorrenascentista projetado por Henry Bucher e inaugurado em 1896. Integra o complexo KODE, um dos maiores museus de arte, artesanato, ‘design’ e música dos países nórdicos. A sua coleção principal foca-se nas artes decorativas dos últimos 500 anos, incluindo prata, mobiliário, vidro, porcelana, têxteis e uma importante coleção de arte chinesa doada por Johan Wilhelm Normann Munthe. A fachada histórica, que combina pedra cinzenta e tijolo vermelho, contrasta com o jardim público frontal, um espaço verde central na cidade.
The West Norway Museum of Decorative Art, or KODE 1, in Bergen, Norway, is a neo-Renaissance building designed by Henry Bucher and opened in 1896. It is part of the KODE complex, one of the largest museums of art, crafts, design, and music in the Nordic countries. Its main collection focuses on decorative arts from the last 500 years, including silver, furniture, glass, porcelain, textiles, and an important collection of Chinese art donated by Johan Wilhelm Normann Munthe. The historic façade, which combines gray stone and red brick, contrasts with the public garden in front, a central green space in the city.
One of the many individual buildings in Ditchling. Formerly known as Bank House, it dates back to 1753, and is a prime example of a Tudor building.
It is now an Estate Agent
Die Lübecker Marienkirche (offiziell St. Marien zu Lübeck) wurde von 1250 bis 1350 erbaut. Die Lübecker Bürger- und Marktkirche ist von jeher ein Symbol für Macht und Wohlstand der alten Hansestadt und befindet sich auf dem höchsten Punkt der Lübecker Altstadt-insel. Die Kirche ist Teil des UNESCO-Welterbes Lübecker Altstadt.
Redcar railway station is the most inconvenient ever; it is never clear whether your Transpennine is going to come into Platform 1 or 2; there is no parking on platform 2 side, and the only way from 1 to 2 is up a lot of steps, over a bridge and down steps on the other side, a nuisance when you have heavy luggage.Every time we went to the ticket office to make enquiries, it was shut. There are signs up that the station is to be renovated. Meanwhile, on platform 2 side, you can look at the portraits of local people in the arches.
WASHINGTON NC: An old building in the old city of Washington NC. Known affectionately as "Little Washington" by so many in North Carolina, the local residents are a bit sensitive about this nickname pointing out that Washington NC existed before Washington DC, or BIG Washington. Consequently, the townsfolk refer to their town as "The ORIGINAL Washington."
OK, I checked on the dates each city was founded. Sure enough, "Little Washington" was founded in 1776 while, uh, the other one was founded in 1790.
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[explored #7]
Another shot from my journey to Florida.
I know it is a bit late, but my good bud Jordan Voth was showing me a cool new PS trick and I HAD to try it out!
I threw my own little twist on it, so let me know what you think!
p.s. I already notice her hand is cut off =/ I'm quite sad about it, but I thought I'd give it a try anyway.
5d w/ 50 1.8
natural light
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