A sorry attempt at mimicking one of Rothko's Seagram murals with Kelbv's (Flikr on Flickr) VEXER. The Seagram murals room is definitely one of my favourite things in the Tate Modern. It's much harder than it looks to copy this in VEXER and I could never get the colour right. I will try again later!

Original: One, Two.

-- www.tate.org.uk/servlet/CollectionDisplays?roomid=2653

Simmered Beef on Pumpkin and Cabernet Sauvignon.

Remindes me of Mark Rothko

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Rinderfilet in Rotwein 40 Minuten bei 80°C gesotten, auf Kürbispüree mit der stark reduzierten Rotweinsauce (waren mal 0,5l Cabernet Sauvignon)

In The Hague, Gemeente Museum Den Haag

Blogged here

on the T.V.

Westward onto Cardigan Bay

We got there early to view the black room without crowds.

via Instagram bit.ly/18TwOhz

There are a lot of rusty objects in the Blists Hill Victorian Village, part of the Ironbridge Gorge museums. This leapt out at me as a couple of rusty panels resting against a wall which could almost just be seen as a Rothko.

Photographed from home in the Waitakere Ranges, West Auckland, New Zealand, with no retouching or colour manipulation.

Masterpiece of the Salvo Design carpenters. This drawer made from strong boat wood is finished with invisible hand bars. The balanced colors and pattern provokes the same timeless fascination as the abstract paintings of Mark Rothko.

zombie friends

[Arles - Giugno 09]

A picture of me attending the Rothko exhibition at Tate Modern

Photographed from home in the Waitakere Ranges, West Auckland, New Zealand, with no retouching or colour manipulation.

Muebles pintados a mano inspirados en los grandes artistas de la historia del arte.

Marina Maric, staring at Mark Rothko's "No. 3 / No. 13" at MoMA

Kingston upon Thames

Photographed from home in the Waitakere Ranges, West Auckland, New Zealand, with no retouching or colour manipulation.

The compliments in this picture are orange and blue. The solution used is visibly simple; Mark Rothko saturated the blue much more than the faded orange. My attention goes straight to the blue, then to the orange and last to appreciate the dull green that seems to be the strip most far away.

Ruling pen and ink on Hahnemuehle printing paper (detail). 2010.

My camera probably ruined the colors.

Brockley, South London

The Bravery @ Rothko in NYC on March 24, 2005.

Aquarelle sur papier, 39 x 52 cm, 1934, collection Christopher Rothko, New York.