View allAll Photos Tagged ROTHKO
Mark Rothko, No. 9 - Dark over Light Earth (Violet [Orange] and Yellow in Rose [Grey]), 1954, Oil on canvas [asphalt], 83 1/4 x 68 [ 83 1/4] x 1 3/4 in - 211.46 x 172.72 [211.46] x 4,45 cm, The Museum of Contemporary Art, Los Angeles The Panza Collection
Panel from Rothko mural commissioned for Seagrams Restaurant. The panels of this mural are easily my favorite set of Rothkos, especially after reading Erik Reese's essay, "Nine Drafts of a Suicide Note".
Huile sur toile, 190 x 101 cm, 1950-1952, Tate modern, Londres.
L'artiste nord-américain Mark Rothko admirait grandement Turner. D'où cette remarque célèbre faite en 1966 : "Cet homme Turner a beaucoup appris de moi". A la fin de sa carrière, il a créé des peintures comme celle-ci qui utilisent des rectangles de couleurs intenses pour transmettre des émotions. En 1969, Rothko offrit un groupe de peintures à Tate, dans l'espoir qu'elles seraient exposées à côté de celles de Turner. (cf. Tate).
Dewar Island... resembles any painting by Mark Rothko.. bold, Adventurous ... and sublime.. a bit omnious... but comforting anyway... I have never seen a more brilliant and comfortable red
REF ND237.R725.A4 2007b
Recently breaking the record price for post-war art at a Sotheby’s auction, Rothko’s White Centre (Yellow, Pink and Lavender on Rose) is indicative of this artist’s tremendous and enduring legacy as a master of color. This beautifully produced, oversized monograph presents roughly 100 works (70 paintings in full-color plates and 28 drawings) from private and public collections, tracking the evolution of his signature style. The monograph begins with Rothko’s early work, focusing specifically on the delicate hues and subtle textures of his relatively small paintings on gesso board.
A sunrise at 30,000 feet over California from this blog entry: prometheus.med.utah.edu/~bwjones/C1705165967/E20081107114...