View allAll Photos Tagged Questions
Question from Sarah Connor "How could you bring that THING in here with all these people? All they know is killing!"
el mundo esta lleno de preguntas qe me matan de cuestiones por saber de la vida y sobre el universo mi cabeza ezta de qe llano le caben las preguntas qe zieno la necesidad de resolberlas por mi propia voluntad aunqe si la gente y cientificos no pudieron qe podre acer yo?
I was just guessin' at numbers and figures,
Pulling your puzzles apart.
Questions of science, science and progress
Do not speak as loud as my heart.
[The Scientist-Coldplay]
Michael Grinston Sgt. Maj of the Army visits NCO leadership Center of Excellence where he answered questions from SGM 72.
This was a coincidence... I found this question mark made buy someones spit in the office's toilet bowl. This was taken without flash.
Question: Where shall we find the chief truths which the Catholic Church teaches?
Answer: We shall find the chief truths which the Catholic Church teaches in the Apostles Creed.
Go to Page 342 in the Internet Archive
Title: Cyclopaedia of obstetrics and gynecology ...
Creator: Charpentier, Arthur Louis Alphonse, 1836-1899. Practical treatise on obstetrics
Creator: Chrobak, Rudolf. Gynecological diagnosis .
Creator: Grandin, Egbert Henry, 1855- Electricity in gynecology and obstetrics
Creator: Hegar, A. (Alfred), 1830-1914. Hand-book of general and operative gynecology
Creator: Kaltenbach, Rudolph, 1842-1893. Hand-book of general and operative gynecology
Creator: Olshausen, Robert Michaelis von, 1836-1899. Diseases of the ovaries
Creator: Billroth, Theodor, 1829-1894. Diseases of the female mammary glands
Creator: Gusserow, A. New growths of the uterus
Creator: Winckel, F. (Franz), 1837-1912. Diseases of the female uretha and bladder
Creator: Breisky, A. Diseases of the vagina
Creator: Müller, Paul, 1836-1922. Sterility .
Creator: Börner, Ernst, 1842-1914. Menopause
Creator: Brandl, Ludwig. Diseases of the tubes, ligaments, pelvic peritoneum and pelvic cellular tissue
Creator: Zweifel, Paul, 1848-1927. Diseases of the external female genitals .
Creator: University of Leeds. Library
Publisher: Edinburgh : Pentland
Sponsor: Jisc and Wellcome Library
Contributor: University of Leeds Library
Date: 1889
Language: eng
Description: Contents: v. 1-4. A practical treatise on obstetrics / A. Charpentier -- v. 5. Gynecological diagnosis ... / R. Chrobak [and] Electricity in gynecology and obstetrics / Egbert H. Grandin -- v. 6-7. A hand-book of general and operative gynecology / A. Hegar and R. Kaltenbach -- v. 8. Diseases of the ovaries / R. Olshausen -- v. 9. Diseases of the female mammary glands / Th. Billroth and New growths of the uterus / A. Gusserow -- v. 10. Diseases of the female uretha and bladder / F. Winckel and Diseases of the vagina / A. Breisky -- v. 11. Sterility ... / P. Müller and The menopause / E. Börner -- v. 12. Diseases of the tubes, ligaments, pelvic peritoneum and pelvic cellualr tissue ... / L. Brandl and Diseases of the external female genitals ... / P. Zweifel
This material has been provided by The University of Leeds Library. The original may be consulted at The University of Leeds Library
The University of Leeds Library
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
- Pas question que je pose pour la photo, tu as voulu m'empoisonner ! La preuve, j'ai encore du poison sur le menton...
- Mais enfin Elvira, c'est pas du poison, c'est du vermifuge. Il faut bien vu que tu es une tueuse.
- Pff, vermifuge ou poison c'est beurkh et je t'aime plus, na !
When it comes to doing laundry, everyone knows how important having a reliable washing machine is. But what kind of washer should you get? That's the question I'm here to answer: are commercial washers better than regular machines?
In this article, I'll be breaking down the pros and cons of both types of machines so that you can make an informed decision on which one best suits your needs.
The great thing about commercial washers is that they're designed for heavy-duty use, meaning they have larger capacities and are more durable than residential ones. On top of that, many come with additional features like faster spin cycles and water temperature control settings. However, these perks don't come cheap – commercial washers tend to be significantly more expensive than regular models.
So before you take the plunge and invest in one, consider whether or not its extra benefits justify the cost.
Capacity And Durability
I believe commercial washers are better than regular residential ones. They have bigger capacity and can clean more clothes at once due to the larger drums, making them an ideal choice for businesses that do laundry in bulk. Not only do they save time but also conserve water usage since they use less water per load compared to conventional machines.
The cleaning power of these washers is also greater - their high spin speeds ensure a deeper clean every time.
comme les grandes œuvres, les sentiments profonds signifient toujours plus qu'ils n'ont conscience de le dire." le mythe de sisyphe, albert camus
In March 2025, I photographed Dr. Catie Cuan, a rare kind of technologist—one who does not merely study movement but inhabits it, shaping our understanding of both human and robotic motion in ways that feel at once inevitable and revolutionary. To witness her at work is to see someone in deep conversation with machines, coaxing out a language of movement that is not just efficient but expressive, not just technical but emotional.
A trained dancer and mechanical engineer, Cuan is a pioneer in ‘choreorobotics,’ a field that merges artificial intelligence, human-robot interaction, and art. Her career has been a dance in itself, moving fluidly between performance, research, and entrepreneurship, all in pursuit of a singular question: how can robots move in a way that feels alive?
Cuan holds a PhD and a Master’s of Science in robotics and AI from Stanford, where she is also a postdoctoral researcher leading the art and robotics efforts at the new Stanford Robotics Center. Her dissertation, “Compelling Robot Behaviors through Supervised Learning and Choreorobotics,” explores how machine learning can teach robots to move in ways that evoke presence—where motion itself carries meaning. During her doctoral research, funded by the National Institutes of Health, Google, and Stanford University, she led the first multi-robot machine learning project at Everyday Robots (Google X) and Robotics at Google, now part of Google DeepMind.
But Cuan is not content to leave her work in the realm of academia. She has spent years choreographing robots, treating them not as rigid automatons but as performers capable of communicating through motion. She has held residencies at the Smithsonian, the Exploratorium, Jacob’s Pillow Dance Festival, TED, Everyday Robots (Google X), the RAD Lab, and ThoughtWorks Arts, working with nearly a dozen different robotic platforms—from the industrial ABB IRB 6700 to small, interactive tabletop machines. Her performances reimagine robots not as servants or tools, but as collaborators, capable of moving with grace, intention, and even artistry.
Cuan’s vision is as much about rethinking robotics as it is about rethinking humanity’s relationship to machines. Her work suggests that the way a robot moves can influence the way we feel about it—that movement is not just a function of engineering but of psychology, of storytelling, of something deeply embedded in how we perceive life itself. In healthcare, she envisions robots that move with a bedside manner, adjusting their motion to put patients at ease. In entertainment, she imagines robots that can dance, that can anticipate and respond to human motion as a partner rather than an operator. Her work, at its core, is about breaking down the binary between the organic and the artificial.
Photographing Cuan, I saw someone who carries these ideas not just in her mind but in her body. Her own movements are precise yet fluid, deliberate yet spontaneous, as though she is always attuned to the forces of motion around her. In that moment, it was clear: she is not just designing how robots move—she is teaching them how to be seen, how to be understood, how to exist in a world that has, until now, only made space for the living.