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ce goéland a l'air d'avoir les plumes qui prennent l'eau quelqu'un sait-il pourquoi ?
This one looks like soaked , anyone knowing why ?
I asked this biker guy two questions ... if I could borrow his hair for the weekend ... and if I could take his picture .... He said I couldn't borrow the hair ... but I made the portrait anyway ...
in the geometry
of my
body
lies a
soul.....
my mind in command position....
different and inherent parts of me....
sometimes I try to define
others to understand......
It should be simple.....
tricky
isnt it?
how this supposed to be
free
soul
can be attached to anything?????
and if my body is mine
and my soul is free
how is my mind so confused.....???
Ela mora no mar
Ela brinca na areia
No balanço das ondas
A paz, ela semeia .·´¯(_♪
:)
Obrigada Claudio.!!
in the mathematics of perfect roundness.
instruments can be resetted by the wonderful curvature of you
all souls are free. All just need a key to to be captured
from Wayne...
I've been wanting to make the joker batman for a while now and I only have one batman cowl left. I was going to use it for another bat figure that I started a while ago, but now I really want to make the joker batman. Should I just do it??
Model: Lilith Etch. Shot with Lilith inside the Lastolite Hilite. Questions, comments and critique welcome.
Instagram ≈ Youpic ≈ flickr ≈ 500px ≈ tumblr
© Copyright 2022 Barrie Spence. All rights reserved and moral rights asserted. Theses images are not in the public domain and may not be used without licence.
Comments are very welcome and very much appreciated, but any with linked/embedded images will be removed.
Found this very fresh Question mark in Juniata county 14July2021. I just love all the deep red/brown with the purples!
It was an unusually cooler day with low humidity. I started out my day with a pleasant morning run when I saw these swans grooming near the shore of the Huron River
"How do you know when it's time for you to go
How can you stop when you don't know how to start
How can you go back when you don't know why you're here
How can you see when your eyes begin to fade
How will you hear when you've heard it all before
How do you do all the things you want to do
How much can you take when you've taken all you can
Hoe can you act when you've never seen the script
How can you choose when you don't know which is right
How far can you go if you've been there before
How can you shine if you've never seen the sun
How does a child become a man without a child
How can you heal someone that doesn't want to heal"
From the great and underrated INXS album Welcome to wherever you are: youtu.be/Us3p7SsrxvM
There were many unanswered questions in this house: such as why these shoes were left behind. I confess I put them on the window sill where I could photograph them better.
In questa composizione essenziale, la silhouette dei volatili si staglia su un fondo immacolato, trasformando un momento naturale in un gesto quasi grafico. L’assenza totale di dettagli e di contesto amplifica la forza del contrasto, lasciando che la purezza delle forme parli da sé. Le figure, distribuite nello spazio con un ritmo misurato, evocano un senso di movimento corale, come se ciascun soggetto partecipasse a una coreografia segreta e armoniosa.
La fotografia diventa così un esercizio di sottrazione, in cui il superfluo svanisce e rimane solo l’essenza del volo: libertà, direzione, tensione verso l’altrove. Il vuoto circostante non è assenza, ma respiro; un campo visivo che permette allo sguardo di seguire ogni sagoma senza distrazioni. L’insieme suggerisce un equilibrio tra ordine e spontaneità, tra natura e astrazione, invitando l’osservatore a contemplare la poesia che nasce quando il reale viene ridotto al suo profilo più puro.
In this essential composition, the silhouettes of the birds stand out against an immaculate background, transforming a natural moment into an almost graphic gesture. The total absence of detail and context amplifies the power of contrast, allowing the purity of the forms to speak for itself. The figures, arranged in space with a measured rhythm, evoke a sense of collective movement, as if each subject were taking part in a secret, harmonious choreography.
The photograph thus becomes an exercise in subtraction, in which the superfluous fades away and only the essence of flight remains: freedom, direction, a tension toward elsewhere. The surrounding void is not an absence but a breath—an expanse that allows the eye to follow each silhouette without distraction. The whole suggests a balance between order and spontaneity, between nature and abstraction, inviting the viewer to contemplate the poetry that emerges when reality is reduced to its purest outline.
Question is!
In all truth the question doesn't really matter! the reason is more defining as to why we do what we do.
I've not been asked buy my parents why I do this crossdressing malarkey as of yet but it will come at some point so when it does what do I say?
We all have and most still do ask ourselves why we are like this but we very rarely ask what drives us. what makes us do what we do whatever stage you are on the spectrum.
For me I have from the day I mixed with other children identified more with the girls than I did with the boys, I even ran away from home at the age of eight or nine because my parents decided I should have my shoulder length blond hair cut into a more boyish style. I didn't get far in the running away thing making it as far as the playground lol
Even after a subliminal forced boyhood I still saw myself as a girl. even people who met me for the first time had to ask if I was a boy or a girl right up to the age of 12.. What you see now is just my bloody mindedness me saying "I only have one go at this life and I will be who I want to be regardless"
We are a long time dead and a short time alive.
my true identity and not my physical one drives me to morph into the woman above.
No outside influence made me this way, it wasn't nurture it is plan and simply the way nature meant it to be for me.
do you think that explanation will work?
Look at that manhole cover glowing in the moonlight (sounds better than streetlight).
Serious question, not sure if this is considered OCD. Am I the only one who notices that, hypothetically, if a road is 40 feet wide (or whatever), that the manholes are not centered in the roadway, in other words so that your vehicle tires would roll on either side of the hole and the center of your vehicle would be going over the hole? What I notice (more often than not), is that the manhole is positioned in such a way that your tire rolls over it. Not an issue...………………..IF the manhole is flush or level with the road surface (as in the above example), HOWEVER, (more often than not), at least here, in The People's Republic of New Jersey, the manhole is about 5 to 8 inches below the road surface.
So what?
Well, uh...……...wheel alignments, struts, wheel bearings, and rims aren't exactly inexpensive. Could this be some sort of conspiracy between the State, cities, municipalities, etc. and the auto repair industry? Hmmmm.
Seriously, are their any civil engineers in the house who would be kind enough to explain it to me (like I'm a 10 year-old)…….."Why aren't manhole covers centered in the roadway?" I overstand that the sewer system is already in place BEFORE the road is surfaced, however, surely, if we can send a man to the moon and have 4 head, self-cleaning, wired remote control VCR's, we have the technology to measure these things while the sewer system is being built?
New York City: Snow Day...
(from my book: bit.ly/newyorkbook)
The snow fell
onto New York City
like spun sugar,
stretched across
trees and houses
as hearts skipped a beat,
in the pause between moments
while the city streets wound
themselves through the snow
and we climbed right into
winter’s dream
propelling ourselves
into the city’s memory
while distant smokestacks
exhaled into a slumbering sky.
Day melted away
as evening waited patiently
to pull itself like a blanket
over a languid and dreaming afternoon,
and New York City slipped
over glazed rooftops
into the winter night.
---
This is one of the photos featured in my New York photography book.
Curious about the book? Tons of information about my New York City photography book with sample pages (including where to order and what stores are carrying it):
NY Through The Lens: A New York Coffee Table Book
---
View my New York City photography at my website NY Through The Lens.
View my Travel photography at my travel blog: Traveling Lens.
Interested in my work and have questions about PR and media? Check out my:
About Page | PR Page | Media Page
To use any of my photos commercially, feel free to contact me via email at photos@nythroughthelens.com
Dear customers, how do you deal with the attachment points limitation in Second Life? What choices are you forced to make due to this limitation and how useful would it be to have more available attachment points? Share your experiences and opinions with us in the comments below!
I have never used anything but Google Picasa since I have been into photography. Google has discontinued it an no longer supports it. I have searched many options and have found nothing that compares. I want something to store,organize, edit and e-mail pictures from. What do you use ?
Oeuvre de DAN FLAVIN - Sans titre -1971-
Art minimal américain exposé actuellement au Centre Pompidou de Metz.
What is she thinking about?
I have a dozen versions coming up in my mind.
While uploading the photo, I was thinking about giving you some context, but I'd rather leave it up to you.
82/365
I need my raincloud to go away.
And I hate my hands. Sometimes they look too big, and sometimes they look too small, but they never look like the right sized hands. Does anyone else get that? I think it might just be me. This was also taken at an odd angle, with odd lighting, and so it accentuates the oddness of my hand. 14 & 15 are the questions that I have to do for biology class tomorrow.
No, I'm not dead, just had to move.
Wanted to do more to the top of this gun but just couldn't come up with anything.
In my question I did not get the chance to say ALL the things that I would have liked to say. The truth is though this competition was very special for so many reason. It was my first competition like this which made it so unique and gave me a huge opportunity to grow and to learn not only with creating but in this amazing world of modeling and fashion! I also got to meet amazing people! We had so much fun and I feel like I made some good friends, who will forever be my Avistars Family! Most importantly though, the sweetest part of this competition was these two right here. We worked so hard. The 3 of us were non-stop. We pushed each other and we encouraged one another. We were driven to one up our best every week! Being surrounded by this kind of talent literally skyrocketed my drive. I was determine to only do my best because they only did their best. Cole quite literally honed their skills of meshing clothing and also learned Substance Painter for this competition. Bubby was knocking out new tricks like I have never seen before! The mesh bubby produced for this competition is beyond!! It is Epic! The rigging, *chefs kiss*. I literally grew 10 fold in my texturing and discovered new and amazing techniques that I will carry through into my creations. There is something so delectable about that kind of creative energy being shared. I can't wait to see what the future brings for us!
I shot this same location previous summer 2023 on analog film, the question is which one do you prefer, this one shot on Mamiya ZD (digital back) or the previous shot on analog film? Also check out my review of the Mamiya ZD.
The photo is Creative Commons license: use it for free, but please credit my name and link to my website kristoffertrolle.com
Keywords: metro, station, copenhagen, nørreport, københavn, escalators, rulletrappe, denmark, danmark, Mamiya ZD, digital back, Schneider Kreuzach AF 28mm f4.5 Aspherical