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Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
Mother's day (May 8th) 2011 my brother asked his girlfriend of 18 years and mother of his 2 daughters to marry him.
(She said yes)
Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
It's physically impossible to implement John Tory's plan to put heavy rail down Eglinton West without tunnelling or taking away street space. (Photo by Marc Demouy)
This is a first for me!!!! This beautiful butterfly was just around long enough today for two photos, I was lucky to get this one!
Guido Imbens is a scientist who builds bridges—between data and understanding, between correlation and causation, between abstract mathematical theory and real-world application. In a world flooded with information, he has spent his career developing methods to extract meaningful answers to some of the most pressing questions in economics and social science: What happens if we raise the minimum wage? Does a new medical treatment actually improve health outcomes? How do we measure the effect of education on future earnings?
Born in the Netherlands, Imbens trained as an econometrician but became, in many ways, a statistician at heart. He has a precise, almost engineering-like approach to problems, which has served him well in his work on causal inference—the study of how to determine cause-and-effect relationships from data. Alongside Joshua Angrist, his longtime collaborator, Imbens developed methods for using natural experiments—situations where external forces create conditions similar to a randomized trial—to uncover causal relationships. Their work, foundational to modern empirical research, earned them the 2021 Nobel Prize in Economic Sciences.
When I photographed Imbens at his home near Stanford on February 20, 2025, I was struck by the world he had built around him. Books lined the shelves—more than just professional tomes on econometrics, but works of history, philosophy, and literature. The walls were filled with photographs, all his own, documenting the life of his family with the same dedication and care he applies to his research. Outside, among the quiet order of an academic’s world, was something unexpected: chickens. He raises them in his backyard, tending to them with the same quiet, methodical attention he gives to data and equations.
His wife, Susan Athey, a celebrated economist in her own right, was there as well. The two share not just a home but a lifetime of intellectual collaboration, an ongoing conversation about economics, technology, and policy. Though Imbens is deeply analytical, he is also warm and engaging, his penetrating eyes suggesting a mind always at work, always questioning. There is no arrogance in his brilliance—just a deep curiosity and a willingness to engage, to explain, to refine.
Though he is now well into an illustrious career, his work remains as relevant as ever. As machine learning and AI become dominant forces in research, Imbens is at the forefront of integrating these new tools with rigorous causal reasoning. His focus remains unchanged: ensuring that in our rush to analyze data, we do not lose sight of the deeper question—what causes what, and how can we be sure?
Even outside his formal research, Imbens has a scientist’s impulse to observe, to document. His photographs, like his econometric models, are about capturing relationships—not just moments in time, but the threads that connect them. His home, his research, his life’s work—all reflect the same principle: the search for clarity in a world of complexity.
All my photographic images are copyright. All rights reserved ©.
Do not use, copy or edit any of my images without my permission. Feel free to contact me for any question.
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"Question Mark" is a new sculpture created by Rosario Marquardt and Roberto Behar and funded through a gift from the Madison Public Library Foundation. Photo by library staff.
130803-M-CU214-001
MARINE CORPS AIR STATION FUTENMA, OKINAWA, Japan – Col. James G. Flynn, right, answers reporters’ questions prior to the arrival of two MV-22B Osprey Aug. 3 at Marine Corps Air Station Futenma. The two aircraft, part of the second Osprey squadron to Japan, flew from MCAS Iwakuni. The arrival of the second Osprey squadron will complete the one-for-one replacement of the older CH-46E Sea Knight helicopters on Okinawa. The Osprey can fly twice as fast, carry three times the payload, and fly four times the distance of the older CH-46E. Its capabilities significantly benefit the U.S.-Japan alliance and strengthen III Marine Expeditionary Force’s ability to provide for the defense of Japan and perform humanitarian assistance and disaster response missions. The aircraft are part of Marine Medium Helicopter Squadron 262, Marine Aircraft Group 36, 1st Marine Aircraft Wing, III MEF. (U.S. Marine Corps photo by Lance Cpl. Elizabeth A. Case/Released)
Built in 1858
Octagon Houses
flickr.com/photos/kzoocowboy/albums/72157719017070875
buildings of interest
flickr.com/photos/kzoocowboy/albums/72157714926196361
San Francisco
www.flickr.com/photos/kzoocowboy/albums/72157714198280792
somewhere
Secretary of Defense Robert M. Gates listens to a question from a Soldier with United States Division-Center during Gates' visit to Camp Liberty, Iraq, Thursday, April 7, 2011. During the visit Gates spoke with Soldiers from the division about the U.S. drawdown in Iraq, the repeal of the Don't Ask, Don't Tell policy and other changes throughout the Army. (U.S. Army photo by Sgt. 1st Class Jon Soucy) (Released)
www.goalfinder.com/product.asp?productid=151
Watch various movie clips related to Virus Replication. These are 1) Virus Attachment 2) Virus Penetration 3) Virus Uncoating 4) Virus synthesis 5) Virus Assembly Maturation 6) Virus Release 7) Virus Complete Reproductive cycle (replication)
World's first movies on bird flu - This is the first part of bird flu the virus - This animated, 45 minute, movie arms you with detailed information on virus, it answers those questions that had been bothering you but did not know whom to ask?, like how can a "bird virus" infect human beings, How can the virus jump from chicken to humans? If this H5N1 virus has been present since 1997, why is there no medicine or vaccine available even today to fight it?
www.goalfinder.com/product.asp?productid=151
Watch various movie clips related to Virus Replication. These are 1) Virus Attachment 2) Virus Penetration 3) Virus Uncoating 4) Virus synthesis 5) Virus Assembly Maturation 6) Virus Release 7) Virus Complete Reproductive cycle (replication)
World's first movies on bird flu - This is the first part of bird flu the virus - This animated, 45 minute, movie arms you with detailed information on virus, it answers those questions that had been bothering you but did not know whom to ask?, like how can a "bird virus" infect human beings, How can the virus jump from chicken to humans? If this H5N1 virus has been present since 1997, why is there no medicine or vaccine available even today to fight it?
行政長官施政報告答問會
行政长官施政报告答问会
The Chief Executive's Question and Answer Session on the Policy Address (2020.11.26)
The Concept:
a. Type your answer to each of the questions below into Flickr Search.
b. Using only the first page, pick an image.
c. Copy & paste each of the URLs for the images into fd's mosaic maker.
The Questions:
1. What is your first name? Rachel
2. What is your favorite food? Homemade Pasta
3. What high school did you go to? Colchester Christian Academy
4. What is your favorite color? Lilac
5. Who is your celebrity crush? Darren Hayes
6. Favorite drink? Whiskey
7. Dream vacation? Ancient Egypt
8. Favorite dessert? Dark Chocolate
9. What you want to be when you grow up? Mother & Artist
10. What do you love most in life? God & People
11. One Word to describe you: Curious
12. Your Flickr name: SeaOrchid
----------------------------
1. Rachel, 2. Homemade Pasta, 3. St Botolphs, Colchester, 4. For Sam, 5. Darren Hayes - Insatiable, 6. Whiskey Sour, 7. Idyllic, 8. Dark Chocolate, Raspberry Cake & Chocolate-Ginger Mousse, 9. Mother Earth - Unknown Artist, 10. `169 | High.., 11. Stay away from me weirdo !!, 12. Saying Goodbye
Created with fd's Flickr Toys.
Most people know this, but: photos are not mine, of course. Meant for tribute/inspiration/linkage purposes only.
Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
This butterfly is named for a barely noticeable light-colored marking on the underside of the wings that is sort of shaped like the punctuation known as a question mark. Seems like something this beautiful would have earned a much better name. This one was fluttering around and perching on different places in my yard. Montell, Uvalde County, Texas during November 2021
Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
Acrylique sur papier marouflé sur toile, 67 x 100 cm, avril 1984, centre Pompidou, Paris.
Toujours taraudé, à près de quatre-vingts ans, par la question de la figuration, à laquelle, insatiable, il a pourtant apporté tant de solutions plastiques et conceptuelles à travers le développement de nouvelles séries, Dubuffet entreprend, à la suite de deux ensembles, les Sites aux figurines et les Partitions, encore ancrés dans les Théâtres de mémoire, des peintures à l’acrylique sur papier qu’il dénommera a posteriori "Psycho-sites". L’ambition est ici de radicaliser la démarche entreprise autour de la notion de lieux habités de figures pour aborder des "idées de sites" et des "idées de personnages". De telles expressions visent à désigner l’absence de spécificité des lieux évoqués et l’indétermination des figures (une ou plusieurs) qui y apparaissent. L’incertitude, "’équivoque", est renforcée par des aberrations d’échelle et de points de vue sur la scène représentée, ainsi que par le recours à la délimitation de zones cellulaires où viennent généralement s’inscrire les personnages, de façon à mettre en question la vision que nous avons des choses, vision soumise à un phénomène de «"traduction " nous contraignant souvent dans la reconnaissance et la formulation de ce qui est déjà nommé.
Aussi, dans les Psycho-sites, Dubuffet va-t-il s’atteler, avec une nouvelle manière, à saper les fondements de nos certitudes visuelles. Les tracés cursifs, d’exécution rapide, procèdent de cette méthode de dissolution des repères dans un espace purement mental, de même que l’usage des couleurs "crues et triviales [qui] font grande place à l’arbitraire, marquées à tout moment d’outrancière impropriété". Si les personnages des Psycho-sites conservent encore cette double fonction d’habiter le lieu et de suggérer notre propre regard sur le lieu, avec la série Mires ils deviennent sans objet et disparaissent totalement de la surface du tableau. L’entreprise de l’artiste s’énonce ici avec plus de rigueur vis-à-vis des notions d’indéterminé et d’aléatoire : "On serait fondé à parler d’abstraction si ce terme n’était habituellement réservé à l’art qui s’interdit de figurer quoi que ce soit, au lieu que ces peintures veulent, à l’opposé, figurer les spectacles qui se présentent à nos yeux mais dans une forme très généralisée, au point que s’y voient indifférenciés le grand et le petit, les corps et les vides et toutes anecdotiques spécificités, pour finalement évoquer indifféremment tout spectacle, toute prise quelconque dans le spectacle continu que le monde nous offre".
Les Mires déclinent, dans une gamme de couleurs réduite essentiellement au bleu, au noir et au rouge, leurs tracés erratiques sur fond jaune (Kowloon) ou sur fond blanc (Boléro). Réalisées pour la plupart sur des feuilles de 67 x 100 cm, elles atteignent parfois des formats plus grands issus de ce module de base : ainsi, Le Cours des choses est composé de trente-deux de ces feuilles. Son processus d’exécution témoigne de la maîtrise de l'artiste dans la conduite de ce qu’il tient pour l’accomplissement d’une démarche tant conceptuelle que picturale. C’est en effet feuille à feuille que l’artiste progressera dans la réalisation de cette Mire monumentale, conçue en esprit, et dont l’ensemble sera ensuite marouflé sur toile pour être présenté dans le pavillon français de la Biennale de Venise en 1984 (cf. Sophie Duplaix, centre Pompidou).
August 22, 2012, Marblemount, Washington - NCNP rangers field questions from visitors to the Wilderness Information Center at the Marblemount Ranger Station. The station provides all manner of information about hikes and camping within the park.
NPS/©David Snyder
Leica MP
Leica Summicron 35mm f/2 IV "King of Bokeh"
Kodak Tri-X
Kodak HC-110 Dil B (1+31)
7 min 30 sec 20°C
Scan from negative film
Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
Jane Smalley of St. Gabriel's Hospital answers a question at a mock press conference held with several players at the Emergency Management Training Center on Camp Ripley. Included were Brig. Gen. William Lieder, Glenn Elvecrog of Homeland Security and Emergency Management, and Scott MacKissock, the Morrison County Public Information Officer. Exercise Vigilant Sheen was an exercise which took place on Aug. 7-8, 2013. Representatives from several agencies in and around Minnesota gathered at Camp Ripley to work with the Minnesota National Guard in simulating a disaster response. (U.S. Army National Guard Photo by Pfc. William Boecker/Released)
www.minnesotanationalguard.org/press_room/e-zine/articles...
....or Comma, I'm not certain, but it is an Angled-winged Butterfly......not in the best condition but I was happy to find this one, I've been trying for years. These resemble leaves or pieces of bark when the wings are folded, making them difficult to see. Thanks to monon738, this is a Question Mark.
Happy week end everyone!!!
I saw this question in a Winnie The Pooh Book at my Dr's office this week and thought it was so cute.
Tags: msh0217-7 and msh0217
Fotografía: Kiiiwiii Photography
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All my photographic images are copyright. All rights reserved ©.
Do not use, copy or edit any of my images without my permission. Feel free to contact me for any question.
Follow me on : www.facebook.com/a.carabillo and www.instagram.com/alessandrocarabillo/?hl=it