View allAll Photos Tagged PushProcessing
2016-03-18
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 10min
2014-03-14
Nikon F2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Adonal (1+50) developer
20ºC - 16.5min
2018-03-15
model: Cass
location provided by: Mecca Resturant, Raleigh
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Agfa Rodinal (1+50) developer
20ºC - 16.5min
Kodak T-MAX P3200 rated 6400, shot with Canon A-1, developed in Ilfotec LC29 diluted 1+19, 13 minutes at 20ºC.
2016-09-13
Nikon F2
Nikon Ai 50mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
2015-04-04
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (1000-push) 35mm film
Acufine developer
21ºC - 5min
Austin, TX - January 2015
Pentax K1000 | SMC Pentax-M 50mm f/2
Ilford HP5+, pushed to 3200 in Ilfotec DD-X 1+4
2012-01-05
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Kodak Portra 400 (800-push) 120 film
Monolta 360px flash
Fomapan 100 pushed at 200 exposed with Contax 139q paired with Zeiss 50mm F1.7 developped at home with Rodinal
2014-01-07
model: Katie Robinson
styling/location: Lauren Quinn
Nikon FE2
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) film
20ºC - 15.5min
2018-03-15
model: Cass
location provided by: Mecca Resturant, Raleigh
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Agfa Rodinal (1+50) developer
20ºC - 16.5min
2018-04-07
Nikon F90X
Nikon Ai 50mm f/1.4 lens
(expired) Kodak T-Max 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10min
I'd say this was for trainspotting, but it faced the wrong way. Plus, the tracks have long been in disuse.
Kodak 400TX @ EI800, 7' in Ilford ID11 1:1, 28C.
2010-12-18
models: Kaci Burgos and Lauren Jenkins
hair/makeup: Brie Reeder
wardrobe: Bob Smithey (At the Ritz Costumes)
Mamiya 645AF
Mamiya AF 80mm f/2.8 lens
Kodak Portra 400NC (1600-push) 120 film
20 seconds exposure
2016-03-18
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 10min
2015-03-27
model/stylist: Cass DeRosbi
location provided by: Greg McPherson
Nikon F90X
Nikon Ais 20mm f/2.8 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10min
2015-10-12
Olympus XA
F.Zuiko 35mm f/2.8 lens
Ilford HP5 400 (800-push) 35mm film
Kodak HC-110 (B) developer
20ºC - 8min
2016-04-04
Nikon F2
Nikon Ai 50mm f/1.4 lens
Ilford HP5 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 16min
Agfa Agfamatic 4008 Tele Pocket Sensor camera for 110 format with Lomography Orca 100 ISO black and white film, exposed at the camera's high speed setting by modifying the cassette's tab. Developed in Adox Adonal diluted 1+25 for 14 minutes at 20ºC.
photo-analogue.blogspot.com/2022/03/agfa-agfamatic-4008-t...
2011-12-18
Nikon F3
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
2014-04-10
Nikon FE2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Adonal (1+50) developer
20ºC - 16.5min
with lubitel 166U on kodak 400 tmax
developed in D76 stock, pushed to 1600
epson v600 scan
vsco on an iphone5
The Long Goodbye
A 365 midlife-crisis self-portrait project
Documenting my 39th year
2016-03-18
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 10min
2016-04-04
Nikon F2
Nikon Ai 50mm f/1.4 lens
Ilford HP5 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 16min
2015-03-27
model/stylist: Cass DeRosbi
location provided by: Greg McPherson
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10min
Fomapan 400 push test, shot with Canon A-1, rated 800.
Developed in RO9 One Shot, diluted 1:50 for 19 minutes at 20ºC.
I mean, the food is rarely amazing, but it's always tempting when you're on the commute home. Especially by foot. Especially when it's cold. Especially when it's after 6:00 and you're hungry.
Ultrafine Xtreme 400 may not be the T-MAX 400 I love and lost (long story) but it pushes respectably well and that enables me to keep shooting my TX-1 at night. And that makes me happy.