View allAll Photos Tagged PushProcessing
2017-11-26
Nikon FE2
Nikon Ais 20mm f/2.8 lens
Eastman Doube-X 200 (400-push) 35mm film
Agfa Rodinal (1+50) developer
20ºC - 11min
Bords de Seine, Paris.
For the techies a bit of old school for the new year: film scan of a 35mm TMax 400 push-processed at ISO 800, shot with an OM-3Ti with a blue filter and my old time secret filter (the grandma's silk stocking from the 70s – Gordon Willis’ trick for the photography of “Manhattan”).
Happy new year.
P.S. reuploaded - I had uploaded by mistake the low def version (too much champagne I suppose).
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Shot on ILFORD PAN F PLUS at EI 32.
Black and white negative film in 120 format shot as 6x6.
Over-developed 2/3 stop.
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4.
Read on at: emulsive.org/photography/medium-format/stand-alone-shot-o...
Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018September, #6X6, #BlackAndWhiteNegativeFilm, #EI32, #EI50, #EMULSIVEDailyPhoto, #Hasselblad, #Hasselblad2000FCW, #HasselbladDistagonCFi50MmF4, #ILFORD, #ILFORDPanFPLUS, #ISO32, #ISO50, #PushProcessing, #PushingFilm
#shootfilmbenice #filmphotography #believeinfilm
2018-10-17
hair and makeup by: Lauren Story
location provided by: Dean Cornelius at Outlawed Restorations
Nikon F3
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10.5min
Canon A1 with Canon FD f1.2/55mm. Arista Premium 400 expired 2014 @800 in Xtol 1+2 for 12.5min. 20C
I don't know much about the Basque people and of the independence movement in there, but we didn't see any of it in the big cities like Bilbao and San Sebastian.
However we also visited Oñate, the town from where my wife's father family emigrated to Argentina, and the independestist feeling is strong there.
Flags of Euskadi everywhere, all the signs only in Euskera in the shops and streets (the ones in spanish where covered with black paint) and also several graffiti on the walls.
We didn't felt threatened or insecure at all, people were really friendly like in all the places we visited only that this was a bit different.
Sunset, dessert, and cruising on the lake.
Tri-X shot at ei 1600, developed in caffenol-c-l. Pushed Tri-X really brings the grain, if that's what you're into.
2021-05-11
Canon FTb
Canon FD 24mm f/2.8 lens
(expired) Kodak Tri-X Pan 400 (800-push) 35mm film
Adox Rodinal (1+25) developer
20ºC - 11min
2015-02-14
model: Lizzie Hornshuh
location provided by: Dean Cornelius at Outlawed Restorations
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (1000-push) 35mm film
Acufine developer
21ºC - 5.5min
Cape Breton NS - A moose grazing in a burnt forest along the Cabot Trail in Cape Breton Highlands National Park. August 2015.
taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizer. Ilford HP5 iso 400 pushed to 1600.
2016-03-18
Nikon F90X
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1:1) developer
20ºC - 10min
2018-10-17
hair and makeup by: Lauren Story
location provided by: Dean Cornelius at Outlawed Restorations
Nikon F3
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 10.5min
St-Epiphane QC - Small thin white trees in the forest along a gravel road in rural Quebec. Lit by the headlights of a car and shot from ground level. April 2012.
taken on a Canon F-1 slr w/ 50mm FD f1.8 lens. Fuji Neopan iso 400 film pushed to 1600.
((Street)) • Flower Street
...and along came "Larry" again.
Kodak Tri-X pushed to ASA 800 - not nearly a hip shot but still "street discreet".
2021-02-15
Nikon F2
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+25) developer
20ºC - 10min
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Shot on Kodak EKTACHROME 200 (E200) at EI 200.
Color reversal (slide) film in 120 format shot as 6x6.
Over processed one stop.
More at:
emulsive.org/photography/medium-format/the-morning-after-...
Filed under:
#film, #filmphotography, #believeinfilm, #120_Format_Film, #2017_December, #6X6, #Cross_Processing, #EI_200, #EI_400, #EMULSIVE_Daily_Photo, #ISO_200, #ISO_400, #Kodak, #Kodak_EKTACHROME_200, #Lomography, #Lomography_Diana_Pinhole_Operator, #Pinhole, #Push_Processing, #XPRO, #Medium_format, #Photography
Bronica ETRS with 150mm f/3.5 PE.
Kodak Tri-X 400 pushed to 800. Developed in HC-110 dil B.
Copyright Carl Hall 2018. All rights reserved.
2020-11-14
Canon T90
28mm f/2.8 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 16.5min
2015-02-14
model: Lizzie Hornshuh
location provided by: Dean Cornelius at Outlawed Restorations
Nikon F90X
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (1000-push) 35mm film
Acufine developer
21ºC - 5.5min
2019-02-24
Fujica ST801
Fujinon EBC 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 17min
2016-12-18
Nikon F2
Nikon Ai 50mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Adox Rodinal (1+25) developer
20ºC - 18.5min
2020-11-14
Canon T90
28mm f/2.8 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 16.5min
2017-09-05
Nikon FE2
Nikon Ais 85mm f/1.4 lens
Ilford Delta 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 15.5min
2019-07-21
Nikon F90X
Nikon Ai’d 28mm f/2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min
Damn. Now I see that the photo would have looked better if I'd focused on the figures rather than the distance. I love my cameras, but cannot possibly use all of them often enough to keep in practice with every one. I have a couple of "workhorses", but the others only come out from time to time for "exercise". Cameras like to be used. My habitual lack of co-ordination, combined with this lack of day-to-day familiarity with every camera, leads me into error. I suppose auto-focus and auto-exposure were developed to eliminate such problems, but something puritanical in my temperament tells me that this is cheating. Auto-focus lacks a moral dimension: mistakes no longer carry consequences. What's that? Well yes ...I, hrmph, yes ...well, all right, I suppose you do tend to get a greater number of good photos, and that's all very well. It's just that...
Konica Autoreflex T3 (100th Anniversary Edition) + Konica Hexanon AR 50mm/f1.4 + Kodak Ultramax 400 (push to 800), Jobo CPE2 rotary development for 3.35min at 38C
Image captured in night/near night conditions in the Melbourne city during early-mid 1979 | Push processed HP5 | Camera: Nikkormat FT2
2020-11-14
Canon T90
Canon FD 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Adox Rodinal (1+50) developer
20ºC - 16.5min
2019-01-20
Nikon F3
Nikon Ai 50mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) developer
20ºC - 11min