View allAll Photos Tagged PushProcessing
Red Rock Canyon
Las Vegas, Nevada
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Phoenix, Arizona
Cinestill 50Daylight (Pushed 2 Stops)
Nikon F3
Nikkor 50mm 1.4
Processed @ Oscar's Photo Lab
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Ever feel alone in a crowd? Sometimes life is just like that. Even for cowboys.
Camera: Yashica TL-Electro X, Yashinon DX 50mm f1.7 screwmount lens
Film: HP5+ 35mm, pushed 1 stop
Developing: HC-110
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Lang Co Lagoon, near Da Nang, Vietnam
Kodak Retina IIIC, Schneider-Kreuznach Xenon 50mm f/2
Fomapan 100 @ EI 200
XTOL 1+0, 20C, 8 mins (derated for reuse)
Epson V800
Kentmere Pan 400 pushed 2 stops and reversed in PQ Universal
Read in Ilford Reversal Recipe that Fixing is an "optional" stage, so I tried to skip that step. What I ended up with - awesome warm-tone slides with great latitude and blacks, rating this film at EI1600.
Fixing washes blacks out, but it's still perfectly useable. Now I'll have to watch the unfixed slides for darknening/yellowing. If that doesn't occur or is limited...
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
From thedailylumenbox.com Rollei RPX-25 pushed to ISO 50 with 1949 Leica Ic and Chroma Double Glass 24mm f/11 lens. Developed in Cinestill Df96 monobath.
Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
2022-01-23
Nikon FE2
Nikon Ais 20mm f/2.8 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
Ilford Delta 100 pushed 2 stops and reversed in PQ Universal
Here I can clearly see a reason to avoid using this lens for macro work - poor, poor performance - was focused precisely on the filament, but it's a somewhat blurry mess :)
Ha Long Bay Viet Nam at the start of the Wuhan shutdowns in February 2020. A normally bustling touring scene became deserted. Vietnam was one of the very first to shut the border with China and other countries (especially China!) and perhaps the one country that came out best in terms of infection and deaths, given its population of close to 90 mio people.
The Vietnamese have learned to deal with this this from long hard experience. They do, after all, share a border with China. Despite both having Communist regimes, there is no love lost between the two countries.
I felt very sorry for all the people whose livelihoods were affected by the cataclysmic drop in tourism. The poor became even poorer and more desperate.
Kodak Retina IIIC, Schneider-Kreuznach Xenon 50mm f/2
Kodak Tri-X @ EI 800
XTOL 1+0, 8 mins @ 20C (6th use of 1L)
Epson V800
Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Film: Rollei Retro 400S @ 1600 ISO | Develop: HC-110B, 16:00 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Kodak Eastman Double-X pushed 2 stops and reversed in PQ Universal + toned in Kala Namak or Himalayan Black Salt.
Ipswich, MA
Holga
Another version shot with a Playtime Candid Camera. pushprocessed.blogspot.com/2018/02/path-to-crane-beach-8....
"the woman invisible to herself " is a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, CA by Dance-Theater Choreographer Mary Armentrout. I have done work with Mary in various capacities (on and off stage) for the past decade and the thing I love about her work is that it is very abstract yet extremely accessible to the non-artist (i.e. you can see her work and be able to "get it" without being an MFA), yet not so dumbed down to not be poignant to career artists as well. On this show I'm setting up and operating all the A/V gear and this go around she let me bring my Hasselblad to do a little shooting during the performance.
This is my first attempt at push processing a C-41 film. This is shot via available light on the rooftop of the old factory just after sunset, so It was getting dark fast. Thus, the color cast is actually pretty accurate.
Fujicolor Pro 400H - C41 (pushed 2 stops) - (processed @ Light Waves Imaging)
SEKONIC L-778 DUAL SPOT F METER
(shot @ 1600ASA, exposure unrecorded, no filtration used)
Hasselblad 500C (1968) w/120mm f5.6 Zeiss S-Planar T*
Epson PERFECTION V750-M PRO SCANNER
(20110709_Fujicolor400H_Pushed2Stops_03073_011)
Nikon F3, Nikkor 50/1.4, yellow filter, Kodak Tri-X 400@640, push +1, HC-110/dil. B, 8 min. Scan with Nikon D700/ES-2.
June2025. Asher at University Avenue Little Rock, Arkansas USA. There used to be a theater here that had a 150° wraparound screen. IlfordFP4.FujicaST801.Fujinon100mmM42.YellowFilter.Diafine3+3.Wash:AGOFilmProcessor.CameraScan:FujifilmXH1
May2025. Grain silo off the highway in route to Dewitt, Arkansas USA. Foma100@200.Minolta505SI-super.MinoltaAF50mmMacro.YellowFilter.HC110-E.AGOFilmProcessor@6minutes.CameraScan:FujifilmXH1