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The Postcard
A carte postale that was published by Ern. Thill of Brussels. The card was posted in Brussels using a 1 Franc stamp on Monday the 23rd. July 1928. It was sent to:
Miss Elliott,
St. Margaret's,
Carshalton Road,
Sutton,
Surrey,
England.
The message on the divided back of the card was as follows:
"I think you may like
to see a wee bit of
this church.
I wish you were here.
(No. 1)"
The Cathedral of St. Michael and St. Gudula
The Cathedral of St. Michael and St. Gudula (French: Cathédrale Saints-Michel-et-Gudule) is a medieval Catholic cathedral in central Brussels, Belgium. It is dedicated to Saint Michael and Saint Gudula, the patron saints of the City of Brussels, and is a major example of Brabantine Gothic architecture.
The Romanesque church's construction began in the 11th. century, replacing an earlier chapel, and was largely complete in its current Gothic form by the 16th. century, although its interior was frequently modified in the following centuries.
The building includes late-Gothic and Baroque chapels, whilst its neo-Gothic decorative elements, including some of its stained glass windows in the aisles, date from restoration work in the 19th. century. St. Gudula is also noted for its musical components, notably its two pipe organs and its immense church bells. St. Gudula was designated a historic monument in 1936.
The church was elevated to cathedral status in 1962. As the national church of Belgium, it frequently hosts royal weddings, state funerals and other official ceremonies, such as the Te Deum on Belgian National Day.
-- Early History of St. Gudula
The cathedral's origins are obscure, but historians agree that, as early as the 9th. century, a chapel dedicated to Saint Michael probably stood in its place, on what was the most important point in Brussels at the time; the crossroads of two major trade routes—a first one connecting the County of Flanders and Cologne, and another between Antwerp and Mons.
In the 11th. century, the first chapel was replaced by a Romanesque church. In 1047, Lambert II, Count of Leuven, and his wife Oda of Verdun, founded a chapter in this church, and installed the relics of the martyr Saint Gudula. In 1072, the church was re-consecrated, probably following a fire.
In the 13th. century, Henry I, Duke of Brabant, ordered two round towers to be added to the church. His son, Henry II, Duke of Brabant, instructed the building of a Brabantine Gothic collegiate church in 1226. The choir was constructed between 1226 and 1276. The nave and transept date from the 14th. and 16th. centuries. The entire church took about 300 years to complete. The main structure was finalised just before Emperor Charles V's reign began in 1519.
In the 16th. and 17th. centuries, the church underwent several modifications, the most remarkable of which was the addition of some chapels: the Chapel of the Blessed Sacrament of the Miracle (1534 – 1539), the Chapel of Our Lady of Deliverance (1649 – 1655) and the Chapel of St. Mary Magdalen (1672 – 1675).
On the 6th. June 1579, the collegiate church was pillaged and wrecked by Protestant Geuzen ("Beggars"), and Saint Gudula's relics were disinterred and scattered. In the 1790's, it also suffered looting and destruction by French revolutionaries known as the sans-culottes, including the loss of its original carillon.
-- 19th. Century – Present Day
The building was designated a historic monument on the 5th. March 1936. In the mid-20th. century, it was narrowly spared during the building of the North–South connection, a major railway link through central Brussels. On that occasion, a large forecourt, known as the Parvis Sainte-Gudule/Sinter-Goedelevoorplein, was built in front of it.
It was not until 1962, with the creation of the Archdiocese of Mechelen–Brussels, that the collegiate church was promoted to the rank of co-cathedral, when it became the Archbishop's seat, together with St. Rumbold's Cathedral in Mechelen.
Restoration work was carried out in the 19th. century under the direction of the architect Tilman-François Suys who, from 1839 to 1845, restored the towers and portals, and again in the 20th. century under the direction of Jean Rombaux, then Victor Gaston Martiny, chief architect-town planner of the Province of Brabant. The cathedral was once again thoroughly restored between 1983 and 1999. On those occasions, archaeological excavations were undertaken, which led to the discovery of remains of the Romanesque church and crypt underneath the current choir.
-- The Cathedral's Main Features
Most of the cathedral is in the Brabantine Gothic style, although some parts are in the newer Baroque style. It is traditionally listed, alongside the Church of Our Lady of the Chapel and the Church of Our Lady of Victories at the Sablon, as one of the three Gothic churches still standing in central Brussels.
The cathedral is built of stone from the Gobertange quarry, which is located 45 km (28 mi) south-east of the cathedral's site.
The building adopts the classic plan: a Latin cross with a three-bay long choir ending in a five-sided apse surrounded by an ambulatory. It is imposing by its sheer size: 110 metres (360 ft) long, 30 metres (98 ft) wide (50 metres (160 ft) at the level of the choir), and 26.5 metres (87 ft) high. The entrance towers reach a height of 69 metres (226 ft).
-- The Main Façade and the Towers
The main (western) façade with its three portals surmounted by gables and two towers are typical of the French Gothic style, but without a rose window - instead it features a large ogival window in the Brabantine Gothic style. The whole structure is supported by sturdy flying buttresses with double spans, influenced by Soissons Cathedral, crowned by pinnacles and gargoyles.
The two towers, built between 1470 and 1485, the upper parts of which are arranged in terraces, are attributed to Jan Van Ruysbroeck, the court architect of Philip the Good, who also designed the tower of Brussels' Town Hall and the Collegiate Church of St. Peter and St. Guido in Anderlecht.
The towers appear to be unfinished, lacking the spires seen in other Gothic cathedrals, and were originally meant to be much higher, in a style close to the Town Hall's tower.
The strong predominance of the vertical lines of this façade is impressive; four robust buttresses close and separate the three portals. The two at the ends become more important by integrating two tall buttressed turrets that rise from the base to the top of the towers themselves.
The façade is divided horizontally into three levels: a lower one entirely centred on the three portals; a median one opened by the large multi-light window flanked by two high three-light windows, each inscribed in the axis of one of the towers; and an upper one characterised by the large triangular tympanum which, developing from a gallery with fine columns, is topped by several flaming pinnacles, of which the central, more imposing, reaches a height of 55 metres (180 ft).
-- The Cathedral Chapels
From the transept, on each side of the choir, two large late-Gothic chapels, added in the 16th. century (the Chapel of the Blessed Sacrament of the Miracle), and the 17th. century (Chapel of Our Lady of Deliverance), protrude. The large proportions of these chapels gives the impression that the building has three choirs. Behind the apse, on the church's central axis, the Chapel of St. Mary Magdalen in Baroque style, was inserted in 1672 –1675 between the buttresses, with an octagonal plan with a dome and lantern.
-- Staircase and Forecourt
The monumental staircase in front of the cathedral, designed by Pieter Paul Merckx, was constructed in the period 1702 – 1707. This staircase, a gift from the City of Brussels, was originally built against the city walls in order to provide access to the promenade.
In the centre of the gardens located in front of the cathedral's forecourt stands a bust of King Baudouin. It is the work of the sculptor Henri Lenaerts. The bust was completed on the 6th. June 1996. The bust was integrated into its current environment in 2003 – 04, as part of the renovation of this green space. The bust was vandalised in June 2020, following the George Floyd protests in Belgium.
-- The Nave
The nave possesses all the characteristics of Brabantine Gothic - the four-part vaults are moderately high, and the robust cylindrical columns that line the nave's central aisle are topped with capitals in the shape of cabbage leaves. Statues of the twelve apostles are attached to the columns. These statues date from the 17th. century. The statues replaced those destroyed by iconoclasts in 1566.
The nave also contains a Baroque pulpit from the 17th. century, created by the Antwerp sculptor Hendrik Frans Verbruggen in 1699. The base represents Adam and Eve expelled from the Garden of Eden after plucking the forbidden fruit. At the top, the Madonna and Child piercing the serpent symbolise redemption.
To the right of the portal of the northern transept is an elegant 17th.-century sculpture depicting The Education of the Holy Virgin by Saint Anna by JerĂ´me Duquesnoy the Younger after a painting by Rubens. The side aisles contain 17th.-century oak confessionals.
-- The Choir and Chapels
The choir is Gothic, and has three rectangular bays and a five-sided apse. It also contains the mausoleums of the Dukes of Brabant and Archduke Ernest of Austria, made by Robert Colyn de Nole in the 17th. century. Its elevation is on three levels; large arcades communicating with the ambulatory, triforium and high windows.
Left of the choir is the Flamboyant Gothic Chapel of the Blessed Sacrament of the Miracle (1534 – 1539). It now houses the Treasure of the Cathedral, where the famous Drahmal Cross, an early 11th.-century Anglo-Saxon inscribed cross-reliquary, is stored. Jean Micault, receiver-general of Charles V, and his wife, Livine Cats van Welle, were buried there, and an altarpiece, probably commissioned by their son Nicolas, was dedicated to them. This triptych is now in the collections of the Royal Museums of Fine Arts of Belgium.
Right of the choir is the Chapel of Our Lady of Deliverance (1649 – 1655), which was built in a late Gothic style and contains a Baroque altar by Jan Voorspoel (1666). Behind the choir is a Baroque chapel dedicated to St. Mary Magdalen dated 1672 - 1675, and a marble and alabaster altarpiece depicting the Passion of Christ by the sculptor Jean Mone dated 1538.
-- The Cathedral's Stained Glass
The cathedral has stained glass windows from the 16th., 17th., and 19th. centuries; most of which date from between 1525 and 1663. Particularly noteworthy is the large window in the western façade representing the Last Judgement. It was made in 1528 by the Antwerp glassmaker Jan Haeck, based on drawings by Bernard van Orley.
Haeck and Van Orley were also responsible for the windows adorning the northern and southern transepts. The northern window dates from 1537 and represents Charles V and his wife Isabella of Portugal in adoration for the Holy Sacrament and accompanied by their patron saints Charlemagne and Elizabeth of Hungary.
The southern window dates from 1538, and represents Charles' brother-in-law, Louis II of Hungary, with his wife Mary of Hungary in adoration for the Holy Trinity and accompanied by Saint Louis and the Virgin Mary.
The Chapel of Our Lady of Deliverance is decorated with stained glass windows by the glass painter Jean De Labaer, based on drawings by Theodoor van Thulden, one of Rubens's pupils. These windows, created between 1654 and 1663, describe the main episodes in the life of the Virgin Mary.
There is also an impressive series of fifteen stained glass windows from the 19th. century in the aisles, produced by Jean-Baptiste Capronnier. They were created in 1870 for the celebration of the fifth centenary of the Sacrament of Miracle.
-- The Cathedral's Organs
The large pipe organ in the nave was inaugurated in October 2000. It hangs as a swallow's nest organ at the level of the triforium, and has a total of 4,300 pipes, 63 stops, 4 keyboards and the pedal-board. This instrument is the work of the German organ-builder Gerhard Grenzing, based in Barcelona, in collaboration with the English architect Simon Platt.
The two-manual choir organ was created in 1977 in the workshop of the organ-builder Patrick Collon.
-- The Cathedral's Bells
Both towers contain bells. The south tower contains a 49-bell carillon from 1966 by the Royal Eijsbouts bell foundry, on which Sunday concerts are often given. Out of all the bells in the carillon, only seven of them can ring. They are, from heaviest to lightest: Fabiola, Maria, Michael, Gudula, Philippe, Astrid, and Laurent. Fabiola, Philippe, Astrid and Laurent are named after members of the Belgian royal family.
The north tower contains a single bourdon called Salvator, it was cast by Peter van den Gheyn in 1638. There is also another empty space where a second bourdon used to be.
-- Falcons at the Cathedral
At the end of the 1990's, local ornithologists discovered a couple of peregrine falcons roosting on top of the cathedral's towers. In 2001, ornithologists of the Royal Belgian Institute of Natural Sciences installed a laying-nest on the edifice in an attempt to encourage nest-building. This laying-nest was never used, but in the spring of 2004, a pair of falcons nested on a balcony on top of the cathedral's northern tower. At the beginning of March, the female laid three eggs.
As a result of watching the three chicks perform acrobatic feats on the cathedral's gargoyles, at the end of May 2004, the project "Falcons for Everyone" was developed by the RBINS in association with the Commission Ornithologique de Watermael-Boitsfort. The project installed cameras with a live video stream on their website.
The Italia Airship Disaster
So what else happened on the day that the card was posted?
Well, on the 23rd. July 1928, Benito Mussolini told the Council of Ministers that a full investigation would be conducted into the Italia airship disaster.
The Italia was a semi-rigid airship belonging to the Italian Air Force. It was used by Italian engineer and General Umberto Nobile in his second series of flights around the North Pole.
The Italia crashed in 1928, with one confirmed fatality from the crash, one fatality from exposure while awaiting rescue, and the death of six crew members who were trapped in the still-airborne envelope.
The rescue operations were an absolute debacle, and at the end of them there were 17 dead, including both crew and rescuers.
So, it might not be that exciting, but I got published in the "The South" magazine out of Savannah, GA. There are notes on my two pictures and the credits.
Andrew at "The South" was great to work with. He sent me a copy of the magazine and I'll tell you that it is top-notch. For any magazine, especially a local-focused magazine, it is very well done. It blends art and stories really well. If you are from Savannah or interested in Savannah, I recommend it.
The Cairo and Manchester photos are swapped, but you get the point.
It looks like jimmywayne22 got some of his photos in there, too.
This photograph was published in the Illustrated Chronicle on the 24/08/1917.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognize anyone in the images and have any stories and information to add please comment below.
Advertisment Campaign by 3 Advertising from Albuquerque (United States) for the 2010 Corporate Roll, an annual bowling tournament that pits company against company.
The idea of the ad is “Hire a better team!”.
shot on right is my full page photo that appearing in Artrocker Magazine Issue 53 - my first feature shot!
here is another shot from the night
Published on May 4, 2021
Earlier today, we gathered outside of our Public Safety Headquarters to honor and remember our officers who died in the line of duty. We continue to pay tribute to their dedication and sacrifice while laying a rose for each officer at our memorial in the rose garden. We will never forget.
Photo by:
Gino Inocentes, CSII
FCPD - PAB / Digital Team
Some of my pictures appeared in the July 13th issue of Forbes magazine, accompanying an article about paddling the Lower Columbia River.
you can read the article here:
www.forbes.com/forbes/2009/0713/lifestyle-sports-kayaking..., but the print version has more pictures.
Images published in the August 2009 issue of Atlanta Home Improvement magazine. Projects by Brooks Kitchen and Bath Design of Cumming, GA
DuPont family history traces back to sixteenth century
Planted in Florida
Published 12:03 a. m. ET June 26, 2015
KIMEKO MCCOY
www.staugustine.com/story/news/2015/06/26/dupont-family-h...
Family history is much like a seed.
It starts with a person planted in a particular spot and soon enough, it becomes deeply rooted in its community, connecting to things around it and creating a legacy.
Take the DuPont family for example.
In Florida, it starts with a man named Josiah DuPont, who was the first DuPont to settle in the state.
And for the last 30 years, his descendants have researched the family tree from one generation to the next.
Planted in Florida
St. Augustine natives Fred and Jim DuPont were born in the 1940s. They are two of their parents' six children and descendents of Josiah's brother, Charles DuPont.
Since 1980, they have compiled extensive research on the DuPont family history, pulling them all the way back to 16th century France.
"I started at the library up in Washington when I first got into it in 1980," Jim said. "I was always interested, but I didn't have the time to research it until I got to Washington."
Their research revealed the DuPont name appeared in the Huguenot stronghold of Rouen, France.
After facing persecution, Abraham DuPont fled to London, where he became a British subject, allowing him to immigrate to what is now the United States.
Born in 1658, he settled down in New York in 1699 and married.
Abraham's grandson Josiah is who Fred and Jim found to be the first to arrive in Florida based on copies of Spanish land grants that dated back to the 1790s.
He and his family tried to settle on the lands provided by the grants but were driven off by Native Americans in 1801.
The following year, Josiah died from a fever leaving all of his land in Florida to be regranted.
Charles, Josiah's brother, had 11 children.
One of them was named Abraham, born in 1783.
In 1828, Abraham and his family moved to St. Augustine, where he died in 1857.
"We've been here ever since," Fred said.
Abraham was active in the St. Augustine community.
He owned properties that extended to the south from what is now the Flagler County line to the north end of Hammock and from the ocean to the Matanzas River.
He owned acres on the other side of the Matanzas River bordered by Pellicer Creek.
He also owned a house in St. Augustine that is near where Price's Barbershop is today.
Abraham was on the building committee for the Trinity Episcopal Church in 1830 and went on to be the mayor of St. Augustine in from 1842 to 1843.
Deepening the Roots
In research done in 2013, Fred and Jim explored the development of the DuPont Center.
It sits on some land remaining of the Spanish land grant and is at the intersection of U.S. 1 and County Road 206.
According to the two's research, the DuPont Center was originally a farm that was created when Cornelius DuPont, grandson of Abraham, and his wife purchased 40 acres of land in the 1900s.
Subsequently, the couple purchased 120 acres, for a total of 160 acres.
The farm was on both sides of what is now U.S. 1.
It got its name when Cornelius and his wife donated the right of way to the government for the highway to be expanded.
After the intersection was established as the DuPont Center, the family decided that gas stations, restaurants and a roadhouse were more profitable options than farming.
That area became a place for travelers to get gas, fill their bellies or even attend a Saturday night dance during the 1940s and 1950s.
"I can remember going there with my parents and the kids would be running around and the parents would be inside and it would be a great time," Fred said.
In 1947, W.D. DuPont Sr. and his two sons, Andrew and William, founded W.D. DuPont and Sons Construction Co.
W.D. retired in 1959 at the same time the company purchased 120 acres of land to build a factory for the manufacturing of DuPont Steel Buildings and to farm.
In 1970, as W.D. celebrated his birthday, family tragedy struck and his wife suddenly died of an aneurism.
That same year, his son was killed in a plane crash at the St. Augustine Airport, and W.D. died from what his relatives say was a broken heart.
W.D. and Sons folded in the late 1980s and the county bought the property.
Growing up with History
Many of the DuPont family members have good memories of their upbringing.
"It was a great way to grow up. We were all one big family, and we had our own identity," Fred said.
As a kid, he remembers 160 acres was divided among the family.
Beehives and sugar cane were grown on the property.
"When it was time to harvest, the whole family would go out there," Fred said. "Every year, the family was provided with cane sugar and honey."
Chris Delaporte is a DuPont descendent and said growing up DuPont gave him a sense of heritage.
"I was born in Orlando, but my earliest recollection of the DuPont family was going to Crescent Beach to visit my grandparents," he said. "All those great memories of hunting and fishing were with my family."
He said keeping track of the family history is key and he serves as president of the family's council. His mother is one of the oldest in the family.
"(We) create a legacy and something our heirs and the people who came behind us will have," he said. "The word-of-mouth thing can only go so far."
Jim said researching the family's history with his brother works out well for the both of them, and they're able to retain the memories.
"I've always believed you can only see as far ahead of you as you can see back, so I've been looking back, back, back," he said.
Fred says everyone still manages to keep in touch.
"All the families in the area come together and stay in touch with each other," he said.
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Sonisphere 2015, il primo evento PostePay Milano Summer Festival. Sul palco dell'Arena Summer Festival, lo spazio estivo del Mediolanum Forum, ci saranno in ordine Hawk Eyes, Three Days Grace, We Are Harlot, Gojira, Meshuggah, Faith No More, Metallica.
Ad aprire il concerto dei Metallica prima dei Meshuggah, i Gojira la felicità degli amanti di sonorità metal “complicate”: già visti in azione con Metallica al concerto di Udine nel 2012, porteranno le loro sonorità di technical death francese.
Gojira sono un gruppo formato nel 1996 a Bayonne, Francia. La band, conosciuta fino al 2001 sotto il nome di Godzilla, è formata da Joe Duplantier alla voce e alla chitarra ritmica, suo fratello Mario Duplantier alla batteria, Christian Andreu alla chitarra solista e Jean-Michel Labadie al basso. Fin dal primo album di studio, i Gojira non hanno mai subito cambiamenti di formazione, e hanno così pubblicato ben quattro album di studio, uno dal vivo, un singolo, e un DVD. I Gojira, noti soprattutto per i loro particolari testi legati a tematiche ambientaliste, sono state una delle poche band che in un breve periodo di tempo è riuscita ad emergere da circoli di nicchia fino a raggiungere un successo di considerevole entità tra i seguaci del metal estremo nonostante lo stile musicale sperimentale presente nella loro musica.
Me so proud!
My boss, who's an artist in Holland and who also writes books, had decided he wanted to use 6 pictures I took and publish them in his new book 'Medemens'.
Yeeeee!
mijs proud :)
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Photograph published 9th July 1918.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognize anyone in the images and have any stories and information to add please comment below.
In 2012 I published 719 photos on Flickr, highest yearly figure for me ever. And here's a personal best of -selection from those, filtered down to 32 photos: start the show
Suggested listening: Soundtrack of my life for 2012 on Spotify – open.spotify.com/user/miemo/playlist/7jZRzu3uMPk4LRPXb08jDS
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use this photo without written permission and consent.
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I Blastema, Special Guest di tutte le date italiane del tour degli Skunk Anansie, nascono nella culla del rock indipendente italiano, ne prendono la forza proponendo un rock che non lascia nulla all'approssimazione. Negli anni ottengono vari riconoscimenti e partecipano, tra gli altri, nel 2005 e nel 2012 al MEI, nel 2009 all’Arezzo Wave, all’Heineken Jammin’ Festival per Rock TV nel 2010, al Woodstock5Stelle di Beppe Grillo nel 2010 e al Concertone del Primo Maggio a Roma nel 2012. Fedeli alla propria integrità artistica non accettano compromessi e nel 2010 autoproducono il loro primo disco “Pensieri Illuminati”. Il successo dell'album investe soprattutto un pubblico esigente, attento alle musiche ed ai contenuti narrativi. Un tour nazionale e il consenso del popolo di internet li consacra soprattutto grazie a concerti dal forte impatto emotivo. Nel 2012 i Blastema incontrano “Nuvole Production”, casa discografica di Fabrizio De André diretta da Dori Ghezzi, con la quale nasce un’immediata intesa nel pieno rispetto delle prerogative artistiche del gruppo e che dà vita ad una collaborazione proficua che porta all'uscita dei singoli “Tira fuori le spine” e “Synthami”, brani che hanno anticipato l’uscita del disco “Lo stato in cui sono stato”.
I Blastema sono: Matteo Casadei (voce), Alberto Nanni (chitarre, cori), Michele Gavelli (Pianoforte, Synth, Hammond), Luca Marchi (basso) e Daniele Gambi (batteria).
Photos from the Publish and Be Damned self-publishing fair held at the ICA on Saturday 17 March 2012.
Photo: Lucy Pawlak
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Big Ant TV Media LLC ©
published freelance photographer
PAID SHOOTS ARE 1st PRIORITY
âLIMITEDâ Basis TFP
âPORTFOLIO BUILDINGâ SHOOTS
âINQUIRE WITHINâ
#fffweek #sbfw #nyfw
#fashionphotographers
#canon5DMarkIV
#UrbanModeling
#plussizemodeling
#sportsphotographers
#BigAntTVMedia #editorialphotographers
#ModelsCasting #BiggsthePhotographer
#lens4fashion #plassstudios