View allAll Photos Tagged Published
Published by VanAntwerp Bragg & Co, Cincinnati. Approximate date of publication 1879. "MINCE MEAT" sticker on inside cover.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
The Interrupters, ska-punk band in arrivo da Los Angeles all’Alcatraz di Milano, martedì 20 giugno 2023 per l’unico concerto italiano del loro tour europeo.
La band è considerata portabandiera del nuovo ska-punk internazionale.
Sotto contratto con Hellcat Records, l‘etichetta fondata da Tim Amstrong dei Rancid, negli ultimi anni hanno trovato spazio nella cultura popolare mainstream e alcuni dei loro brani sono stati inseriti in popolari serie TV come Twilight Zone e The Umbrella Academy.
Si definiscono “una band innamorata dal leggendario movimento ska2Tone degli anni '80, alimentata da un'energia contemporanea, che fa sembrare musica rilassante il thrash metal a 180 bpm”.
I loro dischi, compreso l’ultimo “In The Wild”, sembrano tutti scritti per essere suonati dal vivo.
La band di Los Angeles, dopo aver sopportato le battute d'arresto del tour a causa della pandemia COVID, è tornata a suonare dal vivo ai quattro angoli del globo, facendo tappa anche in Italia con la partecipazione come Headliner del Festival punk rock italiano per eccellenza, il Bay Fest. Un live show coinvolgente ed energico che rende la data di Milano davvero molto attesa: c’è tutta la voglia di gustarsi il set esplosivo della band capitanata da Aimee Allen e dai tre fratelli Bivona.
Un concerto che attraverserà le canzoni dei loro dischi, a cominciare da recente “In The Wild” che ha definito gli Interrupters come leader indiscussi della new wave dello ska, un album meno aggressivo e su melodie più rock-steady rispetto ai precedenti.
Dal vivo ci sarà spazio anche per i loro primi pezzi, come “Take Back the Power”, "By My Side" e "A Friend Like Me" passando per hit come “She’s Kerosene” e “Gave You Everything” ma anche medley di cover di band fraterne come Offspring e Bad Religion.
“Andare ad uno concerto di The Interrupters è come andare in una chiesa dove tutta l'iconografia religiosa viene tolta e sostituita con specchi in modo che la band e il pubblico diventino una cosa sola. Accesi dalla frontwoman Aimee Allen e dall'infaticabile entusiasmo dei fratelli Bivona, il pubblico potrà assistere alla gioia in azione”.
Aimee Interrupter – lead vocals
Kevin Bivona – guitar, lead and backing vocals
Justin Bivona – bass, backing vocals
Jesse Bivona – drums, backing vocals
Published April 1, 1956. Part of "LeConte Stewart Papers" in the Special Collections Department, J. Willard Marriott Library, University of Utah.
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Il 17 e 18 settembre 2021, sul palco dell’Arena di Verona - e in live streaming su LIVENow - salirà il meglio della scena pop italiana contemporanea per APEROL with HEROES – TOGETHER WE CAN, con un super-cast composto da 6 artiste e artisti per sera che si esibiranno in veri e propri concerti dal vivo, unici e irripetibili, pensati appositamente per questo grande evento, presentati da Daniele Bossari di Radio Radio DeeJay, Daniela Cappelletti di Radio Italia e Filippo Solibello di Rai Radio2.
Ogni set, della durata di 20 minuti ciascuno, sarà senza uguali con i musicisti che porteranno sul palco scenografie e produzioni musicali nuove e mai viste. Le performance all’Arena di Verona renderanno il festival unico nel panorama live italiano.
Ecco il programma:
● Venerdì 17
settembre sarà la volta di Ariete, Elodie, Mahmood, Massimo Pericolo, Negramaro e Sangiovanni.
● Sabato 18
settembre toccherà ad Achille Lauro accompagnato dall’Orchestra Magna Grecia diretta da Piero Romano, Carmen Consoli (accompagnata da Marina Rei alla batteria e in un pezzo anche da Mahmood), Emma, Gazzelle, La Rappresentante di Lista e Madame.
Anche quest’anno, Heroes sostiene una causa sociale importante: Mission Diversity, il progetto musicale di Music Innovation Hub e Keychange per la diversità in ambito musicale. L’obiettivo è consentire pari opportunità a donne e minoranze di genere all’interno dell’industria musicale.
APEROL with HEROES - TOGETHER WE CAN, ideato e prodotto da Music Innovation Hub Spa – Impresa Sociale (MIH), Friends&Partners, Live Nation, Vivo Concerti e RP Legal & Tax, in collaborazione con Arena di Verona Srl e Gianmarco Mazzi. In diretta streaming su LIVENow. Partner ufficiale Findus Green Cuisine. Partner tecnico Nastro Azzurro. A favore di Mission Diversity, promoted by Keychange, powered by Youtube e institutional partners UN/SDGS, ASVIS e UNAR - Ufficio Nazionale Antidiscriminazioni Razziali. La direzione artistica è affidata a LaTarma, partner di comunicazione Comunicarlo e The Hive Project. Media partner L’Arena. Si ringraziano Bomba Dischi, OTR, Woodworm.
Il progetto è legato ai 17 Obiettivi di Sviluppo Sostenibile ONU, in particolare al Goal 5: raggiungere l’uguaglianza di genere ed emancipare tutte le donne e le ragazze, per sostenere tutte le forme di diversità, e promuovere la parità di genere in particolare nel mondo dell’industria discografica e musicale.
Aperol, in qualità di Title Sponsor della seconda edizione del Festival, ne ha reso possibile la realizzazione e ha dato il via alla raccolta fondi. Anche altri grande aziende, come Findus Green Cuisine, si sono unite alla raccolta che è aperta anche ad altri Gruppi che vorranno partecipare e sarà al centro della Mission sociale di APEROL with HEROES, il grande Festival musicale che contribuirà con il versamento del 10% dei propri incassi.
I fondi raccolti serviranno alla realizzazione di almeno 6 progetti artistici provenienti da tutto il mondo, che vedano protagoniste donne e minoranze di genere sottorappresentate. Saranno supportati progetti artistici e musicali originali e coerenti con la diversity e la gender equality, sviluppati da gruppi di lavoro multi-genere che quotidianamente affrontano la tematica delle diversità nella propria cultura, e che partendo dall’Italia si congiungeranno con la rete internazionale Keychange. La chiamata è aperta a qualsiasi ente o organizzazione di livello locale, nazionale o internazionale, profit e non profit, che opera nel campo musicale.
Il lancio della call rientra nella Global Week to #Act4SDGs (17-28 settembre), ideata per guidare l'azione collettiva, in cui le Nazioni Unite insieme ai partner mobilitano le principali parti interessate di tutti i settori per guidare il cambiamento, ricordando ai leader mondiali che le persone di tutto il mondo si stanno solidalmente unendo per dimostrare che c'è speranza oltre la pandemia in vista di una ripresa sana, giusta e sostenibile.
Si ringraziano Friends&Partners, Live Nation, Vivo Concerti e tutti i loro artisti che, attraverso APEROL with HEROES - TOGETHER WE CAN, contribuiscono al progetto Mission Diversity.
#AperolwithHeroes sposa la causa delle diversità attraverso il progetto #MissionDiversity, un’iniziativa di @musicinnovationhub powered by @youtube che parte dall’Italia e da artist* italian* per rivolgersi a tutto il mondo.
Ok, so not exactly profiling my photographic abilities, but quite entertaining! This shot was used by the American Magazine Slate for an article on cliche photographs from around the world.
Full article here:
Original Photo:
www.flickr.com/photos/pramal/4618081103/in/set-7215762408...
This article was published today (Sun 27 May) in The Sun-Herald Magazine "Sunday Life". It's about the new Australian web site Red Bubble. The feature image you see is by Webgrrl" , a very dear friend of mine. Great to see your hard work paying off and receiving the credit you sincerely deserve. Xx
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
Il party-rock fa ballare il Forum di Assago
Il 7 maggio gli Lmfao tornano a Milano, dove fa tappa il loro Tour europeo: il duo party rock si esibisce al Mediolanum Forum di Assago per uno show travolgente. Reduci dal successo planetario per il secondo album Sorry for Party Rocking (2011) e per la hit Party Rock Anthem, i rapper Redfoo e Sky Blu tornano in tour, pronti a scatenare il pubblico con pezzi electro come Sexy and I know it e Champagne Showers. Gli Lmfao si sono formati a Los Angeles nel 2006 e hanno all'attivo due album. Il loro esordio sulla scena musciale è avvenuto con il disco Party Rock nel 2009.
Apre il concerto, alle ore 20.00, la cantante inglese Estelle.
Sul palco del Forum ci sarà solo Redfoo: Sky Blue è ancora in convalescenza per un intervento.
Dr. Roger Sabbadini, author of a recently published book "Unavoidable Hope" visited the Vicenza Military Community March 15.
Sabbadini addressed the audience at the post theater on Caserma Ederle during this stop on a lecture tour.
His book tells the story of the life of his father and his struggles in fascist Italy as a member of the Jewish faith. It continues with his father's struggles in America as a refugee and, ultimately, his experience as a Soldier in the U.S. Army through World War II.
Photo by Laura Kreider/USAG Italy PAO
Learn more about us on www.usag.italy.army.mil and www.facebook.com/VMCItaly
This shot is in the Dec/Jan edition of the South Sound Magazine. It all stems from our first visit to the Hedman House bed & breakfast in Puyallup, Washington (near Tacoma). The night I arrived it had just snowed and the place looked so lovely that it was begging to be photographed.
Fast forward about 20 months, and I'm contacted by South Sound Magazine asking permission to use this for an article they are running about B&Bs in the south Puget Sound area. Of course I said yes, cause this is a great B&B.
I just didn't know they would use it for the cover page of the article. All the other B&Bs got a thumbnail size photo (one place didn't even get a photo).
Just now when I went to insert a link to the original photo, I found that this isn't one that I posted to flickr. Unfortunately, a recent crash of my portable hard drive has wiped out all the other photos of this trip. Luckily I gave Normajeanne at Hedman House copies of all the shots. Maybe I should aske for a set back from her.
The Italian architect and engraver Giovanni Battista Piranesi (1720-1778) was born in Venice. He started taking drawing lessons at an early age, and was primarily influenced by the work of architect Palladio. At the age of eighteen years old, he moved to Rome with an ardent desire to know the Eternal City and worked as draughtsman at the service of the Venetian embassy to the Vatican. In Rome, Piranesi studied engraving under Giuseppe Vasi, with whom he later clashed. An impulsive, ambitious and prolific artist, Piranesi worked in harmony with his time, as he was always drawn to and cultivated the dramatic, the inspired and the spectacular.
As with the work of French architect David Leroy (1724-1803), the technique and art of Piranesi's drawings aim to make an impact the viewer. A strong impression, which it is the artist's duty to convey, is deemed more important than precision in representation. Piranesi is among the most dynamic exponents of Neoclassicism; at the same time, he belongs to early Romanticism as well, as the remains of classical civilisations become the cause of poetic emotion.
Piranesi also visited Naples, where he depicted the local antiquities with passion and admiration, and created several copper moulds of his works. He returned to Venice in 1744, where he refined his engraving skills. It was there that he published his first major work “Carceri di invenzione” (“Fictitious prisons”, 1750, 1761 and 1780). The uncanny as well as evocative spaces of the prisons invented by Piranesi disturb the viewer and constitute a lasting influence on visual artists, writers and architects from his time to the present.
Later in his life, Piranesi returned to Rome, where he worked mainly as an engraver and painter and less as an architect. His “Monuments of Rome”, made a great impact on his contemporaries. In contrast to the contemporary intellectual atmosphere, and while scholars (such as Winkelmann, Ramsey, Stuart, Revett) direct their attention to Greece, which they see as the primary inspiration of Roman architecture, Piranesi sustained that the Etruscans, a people older than the Greeks, were the first to achieve aesthetic perfection. His ideas provoked a debate among European scholars, and opened new pathways to the study of ancient legacy.
The two thousand copper engravings drawn and etched by Piranesi in his lifetime were published posthumously in Paris by his sons, in a monumental edition (1835-1837).
Written by Ioli Vingopoulou
İtalyan asıllı mimar ve gravürcü Giovanni Battista Piranesi (1720-1778) Venedik yakınlarında doğar. İlk çizim derslerini çok genç yaşta alan Piranesi (okunuş: Piranezi) ünlü mimar Palladio'nun eserlerinden etkilenir. On sekiz yaşındayken Roma'yı tanımak arzusundan hareket ederek buradaki Venedik elçiliğinde çizer olarak iş bulur. Roma'da bulunduğu süre içinde, Piranesi, G. Vasi'nin yanında gravür sanatını öğrenir, ancak daha sonra Vasi ile arası açılır.
Duygularının esiri ve hırslı bir kişi olan Piranesi son derece üretken bir sanatçıydı. Yaşadığı dönemde egemen olan sanat anlayışıyla tam bir uyum içinde hareket ederek "görkemli", "çarpıcı", "dramatik" unsura karşı duyduğu hayranlığı eserlerinde yansıtır. Fransız asıllı mimar Le Roy'nın (1724-1803) sanat anlayışına benzer biçimde Piranesi için de bir eserin başlıca işlevi seyircide bıraktığı etkileyici izlenimdir; çizimin doğruluğu ise ona göre ikinci planda kalır. Piranesi neoklasik sanat akımının en dinamik temsilcileri arasındadır. Aynı zamanda romantik akımın erken dönemini de temsil eder. Romantik akımın erken dönemi, antik Yunan ve Roma kültürünün kalıntılarından esinlenen şiirsel duyarlıkla ilgilidir.
Piranesi Napoli'yi ziyaret etmiş; çizdiği birçok resmin bakır kalıbını yapmıştı. Tablolarında hayranlık ve coşkuyla Napoli yöresinin arkeolojik kalıntılarını kaydeder. 1744 yılında Venedik'e dönen Piranesi gravür sanatında yetkinleşir ve ilk önemli yapıtını yayınlar. "Carceri" ("Düşsel hapishaneler", okunuş: Karçeri) adını taşıyan eser 1750, 1761, 1780 yıllarında yayınlanır. Piranesi daha sonra yeniden Roma'da yaşayıp mimarlıktan çok gravür ve resimle uğraşıp eserler yaratır. Roma'nın arkeolojik anıtları hakkında olan eseri (1748-1774) yaşadığı devrin sanat dünyasını yoğun biçimde etkiler. Winkelmann, Ramsey, Stuart, Revett v.b. aydınların bütün dikkati Roma mimarîsinin öz kaynağı olarak klasik Yunan kültüründe odaklanırken, Piranesi, Etrüskler'in Yunanlılardan daha eski bir kültür olarak estetik yetkinliğin en yüksek mertebesine ilk ulaşanlar olduğunu savunur. Onun bu savları Avrupa yazarları arasında büyük tartışmalara yol açmış ve antik kültür mirasının incelenmesinde yeni yollar çizmişti. Piranesi'nin, yaşamı boyunca çizip yapımını tamamladığı 2.000 gravür, ölümünden sonra oğulları tarafından Paris'te görkemli bir baskı biçimiyle yayınlanır (1835-1837).
Yazan: İoli Vingopoulou
a'driane nieves: A Time for Furious Dancing
September 5, 2025 - January 4, 2026
Past Exhibition
A Time for Furious Dancing includes new and recent work by a’driane nieves, a self-taught, interdisciplinary artist whose practice explores the interior landscape of the self. Born in 1982 in San Antonio, Texas, nieves investigates the physical, epigenetic, psychological, and emotional effects of trauma—ancestral, inherited, historical, and personal—on identity and behavior. Drawing deeply from memory and emotion, her abstract compositions serve as a vessel for confronting pain and reclaiming joy, offering viewers an intimate visual language of transformation. The exhibition’s title is inspired by Hard Times Require Furious Dancing, a collection of poems by Alice Walker, published in 2010. The book explores themes of joy, sorrow, love, loss, and resilience in the face of personal and global challenges. A Time for Furious Dancing marks the artist’s first solo museum exhibition in the United States.
a'driane nieves (b. 1982, San Antonio, Texas) is a visual artist and writer whose interdisciplinary practice explores the interior landscapes of the self. A self-taught painter, she began painting in 2011 as a form of art therapy during recovery from postpartum depression and a bipolar disorder diagnosis. What started as personal healing evolved into a deeper investigation of emotional suppression and memory.
Influenced by artists such as Joan Mitchell, Cy Twombly, Alma Thomas, and Mary Lovelace O’Neal, nieves works with painting, writing, soft sculpture, and text-based media. Her abstract expressionist approach embraces vulnerability, healing, and nonlinear narratives. Text often appears in her work as fragments—sometimes legible and obscured—reflecting the complexity of self-expression.
As a Black, queer, neurodivergent woman, nieves uses her practice to assert her presence and agency, creating space for others to do the same. She is also the founder of an arts nonprofit and magazine focused on creative access and community building.
Her work has been exhibited internationally at venues including Consortium Museum (France), Art Basel (Switzerland, Hong Kong, Miami), Frieze (London, Seoul), Galerie Marguo (Paris), Various Small Fires (Los Angeles), Standing Pine Gallery (Tokyo), and BODE Projects (Berlin). Her work is also held in collections across North America, Europe, and Asia.
______________________________________
The Harvey B. Gantt Center for African-American Arts + Culture, Charlotte NC - December 27, 2025
Located in the heart of Uptown Charlotte at Levine Center for the Arts, the Gantt is the epicenter for the best in visual, performing and literary arts reflecting the African diaspora.
www.ganttcenter.org/visit-the-gantt/
Sometimes standing up for what’s right means having the courage to blaze your own trail.
Harvey Bernard Gantt grew up in the 1940s and 50s in then-segregated Charleston, South Carolina. As the oldest child of Wilhelmina and Christopher Gantt, he often attended NAACP meetings with his father. It was there, and at the family dinner table with his four sisters, that he began to appreciate the importance of advocacy and the injustice of racial discrimination.
After graduating second in his class from Burke High School in 1960, Gantt left home to study architecture at Iowa State University. In January 1963, after a legal battle that escalated to the U.S. 4th Circuit Court of Appeals, Gantt became the first African-American student accepted at Clemson University. In September 1963, Lucinda Brawley became the first African-American woman to be admitted to Clemson and in October 1964 married Harvey. Harvey Gantt graduated with honors from Clemson in 1965, earning a Bachelor’s degree in Architecture and later a Master of City Planning from Massachusetts Institute of Technology (MIT).
He moved to Charlotte after graduating from MIT, and, in 1971, co-founded Gantt Huberman Architects. A pioneer in blending urban planning with the practice of architecture, Gantt Huberman employed a diverse group of professionals who were charged with designing buildings that encourage community. As a result, the firm has developed some of the city’s most iconic landmarks, including the Charlotte Transportation Center, TransAmerica Square, ImaginOn, Friendship Missionary Baptist Church, and the Johnson C. Smith University Science Center.
While significant, Gantt’s impact on the city extends beyond improving the built environment. He joined Charlotte City Council in 1974 and again broke barriers when he was elected Charlotte’s first African-American mayor in 1983. Remaining in office for two terms, Gantt stood shoulder-to-shoulder with other Charlotte leaders committed to establishing a New South City.
SouthBound Extra: A Preview Of Harvey Gantt Interview
Gantt continues to advocate for equity and equal rights and is often tapped to serve on civic, cultural, and business boards, and to lead philanthropic efforts and community initiatives. In 2009, the former Afro-American Cultural Center opened its doors to a new, award-winning facility and was renamed the Harvey B. Gantt Center for African-American Arts + Culture in honor of Harvey B. Gantt, an American trailblazer.
Naming The Center
When it was first proposed that this building be named after me, I hesitated. Being a man of tradition, I always felt it was more appropriate to name a building or street for someone after their passing, as a way to honor their work. Admittedly, it took some convincing by Board Chair Earl Leake and others. After much processing and discussion with my wife, Cindy, the prevailing factor that led me to say "yes" was that it was for the sake of posterity. I envisioned walking into the building with my grandchildren and had thoughts of others doing the same with future generations. I saw them talking about the sacrifices of many who made Charlotte great, and the enormous history and accomplishments of the African American community. And I remembered my parents and others who served as inspirations to me. I am forever grateful to them for being the driving force and motivation in my life.
I thought about the enormous history of the residents of the historic Second Ward community of "Brooklyn," where the Gantt Center now stands. I hope that those who have already "crossed over" can smile and feel proud knowing that we have not forgotten their sacrifices; how they nurtured, pushed and prodded young minds to strive for excellence. We are forever grateful to them. Brooklyn residents often referred to the old Myers School as the "Jacob's Ladder School." Its skyward stairway was a visible reminder of the importance of aspiring to greater things and a good education. Not just teachers, but an entire community rallied behind the youth, molding bright minds.
That's why I agreed to the naming of the building, and that's why I want you to join me in celebrating our history and the dawning of a new day for all of us. Charlotte is a great community and the Carolinas are a great region. I call this home because the city and community represent all that is symbolic to steadfastness and a "can do" attitude. While our nation and world still struggle with acknowledging and appreciating our differences, the Gantt Center can serve as a vehicle for people to come celebrate African American art, history and culture. Residents and visiting friends alike will have numerous opportunities to enjoy all aspects of Levine Center for the Arts. The Gantt Center will serve as one of the entry points to experience the arts, sporting events and many other amenities that Charlotte has to offer. Thank you for your interest in and support of the Harvey B. Gantt Center for African American Arts + Culture. May this edifice always stand as a symbol that this community and nation are places where we all "belong".
By Harvey B. Gantt
'New Blue' is a collection of essays from bright centre-right thinkers, including MPs from the 2015 and 2017 intakes, published by the Centre for Policy Studies
Copyright Notice
Copyrighted by: Stacy Arrington
Terms and Conditions
You acknowledge and agree to the following terms and conditions when viewing my online portfolio.
1. All text and photographs appearing on this website are copyrighted and are the sole property of Stacy Arrington.
2. No permission is granted to download, distribute, publish or use my text or photographs without my written permission.
3. Any use of my text or photographs without permission is a willful violation of my copyright and United States Copyright Law.
4. Copyright violators will be prosecuted in United States Federal Court and be assessed the maximum allowable statutory damages.
5. Copyright violators will be assessed between $2,500 and $25,000 per photograph.
Janet Wong has published more than 30 books for young people, including picture books, novels, poetry, and professional resources. She is the recipient of many distinctions including the International Literacy Association’s Celebrate Literacy award and the Lee Bennett Hopkins Award Honor for Poetry.
Professor Simon Haslett presenting a 'Getting Published' seminar in the Old Library at Swansea Metropolitan University on Wednesday 30th March 2011.
published in Juste Magazine
Fotografía: FABRIZZIO VALENZUELA
Maquillaje y Peinado: CLAUDIA VICTORIANO
Estilismo: LILY SAEZ
Modelo: FRAN MELLADO (NEW MODELS CHILE)
This photograph was published in the Illustrated Chronicle on the 31st October 1916
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
I was approached by the General Manager of the Branson Landing to use a photo he found on my flickr page! I did not design the 2-page brochure, but was honored that they wanted to use one of my first HDR images.
Published April 2011 in "Bathroom Signs" by I.P. Daily
The Amazon link is
www.amazon.com/Bathroom-Signs-Sometimes-Warped-Places/dp/...
here's the article on jon erickson that appeared in the lithuanian edition of fhm magazine. that's my photo.
Big Ant TV Media LLC ©
published freelance photographer
PAID SHOOTS ARE PRIORITY
“LIMITED” Basis TFP
“PORTFOLIO BUILDING” SHOOTS
“INQUIRE WITHIN”
#fffweek #sbfw #nyfw
#fashionphotographers
#canon5DMarkIV
#Canon5DMarkIII
#UrbanModeling
#plussizemodeling
#sportsphotographers
#BigAntTVMedia #editorialphotographers
#ModelsCasting #fashionblogger #biganttv
#BiggsthePhotographer
In this tutorial, you'll find questions based on Summarize your client’s case. Then, search for three EBP articles from a nursing journal published. If you need any help with this tutorial, seek online assignment help from the Homework Minutes experts. We provide you 24*7 help and complete your work before the deadline.
For solution of this question click on this link :
www.homeworkminutes.com/questions/architecture/809892-Sum...