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Prophet just wanted to announce that he's making me enter him in the Local Pleasure class at Saturday's June Show at Briggs Stable. If you've been looking for an opportunity to get pictures of the show photographer looking silly, this is your big chance for the year. Briggs Stable. Hanover, Massachusetts.
Imprint of seal stamped on letters attributed toProphet Muhammad(صلي الله عليه وسلم.) Reads الله (GOD), رسول (Apostle) and finally, محمد (Muhammad.)
According to the Muslim tradition, the seal was used by Prophet Muhammad(صلي الله عليه وسلم)on outgoing letters, for recipient to be able to verify the source
Surroundings are washed out in PS intentially. Larger size has details.
Prophet Mohammad (PBUH) Mosque in Madina, Saudi Arabia After Zohar Prayers.
I met "Naughty" who was walking on the beach in Durban. She is a Prophet from Bethlehem in the Free State; 390 km from Durban. She told me that she received a calling from her ancestors and made the trip. She has never been married and has no children. Naughty chomped my ear off with tales of spirits, medicine and the latitude she received from some in the Apartheid era
Prophet is a beautiful book design we created for our clients who wanted to celebrate their pastor’s 10 year anniversary. They collected stories and images from the parishoners to assemble a 40 pagebook to presented to him as a surprise gift at his celebration event.
Darksteel armor made by us for dragonspropheteurope.com
Photos by Jesús Clares facebook-com/jesusclares
My shirt of inspired by the opening scene of Harry Potter and the Deathly Hallows: Part 1
bought from Hot Topic
Acrylic on salvaged wood, 100 x 150 cm.
For EVERYTHING MUST GO duo exhibition with David Shillinglaw at /A WORD OF ART in Cape Town, South Africa, April 22nd, 2011.
Prophet in early sixteenth century Renaissance glass now located in the west window at Hatton, but presumably originating from a tracery light of an unidentified German church.
The church of the Holy Trinity at Hatton was almost entirely rebuilt in the Victorian period (1878-80 by William Young) retaining only the fifteenth century tower from the medieval building. The old tower itself has a fine west window which contains some pieces of 16th century German glass.
This church is normally locked outside of services and has no keyholder listed, so prior arrangement or a special event may be necessary to see inside.
A color test from last year - before we had the awesome Richard Ballermann on the issue. This page was, I believe, colored by myself but based off of Brandon's original color scheme...
Prophet in early sixteenth century Renaissance glass now located in the west window at Hatton, but clearly originating from a tracery light of an unidentified German church.
The church of the Holy Trinity at Hatton was almost entirely rebuilt in the Victorian period (1878-80 by William Young) retaining only the fifteenth century tower from the medieval building. The old tower itself has a fine west window which contains some pieces of 16th century German glass.
This church is normally locked outside of services and has no keyholder listed, so prior arrangement or a special event may be necessary to see inside.
And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief.
-The Prophet, Kahlil Gibran
"Then one of the seraphs flew to me, holding in his hand a live coal which he had taken from the altar with a pair of tongs. With this he touched my mouth and said:
‘See now, this has touched your lips,
your sin is taken away,
your iniquity is purged.’
Then I heard the voice of the Lord saying:
‘Whom shall I send? Who will be our messenger?’
I answered, ‘Here I am, send me.’"
– Isaiah 6:3-8, which is part of today's First Reading at Mass. My sermon for today can be read here.
Detail from a stained glass window in Mansfield College, Oxford.
Prophet provides a near-real-time picture of the battlespace through the use of signals intelligence sensors with the capability to detect, identify, and locate selected emitters. It is interoperable on the Global Signals Intelligence Enterprise, delivering collected data to common databases for access by the intelligence community. Prophet’s tactical mobility allows supported units to easily reposition its collection capability on the battlefield to support evolving situations. Prophet is a product of Program Executive Office for Intelligence Electronic Warfare and Sensors.
Read more on page 272 of the 2013 U.S. Army Weapon Systems Handbook armyalt.va.newsmemory.com/wsh.php
Part of the complete sequence of seven early 14th century windows preserving most of their original glass in the choir clerestorey.
The attractive town of Tewkesbury has been dominated by its superb abbey church since the beginning of the 12th century, and we can be forever grateful to its townspeople for purchasing the monastic church in 1540 for £453 for use as their parish church, saving it from the fate that befell countless similar great churches across the land during the turmoil of the Dissolution. It reminds us both how lucky we are to still marvel at it today, yet also how great a loss to our heritage the period wrought when many more such buildings were so utterly plundered as to have gone without trace (the fate of the monastic buildings here and even the lady chapel of the church whose footings are laid out in the grass at the east end).
Tewkesbury Abbey is thus rightly celebrated as one of our greatest non-cathedral churches, and remarkably much of the original Norman church remains substantially intact, most apparently in the great central tower, a fine example of Romanesque architecture adorned with rows of blind-arcading. The west front is dominated by a massive Norman-arched recess (enclosing the somewhat later west window) and the nave and transepts remain largely as originally built, though this is less clear externally owing to the changes made to the windows, nearly all of which were enlarged in the 14th century in the Decorated Gothic style. This century also saw the complete rebuilding of the eastern limb of the church, of a form less common in England with radiating chapels surrounding the eastern apse of the choir (the central lady chapel sadly missing since 1540).
The interior reveals far more of the Romanesque structure with mighty columns supporting the round Norman arches of the nave arcades giving the building a great sense of solidity. The space is further enlivened by the changes made during the 14th century by the stunning vault over the nave (adorned with a rewarding series of figurative bosses) which sits surprisingly well with the Norman work below. Beyond the apsidal choir beckons, and both this and the space below the tower are enriched with stunningly complex vaulted ceilings (replete with further bosses and gilded metal stars), all ablaze with colour and gilding.
There is much to enjoy in glass here, most remarkably a complete set of 14th century glazing in the clerestorey of the choir, seven windows filled with saints and prophets (and most memorably two groups of knights in the westernmost windows on each side). A few of the figures have fared less well over the centuries but on the whole this is a wonderfully rare and well preserved scheme. There is much glass from the 19th century too, with an extensive scheme in the nave of good quality work by Hardman's, and more recently a pair of rich windows by Tom Denny were added in one of the polygonal chapels around the east end.
Some of the most memorable features are the monuments with many medieval tombs of note, primarily the effigies and chantry chapels of members of the Despenser family around the choir (two of the chantries being miniature architectural gems in their own right with exquisite fan-vaulting). In one of the apsidal chapels is the unusual cenotaph to Abbot Wakeman with his grisly cadaver effigy, a late medieval reminder of earthly mortality.
Tewkesbury Abbey is not to be missed and is every bit as rewarding as many of our cathedrals (superior in fact to all but the best). It is normally kept open and welcoming to visitors on a daily basis. I have also had the privilege of working on this great building several times over the years (as part of the team at the studio I once worked for), and have left my mark in glass in a few discreet places.
Did I tell you that I wrote, and drew, and colored a short for Prophet #26?
Brandon Graham draws his own story in this issue, and he is going to blow you away . He is so good and the book is fucking beautiful.
What Brandon, Simon Roy, Giannis Milonogiannis and Farel Dalrymple are doing in the series is fantastic. You have to check it.