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Artist - Black Prophet
Country - Ghana
Event - Africa Oyé Festival 2017, Liverpool
Photographer - Ibrahim D Photography
Africa Oyé is the UK's largest free celebration of African music and culture and takes place annually in Liverpool. Beginning in 1992 as a series of small gigs in the city centre, the event has gone from strength to strength, moving to its present Sefton Park home in 2002 to cope with demand.
Here are some videos I took of his performance at the Festival
Also in Room I is this is fresco fragment of the Prophet Amos.
It is one of several circular fresco fragments (tondos) that were saved from the ceiling of the confessional at San Nicola (Rome). They are dated to 1120-1130 AD and are relatively small, about 2 feet (60 cm) in diameter. Two are displayed here in Room I.
Pinacoteca. Musei Vaticani; July 2019
ZIYARAT OF MESJID AL-NABI
Idhun al-Dukhul means permission to enter the Prophet?s mosque for the Ziyarat (paying homage) of the Pr ophet:
O Allah, I am standing at the door of one of the houses of Your Prophet and the family. You have prohibited the people from entering his house except by the permission of Your Prophet and You said: ?O You who believe do not enter the house of the Prophet unless permitted to do so?. O Allah, I believe in this in his absence just as I believe it in his presence and I know that Your Prophet and Your vicegerents upon whom be peace, are alive in your presence, they are being nourished, they see my position and hear my speech and they return my greetings and (I believe) that You have covered my ears from hearing their speech and have opened the door of perception of their secret conversations (with You); I seek Your permission, O my Lord firstly; then I seek the permission of Your Prophet, peace be upon him and his family secondly and I seek the permission of Your vicegerent, the Imam whose obedience is incumbent upon me and (the permission of) Your angels entrusted over this blessed site thirdly. May I enter, O Prophet of Allah, may I enter O the proof of Allah, may I enter, O angels of Allah who are stationed close to this shrine, so pe rmit me O my master to enter the best of way that You have permitted any of Your friends, if I am not deserving of that then You surely are deserving of that.
Who needs a transport ship for starfighters when you have a portable stargate to teleport them.
More details here :
Kings College Chapel, Cambridge
The vast scheme of early 16th Century glass, begun at the behest of Henry VII and (almost) completed under the eye of Henry VIII, is undoubtedly the biggest and best of its kind anywhere in the British Isles. The windows form a spectacular Biblical sequence around the chapel in eleven vast windows, most with five lights but the east with nine lights. New Testament scenes form the lower half of each window and the Old Testament scenes which prefigured them are in the upper lights. The Reformation intervened before the west window could be filled, and instead it was glazed with clear glass, not to be filled with the final Judgement scene until Clayton & Bell came along in 1875.
The Day of Ashura (عاشوراء (ʻĀshūrā’, Ashura, Ashoura, and other spellings) is on the 10th day of Muharram in the Islamic calendar and marks the climax of the Remembrance of Muharram.
It is commemorated by Shia Muslims as a day of mourning for the martyrdom of Husayn ibn Ali, the grandson of the Islamic Prophet Muhammad at the Battle of Karbala on 10 Muharram in the year 61 AH (October 10, 680 AD)...more
دهم محرم ۱۴۳۲ - ۲۵ آذر ماه ۱۳۸۹
Luke 2:36-38 (NLT)
The prophecy of Anna
36 Anna, a prophet, was also there in the Temple. She was the daughter of Phanuel from the tribe of Asher, and she was very old. Her husband died when they had been married only seven years. 37 Then she lived as a widow to the age of eighty-four. [1] She never left the Temple but stayed there day and night, worshiping God with fasting and prayer. 38 She came along just as Simeon was talking with Mary and Joseph, and she began praising God. She talked about the child to everyone who had been waiting expectantly for God to rescue Jerusalem.
[1]
Or, She had been a widow for eighty-four years.
DRAWING NOTES:
TIME OF DAY:
Unspecified by Bible. Mid morning.
LIGHTING NOTES:
Sunlight from the east (right hand side of this scene) can be seen on the right hand side of the figures. Shadows are cast to the left of figures and objects.
CHARACTERS PRESENT:
Mary (the mother of Jesus) is holding Jesus, with the prophet Anna who is resting her hand on Jesus head & praising God. Joseph (husband of Mary) is behind them, with Simeon to the left of the group.
Behind the group are several women.
RESEARCH/ADDITIONAL NOTES:
This scene takes place in the court of the Women (in the grounds of the Temple of Jerusalem) a few moments after the previous one. I have demonstrated that Anna the prophet is very old with lots of lines and wrinkles on her skin, and with white hair, much like Simeon.
Since this scene occurs in the same place and virtually at the same time as the previous one (Luke 02 - Prophecies about Jesus - Scene 03 - Simeon’s blessing) I thought I’d save myself some time by using the same background.
See notes in Scene 01 - To Jerusalem, for notes about the nature of the sacrifice.
see this cartoon & many more at www.biblecartoons.co.uk
created for: Digitalmania group
Picture by: Michelangelo Bounarroti
Text by: Fernando Pessoa
texture by JoesSistah...
I chose to keep the sentence in the original language of the author Portuguese
"Art is self-expression struggling to be absolute."
"O Lord, God great and to be feared, you keep the covenant and have kindness for those who love you and keep your commandments: we have sinned, we have done wrong, we have acted wickedly, we have betrayed your commandments and your ordinances and turned away from them. We have not listened to your servants the prophets, who spoke in your name to our kings, our princes, our ancestors, and to all the people of the land. Integrity, Lord, is yours; ours the look of shame we wear today, we, the people of Judah, the citizens of Jerusalem, the whole of Israel, near and far away, in every country to which you have dispersed us because of the treason we have committed against you. To us, Lord, the look of shame belongs, to our kings, our princes, our ancestors, because we have sinned against you. To the Lord our God mercy and pardon belong, because we have betrayed him, and have not listened to the voice of the Lord our God nor followed the laws he has given us through his servants the prophets".
– part of the Prayer of Daniel, which is found in Daniel 9:4b-10, which is today's First Reading at Mass.
My sermon for today can be read here.
This stained glass depiction of Daniel is from the Episcopal Cathedral (St Mary's) in Edinburgh.
Figure of a turbaned man, previously used to fill one of the traceries of the west window but repositioned to a more likely setting in the south aisle west window in the recent restoration.
The lower register of the south aisle west window depicts the Judgement of King David against the Amalekite. The upper half is largely composed of reconstructed elements and reset fragments.
The west windows of the aisles were heavily damaged by the great storm of 1797 and until the recent restoration had many missing sections and areas composed of patched fragments. The restorers of the Barley Studios bravely reinstated the missing sections using as much original material and evidence as possible (a thorough examination of the fragments when disassembled yielded much information). The result has transformed the effect of these windows, visually completing the cycle of windows again for the first time since the storm damage of 1797.
St Mary's at Fairford is justly famous, not only as a most beautiful building architecturally but for the survival of its complete set of late medieval stained glass, a unique survival in an English parish church. No other church has resisted the waves of iconoclasm unleashed by the Reformation and the English Civil War like Fairford has, and as a result we can experience a pre-Reformation iconographic scheme in glass in its entirety. At most churches one is lucky to find mere fragments of the original glazing and even one complete window is an exceptional survival, thus a full set of 28 of them here in a more or less intact state makes Fairford church uniquely precious.
The exterior already promises great things, this is a handsome late 15th century building entirely rebuilt in Perpendicular style and dedicated in 1497. The benefactor was lord of the manor John Tame, a wealthy wool merchant whose son Edmund later continued the family's legacy in donating the glass. The central tower is adorned with much carving including strange figures guarding the corners and a rather archaic looking relief of Christ on the western side. The nave is crowned by a fine clerestorey whilst the aisles below form a gallery of large windows that seem to embrace the entire building without structural interruption aside from the south porch and the chancel projecting at the east end. All around are pinnacles, battlements and gargoyles, the effect is very rich and imposing for a village church.
One enters through the fan-vaulted porch and is initially met by subdued lighting within that takes a moment to adjust to but can immediately appreciate the elegant arcades and the rich glowing colours of the windows. The interior is spacious but the view east is interrupted by the tower whose panelled walls and arches frame only a glimpse of the chancel beyond. The glass was inserted between 1500-1517 and shows marked Renaissance influence, being the work of Flemish glaziers (based in Southwark) under the direction of the King's glazier Barnard Flower. The quality is thus of the highest available and suggests the Tame family had connections at court to secure such glaziers.
Entering the nave one is immediately confronted with the largest and most famous window in the church, the west window with its glorious Last Judgement, best known for its lurid depiction of the horrors of Hell with exotic demons dragging the damned to their doom. Sadly the three windows in the west wall suffered serious storm damage in 1703 and the Last Judgement suffered further during an 1860 restoration that copied rather than restored the glass in its upper half. The nave clerestories contain an intriguing scheme further emphasising the battle of Good versus Evil with a gallery of saintly figures on the south side balanced by a 'rogue's gallery' of persecutors of the faith on the darker north side, above which are fabulous demonic figures leering from the traceries.
The aisle windows form further arrays of figures in canopies with the Evangelists and prophets on the north side and the Apostles and Doctors of the Church on the south. The more narrative windows are mainly located in the eastern half of the church, starting in the north chapel with an Old Testament themed window followed by more on the life of Mary and infancy of Christ. The subject matter is usually confined to one light or a pair of them, so multiple scenes can be portrayed within a single window. The scheme continues in the east window of the chancel with its scenes of the Passion of Christ in the lower register culminating in his crucifixion above, while a smaller window to the south shows his entombment and the harrowing of Hell. The cycle continues in the south chapel where the east window shows scenes of Christ's resurrection and transfiguration whilst two further windows relate further incidents culminating in Pentecost. The final window in the sequence however is of course the Last Judgement at the west end.
The glass has been greatly valued and protected over the centuries from the ravages of history, being removed for protection during the Civil War and World War II. The windows underwent a complete conservation between 1988-2010 by the Barley Studio of York which bravely restored legibility to the windows by sensitive releading and recreating missing pieces with new work (previously these had been filled with plain glass which drew the eye and disturbed the balance of light). The most dramatic intervention was the re-ordering of the westernmost windows of the nave aisles which had been partially filled with jumbled fragments following the storm damage of 1703 but have now been returned to something closer to their original state.
It is important here not to neglect the church's other features since the glass dominates its reputation so much. The chancel also retains its original late medieval woodwork with a fine set of delicate screens dividing it from the chapels either side along with a lovely set of stalls with carved misericords. The tomb of the founder John Tame and his wife can be seen on the north side of the sanctuary with their brasses atop a tomb chest. Throughout the church a fine series of carved angel corbels supports the old oak roofs.
Fairford church is a national treasure and shouldn't be missed by anyone with a love of stained glass and medieval art. It is normally kept open for visitors and deserves more of them.
"Then the prophet Elijah arose like a fire,
and his word burned like a torch."
- Sirach 48:1, which is part of today's First Reading.
This statue of the prophet is in the Carmelite church in Salamanca.
1. The spiritual entity Qalb
Prophecy and knowledge relating to this was granted to the Prophet Adam
In the Urdu language the fleshy meat, (the heart) is known as dil, and in Arabic it is called fawad. The spiritual entity that is next to the heart is the Qalb and according to a Prophetic statement the heart and the Qalb are two separate entities.
Our solar system is the physical human sphere. There are other realms and spheres, for example the realm of the angels, the realm of the throne of God, the realm of the soul, the realm of the secrets, the realm of unification and the realm of the essence of God. These spheres and life forms inhabiting these spheres have existed before the eruption of the ball of fire, our Sun, which created our solar system. Ordinary angels were created alongside the creation of the souls when God commanded "Be" but the Archangels and the spiritual entities (which are placed inside the human body at birth) have existed in these realms before the formation of our solar system.
Many planets in our solar system were inhabited but subsequently these life forms became extinct. The remaining planets and their inhabitants are awaiting their destruction. The Archangels and the spiritual entities (of the human body) were created seventy thousand years before the command "Be."
Of these spiritual entities God placed the Qalb in the realm of love. It is with this that a human being is able to become connected with God. The Qalb acts like a telephone operator between God and the human being. A human being receives guidance and inspiration through it. Whereas the worship and the meditation done by the spiritual entities themselves can reach the highest realm, the Throne of God, with the aid of the Qalb. The Qalb itself, however cannot travel beyond the realm of the angels, as its place of origin is the Khuld, the lowest heaven in the realm of the angels.
The Qalb’s meditation is from within and its vibrating rosary is within the human skeleton (the heartbeat). People that failed to achieve this meditation of the Qalb in this lifetime will be regretful, even though they may be in paradise. As God has stated regarding those who will go to paradise, that do they, the inhabitants of paradise think that they will be equal to those who are elevated (reached higher realms by practicing the spiritual disciplines and becoming illuminated). As those that have achieved the meditation of the Qalb, they will enjoy its pleasures even in paradise when their Qalb will be vibrating with the Name of God.
After death physical worship ceases to exist and the people whose Qalb and spiritual entities are not strengthened and illuminated with the light of God are afflicted and distressed in their graves and their spiritual entities waste away. Whereas the illuminated and strengthened spiritual entities will go to the realm where the righteous will wait before the final judgement.
After the day of judgement a second body will be given, the illuminated spiritual entities along with the human soul will enter that body. The people that taught their spiritual entities, meditation, whereby the entities chanted the Name of God Allah in this life time will find that the spiritual entities will continue with this meditation even in the hereafter. Such people will continue to be elevated and exalted in the hereafter.
Those that were “blind of heart” (not illuminated) in this life time will be in darkness in that realm also, as this world was the place of action and effort. Those in the latter category will become quiescent.
Besides the Christians and the Jews the Hindu faith also holds a belief in these spiritual entities. The Hindu faith refers to them as Shaktian and the Muslims know them as Lata’if.
The Qalb is two inches, to the left of the heart. This spiritual entity is yellow in colour. When it is illuminated in a person, that person sees the colour yellow in their eyes. Not only this but there are many practitioners of alternative medicine who use the colours of these spiritual entities to heal people.
Most people regard their heart’s word, “inner feeling” to be truthful. If the hearts of people were indeed truthful, then why are all the people of the heart not united?
The Qalb of an ordinary person is in the sleeping or unconscious state and it does not possess any appreciation or awareness. Due to the dominance of the spirit of the self, the ego, and the Khannas, or due to the individual’s own simple- mindedness the heart can make judgements in error. Placing trust in a sleeping Qalb is foolish.
Only when the Name of God Allah, does vibrate in the heart does an appreciation of right and wrong and wisdom follow. At this stage the Qalb is known as the awakened Qalb. Thereafter due to the increase in the meditation by the Qalb, of the Name of God Allah, it is then known as the God-seeking Qalb. At this stage the heart is capable of preventing the person from doing wrong but it is still incapable of making a right or just decision. Thereafter and only when the Light and the rays of the Grace of God (theophany) start to descend upon that heart, is it known as the purified and illuminated Qalb that stands in the presence of God (witnessing Qalb).
A Prophetic statement:
“The mercy of God descends upon a broken heart and an afflicted grave.”
Thereafter when the heart reaches this stage then one must accept whatever it dictates, quietly without question because due to the rays of the Light and the Grace of God the spirit of the self, (ego) becomes completely illuminated, purified and at peace. God is then closer to that individual than that person’s jugular vein.
God then says, “I become his tongue with which he speaks and I become his hands with which he holds.”
2. The Human Soul
Prophecy and knowledge relating to this was granted to the Prophet Abraham
This is on the right side of the chest. This is awakened and illuminated by the meditation and one-pointed concentration on it. Once it becomes illuminated, a vibration similar to the heartbeat is felt on the right side of the chest. Then the Name of God, Ya Allah is matched with the vibrating pulse. The meditation of the soul is done in this way. At this point, there are now two spiritual entities meditating inside the human body, this is an advancement in rank and status and is better than the Qalb. The soul is a light red in colour and when it is awakened, it is able to travel to the realm of the souls (the station of the Archangel Gabriel). Anger and rage are attached to it that burn and turn into majesty.
3. The spiritual entity Sirri
Prophecy and knowledge relating to this was granted to the Prophet Moses
This spiritual entity is to the left of the centre of the chest. This is also awakened and illuminated by the meditation and one-pointed concentration on it with the Name of God, Ya Hayy, Ya Qayyum. Its colour is white and in the dream state or by spiritual separation from the physical body “transcendental meditation” it can journey to the realm of the secrets. Now there are three spiritual entities meditating within a person and its status is higher than the other two.
4. The spiritual entity Khaffi
Prophecy and knowledge relating to this was granted to the Prophet Jesus
This is to the right of the centre of the chest. It too is taught the Name of God Ya Wahid by meditation. It is green in colour and it can reach the realm of unification. Due to the meditation of four entities one's status is further increased.
5. The spiritual entity Akhfa
Prophecy and knowledge relating to this was granted to the Prophet Mohammed
This is situated at the centre of the chest. It is awakened by meditating on the Name of God, Ya Ahad. It is purple in colour and it too, is connected to that veil in the realm of unification behind which is the throne of God.
The hidden spiritual knowledge relating to these five spiritual entities was granted to the Prophets, one by one and half of the knowledge of every spiritual entity was granted from the Prophets to the Saints of their time. In this way there became ten parts of this knowledge. The Saints in turn passed this knowledge on to the spiritually favoured (Godly) who then had the benefit of the sacred knowledge.
The apparent knowledge of the seen is connected to the physical body, the spoken word, the human realm and the spirit of the self, this is for the ordinary mortals. This knowledge is contained in a book that has thirty parts. Spiritual knowledge was also given to the Prophets by revelation brought by Gabriel and for this reason it is known as the spiritual Holy Scripture.
Many of the verses of the Qur’an would sometimes be abolished, since the Prophet Mohammed would sometimes mention matters relating to this “hidden spiritual knowledge” before ordinary people, which was only meant for the special and Godly. Later this knowledge passed on spiritually from the chest of one Saint to another, and now it has become widespread by its publication in books.
6. The spiritual entity Anna
This spiritual entity is inside the head and is colourless. It is by the meditation on the Name of God Ya Hu that this spiritual entity reaches its pinnacle. It is this spiritual entity that when it becomes illuminated and powerful it can stand in the Presence of God, face to face, and communicate with God unobstructed. Only the extreme lovers of God reach this realm and station. Besides this there are a few and extremely exalted people who are granted additional spiritual entities, for example the spiritual entity Tifl-e-Nuri or a spiritual entity of the Godhead, Jussa-e-Tofiq-e-Ilahi, the spiritual status of such people is beyond understanding.
With the spiritual entity, Anna, God is seen in the dream state.
With the spiritual entity of the Godhead, God is seen in the “physical meditating state” when the spiritual entity itself leaves the human body and transcends to the essence of God.
Those possessing the spiritual entity, the Tifl-e-Nuri, see God whilst they are fully conscious.
It is these people who are the majesty and power of God in the world. They can either occupy the people by prescribing worship and austerities or by their spiritual grace send a person straight to the realm of God’s love. In their sight, concerning dispensing spiritual grace the believers and the non-believers, the dead and the living are all the same. Just as a thief became a Saint, in an instant, by the passing glimpse of the Saint Sheikh Abdul-Qadir al-Jilani, similarly, Abu-Bakr Havari and Manga the thief, became instant Saints by the passing glimpses of such Saints.
The five major Messengers were given knowledge of the five spiritual entities separately and in order of their appearance, as a result of which spirituality continued to prosper. With whichever spiritual entity you practice meditation you will be connected to the corresponding Messenger and become worthy of receiving spiritual grace (from that Messenger).
Whichever spiritual entity receives the rays of the Grace of God (favour), the Sainthood granted to that spiritual entity will be connected to the corresponding Prophet’s spiritual grace.
Access to seven realms and gaining elevated spiritual status in the seven heavens is obtained through these spiritual entities.
The functions of the spiritual entities inside the human body
Akhfa: Due to the spiritual entity, Akhfa a person is able to speak. In its absence a person may have a normal tongue but will be dumb. The difference between human beings and animals lies in the presence or the absence of these spiritual entities. At birth, if the entity, Akhfa was unable to enter the body for whatever reason, then a Prophet appointed for the rectification of this ailment would be called to treat the condition as a result of which the dumb would start to speak.
Sirri: A person is able to see due to the spiritual entity, Sirri. If it does not enter the body the person is blind from birth. An appointed Prophet had the duty to find and place the spiritual entity into the body, as a result of which the blind would start to see again.
Qalb: Without the spiritual entity of the Qalb, in the body, a person is like the animals, unacquainted, far from God, miserable and without purpose. Returning this entity into the body was the task of the Prophets also.
The miracles of the Prophets were also granted to the saints, in the form marvels and mystical wonders as a result of which even the impious and liberal became close to God. When a spiritual entity is returned by any allocated Saint or Prophet, the deaf, dumb and the blind are healed.
Anna: When the spiritual entity, Anna, fails to enter the body, a person is regarded as insane even though the brain may be functioning normally.
Khaffi: In the absence of the spiritual entity, Khafi, a person is deaf, even if the ears are opened wide.
These conditions can be caused by other defects in the body, and can be treated. There is no cure in the case, where the defect is caused by the absence of the associated spiritual entity except where a Prophet or a Saint intervenes and cures the defect.
Nafs, self: As a result of the spiritual entity of the self (ego) a persons mind is occupied with the material world and it is because of the spiritual entity Qalb that a persons direction turns towards God. For more detail visit www.goharshahi.org or visit asipk.com and for videos visit HH rags
Daily Prophet
The Graphics Department designed and printed over 40 editions of the Daily Prophet, each with advertisements, horoscopes, Runoku puzzles and clever headlines that followed fictional stories.
The Quibbler
More than 25,000 pages of The Quibbler were printed. Each edition containing unique headlines, stories and photographs.
The Marauder's Map
Designed by the Graphics Department, using lines made of handwritten text that includes names and hidden messages. After first appearing in Harry Potter and the Prisoner of Azkaban the Marauder's Map was redesigned for each subsequent film with new layers, hallways and calligraphy.
People the world-over have been enchanted by the Harry Potter films for nearly a decade. The wonderful special effects and amazing creatures have made this iconic series beloved to both young and old - and now, for the first time, the doors are going to be opened for everyone at the studio where it first began. You'll have the chance to go behind-the-scenes and see many things the camera never showed. From breathtakingly detailed sets to stunning costumes, props and animatronics, Warner Bros. Studio Tour London provides a unique showcase of the extraordinary British artistry, technology and talent that went into making the most successful film series of all time. Secrets will be revealed.
Warner Bros. Studio Tour London provides an amazing new opportunity to explore the magic of the Harry Potter films - the most successful film series of all time. This unique walking tour takes you behind-the-scenes and showcases a huge array of beautiful sets, costumes and props. It also reveals some closely guarded secrets, including facts about the special effects and animatronics that made these films so hugely popular all over the world.
Here are just some of the things you can expect to see and do:
- Step inside and discover the actual Great Hall.
- Explore Dumbledore’s office and discover never-before-seen treasures.
- Step onto the famous cobbles of Diagon Alley, featuring the shop fronts of Ollivanders wand shop, Flourish and Blotts, the Weasleys' Wizard Wheezes, Gringotts Wizarding Bank and Eeylops Owl Emporium.
- See iconic props from the films, including Harry’s Nimbus 2000 and Hagrid’s motorcycle.
- Learn how creatures were brought to life with green screen effects, animatronics and life-sized models.
- Rediscover other memorable sets from the film series, including the Gryffindor common room, the boys’ dormitory, Hagrid’s hut, Potion’s classroom and Professor Umbridge’s office at the Ministry of Magic.
Located just 20 miles from the heart of London at Warner Bros. Studios Leavesden, the very place where it all began and where all eight of the Harry Potter films were brought to life. The Studio Tour is accessible to everyone and promises to be a truly memorable experience - whether you’re an avid Harry Potter fan, an all-round movie buff or you just want to try something that’s a little bit different.
The tour is estimated to take approximately three hours (I was in there for 5 hours!), however, as the tour is mostly self guided, you are free to explore the attraction at your own pace. During this time you will be able to see many of the best-loved sets and exhibits from the films. Unique and precious items from the films will also be on display, alongside some exciting hands-on interactive exhibits that will make you feel like you’re actually there.
The magic also continues in the Gift Shop, which is full of exciting souvenirs and official merchandise, designed to create an everlasting memory of your day at Warner Bros. Studio Tour London.
Hogwarts Castle Model - Get a 360 degree view of the incredible, hand sculpted 1:24 scale construction that features within the Studio Tour. The Hogwarts castle model is the jewel of the Art Department having been built for the first film, Harry Potter and the Philosopher’s Stone. It took 86 artists and crew members to construct the first version which was then rebuilt and altered many times over for the next seven films. The work was so extensive that if one was to add all the man hours that have gone into building and reworking the model, it would come to over 74 years. The model was used for aerial photography, and was digitally scanned for CGI scenes.
The model, which sits at nearly 50 feet in diameter, has over 2,500 fibre optic lights that simulate lanterns and torches and even gave the illusion of students passing through hallways in the films. To show off the lighting to full effect a day-to-night cycle will take place every four minutes so you can experience its full beauty.
An amazing amount of detail went into the making of the model: all the doors are hinged, real plants are used for landscaping and miniature birds are housed in the Owlery. To make the model appear even more realistic, artists rebuilt miniature versions of the courtyards from Alnwick Castle and Durham Cathedral, where scenes from Harry Potter and the Philosopher’s Stone were shot.
Darksteel armor costume made by us and worn by me.
Costume made for Infernum Propductions Dragon's Prophet Europe www.dragonspropheteurope.com/en/
Photo by Jesús Clares facebook.com/jesusclares
I stopped by JAM (a music equipment store in Stockholm) this week and wandered around in their analog synth section. I asked one in the staff if I could try this piece. No problem, except that the sound output was rather weak and panned to the left in the earphones.
The Prophet 5 was one of the first polyphonic, programmable synthesizers on the market (1978). As many analog synths, several revisions were built, all based on different circuits and, of course, audiophiles notice the differences between the revisions. Earlier ones sound fatter. Don't know if this is a rev2 or rev3 (as this was the first time I played on a Prophet 5) but it sounded fat as most equipment from this time. I might be able to tell rev2 and rev3 models apart when played isolated like this, but as usual these sonic differences between the revisions don't stand out in a full musical mix and then it doesn't really matter that much anymore.
Anyway, it can be heard on various songs from late 70's throughout the 80's such as Nena's "99 luftballoons" (the silkly smooth intro strings and the raw synth bass), Phil Collin's "In the air tonight" and the soundtrack for Halloween 1 and Halloween 2 from 1978 and 1981 respectively. I believe the musical record "War of the worlds" from 1978 narrated by Jeff Wayne included some Prophet 5 sounds too.
UPDATE:
"I did play it [the Thunderchild] on a few tracks on TWOTW, but none actually survived as Yamaha's CS80, the first poly synth, came out about half-way through TWOTW production, and we replaced many of the original sounds with Yamaha's ground-breaking keyboard, including the famous ribbon controller and finished most of the remaining sounds with it, although the Arp Odyssey, the mini Moog (great for bass sounds) and my Fairlight contributed a bit."
[From Retro Synths Ads]
Listen to the Prophet 5 here.
Darksteel armor costume made by us and worn by me.
Costume made for Infernum Propductions Dragon's Prophet Europe www.dragonspropheteurope.com/en/
Photo by Jesús Clares facebook.com/jesusclares