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Along one side of our property, there are the remnants of a very old barbed wire fence. Our house/farm is about 100 years old. I don’t how old the fence is, but most of the wooden posts have long since fallen down. Only a few metal ones remain partially upright.
Happy Fenced Friday!
I can't decide whether this has been a successful final image, or merely an overworked composite. I did put a fair share of work into it. I placed myself with an SB900 in the frame on three locations (flower arrangement in the back, lounge area in the middle, and by the stairway), and then masked myself out. I masked in the windows, too. On all frames I used a fill light from behind the camera.
In retrospect, I regret not having lit the porch on the left. There is also a blue cast coming in from that side, as well as from the windows in the back.
I'm grateful for any critique.
Chartwell is a country house near Westerham, Kent, in South East England. For over forty years it was the home of Sir Winston Churchill. He bought the property in September 1922 and lived there until shortly before his death in January 1965. In the 1930s, when Churchill was out of political office, Chartwell became the centre of his world. At his dining table, he gathered those who could assist his campaign against German re-armament and the British government's response of appeasement; in his study, he composed speeches and wrote books; in his garden, he built walls, constructed lakes and painted. During the Second World War, Chartwell was largely unused, the Churchills returning after he lost the 1945 election. In 1953, when again prime minister, the house became Churchill's refuge when he suffered a debilitating stroke. In October 1964, he left for the last time, dying at his London home, 28 Hyde Park Gate, on 24 January 1965.
The origins of the estate reach back to the 14th century; in 1382, the property then called Well-street was owned by William-at-Well. It passed through various owners and in 1836 was auctioned, as a substantial brick-built manor. In 1848, it was purchased by John Campbell Colquhoun, whose grandson sold it to Churchill. The Campbell Colquhouns greatly enlarged the house and the advertisement for its sale at the time of Churchill's purchase described it as an imposing mansion. Between 1922 and 1924, it was rebuilt and extended by the society architect Philip Tilden. From the garden front, the house has extensive views over the Weald of Kent, "the most beautiful and charming" Churchill had ever seen, and the determining factor in his decision to buy the house.
In 1946, when financial constraints forced Churchill to consider selling Chartwell, it was acquired by the National Trust with funds raised by a consortium of Churchill's friends led by Lord Camrose, on condition that the Churchills retained a life-tenancy. After Churchill's death, Lady Churchill surrendered her rights to the house and it was opened to the public by the Trust in 1966. A Grade I listed building, for its historical significance rather than its architectural merit, Chartwell has become among the Trust's most popular properties; 232,000 people visited the house in 2016, the fiftieth anniversary of its opening.
History
Early history to 1922
The earliest recorded mention of the land dates to 1362 when it was sold by a William At-Well.[1] The origin of the name is the Chart Well, a spring to the north of the current house, Chart being an Old English word for rough ground.[2] The site had been built upon at least as early as the 16th century, when the estate was called Well Street.[3] Henry VIII was reputed to have stayed in the house during his courtship of Anne Boleyn at nearby Hever Castle.[4] Elements of the Tudor house are still visible; the Historic England listing for Chartwell notes that 16th- (or possibly 17th-) century brickwork can be seen in some of the external walls.[5] In the 17th and 18th centuries, the house was used as a farmhouse and its ownership was subject to frequent change.[3] On 22 September 1836, the property was auctioned at Cheapside, advertised as "a suitable abode for a genteel family".[6] In 1848 it was purchased by John Campbell Colquhoun, a former MP; the Campbell Colquhouns were a family of Scottish landowners, lawyers and politicians.[7] The original farmhouse was enlarged and modified during their ownership, including the addition of the stepped gables, a Scottish baronial genuflection to the land of their fathers.[8] By the time of the sale to Churchill, it was, in the words of Oliver Garnett, author of the 2008 guidebook to the house, an example of "Victorian architecture at its least attractive, a ponderous red-brick country mansion of tile-hung gables and poky oriel windows".[3] Tilden, in his "highly unreliable"[9] memoirs, True Remembrances, wrote of "creating Chartwell out of the drabness of Victorian umbrageousness".[10]
Churchill at Chartwell
1922 to 1939
Chartwell – Clementine Churchill's "magnificent aerial bower" to the left
Churchill first saw Chartwell in July 1921, shortly before the house and estate were to be auctioned.[11] He returned the same month with his wife Clementine, who was initially attracted to the property, although her enthusiasm cooled during subsequent visits.[12] In September 1922, when the house had failed to sell at auction, he was offered it for £5,500. He paid £5,000, after his first offer of £4,800, made because "the house will have to be very largely rebuilt, and the presence of dry rot is a very serious adverse factor", was rejected.[13] The seller was Captain Archibald John Campbell Colquhoun, who had inherited the house in June 1922 on the death of his brother.[14] Campbell Colquhoun had been a contemporary of Churchill's at Harrow School in the 1880s. On completion of the sale in September 1922, Churchill wrote to him; "I am very glad indeed to have become the possessor of "Chartwell".[5] I have been searching for two years for a home in the country and the site is the most beautiful and charming I have ever seen".[14] The sale was concluded on 11 November 1922.[15]
The previous 15 months had been personally and professionally calamitous. In June 1921, Churchill's mother had died, followed three months later by his youngest child, Marigold.[15] In late 1922, he fell ill with appendicitis and at the end of the year lost his Scottish parliamentary seat at Dundee.[16]
Philip Tilden, Churchill's architect, began work on the house in 1922 and the Churchills rented a farmhouse near Westerham, Churchill frequently visiting the site to observe progress.[17] The two-year building programme, the ever-rising costs, which escalated from the initial estimate of £7,000 to over £18,000, and a series of construction difficulties, particularly relating to damp, soured relations between architect and client,[18] and by 1924 Churchill and Tilden were barely on speaking terms.[19][a][b] Legal arguments, conducted through their respective lawyers, continued until 1927.[22] Clementine's anxieties about the costs, both of building and subsequently living at Chartwell also continued. In September 1923 Churchill wrote to her, "My beloved, I beg you not to worry about money, or to feel insecure. Chartwell is to be our home (and) we must endeavour to live there for many years."[23] Churchill finally moved into the house in April 1924; a letter dated 17 April to Clementine begins, "This is the first letter I have ever written from this place, and it is right that it should be to you".[24]
In February 1926, Churchill's political colleague Sir Samuel Hoare described a visit in a letter to the press baron Lord Beaverbrook; "I have never seen Winston before in the role of landed proprietor, ... the engineering works on which he is engaged consist of making a series of ponds in a valley and Winston appeared to be a great deal more interested in them than in anything else in the world".[25] As Hoare's presence indicated, Churchill's holidays were very rarely pure vacations. Roy Jenkins, in his study, The Chancellors, contrasted Churchill's approach to holidaying with that of his then boss, Stanley Baldwin. "Churchill went to Chartwell or elsewhere to lengthen the stride of his political work, but not greatly to reduce its quantity; far from shutting himself off, he persuaded as many as possible of his colleagues and henchmen to visit him, to receive his ever-generous hospitality."[26] In January 1928, James Lees-Milne stayed as a guest of Churchill's son Randolph. He described an evening after dinner; "We remained at that round table till after midnight. Mr Churchill spent a blissful two hours demonstrating with decanters and wine glasses how the Battle of Jutland was fought. He got worked up like a schoolboy, making barking noises in imitation of gunfire, and blowing cigar smoke across the battle scene in imitation of gun smoke".[27] On 26 September 1927, Churchill composed the first of his Chartwell Bulletins, which were lengthy letters to Clementine, written to her while she was abroad. In the bulletins, Churchill described in great detail the ongoing works on the house and the gardens, and aspects of his life there. The 26 September letter opens with a report of Churchill's deepening interest in painting; "Sickert arrived on Friday night and we worked very hard at various paintings ... I am really thrilled ... I see my way to paint far better pictures than I ever thought possible before".[28]
Churchill described his life at Chartwell in the later 1930s in the first volume of his history of the Second World War, The Gathering Storm. "I had much to amuse me. I built ... two cottages, ... and walls and made ... a large swimming pool which ... could be heated to supplement our fickle sunshine. Thus I ... dwelt at peace within my habitation".[29] Bill Deakin, one of Churchill's research assistants, recalled his working routine. "He would start the day at eight o'clock in bed, reading. Then he started with his mail. His lunchtime conversation was quite magnificent, ...absolutely free for all. After lunch, if he had guests he would take them round the garden. At seven he would bathe and change for dinner. At midnight, when the guests left, then he would start work ... to three or four in the morning. The secret was his phenomenal power to concentrate."[30][c] In his study of Churchill as author, the historian Peter Clarke described Chartwell as "Winston's word factory". Wikipedia
property of the Metropolitan Museum of Art, New York
for educational purpose only
please do not use without permission
The grounds to this property are superb, there are 2 coffee shops and 520 acres to explore. Inside the house the some of the rooms are presented nicely. The only draw back was they where not keen on the use of a tripod.
A visit to the National Trust property that is Penrhyn Castle
Penrhyn Castle is a country house in Llandygai, Bangor, Gwynedd, North Wales, in the form of a Norman castle. It was originally a medieval fortified manor house, founded by Ednyfed Fychan. In 1438, Ioan ap Gruffudd was granted a licence to crenellate and he founded the stone castle and added a tower house. Samuel Wyatt reconstructed the property in the 1780s.
The present building was created between about 1822 and 1837 to designs by Thomas Hopper, who expanded and transformed the building beyond recognition. However a spiral staircase from the original property can still be seen, and a vaulted basement and other masonry were incorporated into the new structure. Hopper's client was George Hay Dawkins-Pennant, who had inherited the Penrhyn estate on the death of his second cousin, Richard Pennant, who had made his fortune from slavery in Jamaica and local slate quarries. The eldest of George's two daughters, Juliana, married Grenadier Guard, Edward Gordon Douglas, who, on inheriting the estate on George's death in 1845, adopted the hyphenated surname of Douglas-Pennant. The cost of the construction of this vast 'castle' is disputed, and very difficult to work out accurately, as much of the timber came from the family's own forestry, and much of the labour was acquired from within their own workforce at the slate quarry. It cost the Pennant family an estimated £150,000. This is the current equivalent to about £49,500,000.
Penrhyn is one of the most admired of the numerous mock castles built in the United Kingdom in the 19th century; Christopher Hussey called it, "the outstanding instance of Norman revival." The castle is a picturesque composition that stretches over 600 feet from a tall donjon containing family rooms, through the main block built around the earlier house, to the service wing and the stables.
It is built in a sombre style which allows it to possess something of the medieval fortress air despite the ground-level drawing room windows. Hopper designed all the principal interiors in a rich but restrained Norman style, with much fine plasterwork and wood and stone carving. The castle also has some specially designed Norman-style furniture, including a one-ton slate bed made for Queen Victoria when she visited in 1859.
Hugh Napier Douglas-Pennant, 4th Lord Penrhyn, died in 1949, and the castle and estate passed to his niece, Lady Janet Pelham, who, on inheritance, adopted the surname of Douglas-Pennant. In 1951, the castle and 40,000 acres (160 km²) of land were accepted by the treasury in lieu of death duties from Lady Janet. It now belongs to the National Trust and is open to the public. The site received 109,395 visitors in 2017.
Grade I Listed Building
History
The present house, built in the form of a vast Norman castle, was constructed to the design of Thomas Hopper for George Hay Dawkins-Pennant between 1820 and 1837. It has been very little altered since.
The original house on the site was a medieval manor house of C14 origin, for which a licence to crenellate was given at an unknown date between 1410 and 1431. This house survived until c1782 when it was remodelled in castellated Gothick style, replete with yellow mathematical tiles, by Samuel Wyatt for Richard Pennant. This house, the great hall of which is incorporated in the present drawing room, was remodelled in c1800, but the vast profits from the Penrhyn slate quarries enabled all the rest to be completely swept away by Hopper's vast neo-Norman fantasy, sited and built so that it could be seen not only from the quarries, but most parts of the surrounding estate, thereby emphasizing the local dominance of the Dawkins-Pennant family. The total cost is unknown but it cannot have been less than the £123,000 claimed by Catherine Sinclair in 1839.
Since 1951 the house has belonged to the National Trust, together with over 40,000 acres of the family estates around Ysbyty Ifan and the Ogwen valley.
Exterior
Country house built in the style of a vast Norman castle with other later medieval influences, so huge (its 70 roofs cover an area of over an acre (0.4ha)) that it almost defies meaningful description. The main components of the house, which is built on a north-south axis with the main elevations to east and west, are the 124ft (37.8m) high keep, based on Castle Hedingham (Essex) containing the family quarters on the south, the central range, protected by a 'barbican' terrace on the east, housing the state apartments, and the rectangular-shaped staff/service buildings and stables to the north. The whole is constructed of local rubblestone with internal brick lining, but all elevations are faced in tooled Anglesey limestone ashlar of the finest quality jointing; flat lead roofs concealed by castellated parapets. Close to, the extreme length of the building (it is about 200 yards (182.88m) long) and the fact that the ground slopes away on all sides mean that almost no complete elevation can be seen. That the most frequent views of the exterior are oblique also offered Hopper the opportunity to deploy his towers for picturesque effect, the relationship between the keep and the other towers and turrets frequently obscuring the distances between them. Another significant external feature of the castle is that it actually looks defensible making it secure at least from Pugin's famous slur of 1841 on contemporary "castles" - "Who would hammer against nailed portals, when he could kick his way through the greenhouse?" Certainly, this could never be achieved at Penrhyn and it looks every inch the impregnable fortress both architect and patron intended it to be.
East elevation: to the left is the loosely attached 4-storey keep on battered plinth with 4 tiers of deeply splayed Norman windows, 2 to each face, with chevron decoration and nook-shafts, topped by 4 square corner turrets. The dining room (distinguished by the intersecting tracery above the windows) and breakfast room to the right of the entrance gallery are protected by the long sweep of the machicolated 'barbican' terrace (carriage forecourt), curved in front of the 2 rooms and then running northwards before returning at right-angles to the west to include the gatehouse, which formed the original main entrance to the castle, and ending in a tall rectangular tower with machicolated parapet. To the right of the gatehouse are the recessed buildings of the kitchen court and to the right again the long, largely unbroken outer wall of the stable court, terminated by the square footmen's tower to the left and the rather more exuberant projecting circular dung tower with its spectacularly cantilevered bartizan on the right. From here the wall runs at right-angles to the west incorporating the impressive gatehouse to the stable court.
West elevation: beginning at the left is the hexagonal smithy tower, followed by the long run of the stable court, well provided with windows on this side as the stables lie directly behind. At the end of this the wall turns at right-angles to the west, incorporating the narrow circular-turreted gatehouse to the outer court and terminating in the machicolated circular ice tower. From here the wall runs again at a lower height enclosing the remainder of the outer court. It is, of course, the state apartments which make up the chief architectural display on the central part of this elevation, beginning with a strongly articulated but essentially rectangular tower to the left, while both the drawing room and the library have Norman windows leading directly onto the lawns, the latter terminating in a slender machicolated circular corner tower. To the right is the keep, considerably set back on this side.
Interior
Only those parts of the castle generally accessible to visitors are recorded in this description. Although not described here much of the furniture and many of the paintings (including family portraits) are also original to the house. Similarly, it should be noted that in the interests of brevity and clarity, not all significant architectural features are itemised in the following description.
Entrance gallery: one of the last parts of the castle to be built, this narrow cloister-like passage was added to the main block to heighten the sensation of entering the vast Grand Hall, which is made only partly visible by the deliberate offsetting of the intervening doorways; bronze lamp standards with wolf-heads on stone bases. Grand Hall: entering the columned aisle of this huge space, the visitor stands at a cross-roads between the 3 principal areas of the castle's plan; to the left the passage leads up to the family's private apartments on the 4 floors of the keep, to the right the door at the end leads to the extensive service quarters while ahead lies the sequence of state rooms used for entertaining guests and displayed to the public ever since the castle was built. The hall itself resembles in form, style and scale the transept of a great Norman cathedral, the great clustered columns extending upwards to a "triforium" formed on 2 sides of extraordinary compound arches; stained glass with signs of the zodiac and months of the year as in a book of hours by Thomas Willement (completed 1835). Library: has very much the atmosphere of a gentlemen’s London club with walls, columned arches and ceilings covered in the most lavish ornamentation; superb architectural bookcases and panelled walls are of oak but the arches are plaster grained to match; ornamental bosses and other devices to the rich plaster ceiling refer to the ancestry of the Dawkins and Pennant families, as do the stained glass lunettes above the windows, possibly by David Evans of Shrewsbury; 4 chimneypieces of polished Anglesey "marble", one with a frieze of fantastical carved mummers in the capitals. Drawing room (great hall of the late C18 house and its medieval predecessor): again in a neo-Norman style but the decoration is lighter and the columns more slender, the spirit of the room reflected in the 2000 delicate Maltese gilt crosses to the vaulted ceiling. Ebony room: so called on account of its furniture and "ebonised" chimneypiece and plasterwork, has at its entrance a spiral staircase from the medieval house. Grand Staircase hall: in many ways the greatest architectural achievement at Penrhyn, taking 10 years to complete, the carving in 2 contrasting stones of the highest quality; repeating abstract decorative motifs contrast with the infinitely inventive figurative carving in the newels and capitals; to the top the intricate plaster panels of the domed lantern are formed in exceptionally high relief and display both Norse and Celtic influences. Next to the grand stair is the secondary stair, itself a magnificent structure in grey sandstone with lantern, built immediately next to the grand stair so that family or guests should not meet staff on the same staircase. Reached from the columned aisle of the grand hall are the 2 remaining principal ground-floor rooms, the dining room and the breakfast room, among the last parts of the castle to be completed and clearly intended to be picture galleries as much as dining areas, the stencilled treatment of the walls in the dining room allowing both the provision of an appropriately elaborate "Norman" scheme and a large flat surface for the hanging of paintings; black marble fireplace carved by Richard Westmacott and extremely ornate ceiling with leaf bosses encircled by bands of figurative mouldings derived from the Romanesque church of Kilpeck, Herefordshire. Breakfast room has cambered beam ceiling with oak-grained finish.
Grand hall gallery: at the top of the grand staircase is vaulted and continues around the grand hall below to link with the passage to the keep, which at this level (as on the other floors) contains a suite of rooms comprising a sitting room, dressing room, bedroom and small ante-chamber, the room containing the famous slate bed also with a red Mona marble chimneypiece, one of the most spectacular in the castle. Returning to the grand hall gallery and continuing straight on rather than returning to the grand staircase the Lower India room is reached to the right: this contains an Anglesey limestone chimneypiece painted to match the ground colour of the room's Chinese wallpaper. Coming out of this room, the chapel corridor leads to the chapel gallery (used by the family) and the chapel proper below (used by staff), the latter with encaustic tiles probably reused from the old medieval chapel; stained and painted glass by David Evans (c1833).
The domestic quarters of the castle are reached along the passage from the breakfast room, which turns at right-angles to the right at the foot of the secondary staircase, the most important areas being the butler's pantry, steward's office, servants' hall, housekeeper's room, still room, housekeeper's store and housemaids' tower, while the kitchen (with its cast-iron range flanked by large and hygienic vertical slabs of Penrhyn slate) is housed on the lower ground floor. From this kitchen court, which also includes a coal store, oil vaults, brushing room, lamp room, pastry room, larder, scullery and laundry are reached the outer court with its soup kitchen, brewhouse and 2-storey ice tower and the much larger stables court which, along with the stables themselves containing their extensive slate-partitioned stalls and loose boxes, incorporates the coach house, covered ride, smithy tower, dung tower with gardeners' messroom above and footmen's tower.
Reasons for Listing
Included at Grade I as one of the most important large country houses in Wales; a superb example of the relatively short-lived Norman Revival of the early C19 and generally regarded as the masterpiece of its architect, Thomas Hopper.
First views of the castle.
Towards the Railway Museum
Many thanks to Group Admin ttelyob (Colin Boylett) for very kindly inviting this photograph into the Flickr group 'NATIONAL TRUST PROPERTIES IN KENT', and for selecting it as cover shot for the group on February 5th 2019.
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Photograph taken on May 25th 2011 off the A21 close to the Bewl River in the grounds of Scotney Castle.Scotney castle was built between 1378-80 by Roger Ashburnham for estate owner Lambert de Scoteni.
Scotney Castle is under the care of the National Trust and located in Lamberhurst, Royal Tunbridge Wells, Kent. The partially standing original Scotney Catle and grounds were opened to the public in 2007, and a Scotney New Castle now stands at the top of the gardens.
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Nikon D700 24mm 1/200s f/11.0 iso200 Handheld. Lossless compressed RAW (14Bit) AF-C continuous point focus with 3D-tracking. Manual exposure. Matrix metering. Auto white balance.
Nikkor AF-S 24-70mm f/2.8G ED IF. Jessops 72mm UV filter. Nikon EN-EL15 batteries.Sandisc 32GB Ultra Class 10 30MB/s SDHC.
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RAW (TIFF) FILE: 103.00MB
PROCESSED FILE: 25.60MB
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PROCESSING POWER:
Nikon D700 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB DATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit.
SET 6 – Horn Lake Target, Post-Remodel
In this shot farther out in the parking lot, we can see the dividing line between the Target portion of the property and the neighboring stores (which connect to Home Depot down at the other end of the strip) clearly delineated by the change in asphalt color; while both sections were repaved in recent-ish memory, the Home Depot/shopping center side was clearly the more recent of the two. I also find it interesting how the paving ends in the middle of this row of parking spaces rather than at the edge!
(c) 2025 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
A view of Anderson Island, the pedestrian bridge crossing over the train tracks to connect the beach to Central Meadow of Chambers Creek Properties, and people enjoying the respite between rain showers.
This is a hand held, 3 exposure (-2ev, 0ev, +2ev) HDR tonemapped with Photomatix Pro 4.1 (trial version) and further processed with PhotoShop Elements 7.
Stamp scanned from a catalog (#106) published by the Geo. J. Mayer Co. of Indianapolis, Indiana in the early 1940s.
224 contact (everyone)
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i h e a r t m y f l i c k r : *
cái này đú vãi =))
My client wanted me to shoot exteriors. This time, rather than manually blending exposures, I used Nik Pro HDR, which came with the full Nik Pro Suite I acquired recently. I have little experience with HDR. In fact, I have resisted it, partly due to so many over the top HDR pictures I have seen. But I am seeing some superior exposure blending work by members in this group.
So, does this one look real or fake? What could be made better?
I have used two different exposures, plus 1/2 CTO gelled flashes in three of the rooms.
Artwork for FOR THE GOOD TIMES Rhythm and Blues / Soul Mix
Old Skool Eclectic Music Series
EXB Mix 2015.26
Released 25 December 2015
MIXCRATE at www.mixcrate.com/elvertbarnes/10148721
Track list at docs.google.com/document/d/1KqPtmddjJsB3tkk05S_e4ApMhKbtL...
Elvert Barnes MIXOLOGY
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Photo Details:
No Point Farm at 17238 St. Jeromes Neck Road in Dameron, MD on Christmas Day, 25 December 2004 by Elvert Barnes Photography
The former Dunbar Farm and purchased by my grandparents Thomas Walter and Violet Emma Dove Biscoe in the 1920's and overlooking the St. Clarence Creek this almost 100 acre farm was where as young boy through my mid teens that I would spend much time. In 1969 my grandparents sold the property to the Capper family who, at that time, owned and operated Capper's Nursery in Southern Virginia. And who, shortly before, had begun purchasing large farms in Southern Maryland, particularly, in Dameron Maryland along St. Jeromes Neck Road. My grandfather passed in 1971.
And as he had promised my grandfather Mr. Capper permitted my grandmother to remain in the house on the farm until her death, or for as long as she wanted to.
After experiencing a stroke in the early 80's my great grandmother, Violet Biscoe, moved to Joe Baker's Village in Lexington Park MD.
As one of the largest black land owners on St. Jerome's Neck Road Walter and Violet Biscoe were well respected. And always held their own. My grandfather sometimes told the story that in order for him to have purchased the land, a Jewish man agreed to purchase it first and then resell it to him. And it was not uncommon for KKK members who lived on nearby farms to threaten my grandparents by leaving white crosses in their woods or carving the KKK letters into the bark of trees.
Elvert Barnes Photography
Thomas Walker Biscoe March 1971 obituary at flic.kr/p/Be7gc3
Violet Biscoe December 1998 obituary at flic.kr/p/B7DHhD
State of Maryland / St. Jeromes Neck Road / Dameron Archive at msa.maryland.gov/megafile/msa/stagsere/se1/se5/031800/031...
Property at 52 Eyre Place, Edinburgh
Note the Plaque to the right of the doorway with the Inscription
“On This Site in 1887 Nothing Happened”
A house for sale in North Carolina, USA
Like much of our work, we have put all these images in the public domain. Feel free to use them but please credit out site as the source if you do: TaxRebate.org.uk
the property nature of royal palm is at backyard nature sunlight from outdoors of the nature is more stunned and amazing of the area is looking sharp of the area for the temperature weather of the sunlight of the natural the and nature
In the real estate business, there are so many options can be availed. There are different types of rental properties such as #single-family homes, #multifamily apartments, commercial property etc. It is better to start with one type of rental property and extend it with time, but it is not necessary to keep up with the same thing forever. Other types of rental properties can be bought after gaining experience by reading books and talking to the investors. There are types of investments that should be avoided because eventually they will prove to be more of a headache than a profitable agreement. If interested in a deal, the math should be done immediately, after that negotiate with the seller and get the teams do their work.
Buying real estate out of state
Buying a real estate property in a faraway place can cause a lot of problems. it is difficult to find out of state investors and property dealers in the faraway place is also difficult.
Finding a Good team in a distant place
The importance of a good team in the real estate business place cannot be neglected. The property manager and its team are the one who take care of the property. It is not easy to find such an efficient team out of state. The investor should try to invest in his own state because they know the real estate environment of that estate more than any other place. The famous #property #management companies out of state are not that reliable. Even if their reputation is very good, one cannot predict their performance with hundred percent confidence. The investor cannot manage the property by himself in another state and a very trusted real estate agent is required. Finding such a person may not be an easy task. A property manager can make or break deals. He can significantly impact the business of the investor. If the property is managed properly, it can lead to substantial loss. It may also effect the future deals.
Getting the best deals
Out of all other good things about real estate business, having limitless options is the most attractive one. Such as buying and selling in a big or small town, investing in or out of state. Buying a rental property is a very successful and profitable business. One rental leads to another and then to another and so on. This is an ever-growing business that leads into a lot of cash if managed properly. But buying a property out of state can be very tricky. The investor might not be able to find the best deals worthy of the property.
State law in other states
The most important thing is the #real_estate law, that is usually different in different states. It is difficult of navigate the state laws in a particular state. The laws in two neighbouring states can be opposite to each other. Adjusting with them can be a challenge. The legal structure for real estate can affect the management of the property specially when it is out of state. There are different tax laws, eviction standpoints and rights of the tenants and the landlord are also different. Adjusting to different laws in the same business can be very challenging. It may lead to awkward situations for the investor.
Conclusion
These reasons might not be true for everyone, but for some people these can be on point. Investing in a place which is out of access due to the distance is not a preferable option. The investor should be able to visit the property every now and then.
My wife and I have purchased a small piece of land in central Texas. It's about 30 minutes north of Lampasas. Over the next few years we hope to convert it to a new place to live and a place where I can establish blinds to photograph wildlife, especially birds.
Hemos comprado un terreno en el área central de Texas. Se ubica unos treinta minutos al norte del municipio de Lampasas Durante los próximos años, planeamos establecer no sólo un lugar nuevo para vivir sino también crear escondites para poder fotografiar la fauna silvestre espcialmente las aves.