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Prompt by Patti Ballard, inspired by Degas

When I don't feel like writing, I like the 10 things prompt. No need to even make sentences. The things don't have to be related either. Try it.

Today, I want you to draw a picture, doodle, sketch, of a person who you love, or admire. Then, write that person a letter telling them why they mean so much to you!

Artwork created by Midjourney from a sequence of text.

 

Fore barrel inscription on the southern bronze Spanish cannon at the Spanish-American War Memorial in Arlington National Cemetery in Arlington County, Virginia, in the United States.

 

The Spanish-American War was a ten-week conflict that occurred from March to August 1898. It was prompted by an insurrection in Cuba against Spanish colonial rule, and led to American troops conquering Cuba, Puerto Rico, the Philippines, Guam, and Wake Island. The American declaration of war prohibited the U.S. from seeking to make Cuba a territory, and it was given its freedom in 1902. The Filipino people fought a bloody and unsuccessful fight for their freedom against American rule from 1899 to 1902 in which hundreds of thousands of civilians died.

 

While 2,910 American military personnel died during the war, just 345 were combat deaths. The rest died of disease, and more than 1,800 Americans were buried in Cuba, Hawaii, the Philippines, and Puerto Rico. On July 8, 1898, Congress enacted legislation authorizing the repatriation of American dead. Many of the dead were buried at Arlington National Cemetery, either because their families desired it or the remains could not be identified. Of the dead, 226 were disinterred in Cuba, 20 from Puerto Rico, and 24 from Hawaii. Most of the burials at Arlington National Cemetery occurred in what is now Section 22, while members of the Rough Riders (or 1st United States Volunteer Cavalry) were buried in Section 23. Civilian nurses (all of whom died of diease) were buried in what is now Section 21.

 

Some time in the first six months of 1900, a memorial was to the Spanish-American War dead was constructed by the United States Department of War (which had control over the cemetery). This memorial was built on a slight hillock on the far eastern part of the Spanish-American War "field of the dead." It was about 400 feet to the southwest of a gravel pit (now Memorial Amphitheater). This memorial consisted of a traffic circle, on the eastern side of which was a flagstone overlook. Placed on the overlook, facing east, were four cannon.

 

All four cannon were captured Spanish weapons. The two modern guns were taken from the Spanish Navy armored cruisers "Vizcaya" and "Infanta Maria Teresa". The U.S. Navy had sunk the two ships when they tried to flee the harbor of Santiago de Cuba on July 3, 1898. The ships (as well as two other cruisers and two destroyers) were old, not in good repair, had few guns, and were low on fuel. The U.S. Navy's Flying Squadron and North Atlantic Squadron, under the command of Commodore Winfield Scott Schley, easily sank all six. The provenance of the two smaller bronze cannon is less clear. A newspaper at the time claimed they came from a Spanish coastal battery in Cuba (which the paper did not identify), but the "Washington Post" was more specific and said they came from a coastal battery near Castillo de San Pedro de la Roca (also known as "Morro Castle") at Sevilla near Santiago de Cuba. All four guns were mounted on granite pedestals. The bronze cannon were spiked, while the modern guns had their breechblocks removed.

 

In April 1900, the National Society of the Colonial Dames of America voted to build a memorial to Spanish-American War dead at Arlington National Cemetery. Winifred Lee Brent Lyster, wife of Dr. Henry Francis LeHunte Lyster of Michigan and a relative of Confederate Army General Robert E. Lee, conceived of and was the primary advocate for the memorial. Originally, the memorial was just going to be a tablet. But money poured in, and soon the Society raised its sights and began thinking of a marble column. The federal government had already been considering a memorial just west of the existing one, and the Colonial Dames were given this for their effort. An original, over-elaborate design (it's not clear at all who the designer was) with whomping huge base was rejected by the Army Corps of Engineers, and the current design submitted and approved in October 1901. The inscription on the plaque on the front (west side) of the base was written by the poet Richard Watson Gilder.

 

The monument was unveiled and dedicated on May 21, 1902, by President Theodore Roosevelt.

 

The Spanish-American War Memorial consists of a column of gray granite 54 feet (16 m) high quarried in Barre, Vermont. (It is unknown which company provided the marble, or shaped it.) Atop the column is a bronze eagle with outstretched wings, facing west. (It is unknown who sculpted the eagle, or which firm cast it.) The eagle is mounted on a granite globe, which was quarried in Quincy, Massachusetts. A band decorated with 13 stars (representing the original Thirteen Colonies) is carved in high relief on the globe. (It is unknown which company provided the granite for the globe, or who shaped it.) The globe stands on a square base. The base stands atop a Corinthian capital which crowns the column. The column rests upon a tall plinth with a square cross-section. Around the top of the plinth are bronze stars 5 inches (13 cm) across. There are 11 stars on each of the four sides, for a total of 44 stars. The plinth stands on a larger square base, which sits atop a foundation set in the earth. On each corner of the foundation is a polished black granite sphere 18 inches (46 cm) in diameter. The total cost of the monument was $9,000 ($229,967 in 2013 dollars).

 

The National Society of Colonial Dames was given permission to add a second bronze tablet to the rear of the memorial in 1964. The 3-foot-6-inch (1.07 m) square tablet was placed on the memorial on October 11, 1964. And yet another tablet (!!!) was placed on the west side of the grassy circle on which the memorial sits. Also placed by the National Society of Colonial Dames, this 12-by-8-inch (30 by 20 cm) tablet was dedicated on October 19, 2008.

created with prompts using stable diffusion

My response to a prompt entitled "Portrait, Panning, and Perspective all Converge"

Artwork created by Midjourney from a sequence of text.

Looking south across Lawton Drive at the Spanish-American War Memorial in Arlington National Cemetery in Arlington County, Virginia, in the United States.

 

The Spanish-American War was a ten-week conflict that occurred from March to August 1898. It was prompted by an insurrection in Cuba against Spanish colonial rule, and led to American troops conquering Cuba, Puerto Rico, the Philippines, Guam, and Wake Island. The American declaration of war prohibited the U.S. from seeking to make Cuba a territory, and it was given its freedom in 1902. The Filipino people fought a bloody and unsuccessful fight for their freedom against American rule from 1899 to 1902 in which hundreds of thousands of civilians died.

 

While 2,910 American military personnel died during the war, just 345 were combat deaths. The rest died of disease, and more than 1,800 Americans were buried in Cuba, Hawaii, the Philippines, and Puerto Rico. On July 8, 1898, Congress enacted legislation authorizing the repatriation of American dead. Many of the dead were buried at Arlington National Cemetery, either because their families desired it or the remains could not be identified. Of the dead, 226 were disinterred in Cuba, 20 from Puerto Rico, and 24 from Hawaii. Most of the burials at Arlington National Cemetery occurred in what is now Section 22, while members of the Rough Riders (or 1st United States Volunteer Cavalry) were buried in Section 23. Civilian nurses (all of whom died of diease) were buried in what is now Section 21.

 

Some time in the first six months of 1900, a memorial was to the Spanish-American War dead was constructed by the United States Department of War (which had control over the cemetery). This memorial was built on a slight hillock on the far eastern part of the Spanish-American War "field of the dead." It was about 400 feet to the southwest of a gravel pit (now Memorial Amphitheater). This memorial consisted of a traffic circle, on the eastern side of which was a flagstone overlook. Placed on the overlook, facing east, were four cannon.

 

All four cannon were captured Spanish weapons. The two modern guns were taken from the Spanish Navy armored cruisers "Vizcaya" and "Infanta Maria Teresa". The U.S. Navy had sunk the two ships when they tried to flee the harbor of Santiago de Cuba on July 3, 1898. The ships (as well as two other cruisers and two destroyers) were old, not in good repair, had few guns, and were low on fuel. The U.S. Navy's Flying Squadron and North Atlantic Squadron, under the command of Commodore Winfield Scott Schley, easily sank all six. The provenance of the two smaller bronze cannon is less clear. A newspaper at the time claimed they came from a Spanish coastal battery in Cuba (which the paper did not identify), but the "Washington Post" was more specific and said they came from a coastal battery near Castillo de San Pedro de la Roca (also known as "Morro Castle") at Sevilla near Santiago de Cuba. All four guns were mounted on granite pedestals. The bronze cannon were spiked, while the modern guns had their breechblocks removed.

 

In April 1900, the National Society of the Colonial Dames of America voted to build a memorial to Spanish-American War dead at Arlington National Cemetery. Winifred Lee Brent Lyster, wife of Dr. Henry Francis LeHunte Lyster of Michigan and a relative of Confederate Army General Robert E. Lee, conceived of and was the primary advocate for the memorial. Originally, the memorial was just going to be a tablet. But money poured in, and soon the Society raised its sights and began thinking of a marble column. The federal government had already been considering a memorial just west of the existing one, and the Colonial Dames were given this for their effort. An original, over-elaborate design (it's not clear at all who the designer was) with whomping huge base was rejected by the Army Corps of Engineers, and the current design submitted and approved in October 1901. The inscription on the plaque on the front (west side) of the base was written by the poet Richard Watson Gilder.

 

The monument was unveiled and dedicated on May 21, 1902, by President Theodore Roosevelt.

 

The Spanish-American War Memorial consists of a column of gray granite 54 feet (16 m) high quarried in Barre, Vermont. (It is unknown which company provided the marble, or shaped it.) Atop the column is a bronze eagle with outstretched wings, facing west. (It is unknown who sculpted the eagle, or which firm cast it.) The eagle is mounted on a granite globe, which was quarried in Quincy, Massachusetts. A band decorated with 13 stars (representing the original Thirteen Colonies) is carved in high relief on the globe. (It is unknown which company provided the granite for the globe, or who shaped it.) The globe stands on a square base. The base stands atop a Corinthian capital which crowns the column. The column rests upon a tall plinth with a square cross-section. Around the top of the plinth are bronze stars 5 inches (13 cm) across. There are 11 stars on each of the four sides, for a total of 44 stars. The plinth stands on a larger square base, which sits atop a foundation set in the earth. On each corner of the foundation is a polished black granite sphere 18 inches (46 cm) in diameter. The total cost of the monument was $9,000 ($229,967 in 2013 dollars).

 

The National Society of Colonial Dames was given permission to add a second bronze tablet to the rear of the memorial in 1964. The 3-foot-6-inch (1.07 m) square tablet was placed on the memorial on October 11, 1964. And yet another tablet (!!!) was placed on the west side of the grassy circle on which the memorial sits. Also placed by the National Society of Colonial Dames, this 12-by-8-inch (30 by 20 cm) tablet was dedicated on October 19, 2008.

I revisited Cove Bay this afternoon Thursday 21st February 2019.

 

I have visited many times in the past and have posted hundreds of photos I have taken duiring these visits here on my Flickr account .

 

I read a few weeks ago that a fire had broke out at the harbour destroying fishing boats and equipment, this prompted my visit today , the charred vessels have been removed though you can still clearly see evidence of where the fire had taken place, its a sad story indeed .

 

News Report From 6th Jan 2019

 

Police investigating fires at Cove and Aberdeen harbours are carrying out additional patrols as efforts continue to trace the culprits.

 

Several boats and a boathouse were destroyed in the" suspicious" fire at Cove Harbour at the weekend.

 

Police were already investigating vandalism and fire-raising at the site of the Aberdeen Harbour expansion.

 

Officers said they were keeping an "open mind" over whether the incidents are linked.

 

Det Insp Norman Stevenson urged anyone with information about the Cove fire to get in touch as soon as possible.

He said the "malicious act" had "deeply affected" the fishermen.

 

He added: "We also continue to carry out enquiries into a fire-raising and vandalisms at the site of the Aberdeen Harbour expansion.

 

"I appreciate the similarities of both incidents and the close proximity. However, we need to keep an open mind as to whether they are linked.

 

"In the meantime additional patrols are being dedicated to both areas to help prevent any similar incidents from occurring.

 

From My Previous Posts - pre fire.

I love this bay, its a beautiful tranquil place, however after reading news reports on a court judgement 13/7/2018 forcing the fisher men to remove their boats within 28 days it saddened me, hence I made a trip today Friday 13th July 2018 to capture the views and scenery before this unpopular ruling is implemented, what a sad situation indeed, I have included the news report on the legal wrangle at the end of this description.

 

Cove is a 20 minute drive from my home in Aberdeen Scotland, it was a pleasure to visit today and capture the tranquility that it presented.

 

Scattered across the harbour are stones with various sealife characters carved into them.

 

Cove Bay is a suburb on the south-east edge of Aberdeen, Scotland.

 

Today Cove is home to over 7000 people. It is a popular residential location owing to its extremely village-like status.

 

It is a quiet suburb just at the edge of the City and in 2015 won the Silver award for Scotland in bloom. Nearby Altens and Tullos Industrial Estates, affording ample employment opportunities.

 

History

Cove Bay is situated to the east of the ancient Causey Mounth, which road was built on high ground to make passable this only available medieval route from coastal points south from Stonehaven to Aberdeen.

 

This ancient trackway specifically connected the River Dee crossing (where the Bridge of Dee is located) via Portlethen Moss, Muchalls Castle and Stonehaven to the south.

 

The route was that taken by William Keith, 7th Earl Marischal and the Marquess of Montrose, who led a Covenanter army of 9000 men in the battle of the Civil War in 1639.

 

Cove Bay was a village in the extreme north-east corner of Kincardine, governed from Stonehaven, until 1975, when it was added to the City of Aberdeen. Though simply referred to as Cove, in the 19th and early 20th centuries it was known as The Cove, becoming Cove Bay around 1912.

 

Industry

Cove has been noted for industries such as granite, which was quarried in several locations to the south of the village. Owing to its close-grained texture, Cove granite was one of the hardest in north-east Scotland and proved highly resistant to frost, making it ideal for causeway stones used in the construction of roads. It was widely exported to cities in England, including Billingsgate Market in London.

 

Fishing

The village itself sprung up around the fishing industry, with the boats berthed on a shingle beach, a gap in the rocks that afforded a natural harbour. During this time, it is estimated that approximately 300 people lived in the area. In the mid 19th century the fishing was at its height, which, over years, has included cod, haddock, salmon, herring and shellfish. The piers and breakwater were constructed in 1878. At the end of World War I the fishing began to decline. At present only a couple of boats pursue shellfish on a part-time basis.

 

Between 1894 and 1937, Cove also housed a fishmeal factory, the Aberdeen Fish Meal Factory, which was located at the edge of the cliffs. It produced quality manure which was exported to both Europe and America. It became locally known as "the stinker" because of the processing odour, which was highlighted by the Aberdeen entertainer Harry Gordon in a parody entitled A Song of Cove.

 

Amenities

Retail

 

Cove has just had a brand new Co-operative built just off of Earnshugh Circle.

To the west of Loirston Road is the Cove Shopping Centre, which overlooks Loirston Primary School. This houses a pharmacist, the Wee China Chinese takeaway/Chip shop, Ruby Tuesdays beauty salon and the Harr Rock cafe (Cove's second).

 

Within the new development of cove a local Sainsbury's has opened. There is also the Harr Rock Cafe (the first one), a hairdressers and a gift shop within the new development.

 

There are also 2 RS McColl newsagents. One located at Bervie Brow in Altens, and a second located on the corner of Loirston Road and Cove Road which also houses a Post Office.

 

Hospitality

The Cove Bay hotel is located on Colsea Road. There is also The Aberdeen Altens Hotel in Altens, which has 216 bedrooms, making it the largest of the three Thistle Hotels in Aberdeen.

 

There is also a pub, the Langdykes which now has an Indian restaurant situated inside called The Curry lounge which you can sit in or take away.

 

Transport

Bus services to and from Cove and the wider area of Aberdeen are available. These are run by First Aberdeen with the numbers 3 (to Mastrick) and the 18 to Dyce, via Kincorth. Stagecoach also cover cove partially, with numbers 7A & 8 (Both to the City Centre).

 

Healthcare

Cove Bay has its own medical centre, the Cove Bay Medical Centre. It was originally located on Catto Walk, but moved to a new facility off Earns Hugh Road. Cove Dental Care has since moved into the old surgery building.

 

Sport

Cove is currently home to two football teams: Cove Rangers, who currently play in the Highland Football League, they temporarily play in Harlow Park, Inverurie, as their old home Allan park was demolished to make way for housing. Cove Thistle, who hold amateur status. Sunday amateur team Cove Revolution folded in 2010.

 

There are also many youth teams in the area that are run by Cove Youth FC. The Cove Youth FC area SFA credited community club, organizing players from 6 years old up to 19 years old. They also have a girls section. The Cove Community Football Trust is run by Cove Rangers FC, Cove Thistle FC and Cove Youth FC.

 

Other Amenities

A state-of-the-art library was recently built between Loirston Primary School and the Cove Shopping Centre. There are blueprints for a local sports centre to also be built in the near future.

 

Education

Cove has two primary schools, Charleston Primary School and Loirston Primary School. Most secondary pupils attend the nearby Kincorth Academy, but some choose to go to Portlethen Academy.

 

Future Developments

Aberdeen Gateway[edit]

Construction on a new Aberdeen Gateway industrial development began in 2008. It will see new offices and industrial units built to the south of the village. Current tenants at the site include National Oilwell Varco (NOV), Driving Standards Agency and Hydrasun. A Community football pitch is also inlcluded within the development.

 

Cove Academy

Plans for a secondary school in Cove have now been approved and will be situated alongside Wellington Road. It is thought that once this is built pupils from Cove, Torry as well as Kincorth will attend this school.

 

The Legal Wrangle - Landowner V Fishermen - Judgement 13/7/18

  

Fishermen told to move boats from Cove Bay after legal dispute

 

Fishermen have been told to move their boats from an Aberdeen bay after a long-running dispute.

Several fishermen were fighting an eviction order on behalf of landowner Pralhad Kolhe at Cove Bay, where they had been fishing for many years.

In a written judgement, a sheriff has given them 28 days to move their boats and equipment from Mr Kolhe's land.

However, Sheriff Andrew Miller also ordered the removal of obstructions to vehicular access onto the pier.

 

The case was heard at Aberdeen Sheriff Court earlier this year.

One of the fisherman, Jim Adam, told a court he was "stunned" to receive a legal letter telling him to remove his boat.

He had been fishing from Cove Bay since 1966.

'We were hopeful'

 

The first day of the hearing heard the letter said the landowner, who lives in a house overlooking the harbour, was unable to make use of his land for amenity purposes and that he did not wish Mr Adam's vessel, or any other vessel, on his land.

In the ruling, Sheriff Miller also gave Mr Kolhe 28 days to remove the obstructions to vehicle access to the pier.

Mr Adam told BBC Scotland: "We are disappointed, we were hopeful.

 

"The good news is at least for the recreational folks they have got vehicle access.

 

Artwork created by Midjourney from a sequence of text.

 

Promptly after my take - this doe bolted off to her forest retreat!

Blogs I Love. <3

WP64 UJH

2014 DAF XF 510 FTG

Prompt Transport, North Common, Bristol

Buckingham, 16 November 2020

Available now on apparel and accessories over on: www.redbubble.com/people/angrybots/works/14072927-angrybo...

 

Prompt cat is prompt, but don't read into the standard output too much!

Useful prompt to try and take two of these pictures today, the first an empty? coal and the last an oil train, due the fact that-

'...Britain went a full day without using coal to generate electricity for the first time since the Industrial Revolution, the National Grid says..' this on Friday 21st April, 2017; West Burton 1 power station was the only coal-fired plant that had been up and running but went offline on Thursday. So that's the 1st complete 24 hours of power generation in the UK using gas and renewables such as wind and solar which are now playing an increasing role in the power mix, no mention there of nuclear bit it too now plays a significant role; Monday of last week also saw the UK's power generation being without coal fired sources, this time for 19 hours. It seemed therefore highly appropriate that two days later, 'out-of-the-blue' almost, that a long coal train of empties, with an 1800 tonne timing load, was time-tabled as a VSTP coming up from Toton to Doncaster, mid-morning on Sunday. Can't imaging a cola train full of the black stuff coming up from Toton to Doncaster so presumably this was a haul of empty coal wagons destined for the ports, in addition the original VSTP working, which was to have run along the GC's line through Tinsley and Rotherham, was timed at 800 tonnes, and got cancelled at 10:10, 20 minutes before it was to set off; and this did look to be empty wagons. Within a 10 minutes or so, another VSTP working went in with the same headcode, but this time timed with a 12:30 departure and with an extra 1000 tonnes in the load, so the 1st working looked like an empty coal train coming north and the 2nd a full one. I counted over 30 wagons in the train as it crossed the multi-arch Ickles Viaduct with a handful of very colourful graffiti'd HTA Boggie Coal Hoppers, one of which read 'R.I.P. Columbo' and also with the word 'Coal' stamped on the side of the wagons at the front; not for much longer methinks! This is the 4E81, re-timed working from Toton Centre to Doncaster Up Decoy with colourful GBRf class 66, 66710, oddly named, 'Phil Packer BRIT' on the nameplate. A local Rotherham 'First' bus passes under one of the arches on Sheffield Road on its way through Templeborough, Tinsley & Attercliffe to what used to be the Pond Street Bus Station, next to Midland Station, in Sheffield. Some information regarding the 'Power Generation Coal-Free Day' can be found here, on the BBC-

www.bbc.co.uk/news/uk-39675418

and in the Guardian-

www.theguardian.com/environment/2017/apr/21/britain-set-f...

The Bus has 'A Dogs Purpose' on the side, presumably a new film, lets hope its not highlighting what I see to be an increasing preponderance of the 'brown-stuff' in discarded plastic bags, increasingly strewn about the place.

Prompt: medium-full view, Several pheasants in a field, one is flying and two more can be seen nearby. The scene includes an old barn, wooden fence, all set against tall grasses. A detailed painting in vibrant colors, showcasing nature's beauty and wildlife --ar 14:11 --v 6.1

 

the digital fine art was created using Midjourney AI v 6.1

Notre ami Philippe BELLIN va être opéré très prochainement, au nom de nous tous ses flickr'amis je lui dédie cette carte lui souhaitons prompt rétablissent, un autre ami fidèle lui a consacré tout un groupe pour y participer suivez ce lien:

www.flickr.com/groups/1927316@N20/

 

merci

 

Our friend Philippe BELLIN will be operated very soon, in the name of us all its flickr'amis I dedicate him this card wish him prompt reestablish, another faithful friend consecrated him all a group for there to participate follow this link:

 

www.flickr.com/groups/1927316@N20/

 

Pukeille lasku on tarkkaa työtä.

Prompt by Bluewillow & and Processed in Photoshop

As per the name of the album I'm putting this in, I felt this was a great "writing prompt" photo. In English/Language Arts classes (at least in elementary and middle school), students are sometimes given a "writing prompt" - a picture that inspires them to write a story about it. Over the years, I have taken a number of photos that I thought would make great writing prompts. This is one of them. I finally decided to create an album of my "writing prompt" pictures.

 

Regarding this photo, I was walking out of the doctors office. My car was parked in the lot, which was in the back of the building. As I was walking down the side of the building, I spotted this little pile of nuts and washers. I thought to myself, "There's a story there. Not sure what it is, but it's kind of fun to make up a story about it." And that compelled me to take the picture.

 

Write your own story.

 

© Carrie Hittel. All rights reserved.

The prompt was take a photo with the doll who has been with you the longest. For me that would be Sara.

 

8/30 - 6-8-18 ~ Mini Saige's photo a day in June

3x5 collage made for Daisy Yellow ICAD (Index-Card-A-Day) Challenge 2014

Shrine in New Orleans has what may be Nation's Oldest image of Blessed Virgin

 

It is under the title of Our Lady of Prompt Succor ("succor" means "aid" or "help"), and the accounts of how quickly the Blessed Mother has granted requests under this title--even truly major requests--are legion. "Under this title the Most Blessed Virgin has so often manifested her power and goodness that the religious have unbounded confidence in her," say the chronicles of the nuns who maintain this particular devotion (and who doubtless were praying away the storm). The chapel is at the Ursuline Convent in the city of New Orleans. It is truly one of the holiest places on the American continent. And the statue itself is the most famous miraculous image in U.S. history (along with a statue of Mary known as La Conquistadora in Santa Fe, New Mexico).

 

Although, compared to Europe, America has very few sites of miracles, this statue ranks with the most ancient and remarkable. It reminds one of the power felt at Montserrat. Again Mary holds the Child, her gown gold, a crown on both her head and that of Jesus, Who holds a small globe with a Cross on top (just like the globe depicted in the Miraculous Medal apparitions). Jesus and Mary are looking in different directions as if each are tending to different but equally pressing matters.

 

That this statue should have a link to the Miraculous Medal is not surprising in that its history involves France and once again the horrible Revolution. The convent was founded in 1727 and had set about educating the children of European colonists as well as local slaves and Indians. They were the first nuns to arrive in what is now the United States and they founded the oldest school for girls in America. In 1800, when Louisiana was ceded back to France, the good Ursuline sisters were afraid that the horrors of the French Revolution would spread to America. The territory of Louisiana was bouncing between English, French, and American hands, and the nuns, knowing what had happened to their sister nuns in Europe, certainly didn't want to see the French take permanent control. The pope himself, Pius VII, would soon be under arrest in Rome, a captive of Napoleon.

 

Most of the nuns fled to Havana, Cuba, but seven of the Ursuline sisters remained, and when Louisiana passed into the control of the United States, they anxiously sent President Jefferson a letter asking if their property rights would be honored by the new government. The response from Jefferson is still kept at the convent. "I have received, holy sisters, the letter you have written me wherein you express anxiety for the property vested in your institutions by the former governments of Louisiana," wrote the President. "The principles of the Constitution and government of the United States are a sure guarantee to you that it will be preserved to you sacred and inviolate, and that your institution will be permitted to govern itself according to its own voluntary rules, without interference from the civil authority ... Be assured it will meet all the protection which my office can give it."

 

It was a historic statement but it didn't quite end the Ursulines' worries. There were other problems. They were short staffed. The work was overwhelming. And things got nearly desperate when a mainstay of the community, Mother St. Xavier Farjon, died in 1810. That caused another nun, Sister St. Andre Madier, to appeal to a cousin of hers back in France. The cousin was named Mother St. Michel Gensoul. Sister Andre asked her to come to the U.S. and help the struggling Ursulines.

 

Mother St. Michel had escaped the deadly wrath of the French Revolution and had much work to do in her own land. France was a mess. Religious communities were under the duress of Napoleon. But Mother St. Michel also realized that the Ursulines in the United States might cease to exist without her help. Inspired by the Holy Spirit, she went to Bishop Fournier of Montpelier and requested leave.

 

One can imagine the bishop's reaction. He needed Mother St. Michel where she was. He couldn't afford to lose another nun. So many had died during the revolution or fled. "The Pope alone can give this authorization," he told Mother St. Michel. "The Pope alone!"

 

That was tantamount to a refusal, for it was virtually impossible at that time to communicate with the Pope, who was under arrest. Not only was he in the distant city of Rome and not only was mail far less than what it is in our day, but Pius VII had been cut off from the world by Napoleon's men, who held him in custody as they waited to transport him to Fontainebleau. We don't need too much history here. We need only know that the Pope's jailers had received strict instructions not to allow communication. Thus, writing to him was at best a waste of time, an act of folly.

 

But that didn't stop Mother St Michel. She knew the Virgin Mary and she knew that if it was God's will, Our Blessed Mother could do anything. With that trust did Mother St. Michel pen a letter to the pontiff on December 15, 1808, setting forth the reason why she wanted to aid her sister nuns in America. "Most Holy Father," she wrote, "I appeal to your apostolic tribunal. I am ready to submit to your decision. Speak. Faith teaches me that you are the voice of the Lord. I await your orders. From your holiness, `Go' or `Stay' will be the same to me."

 

When no opportunity arose for getting the letter out of France, Mother St. Michel prayed before a statue of the Blessed Virgin. "O Most Holy Virgin Mary," she said, "if you obtain a prompt and favorable answer to my letter, I promise to have you honored in New Orleans under the title of `Our Lady of Prompt Succor'."

 

Previously Mary had been known as Our Lady of Perpetual Succor. There was an ancient and miraculous painting under that title on the island of Crete. Like Our Lady of Good Counsel, this image was moved to Rome during the Turkish invasions. There its great and quick powers were noted when a paralyzed man was immediately healed after the image passed near his home in procession. Countless other miracles were attributed to the image. It was also known as "Our Lady of Never-Failing Help" and "Our Lady of Ever-Enduring Succor." Like the later statue, it shows Mary holding her Child, both crowned, both looking in different directions, the Madonna styled in the Byzantine fashion and gazing at those who looked upon her.

 

But now there was a new title, a new twist on the ancient name, and a new series of miracles. Soon after her prayer Mother St. Michel's letter finally left Montpelier. The date was March 19, 1809. And somehow it got to the Pope, who despite the dire need for nuns in France granted Mother St. Michel's request. Just over a month after the letter was sent--on April 28--Pius had a cardinal send Mother St. Michel a letter saying, "Madame, I am charged by Our Holy Father, Pope Pius VII, to answer in his name. His Holiness cannot do otherwise than approve of the esteem and attachment you have fostered for the religious state... His Holiness approves of your placing yourself at the head of your religious aspirants, to serve as their guide during the long and difficult voyage you are about to undertake."

 

The prayers had worked and they had been astonishingly prompt. Mother St. Michel ordered a statue carved, and Bishop Fournier, overwhelmed by the miracle, requested the honor of blessing it.

 

The statue of "Our Lady of Prompt Succor" arrived in Louisiana with Mother St. Michel in 1810.

 

And nearly immediately there were two momentous miracles.

 

The first occurred in 1812, when a terrible fire erupted in New Orleans, devastating what we now call the French Quarter. That was where the convent was at the time (it has since moved to another part of town). The fire was a true holocaust and, propelled by the wind, was heading right for the Ursuline convent.

 

That was when one of the nuns placed a small statue of the Virgin on a window facing the fire and Mother St. Michel again began to implore the Virgin. "Our Lady of Prompt Succor, we are lost unless you hasten to our aid!"

 

It is said that the wind instantly shifted, driving the fire away.

 

The Ursuline convent was one of the few buildings spared destruction!

 

Such events show us that nothing is beyond the reach of prayer, no problem, no disaster. Three years after the hellish fire, in 1815, yet more trouble haunted New Orleans during the war between the American and British. By this time Louisiana was a part of the United States, but England was looking to confiscate the former territory. The British arrived near New Orleans on the plains of Chalmette to square off against Andrew Jackson, the famous American general.

 

This too was an amazing and well-documented miracle. For there was no way the Americans could win. The British had 15,000 troops. The American force was 6,000. It looked like the Americans--and the city of New Orleans--were doomed.

 

The night of January 7 the Ursuline sisters went before the Blessed Sacrament and stayed there through the night. Others joined them in the chapel, praying and weeping before the holy statue. On the morning of January 8 the vicar general offered Mass at the main altar, above which the statue had been placed. The prayers were said in special earnest, for the thundering of cannons had been heard by all in the chapel.

 

At Communion time--at the very moment of the Eucharist--a courier rushed into the chapel to inform all present that the British had been miraculously defeated. They had been confused by a fog and had wandered into a swamp, in full view of the waiting Americans, who fired upon them from unseen positions.

 

About 2,600 British were lost while the Americans suffered very few casualties.

 

It was not Our Blessed Mother who killed the British. It was not Mary who initiated battle. But it was the Blessed Virgin who came to the aid of the just who implored her.

 

"The result seems almost miraculous," admitted a local newspaper, the Picayune. "It was a remarkable victory, and it can never fail to hold an illustrious place in our national history."

 

General Jackson himself went to the convent to thank the nuns for their prayers. "By the blessing of heaven, directing the valor of the troops under my command, one of the most brilliant victories in the annals of war was obtained," he proclaimed to his troops, describing the victory in a letter to the vicar as a "signal interposition of heaven."

 

Rome has officially approved devotion to Our Lady of Prompt Succor and the statue was solemnly crowned through a decree issued by Pope Leo XIII. A Mass of thanksgiving is celebrated on January 8.

 

The old convent remains the oldest building in the Mississippi valley but no longer houses the statue or convent, which are now located on State Street. But the feeling around the statue is still tangible. The graces still flow. Many favors are still granted. We see in this case the powerful and fast way the Virgin can operate when pious people come to her in faith. We see also the same lesson as from Saragossa, that the graces are associated with her Son. The great 1815 victory came after a night in front of the Blessed Sacrament and then was announced during holy Communion, leaving us no doubt as to the source--the wellspring--of Mary's miracles.

 

In our own lives we have many needs we would like to see met as soon as possible, urgent worries, compelling concerns. When we want a quick answer, when we want a quick favor, even in an "impossible" situation, this is a devotion that will accomplish such requests if they are the will of the Father.

  

I just picked up the new Lensbaby Tilt Transformer (with Composer) for Micro Four Thirds this afternoon, and promptly took it out for a stroll around Brooklyn. I paired it with the Nikon 50mm f/1.4 AI, and the two made for a fun combination*. It will definitely take some time to master the aspects of the tilt control - how it fully affects the perspective and focus; but it worked quite well and was pretty easy to use. The metal mount was really nice and moved smoothly without being too tight or loose.

 

For the moment most of the shots I took pushed the tilt effect to the extreme, but I think with time I'll get a better handle of how to use it more subtly. One thing we were kind of hoping might be an extra bonus to the special Lensbaby Composer that came with it would be if we could mount the composer on a Nikon body directly, without the tilt component. It does appear to be mountable, but the mirror gets in the way. I seriously don't recommend trying to put it on you Nikon or Canon camera body directly! It was also a bit too tight when mounted on a Nikon to Micro Four Thirds lens adapter, it seemed to work but it could get stuck.

 

*My Lensbaby Tilt Transformer has a minor, but possibly dangerous defect. Some lenses don't want to mount at the first click stop and won't lock until you turn it all the way to the end, where the aperture is fully opened by the Lensbaby itself (this feature is for Nikon G lenses that lack the aperture ring). For instance the 50mm lens I was using could fall off if I didn't push it to the far end (it is supposed to lock to let you use the aperture ring normally on older lenses) and then twisted the lens back the other direction - this is a serious problem if you aren't paying attention or let go at the wrong moment. An old 85mm NAI lens was fine, but a 35mm AI was also affected by the issue. None of these lenses have problems mounting on any of the other cameras we use. If anybody else has the issue I'd love to know!

images from rustyphil, pepperbox &canstock

Prompt #6 from Janel of "Run with Scissors" Journal prompts

 

Journal Prompt Number 6:

It's time...

It's definitely time to do something. It may be a new season for you in your life, or a time to make some goals, or it may just be time to relax (because it's Saturday right?).

Draw something that represents the word time and then make a list of things that you need to do at this time in your life, or day, or week :)

 

April 4, 2016 -- Today I worked a full day, biked 3-1/2 hours, and dealt with preparing dinner/cleanup/leftovers packing, so I had no time to take a creative on-prompt photo. I feel like this accurately represents the biggest part of my day.

For today’s prompt, I tried using an ink transfer to add a quote to washi tape. I printed the quote on plain printer paper, then pressed washi over it. When I pulled it up, it picked up the ink. It’s pretty light, but it worked. I also scrapped a page without a photo, which is something I rarely do.

Ahh, I love Django

001_GHP_EconomicOutlook2018.JPG - Greater Houston Partnership Houston Region Economic Outlook featuring Ellen Zentner, Managing Director and Chief U.S. Economist with Morgan Stanley Research, on the national economy. In addition, the following panel of local experts will share their perspectives on the region's economyDecember 5, 2018. (Photo by Donna Carson)

 

***DOWNLOAD INSTRUCTIONS***

Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.

 

This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.

001_GHP_GlobalEnergyReception_8may19.jpg -- Greater Houston Partnership Global Houston Energy Reception at Partnership Tower May 8, 2019. (Photo by Donna Carson)

 

***DOWNLOAD INSTRUCTIONS***

Download full resolution individual photos/videos by clicking the "down-facing arrow" below the preview image on the right hand side of the page. You will then be prompted to select a destination for the photo on your local computer.

 

This cloud based gallery will be available for three months in order to enable you to download all of the photos to your computer for safe long term storage. While the gallery may be in the cloud for longer than this time you should endeavor to file and secure the photos for future use in whatever manner you deem appropriate.

It's time for...

ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021. "Send in the Bugs. The Michelangelos Need Cleaning" [= Laboratori Enea i batteri 'restauratori' per riparare dipinti, affreschi e statue], NYT (31 May, 2021): C1. S.v., "Roma, Casina Farnese sul Palatino," in: ADNKRONOS / ARTE (10/04/2015). wp.me/pbMWvy-1vZ

 

1). ITALIA - Send in the Bugs. The Michelangelos Need Cleaning. NYT (31 May 31, 2021): C1.

 

Last fall, with the Medici Chapel in Florence operating on reduced hours because of Covid-19, scientists and restorers completed a secret experiment: They unleashed grime-eating bacteria on the artist’s masterpiece marbles.

 

FLORENCE — As early as 1595, descriptions of stains and discoloration began to appear in accounts of a sarcophagus in the graceful chapel Michelangelo created as the final resting place of the Medicis. In the ensuing centuries, plasters used to incessantly copy the masterpieces he sculpted atop the tombs left discoloring residues. His ornate white walls dimmed.

 

Nearly a decade of restorations removed most of the blemishes, but the grime on the tomb and other stubborn stains required special, and clandestine, attention. In the months leading up to Italy’s Covid-19 epidemic and then in some of the darkest days of its second wave as the virus raged outside, restorers and scientists quietly unleashed microbes with good taste and an enormous appetite on the marbles, intentionally turning the chapel into a bacterial smorgasbord.

 

“It was top secret,” said Daniela Manna, one of the art restorers.

 

On a recent morning, she reclined — like Michelangelo’s allegorical sculptures of Dusk and Dawn above her — and reached into the shadowy nook between the chapel wall and the sarcophagus to point at a dirty black square, a remnant showing just how filthy the marble had become.

 

She attributed the mess to one Medici in particular, Alessandro Medici, a ruler of Florence, whose assassinated corpse had apparently been buried in the tomb without being properly eviscerated. Over the centuries, he seeped into Michelangelo’s marble, the chapel’s experts said, creating deep stains, button-shaped deformations, and, more recently, providing a feast for the chapel’s preferred cleaning product, a bacteria called Serratia ficaria SH7.

 

“SH7 ate Alessandro,” Monica Bietti, former director of the Medici Chapels Museum, said as she stood in front of the now gleaming tomb, surrounded by Michelangelos, dead Medicis, tourists and an all-woman team of scientists, restorers and historians. Her team used bacteria that fed on glue, oil and apparently Alessandro’s phosphates as a bioweapon against centuries of stains.

 

In November 2019, the museum brought in Italy’s National Research Council, which used infrared spectroscopy that revealed calcite, silicate and other, more organic, remnants on the sculptures and two tombs that face one another across the New Sacristy.

 

That provided a key blueprint for Anna Rosa Sprocati, a biologist at the Italian National Agency for New Technologies, to choose the most appropriate bacteria from a collection of nearly 1,000 strains, usually used to break down petroleum in oil spills or to reduce the toxicity of heavy metals. Some of the bugs in her lab ate phosphates and proteins, but also the Carrara marble preferred by Michelangelo.

 

“We didn’t pick those,” said Bietti.

 

Then the restoration team tested the most promising eight strains behind the altar, on a small rectangle palette spotted with rows of squares like a tiny marble bingo board. All of the ones selected, she said, were nonhazardous and without spores.

 

“It’s better for our health,” said Manna, after crawling out from under the sarcophagus. “For the environment, and the works of art.”

 

Sprocati said they first introduced the bacteria to Michelangelo’s tomb for Giuliano di Lorenzo, Duke of Nemours. That sarcophagus is graced with allegorical sculptures for Day, a hulking, twisted male figure, and Night, a female body Michelangelo made so smooth and polished as to seem as if she shone in moonlight. The team washed her hair with Pseudomonas stutzeri CONC11, a bacteria isolated from the waste of a tannery near Naples, and cleaned residue of casting molds, glue and oil off her ears with Rhodococcus sp. ZCONT, another strain which came from soil contaminated with diesel in Caserta.

 

It was a success. But Paola D’Agostino, who runs the Bargello Museums, which oversees the chapels and which will officially reveal the results of the project in June, preferred to play it safe on Night’s face. So did Bietti and Pietro Zander, a Vatican expert who joined them. They allowed the restorers to give her a facial of micro-gel packs of xanthan gum, a stabilizer often found in toothpaste and cosmetics that is derived from the Xanthomonas campestris bacteria. The head of the Duke Giuliano, hovering above his tomb, received similar treatment.

 

Sprocati took her bugs elsewhere. In August, her group of biologists used bacteria isolated from a Naples industrial site to clean the wax left by centuries of votive candles from Alessandro Algardi’s baroque masterpiece, a colossal marble relief in St. Peter’s Basilica in Rome of the Meeting of Attila and Pope Leo.

 

The bacteria strains got back to the Medici Chapel, which had reopened with reduced hours, in mid-October. Wearing white lab coats, blue gloves and anti-Covid surgical masks, Sprocati and the restorers spread gels with the SH7 bacteria — from soil contaminated by heavy metals at a mineral site in Sardinia — on the sullied sarcophagus of Lorenzo di Piero, Duke of Urbino, buried with his assassinated son Alessandro.

 

“It ate the whole night,” said Marina Vincenti, another of the restorers.

 

The Medicis were more accustomed to sitting atop Florence’s food chain.

 

In 1513, Giovanni di Lorenzo de Medici became Leo X — the first Medici pope. He had big plans for a new sacristy for the interment of his family, including his father, Lorenzo the Magnificent, the powerful ruler of Florence who largely bankrolled the Renaissance. Il Magnifico is now buried here too, under a modest altar adorned with Michelangelo’s Madonna and Child, flanked by saints that also had their toes nibbled by cleansing bacteria. But back then his coffin waited, probably on the Old Sacristy floor. He was soon joined by Leo X’s brother, Giuliano, and his nephew, Lorenzo, the Prince to whom Machiavelli dedicated his treatise on wielding power.

 

“You had coffins waiting to be buried,” said D’Agostino. “It’s kind of gloomy.”

Image

 

Pope Leo X hired Michelangelo to design and build the mausoleum. The pope then promptly died of pneumonia. In the ensuing years, Michelangelo carved the masterpieces and then ran afoul of his patrons.

 

In 1527, with the Sack of Rome, Florentines, including Michelangelo, supported a Republic and overthrew the Medicis. Among the ousted princes was Lorenzo di Piero’s sometimes volatile son, Alessandro, whom many historians consider a real piece of work. Michelangelo couldn’t stand him, and when the Medicis stormed back, it was Michelangelo’s turn to flee.

 

In 1531, the Medici Pope Clement VII pardoned Michelangelo, who went back to work on the family chapel. But by that time, Alessandro had become Duke of Florence. Michelangelo soon left town, and the unfinished chapel, for good.

 

“Alessandro was terrible,” said D’Agostino.

 

Alessandro’s relative, known as the “bad Lorenzo,” agreed and stabbed him to death in 1537. The duke’s body was rolled up in a carpet and plopped in the sarcophagus. It’s unclear if his father, Lorenzo, was already in there or moved in later.

 

“A roommate,” D’Agostino said.

 

In 2013, Bietti, then the museum’s director, realized how badly things had deteriorated since a 1988 restoration. The museum cleaned the walls, marred by centuries of humidity and handprints, revealed damages from the casts and iron brushes used to remove oil and wax, and reanimated the statues.

 

“Come and see,” Bietti said, pointing, Creation-of-Adam-style, at the toe of Night.

 

But the cleaner the chapel became, the more the stubbornly marred the sarcophagus of Lorenzo di Piero stood out as an eyesore.

 

In 2016, Vincenti, one of the restorers, attended a conference held by Sprocati and her biologists. (“An introduction to the world of microorganisms,” Sprocati called it.) They showed how bacteria had cleaned up some resin residues on Baroque masterpiece frescoes in the Carracci Gallery at Palazzo Farnese in Rome. Strains isolated from mine drainage waters in Sardinia eliminated corrosive iron stains in the gallery’s Carrara marble.

 

When it came time to clean the Michelangelos, Vincenti pushed for a bacterial assist.

 

“I said, ‘OK,” said D’Agostino. “‘But let’s do a test first.’”

 

The bacteria passed the exam and did the job. On Monday, tourists admired the downward pensive glance of Michelangelo’s bearded Dusk, the rising of his groggy Dawn and Lorenzo’s tomb, now rid of the remnants of Alessandro.

 

“It’s very strange, especially in this time of Covid,” Marika Tapuska, a Slovakian visiting Florence with her family said when she learned that bacteria had cleaned up the sarcophagus. “But if it works, why not?”

 

Fonte / source, foto:

--- NYT (31 May 31, 2021): C1.

www.nytimes.com/2021/05/30/arts/bacteria-cleaning-michela...

 

2). ROMA - S.v., 'Roma, Casina Farnese sul Palatino', in: "Arte: dai laboratori Enea i batteri 'restauratori' per riparare dipinti, affreschi e statue." ADNKRONOS / ARTE (10/04/2015).

 

Presto su opere custodite in Vaticano l'applicazione dell'innovativa tecnica made in Italy messa a punto dal team coordinato da Anna Rosa Sprocati che all'Adnkronos spiega: "Tecnica a basso costo e con molti vantaggi."

 

Batteri per restaurare statue, dipinti, affreschi, antichi manoscritti. Piccolissimi organismi che si nutrono in maniera selettiva delle scorie da rimuovere dalle opere e che agiscono come e meglio di un solvente senza però essere aggressivi né per l'oggetto da trattare, né per la salute degli addetti ai lavori.

 

E' il biorestauro, la tecnica tutta italiana messa a punto dai ricercatori dell'Enea che verrà a breve applicata in Vaticano per il restauro della 'Madonna della Cintola', dipinto su legno, e per riparare i danni su statue e fontane che si trovano nei giardini della Santa Sede. Si tratta di una tecnica molto promettente. Finora infatti il laboratorio Enea ha selezionato ben 500 ceppi di batteri capaci di intervenire in diverse situazioni e su molteplici materiali.

 

Sprocati,

"Abbiamo isolato questi microrganismi e li abbiamo classificati in base a ciò che sono in grado di fare - spiega all'Adnkronos Anna Rosa Sprocati, coordinatrice del laboratorio Enea di Microbiologia ambientale e biotecnologie microbiche - creando poi una nostra banca dati. In base agli interventi che ci vengono richiesti dagli esperti, selezioniamo quindi in laboratorio i batteri più adatti, li sperimentiamo e li applichiamo per 'aggredire' determinate sostanze senza danneggiare le opere trattate".

 

E la tecnica presenta diversi vantaggi: è a basso costo "perché - assicura la ricercatrice - crescere dei batteri su larga scala non implica davvero grandi spese", non pone problemi etici perché si basa su organismi naturali non modificati geneticamente, è di facile applicazione e non è dannoso per la salute dei tecnici.

 

"Questo tipo di approccio - sottolinea Sprocati - interviene quando le tecniche tradizionali non sono soddisfacenti o quando per esserlo necessitano di prodotti aggressivi per le opere o tossici per i restauratori". Sono proprio i restauratori infatti a beneficiare maggiormente della biotecnologia e a vedere nella sua applicazione un'alternativa promettente all'impiego dei tradizionali prodotti chimici. "L'uso dei batteri non è sostitutivo del lavoro degli esperti - tiene infatti a sottolineare la scienziata - ma ne costituisce uno strumento di lavoro. Noi - spiega - ci basiamo molto proprio sulle indicazioni che arrivano dai restauratori che ci chiedono aiuto. Senza il loro occhio del resto, spesso non ci sarebbe facile verificare l'efficacia di un trattamento".

 

Il tempo di un restauro fatto dai batteri varia a seconda del tipo di intervento. "Può bastare una notte - dice Sprocati - come nel caso di una crosta nera da rimuovere da una statua, o possono essere necessarie diverse applicazioni come è capitato per rimuovere i residui di smog dalla 'Lupa' di Giuseppe Graziosi custodita alla Galleria nazionale di arte moderna e rimasta all'aperto per 40 anni".

 

Diversi gli interventi di biorestauro richiesti agli scienziati Enea. Dalla Casina Farnese sul Palatino "dove abbiamo applicato diversi tipi di batteri in successione - spiega la ricercatrice - per rimuovere i residui dagli affreschi delle logge", alla soluzione trovata ma non ancora applicata agli affreschi del Palazzo dei Papi di Avignone, in Francia. "In questo caso il problema era rimuovere della colla vinilica che tra gli anni Venti e Settanta è stata spalmata sugli affreschi per consolidarli - spiega Sprocati - ma col passare del tempo questa colla ha creato un film opaco. Con il restauro tradizionale bisognerebbe ricorrere a solventi che rischierebbero di danneggiare i dipinti. Noi invece abbiamo individuato due ceppi di batteri in grado di mangiare il vinavil senza intaccare l'opera".

 

Fonte / source, foto:

--- ADNKRONOS / ARTE (10/04/2015).

www.adnkronos.com/batteri-al-posto-dei-solventi-dallenea-...

  

  

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LOCKSMITH 90609, LOCKSMITH 90620

LOCKSMITH 90621, LOCKSMITH 90623

LOCKSMITH 90630, LOCKSMITH 90231

LOCKSMITH 90638, LOCKSMITH 90640

LOCKSMITH 90650, LOCKSMITH 90660

LOCKSMITH 90670, LOCKSMITH 90680

LOCKSMITH 90701, LOCKSMITH 90701

LOCKSMITH 90703, LOCKSMITH 90703

LOCKSMITH 90704, LOCKSMITH 90706

LOCKSMITH 90710, LOCKSMITH 90712

LOCKSMITH smith 90713, LOCKSMITH 90715

LOCKSMITH 90716, LOCKSMITH 90717

LOCKSMITH 90720, LOCKSMITH 90723

LOCKSMITH 90731, LOCKSMITH 90740

LOCKSMITH 90742, LOCKSMITH 90744

LOCKSMITH 90745, LOCKSMITH 90745

LOCKSMITH 90746, LOCKSMITH 90755

LOCKSMITH 90755, LOCKSMITH 90802

LOCKSMITH 90803, LOCKSMITH 90804

LOCKSMITH 90805 LOCKSMITH 90805,

LOCKSMITH 90806, LOCKSMITH 90807

LOCKSMITH 90808, LOCKSMITH 90810

LOCKSMITH 90810, LOCKSMITH 90813

LOCKSMITH 90814, LOCKSMITH 90815

LOCKSMITH 91011, LOCKSMITH 91011

LOCKSMITH 91040, LOCKSMITH 91042

LOCKSMITH 91201, LOCKSMITH 90202

LOCKSMITH 90203, LOCKSMITH 90204

LOCKSMITH 90205, LOCKSMITH 90206

LOCKSMITH 90208, LOCKSMITH 90210

LOCKSMITH 91214, LOCKSMITH 91214

LOCKSMITH 91301, LOCKSMITH 91301

LOCKSMITH 91301, LOCKSMITH 91302

LOCKSMITH 91303, LOCKSMITH 91304

LOCKSMITH 91306, LOCKSMITH 91306

LOCKSMITH 90307, LOCKSMITH 91311

LOCKSMITH 91316, LOCKSMITH 91324

LOCKSMITH 91325, LOCKSMITH 91326

LOCKSMITH 91331, LOCKSMITH 91335

LOCKSMITH 91335, LOCKSMITH 91340

LOCKSMITH 91342, LOCKSMITH 91343

LOCKSMITH 91343, LOCKSMITH 92343

LOCKSMITH 91345, LOCKSMITH 91352

LOCKSMITH 91356, LOCKSMITH 91364

LOCKSMITH 91367, LOCKSMITH 91401

LOCKSMITH 91401, LOCKSMITH 91402

LOCKSMITH 91403, LOCKSMITH 91405

LOCKSMITH 91406 , LOCKSMITH 91409

LOCKSMITH 91411, LOCKSMITH 91411

LOCKSMITH 91423, LOCKSMITH 91436

LOCKSMITH 91501 , LOCKSMITH 91502

LOCKSMITH 91504 , LOCKSMITH 91505

LOCKSMITH 91506 , LOCKSMITH 91601

LOCKSMITH 91602 , LOCKSMITH 91602

LOCKSMITH 91604 , LOCKSMITH 91604

LOCKSMITH 91605 , LOCKSMITH 91606

LOCKSMITH 91607 , LOCKSMITH 91607

LOCKSMITH 91608 , LOCKSMITH 91608

LOCKSMITH 91901 , LOCKSMITH 91902

LOCKSMITH 91910 , LOCKSMITH 91911

LOCKSMITH 91912 , LOCKSMITH 91913

LOCKSMITH 91914 , LOCKSMITH 91915

LOCKSMITH 91916 , LOCKSMITH 91932

LOCKSMITH 91933 , LOCKSMITH 91935

LOCKSMITH 91941 , LOCKSMITH 91942

LOCKSMITH 91945 , LOCKSMITH 91950

LOCKSMITH 91962 , LOCKSMITH 91977

LOCKSMITH 91978 , LOCKSMITH 91980

LOCKSMITH 92019 , LOCKSMITH 92020

LOCKSMITH 92021 , LOCKSMITH 92040

LOCKSMITH 92071 , LOCKSMITH 92101

LOCKSMITH 92102 , LOCKSMITH 92103

LOCKSMITH 92104 , LOCKSMITH 92105

LOCKSMITH 92106 , LOCKSMITH 92107

LOCKSMITH 92108 , LOCKSMITH 92113

LOCKSMITH 92116 , LOCKSMITH 92118

LOCKSMITH 92136 , LOCKSMITH 92139

LOCKSMITH 92154 , LOCKSMITH 92173

LOCKSMITH 92173 , LOCKSMITH 92646

LOCKSMITH 92647 , LOCKSMITH 92648

LOCKSMITH 92649 , LOCKSMITH 92683

LOCKSMITH 92701 , LOCKSMITH 92703

LOCKSMITH 92704 , LOCKSMITH 92705

LOCKSMITH 92706 , LOCKSMITH 92707

LOCKSMITH 92708 , LOCKSMITH 92780

LOCKSMITH 92782 , LOCKSMITH 92801

LOCKSMITH 92802 , LOCKSMITH 92804

LOCKSMITH 92805, LOCKSMITH 2806

LOCKSMITH 92807 , LOCKSMITH 92812

LOCKSMITH 92821 , LOCKSMITH 92831

LOCKSMITH 92832 , LOCKSMITH 92833

LOCKSMITH 92835 , LOCKSMITH 92840

LOCKSMITH 92841 , LOCKSMITH 92843

LOCKSMITH 92844 , LOCKSMITH 92845

LOCKSMITH 92860 , LOCKSMITH 92865

LOCKSMITH 92866, LOCKSMITH 92867

LOCKSMITH 92868, LOCKSMITH 92869

LOCKSMITH 92870, LOCKSMITH 92886

Locksmith, 92887

LOS-ANGELES LOCKSMITH at LOS-ANGELES LOCKSMITH, LOS-ANGELES

     

The other week I lost my keys on my way back from a party sure was tipsy, I contacted All security lock and key locksmith service to Rekeying my house locks.

Also kind enough to explain, that I can save time consuming money by rekeying the previous key, rather then changing all the locks. Their technician arrived pretty fast i would say, and within less then an hour and half it was all done. Recommend professionalism, at

Any time of day when it’s my security, so thanks again.

 

 

  

To avoid any legal questions, we sure want to see some ID identification to be on the safe side my house your house could be.

  

LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY SMITH, Prompt Locksmith Services in The Entire Los Angeles Area

Locksmith Los Angeles 90001 Locksmith Los Angeles 90002

Locksmith Los Angeles 90003 Locksmith Los Angeles 90004

Locksmith Los Angeles 90005 Locksmith Los Angeles 90006

LOCKSMITH Los Angeles 90007 LOCKSMITH Los Angeles 90008

Locksmith Los Angeles 90010 Locksmith Los Angeles 90011

Locksmith Los Angeles 90012 LOCKSMITH Los Angeles 90013

LOCKSMITH Los Angeles 90014 Locksmith Los Angeles 90015

Locksmith Los Angeles 90016 LOCKSMITH Los Angeles 90017

Locksmith Los Angeles 90018 Locksmith Los Angeles 90019

LOCKSMITH Los Angeles 90020 Locksmith Los Angeles 90021

Locksmith Los Angeles 90022 LOCKSMITH Los Angeles 90023

LOCKSMITH Los Angeles 90024 LOCKSMITH Los Angeles 90025

LOCKSMITH Los Angeles 90026 Locksmith Los Angeles 90027

LOCKSMITH Los Angeles 90028 LOCKSMITH Los Angeles 90029

Locksmith Los Angeles 90030 LOCKSMITH Los Angeles 90031

LOCKSMITH Los Angeles 90032 Locksmith Los Angeles 90033

LOCKSMITH Los Angeles 90034 LOCKSMITH Los Angeles 90035

LOCKSMITH Los Angeles 90036 LOCKSMITH Los Angeles 90037

Locksmith West Hollywood 90038 Locksmith Los Angeles 90039

LOCKSMITH Los Angeles 90040 Locksmith Los Angeles 90041

Locksmith Los Angeles 90042 LOCKSMITH Los Angeles 90043

LOCKSMITH Los Angeles 90044 Locksmith Los Angeles 90045

LOCKSMITH West Hollywood 90046 LOCKSMITH Los Angeles 90047

LOCKSMITH 90038 LOCKSMITH 90039

LOCKSMITH 90040 LOCKSMITH 90041

LOCKSMITH 90042 LOCKSMITH 90043

LOCKSMITH 90044 Locksmith 90045

Locksmith 90046 LOCKSMITH 90047

LOCKSMITH 90048 LOCKSMITH 90049

Locksmith 90055 Locksmith 90056

LOCKSMITH 90057 Locksmith 90058

Locksmith 90059 LOCKSMITH 90061

Locksmith 90062 LOCKSMITH 90063

LOCKSMITH 90064 LOCKSMITH 90065

LOCKSMITH 90066 LOCKSMITH 90067

LOCKSMITH 90068 Locksmith 90069

Locksmith 90071 LOCKSMITH 90077

Locksmith 90089 LOCKSMITH 90095

LOCKSMITH 90201 LOCKSMITH 90210

LOCKSMITH 90211 LOCKSMITH 90212

LOCKSMITH 90213 Locksmith 90220

Locksmith 90221 Locksmith 90222

LOCKSMITH 90230 Locksmith 90232

Locksmith 90240 Locksmith 90241

LOCKSMITH 90242 Locksmith 90245

Locksmith 90247 Locksmith 90248

Locksmith 90249 Locksmith 90250

LOCKSMITH 90254 Locksmith 90255

LOCKSMITH 90260 LOCKSMITH 90262

LOCKSMITH 90263 LOCKSMITH 90265

Locksmith 90266 LOCKSMITH 90270

LOCKSMITH 90272 LOCKSMITH 90275

Locksmith 90277 Locksmith 90278

Locksmith 90280 LOCKSMITH 90291

LOCKSMITH 90292 LOCKSMITH 90292

Locksmith 90293 Locksmith 90301

Locksmith 90302 LOCKSMITH 90303

Locksmith 90304 Locksmith 90305

LOCKSMITH 90401 LOCKSMITH 90402

LOCKSMITH 90403 LOCKSMITH 90404

LOCKSMITH 90405 Locksmith 90501

Locksmith 90502 Locksmith 90503

Locksmith 90504 Locksmith 90505

Locksmith 90601 Locksmith 90602

Locksmith 90603 Locksmith 90604

Locksmith 90605 Locksmith 90606

Locksmith 90609 Locksmith 90620

Locksmith 90621 Locksmith 90623

Locksmith 90630 LOCKSMITH 90231

Locksmith 90638 Locksmith 90640

Locksmith 90650 Locksmith 90660

Locksmith 90670 Locksmith 90680

Locksmith 90701 Locksmith 90701

Locksmith 90703 Locksmith 90703

Locksmith 90704 Locksmith 90706

Locksmith 90710 Locksmith 90712

Locksmith 90713 Locksmith 90715

Locksmith 90716 Locksmith 90717

Locksmith 90720 Locksmith 90723

Locksmith 90731 Locksmith 90740

Locksmith 90742 Locksmith 90744

Locksmith 90745 Locksmith 90745

Locksmith 90746 Locksmith 90755

Locksmith 90755 Locksmith 90802

Locksmith 90803 Locksmith 90804

Locksmith 90805 Locksmith 90805 Locksmith 90806 Locksmith 90807

Locksmith 90808 Locksmith 90810

Locksmith 90810 Locksmith 90813

Locksmith 90814 Locksmith 90815

Locksmith 91011 Locksmith 91011

Locksmith 91040 Locksmith 91042

Locksmith 91201 LOCKSMITH 90202

Locksmith 90203 Locksmith 90204

Locksmith 90205 Locksmith 90206

LOCKSMITH 90208 LOCKSMITH 90210

Locksmith 91214 Locksmith 91214

Locksmith 91301 Locksmith 91301

Locksmith 91301 Locksmith 91302

Locksmith 91303 Locksmith 91304

Locksmith 91306 Locksmith 91306

Locksmith 90307 Locksmith 91311

Locksmith 91316 Locksmith 91324

Locksmith 91325 Locksmith 91326

Locksmith 91331 Locksmith 91335

Locksmith 91335 Locksmith 91340

Locksmith 91342 Locksmith 91343

Locksmith 91343 Locksmith 92343

Locksmith 91345 Locksmith 91352

Locksmith 91356 Locksmith 91364

Locksmith 91367 Locksmith 91401

Locksmith 91401 Locksmith 91402

LOCKSMITH 91403 LOCKSMITH 91405

Locksmith 91406 Locksmith 91409

Locksmith 91411 Locksmith 91411 Locksmith 91423 Locksmith 91436

Locksmith 91501 Locksmith 91502

Locksmith 91504 Locksmith 91505

Locksmith 91506 Locksmith 91601

Locksmith 91602 Locksmith 91602

Locksmith 91604 Locksmith 91604

Locksmith 91605 Locksmith 91606

Locksmith 91607 Locksmith 91607

Locksmith 91608 Locksmith 91608

Locksmith 91901 Locksmith 91902

Locksmith 91910 Locksmith 91911

Locksmith 91912 Locksmith 91913

Locksmith 91914 Locksmith 91915

Locksmith 91916 Locksmith 91932

Locksmith 91933 Locksmith 91935

Locksmith 91941 Locksmith 91942

Locksmith 91945 Locksmith 91950

Locksmith 91962 Locksmith 91977

Locksmith 91978 Locksmith 91980

Locksmith 92019 Locksmith 92020

Locksmith 92021 Locksmith 92040

Locksmith 92071 Locksmith 92101

Locksmith 92102 Locksmith 92103

Locksmith 92104 Locksmith 92105

Locksmith 92106 Locksmith 92107

Locksmith 92108 Locksmith 92113

Locksmith 92116 Locksmith 92118

Locksmith 92136 Locksmith 92139

Locksmith 92154 Locksmith 92173

Locksmith 92173 Locksmith 92646

Locksmith 92647 Locksmith 92648

Locksmith 92649 Locksmith 92683

Locksmith 92701 Locksmith 92703

Locksmith 92704 Locksmith 92705

Locksmith 92706 Locksmith 92707

Locksmith 92708 Locksmith 92780

Locksmith 92782 Locksmith 92801

Locksmith 92802 Locksmith 92804

Locksmith 92805 Locksmith 2806

Locksmith 92807 Locksmith 92812

Locksmith 92821 Locksmith 92831

Locksmith 92832 Locksmith 92833

Locksmith 92835 Locksmith 92840

Locksmith 92841 Locksmith 92843

Locksmith 92844 Locksmith 92845

Locksmith 92860 Locksmith 92865

Locksmith 92866 Locksmith 92867

Locksmith 92868 Locksmith 92869

Locksmith 92870 Locksmith 92886

Locksmith 92887

LOS-ANGELES LOCKSMITH at LOS-ANGELES LOCKSMITH, LOS-ANGELES

LOS-ANGELES LOCKSMITH at LOS-ANGELES LOCKSMITH, LOS-ANGELES google map | yahoo map

Prompt Locksmith Services in The Entire Los Angeles Area

Locksmith Los Angeles 90001 Locksmith Los Angeles 90002

Locksmith Los Angeles 90003 Locksmith Los Angeles 90004

Locksmith Los Angeles 90005 Locksmith Los Angeles 90006

LOCKSMITH Los Angeles 90007 LOCKSMITH Los Angeles 90008

Locksmith Los Angeles 90010 Locksmith Los Angeles 90011

Locksmith Los Angeles 90012 LOCKSMITH Los Angeles 90013

LOCKSMITH Los Angeles 90014 Locksmith Los Angeles 90015

Locksmith Los Angeles 90016 LOCKSMITH Los Angeles 90017

Locksmith Los Angeles 90018 Locksmith Los Angeles 90019

LOCKSMITH Los Angeles 90020 Locksmith Los Angeles 90021

Locksmith Los Angeles 90022 LOCKSMITH Los Angeles 90023

LOCKSMITH Los Angeles 90024 LOCKSMITH Los Angeles 90025

LOCKSMITH Los Angeles 90026 Locksmith Los Angeles 90027

LOCKSMITH Los Angeles 90028 LOCKSMITH Los Angeles 90029

Locksmith Los Angeles 90030 LOCKSMITH Los Angeles 90031

LOCKSMITH Los Angeles 90032 Locksmith Los Angeles 90033

LOCKSMITH Los Angeles 90034 LOCKSMITH Los Angeles 90035

LOCKSMITH Los Angeles 90036 LOCKSMITH Los Angeles 90037

Locksmith West Hollywood 90038 Locksmith Los Angeles 90039

LOCKSMITH Los Angeles 90040 Locksmith Los Angeles 90041

Locksmith Los Angeles 90042 LOCKSMITH Los Angeles 90043

LOCKSMITH Los Angeles 90044 Locksmith Los Angeles 90045

LOCKSMITH West Hollywood 90046 LOCKSMITH Los Angeles 90047

LOCKSMITH 90038 LOCKSMITH 90039

LOCKSMITH 90040 LOCKSMITH 90041

LOCKSMITH 90042 LOCKSMITH 90043

LOCKSMITH 90044 Locksmith 90045

Locksmith 90046 LOCKSMITH 90047

LOCKSMITH 90048 LOCKSMITH 90049

Locksmith 90055 Locksmith 90056

LOCKSMITH 90057 Locksmith 90058

Locksmith 90059 LOCKSMITH 90061

Locksmith 90062 LOCKSMITH 90063

LOCKSMITH 90064 LOCKSMITH 90065

LOCKSMITH 90066 LOCKSMITH 90067

LOCKSMITH 90068 Locksmith 90069

Locksmith 90071 LOCKSMITH 90077

Locksmith 90089 LOCKSMITH 90095

 

===INTELEGENT 24 HR LOCKSMITH LOW PRICES=== 866-539-3397 866-539-3397 LCO#:3542

allsecuritylockandkey.com/

ericlocksmith.com/index.html

starslockandkey.com/

INDUSTRIEAL AND RESIDENTAIL EXPERTS

OPEN FOR ALL ACCOUNTS 866-539-3397

BILLING ARE AVIALBLE * installing door closers . * rekeying all sorts of locks. * high security locks . * fresh installations (new dead bolt halls on the door for extra security). * shabes combination locks. * auto services any models. * costume made answers for repair. * 24/6 professional locksmith service With great customer service and professional workmanship, we are ready to assist you 24 hours a day, 365 days a year. Automotive - residential - commercial - industrial. ================================================================================================================================================================================================================================================================================== All Los-Angeles Locksmith 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH, 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,9029390291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,===INTELEGENT 24 HR LOCKSMITH LOW PRICES=== 866-539-3397 866-539-3397 LCO#:3542 allsecuritylockandkey.com/

ericlocksmith.com/index.html starslockandkey.com/ INDUSTRIEAL AND RESIDENTAIL EXPERTS

OPEN FOR ALL ACCOUNTS 866-539-3397

BILLING ARE AVIALBLE * installing door closers . * rekeying all sorts of locks. * high security locks . * fresh installations (new dead bolt halls on the door for extra security). * shabes combination locks. * auto services any models. * costume made answers for repair. * 24/6 professional locksmith service With great customer service and professional workmanship, we are ready to assist you 24 hours a day, 365 days a year. Automotive - residential - commercial - industrial. ================================================================================================================================================================================================================================================================================== All Los-Angeles Locksmith 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH, 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293

======================

allsecuritylockandkey.com/

-24 hours locksmith service dispatching at all times-

starslockandkey.com/

* Serving all areas at west Los Angeles for the most part

* Specializing at all areas of any kind of safes or locks or keys

* We care our customers and grantee our work

* And promise a fast service

ericlocksmith.com/index.html

(310)709-0301 to toll free 1-866-539-3397

 

866-539-3397 All Security Lock and key

Highly Rated LOCKSMITH IN LOS ANGELES WITH STATE OF THE ART HI-TECH BEYOND HUMAN MIND COMPREHENSION Very Genuine With Prices, DONT MISS ON GETTING YOU HIRED WORTH LOCKS OR KEYS DONE RIGHT THE FIRST TIME, AT NO HIDDING CHARGES UNLESS AND ITS PARTS INVOLVE 2ND CLASS TYPE ARE FREE.

AS WILL AS ACCESS CONTRL KEY PADS SERVILANCY HIDING CAMS YOU CONTROL ONLY.

 

Prompt: In the artistic style of Charles Dana Gibson, a Victorian style black and white sketch illustration of a women at a bar drawing a "Guinness" beer on tap. She looks like a real women of the time, She looks at the camera and is smiling --ar 1:1 --v 6.1

 

digital fine art sketch created using Midjourney AI

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