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I am participating in Folded Word's writing month event, called "24/7," during August. Participants spend the first 24 days of the month writing short works, then spend the final week in revisions. The second part of this entry gives more details.
I'm not required to give a central theme to the entries, but I chose the theme "Divinations" and am using a pair of dice to generate prompts. The "one" symbol on the purple die is the logo for Comic Emporium, which gave the dice away as freebies during The Wrath of Con in 2008.
My prompt for August 3 is to write divination-themed flash fiction that uses birth. You can read the piece here.
Hamburg, Germany on 16th April 2014.
IMO number :9647409
Name of ship :PROMPT
Call Sign :DMEM
Gross tonnage :250
DWT :122
Type of ship :Tug
Year of build :2013
Flag :Germany
Are you a blogger looking for fresh ideas to captivate your audience and enhance your blog’s performance? Look no further! In this comprehensive guide, we present a handpicked selection of the best ChatGPT prompts tailored specifically for bloggers.
I used a prompt (still getting used to prompts) for some reason they make me feel a little nervous!
I finger painted the back ground, and used large stencils to write JOY in the letters I wrote freely: the joy is the journey, journey of self love, journey of self discovery and so on. I added a crayoned car, wheels from a book page and a black and white image of a lady.
In very faint gel pen above the glittered paper, I wrote grow and glitter, I suppose that was the real message (prompt) to listen to
Prompting ist ein Schlüsselfaktor für den effektiven Umgang mit Künstlicher Intelligenz. Promts sind klar formulierte Anweisungen oder Fragen, die dazu dienen, spezifische Reaktionen oder Antworten von einem KI-Programm generieren zu lassen.
Prompt Battle ist ein Spielshow-Format, in dem die Kandidat*innen ihre Prompting-Skills zeigen. Das Publikum entscheidet, wer dem KI-System die überraschendsten, verstörendsten oder schönsten
Bilder entlockt und künftig den begehrten Titel »Prompt Battle Winner« tragen darf.
Die Prompt Battle Training Station ist ein Spin-off des Originalspiels. Besucher*innen können damit ihre Prompting-Skills auf die Probe stellen.
Photo: Ars Electronica / Birgit Cakir
Chaim Soutine - French, born Russia (now
Belarus), 1893 - 1943
Portrait of a Boy, 1928
East Building, Ground Level — Gallery 103-D
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www.nga.gov/about/welcome-to-the-east-building.html
The East Building opened in 1978 in response to the changing needs of the National Gallery, mainly to house a growing collection of modern and contemporary art. The building itself is a modern masterpiece. The site's trapezoidal shape prompted architect I.M. Pei's dramatic approach: two interlocking spaces shaped like triangles provide room for a library, galleries, auditoriums, and administrative offices. Inside the ax-blade-like southwest corner, a colorful, 76-foot-long Alexander Calder mobile dominates the sunlight atrium. Visitors can view a dynamic 500-piece collection of photography, paintings, sculpture, works on paper, and media arts in thought-provoking chronological, thematic, and stylistic arrangements.
Highlights include galleries devoted to Mark Rothko's giant, glowing canvases; Barnett Newman's 14 stark black, gray, and white canvas paintings from The Stations of the Cross, 1958–1966; and several colorful and whimsical Alexander Calder mobiles and sculptures. You can't miss Katharina Fritsch's Hahn/Cock, 2013, a tall blue rooster that appears to stand guard over the street and federal buildings from the roof terrace, which also offers views of the Capitol. The upper-level gallery showcases modern art from 1910 to 1980, including masterpieces by Constantin Brancusi, Marcel Duchamp, Sam Gilliam, Henri Matisse, Joan Miró, Piet Mondrian, Jackson Pollock, and Andy Warhol. Ground-level galleries are devoted to American art from 1900 to 1950, including pieces by George Bellows, Edward Hopper, Georgia O'Keeffe, Charles Sheeler, and Alfred Stieglitz. The concourse level is reserved for rotating special exhibitions.
The East Building Shop is on the concourse level, and the Terrace Café looks out over the atrium from the upper level.
www.theguardian.com/culture/2016/oct/03/national-gallery-...
"The structure asks for its visitors to gradually make their way up from the bottom, moving from the Gallery’s earliest acquisitions like the paintings of French Post-Impressionist Pierre Bonnard to its contemporary work, such as Janine Antoni’s much fussed over “Lick and Lather,” a series of busts composed of chocolate and soap. The bottom floors offer a more traditional viewing experience: small taupe-colored rooms leading to more small taupe-colored rooms. As one moves upward, however, the spaces open up, offering more dramatic and artful exhibition rooms. The largest single aspect of the I.M. Pei-designed building’s renovation has been the addition of a roof terrace flanked by a reimagination two of the three original “tower” rooms of Pei’s design.
On one side is a space dedicated to sculptor Alexander Calder, with gently spinning mobiles of all shapes and sizes delicately cascading from the ceiling. The subtle movements of the fine wire pieces mimic the effect of a slight breeze through wind chimes—it’s both relaxing and slightly mesmerizing, especially when we’re used to art that stands stock still. Delight is a relatively rare emotion to emerge in a museum, making it all the more compelling.
But it’s the tower space on the other side—a divided hexagonal room—that caused several visitors to gasp as I surveyed it. On one side of the division (the room you enter from the roof terrace) hang Barnett Newman’s fourteen “Stations of the Cross,” the human-sized renderings of secular suffering and pain conceived in conversation with the Bible story. Entirely black and white, with just a tinge of red in the final painting, the series wraps around the viewer, fully encapsulating you in the small but meaningful differentiations between paintings. Hung as a series, the paintings gain a narrative they might otherwise have lost.
The light edging around either side of the room’s division invite the viewer to move from Newman’s chiaroscuric works, which require you to move from painting to painting searching for the scene in each, to a mirror image of that space covered in Mark Rothko’s giant, glowing canvases, which require the viewer to step back and attempt to take in the sight of so much hazy, vivid color all at once. The dichotomy is stark, and yet the paintings all work together somehow, rather than one set repelling the other.
With light filtering through the glass ceiling above, the tower room does feel like a crescendo of sorts, but not in the way many museums’ most famous or valuable pieces often do. The room isn’t dedicated to ensuring that visitors snake their way into the belly of the museum, to first be captured and then let out through the gift shop. Instead, it’s a reminder that in a space dedicated to honoring the modern and the contemporary that the evolution of art remains just as integral as any singular Marilyn Monroe by Andy Warhol or Donald Judd aluminum box. There’s still a story in abstract art."
www.washingtonian.com/2016/09/28/national-gallery-art-eas...
Theme: Hand Portrait
Element of Design: Color
Principle of Design: Emphasis
Camera Editing: Contrast and Vibrance
Something that I like most is just the lighting hitting my hand so you can see the colors. It really makes the photo have life with color.
Prompt your fans to respond to your posts by asking questions in each post. Even Facebook recommends this to improve your engagement.
We like how the King’s page uses this to get great responses to each post.
Materials:
Mediums: Glimmer mist, Maya Mist, Distress Ink
Patterned paper: GCD Melody Ross
Hambly studios overlay
Alphas: American Craft Thickers
TFL!
Decided to buy some Derwent Pencils water-soluble sketching pencils to experiment with during #inktober2016. Today's #inktober official prompt was "scared," and this was my first attempt at using these pencils. Looking forward to doing more experimenting!
These prompts are designed to challenge writers to craft stories with a focus on solving a puzzle or uncovering a secret.
by:
Laiq Ahmed Qureshi
Creative Director
Take a really strong aspect of your project and push it further. For example, you may have developed a great type relationship that communicates your message, but is obscured by clunky imagery and patterns. In this case, you might want to redo your whole layout by focusing on type and pushing other elements to the background.