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In an abandoned warehouse near Euston Station, London, I boarded the spaceship Prometheus for a wild, secret, trip.
NYC 2007 © Linda Dawn Hammond / IndyFoto
Paul Manship's 1934 statue, Prometheus, and the arcade of Rockefeller Center. Entering on Fifth Avenue between 49th and 50th Streets, the center gardens make way to the sub-ground restaurant area which becomes an ice skating rink in wintertime. 31.7.07 NYC
Rockefeller _4sm
Prometheus Cave — discover various types of stalactites, stalagmites, curtains, petrified waterfalls, underground rivers, and lakes! Imereti Region, Georgia.
Georgia.to — Your Tour Operator to Georgian Authenticity
In an abandoned warehouse near Euston Station, London, I boarded the spaceship Prometheus for a wild, secret, trip.
In an abandoned warehouse near Euston Station, London, I boarded the spaceship Prometheus for a wild, secret, trip.
Prometheus, Teacher in Every Art, Brought the Fire That Hath Proved to Mortals a Means to Mighty Ends. - Aeschylus
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I'm really glad I took a picture of this because I did not realize at the time that it is Prometheus! By Paul Manship. :)
The cave at Kumistavi in Imereti is named after Prometheus which many believed thad been chained to the Khvamli Mountain nearby. Some also say that it was mixed up with the Caucasian legend of Amirani, who like Prometheus, angered the gods and was punished and locked inside a huge cave.
The cave was only discovered in 1983, and today tourist has the opportunity to explore about a tenth of the cave, which runs about a kilometer long within the cave complex.
Prometheus Cave, Imereti, Georgia.
Jose de Ribera (1591-1652, Spanish) - Prometheus, 1630, oil on canvas, 155.5×193.5 cm, private collection.
Jusepe de Ribera was a Spanish painter and etcher. In 1616 he settled in Italy; his life was full of dramatic incidents and this is reflected in the violent subject matter of his paintings, the contrasted modelling of his figures and the theatrical lighting of his compositions. He was strongly influenced by Caravaggio and Correggio and his own powerful style we associate today with the Spanish Baroque. His uncompromising realism is demonstrated in the Boy with a Club Foot. In his last paintings he achieved a mastery Velazquez's.