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I chose this because I was brought up in school using nothing but overhead projectors to be taught in class. The evolution from this to now smart boards is incredible.
Liesgang was a German company that made very good quality photographic products.
From the 1966/67 JJ Silber Catalogue
Olympus PEN E-PL8
2 inch = 50.8 mm
50.8 mmx2 = 101,6 mm at Micro4/3
The Taylor Hobson Supertal 2 inch f/1.6 was widely used as a high-performance replacement lens for 16mm film projectors. It was frequently seen mounted on British-made projectors, most notably in the Bell & Howell (Gaumont-Bell & Howell) 601, 621, and 622 series, where it served as either the standard lens or a premium upgrade.
You can see an image of this lens mounted on a projector here:
picclick.co.uk/Taylor-Taylor-Hobson-Supertal-Projection-L...
Designed with a very fast aperture of f/1.6, this lens was engineered to project clearer, brighter images onto movie screens. The mount features a simple cylindrical barrel, designed to fit the specific insertion diameters of these projectors. For those repurposing these for modern cameras today, the lens's unique design and short flange distance make it a fascinating piece for technical adaptation.
Historically, the sight of this black, gold-engraved barrel protruding from the front of a portable 16mm projector was a standard hallmark of professional film projection setups of that era.
From the 1930's Hollywood lighting demo I did for Holmes Chapel Camera Club - Hollywood glamour with speedlights !
3xNikon SB900. Snoots of various types - Rogue Flashbender XL on the key light, Interfit Strobies snoot on the hair light.
The background is projected through a Nikon 20mm AIS lens using a Lightblaster. The patterns is produced by a gobo inside the Lightblaster.
B&W conversion - default setting in Silver Efex Pro 4
Model: Paris Honour
Makeup and Hair by model
Strobist info: A Quantaray PZ-1 set to manual mode was fired manually during the long exposure, bounced off of the place where the wall and ceiling meet, behind, above, and to the left of the camera.
Model: Taylor Freeze
Photographer: Justin Bonaparte
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Nick Layton © 2012 All rights reserved.
Here's a little interesting light experiment if you fancy trying something unusual. Take an old projector and angle close to, but not pointing at camera. Take a silver reflector and reflect part of the light onto the face of your subject. If you reflect all, you'll blind your subject and possibly over expose her. Add a wisp of cigarette smoke if you so desire (smoking is very bad for you!). You can add a back portable strobe to the back of the model's head (like a Canon 430EZ) set to very low power (1/32 - as I did) for an extra touch.
Another shot from my projected portrait from today. I actually like this shot better but it doesn't have my user name on it like the other.
Inspired by the children in my nursery school class this year who have been making their own rayguns. This creation features Brick Lights by ArtiFex Creations
stores.ebay.com/Artifex-Creations/Brick-Lights-Display-Li...
The Cinema Museum is a charitable organisation founded in 1986 by Ronald Grant and Martin Humphries from their own private collection of cinema history and memorabilia.
First established in 1986 in Raleigh Hall in Brixton, the museum later moved to Kennington; since 1998 it has been based at 2 Dugard Way in the London Borough of Lambeth, the administration block of the former Lambeth Workhouse, in a building owned by the South London and Maudsley NHS Foundation Trust.
The workhouse has a link to cinema history as Charlie Chaplin lived there as a child when his mother faced destitution. The museum runs a programme of talks and events and is currently open by appointment for tours.
Having survived a threat to its existence owing to the proposed sale of the building, as of 2011 the museum was engaged in efforts to secure its future with public funding. The museum is the subject of a Guardian documentary and a 2008 documentary by the Canadian film artist Mark Lewis.
The museum's collection includes items relating to film production, film exhibition and the experience of cinema-going from the earliest days of cinema to the present. It holds examples of every gauge of film projector, professional and amateur, ever manufactured.
According to Time Out, "The Cinema Museum in Lambeth boasts an idiosyncratic collection of film memorabilia, including posters, art deco cinema chairs, ushers' uniforms from the 1940s and ‘50s, tickets, ashtrays and popcorn cartons, as well as an archive boasting hundreds of books, an estimated one million plus photos and 17 million feet of film." At its events volunteers regularly dress in original cinema attendants' costumes.
The museum seeks to celebrate all aspects of cinema and the moving image from silent films shown in exactly the correct gauge and at the right speed using specially adapted projectors, to screenings of modern television culture. It is developing a growing reputation for its eclectic range of events. [Wikipedia]
Testing out Photoshop's Oil Paint filter on one of the first pictures taken with my “old” Canon EOS 7D, that of my Simplex X-L 35mm projector head.
WEEK 39 – Southaven Malco (Saturday Matinee)
Another goal of mine, I should note, was to finally get this set uploaded – I’ve been sitting on some of these pictures for years! That’s a good thing in some ways, though; it has allowed me to slowly add several other photos to the set, for example.
I was originally inspired – long ago, now – to photograph my local theater after viewing the stream of our resident theater aficionado, andsome96. Out his way there are major theater chains, but here in the Memphis area, Malco rules. Not that Malco isn’t a chain, of course; to the contrary, they have 36 locations in six states (read more about their history here). But Malco is only a regional player, not a national one. National theater chains have largely avoided Memphis, and for good reason: Malco is the true powerhouse here. (Incidentally, “Malco Powerhouse” is actually the name of their newest cinema, haha!)
We’re looking here at the very cool projector neon that is located in the theater’s lobby, directly inside – and above – the entrances. I think this shot turned out pretty nicely!
I don’t *think* this would’ve been removed with the renovation, but anything is possible, I suppose. Still, the lobby décor has survived largely untouched over the years, so I kinda doubt anything has been done with this. I certainly hope not, anyway! They’d have to be crazy to remove this, right?
(c) 2020 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
Artist: BKFoxx
She is a public artist from Long Island NY, an ’88 model (as her father says). She paints photorealistic murals in only spray paint; no brushes, no projectors, no stencils. www.bkompleted.com/