View allAll Photos Tagged Project_planning
The AlphaSonic Mustang
Taken straight from the dealer to the paintbooth, this Mustang never had to experience life as an inferior factory looking pony. When Rick Anderson from AlphaSonic said he wanted to make this car “HOT” well there was just one option. I’d say the challenge was met. Jeff Mersey again comes through and this became one bad horsey!
Don’t have any idea what kind of finish your looking for….No problem let us help you decide, with complete project planning and mock-ups. At HARD Lifestyle we’ll work with you to come up with a truly unique look.
Turning off the A4 onto A339 in Newbury. The UK transport project planning, permits & escorts was by Teahan Convoi Service. This load was escorted by Teahan, Convoi Assist, RVT & Thames Valley Police.
Im Rahmen eines 14-monatigen globalen Strategieprojekts haben wir für das Projektteam einen Raum mit weit über 100 Visualisierungen zum Projekt eingerichtet (Wissenscharts, Knowledge Visualizations, visueller Projektplan, Prozessabbildungen usw.) - ein deutlicher Benefit für das Team und seine Projektarbeit.
During a 14 month global strategy project we supported the project team with a "visual project room", offering more than 100 visualizations around the project (knowledge charts, visualizations, visual project plan, process charts etc) - a core benefit for the team and its work.
www.IntegralInformationArchitecture.com
Bild / image: (c) All Rights Reserved
Deputy Assistant Secretary of the Army Eugene Collins presents a 2016 Secretary of the Army Environmental Award to Maj. Gen. Timothy P. Williams, the Adjutant General of Virginia, and the staffs of the Virginia National Guard Environmental Office and Camp Pendleton Collective Training Center Aug. 31, 2017, in Virginia Beach, Va. Camp Pendleton earned top honors in the U.S. Army in the Cultural Resources Management – Small Installation category. Following the award presentation, Collins received a briefing on the history of Camp Pendleton as well as future projects planned for the facility, and a tour of the installation and first-hand look at some of Camp Pendleton’s historic buildings. (U.S. Army National Guard photo by Staff Sgt. Amanda Johnson)
Airmen from the Virginia Air National Guard’s Virginia Beach-based 203rd RED HORSE Squadron and the 202nd RHS from Camp Blanding, Florida refine and train upon essential skills June 5, 2015 during a joint training mission to erect a Facilities Systems Training facility at Anderson Air Force Base, Guam. The Airmen are conducting training while building the FST facility under the Air National Guard’s Deployment for Training program. This training mission presents the opportunity for the RED HORSE squadron Airmen to focus on: project planning, design, surveying, site development with cut and fill operations, heavy equipment operations, vehicle maintenance and repair, project and troop management, logistical and personnel support, food preparation and lodging procedures, utility systems, and electrical and fire alarm installation. (U.S. Air National Guard photo by Tech. Sgt. Meghan Skrepenski/Released)
Im Rahmen von OE- und Strategieprojekten erstellt Integral Information Architecture Visualisierungen, die das Projektteam unterstützen (Wissenscharts, Knowledge Visualizations, visueller Projektplan, Prozessvisualisierungen usw.) - ein deutlicher Mehrwert für das Team und seine Projektarbeit.
For organizational development and strategy projects Integral Information Architecture supports project teams with visualizations like knowledge charts, learning maps, visual project plan, process charts etc. - added value for the team and its work.
Bild / image: (c) All Rights Reserved
In this activity Active Citizen participants were asked to form an inner and outer circle. They were given a few minutes to share their project planning ideas before rotating to the next person and staring a new discussion
(l) Folklife Festival Organizer Ryan Davis (r) Dale Jarvis
Hobby Horse
A sample folklife festival
www.mummersfestival.ca/home/?q=node/2
Project Planning for Cultural Festivals
Saturday, February 13, 2010
Dale Jarvis, ICH Development Officer; and Ryan Davis, 2009 Mummers Festival
Cupids 400
Prince of Wales Loyal Orange Lodge #26 (1906)
Cupids, Newfoundland and Labrador
In August, 2008 Intersections' C. Eduardo Vargas and Megan Hoelle visited Jordan, Lebanon and Syria to plan the Iraqi Voices Amplification Project.
Read more about the trip: www.intersectionsinternational.org/node/233
Soldiers from the Powhatan-based 180th Engineer Company, 276th Engineer Battalion, 91st Troop Command install a road culvert June 19-20, 2013, in the Fort Pickett training area. The engineers have several road improvement projects planned as part of their two-week annual training. (Photo Cotton Puryear, Virginia National Guard Public Affairs)
Negoiating a roundabout on Floral Way in Thatcham. The UK transport project planning was by Teahan Convoi Service. This load was escorted by Teahan, Convoi Assist & Thames Valley Police.
Deputy Assistant Secretary of the Army Eugene Collins presents a 2016 Secretary of the Army Environmental Award to Maj. Gen. Timothy P. Williams, the Adjutant General of Virginia, and the staffs of the Virginia National Guard Environmental Office and Camp Pendleton Collective Training Center Aug. 31, 2017, in Virginia Beach, Va. Camp Pendleton earned top honors in the U.S. Army in the Cultural Resources Management – Small Installation category. Following the award presentation, Collins received a briefing on the history of Camp Pendleton as well as future projects planned for the facility, and a tour of the installation and first-hand look at some of Camp Pendleton’s historic buildings. (U.S. Army National Guard photo by Master Sgt. A.J. Coyne)
Making our way past the HCC offices in the centre of Winchester. The UK transport project planning, permits & escorts was by Teahan Convoi Service. This load was escorted by Teahan, Convoi Assist, RVT & Hampshire Police.
Optimizing Integrated Community Based Case Management of Newborn and Childhood Illness Project Planning Workshop Agenda
23-25 Sep 2019, Kenenisa Hotel Addis Ababa UNICEFEthiopia/2019/NahomTesfaye
City & Guilds of London Art School
The Art School’s Architectural Heritage
City & Guilds of London Art School occupies nos. 114-124 Kennington Park Road, a terrace of late 18th century houses, and 19th and 20th century studios built over the gardens behind. The terrace is Grade II listed and stands in the Kennington Conservation Area. The Art School has been on this site since 1879.
The houses at nos. 114-124 Kennington Park Road were built in 1788, as part of the first wave of urbanisation in this area. They were designed as one half of a gateway development to a planned grand square by the builder Michael Searles. The projected plans were never fully realised, and the development of the square was carried out on a much-reduced scale, becoming what is now Cleaver Square. Although originally designed as a middle-class street, the growth of London in the Victorian era and the flight of prosperous families to suburbs such as Clapham and Brixton led to a decline in the area. While the 19th-century occupants of the Georgian houses are unknown, it seems quite possible that they were lower middle or working class.
In 1879, the South London Technical Art College (City & Guilds of London Art School since 1937) moved into nos. 122-124. Its predecessor, the Lambeth School of Art, had been founded nearby specifically to be close to the Doulton potteries, in order to provide art education to local workers (and mainly women). The first studio sheds, located behind nos. 122-124, were built shortly after 1879. These structures, shown on the Ordnance Survey map of 1894, had timber truss roofs. Later on, between 1918 and 1939, the Art School expanded into nos. 118-120, and new studios with steel frame trusses were constructed in the gardens behind. No. 116 Kennington Park Road was purchased by the Art School in 1974, while the final property of the six, no. 114, was acquired in the late 1980s, allowing the stone yard area to be developed.
21st-Century Developments
Since 2010, the Art School has embarked on an ambitious programme of renovations and enhancements on its Kennington site. The Masterplan for the project, established under the direction of Alan Higgs Architects, is based on a three-phase delivery:
Phase 1 (2010-2014)
Completed over five consecutive summers, Phase 1 consisted of the renovation and upgrade of the six terrace buildings, including refurbishing some 35 studios, creating the expanded Sackler Library, and improving circulation throughout. In 2012, the Foundation Department relocated to the adjacent 1930s Old Vauxhall Telephone Exchange building.
Phase 2 (2015-2016)
This phase involves the creation of a new entrance for the Art School by inserting a glazed steel canopy structure forming an atrium in the space between the Georgian terrace and the studio buildings. Following ground level works in 2015, summer of 2016 saw continued developments with the installation of the new roof structure.
Phase 3
The final phase will focus on a partial re-development and refurbishment of the studio buildings at the rear of the site, which increase the work spaces for creative practice while protecting the special character and the legacy embodied in its buildings.
[Open House London]
Original flower design made using scrap fabric from other projects ... plan to make them into garland for daughter's b-day.
Brig. Gen. Mark Toy, U.S. Army Corps of Engineers Great Lakes and Ohio River Division commander, talks with Mike Wilson, Nashville District deputy for Programs and Project Management, during the First Annual Nashville District Small Business Opportunities Open House at Tennessee State University in Nashville, Tenn., March 16, 2017. The event gave business leaders direct access to Nashville District officials from across the organization. (USACE photo by Leon Roberts)
In late March, Dartmouth's annual Formula Hybrid + Electric (FH+E) competition made the difficult decision to cancel on-track events and run static-events-only including project plan and design presentations.
A belated congratulations to @RVCollegeofEngineering's @Ashwa_Racing, winner of this year's Hybrid Class, and to @RIT_HotWheelz of Rochester Institute of Technology, winner of the Electric Class.
Repost @Ashwa_Racing • WE DID IT
1st overall at Formula Hybrid 2020
1st in Project Management Plan
The passion to design, manage and race is what drives us. It was an amazing experience for the 20H team this year at the virtual static events.
The team's development over the years in the Hybrid category truly portrays Ashwa's culture of "Evolution over revolution". Thanks to all the judges, organizers, sponsors and volunteers @formulahybridcompetition for making this virtual FSAE event possible!!
City & Guilds of London Art School
The Art School’s Architectural Heritage
City & Guilds of London Art School occupies nos. 114-124 Kennington Park Road, a terrace of late 18th century houses, and 19th and 20th century studios built over the gardens behind. The terrace is Grade II listed and stands in the Kennington Conservation Area. The Art School has been on this site since 1879.
The houses at nos. 114-124 Kennington Park Road were built in 1788, as part of the first wave of urbanisation in this area. They were designed as one half of a gateway development to a planned grand square by the builder Michael Searles. The projected plans were never fully realised, and the development of the square was carried out on a much-reduced scale, becoming what is now Cleaver Square. Although originally designed as a middle-class street, the growth of London in the Victorian era and the flight of prosperous families to suburbs such as Clapham and Brixton led to a decline in the area. While the 19th-century occupants of the Georgian houses are unknown, it seems quite possible that they were lower middle or working class.
In 1879, the South London Technical Art College (City & Guilds of London Art School since 1937) moved into nos. 122-124. Its predecessor, the Lambeth School of Art, had been founded nearby specifically to be close to the Doulton potteries, in order to provide art education to local workers (and mainly women). The first studio sheds, located behind nos. 122-124, were built shortly after 1879. These structures, shown on the Ordnance Survey map of 1894, had timber truss roofs. Later on, between 1918 and 1939, the Art School expanded into nos. 118-120, and new studios with steel frame trusses were constructed in the gardens behind. No. 116 Kennington Park Road was purchased by the Art School in 1974, while the final property of the six, no. 114, was acquired in the late 1980s, allowing the stone yard area to be developed.
21st-Century Developments
Since 2010, the Art School has embarked on an ambitious programme of renovations and enhancements on its Kennington site. The Masterplan for the project, established under the direction of Alan Higgs Architects, is based on a three-phase delivery:
Phase 1 (2010-2014)
Completed over five consecutive summers, Phase 1 consisted of the renovation and upgrade of the six terrace buildings, including refurbishing some 35 studios, creating the expanded Sackler Library, and improving circulation throughout. In 2012, the Foundation Department relocated to the adjacent 1930s Old Vauxhall Telephone Exchange building.
Phase 2 (2015-2016)
This phase involves the creation of a new entrance for the Art School by inserting a glazed steel canopy structure forming an atrium in the space between the Georgian terrace and the studio buildings. Following ground level works in 2015, summer of 2016 saw continued developments with the installation of the new roof structure.
Phase 3
The final phase will focus on a partial re-development and refurbishment of the studio buildings at the rear of the site, which increase the work spaces for creative practice while protecting the special character and the legacy embodied in its buildings.
[Open House London]
Bill Caraher, University of North Dakota, at the ARCS project planning meeting at MATRIX, Michigan State University.
Photos taken from software process improvement related trainings that Janette Toral has done from 2004 to the present.
cropped and B&W
join me in my moon project , plan to take a pic of the moon every day it is visible for a year , even if you can add a few it would be fun. www.flickr.com/groups/2651143@N24/
City & Guilds of London Art School
The Art School’s Architectural Heritage
City & Guilds of London Art School occupies nos. 114-124 Kennington Park Road, a terrace of late 18th century houses, and 19th and 20th century studios built over the gardens behind. The terrace is Grade II listed and stands in the Kennington Conservation Area. The Art School has been on this site since 1879.
The houses at nos. 114-124 Kennington Park Road were built in 1788, as part of the first wave of urbanisation in this area. They were designed as one half of a gateway development to a planned grand square by the builder Michael Searles. The projected plans were never fully realised, and the development of the square was carried out on a much-reduced scale, becoming what is now Cleaver Square. Although originally designed as a middle-class street, the growth of London in the Victorian era and the flight of prosperous families to suburbs such as Clapham and Brixton led to a decline in the area. While the 19th-century occupants of the Georgian houses are unknown, it seems quite possible that they were lower middle or working class.
In 1879, the South London Technical Art College (City & Guilds of London Art School since 1937) moved into nos. 122-124. Its predecessor, the Lambeth School of Art, had been founded nearby specifically to be close to the Doulton potteries, in order to provide art education to local workers (and mainly women). The first studio sheds, located behind nos. 122-124, were built shortly after 1879. These structures, shown on the Ordnance Survey map of 1894, had timber truss roofs. Later on, between 1918 and 1939, the Art School expanded into nos. 118-120, and new studios with steel frame trusses were constructed in the gardens behind. No. 116 Kennington Park Road was purchased by the Art School in 1974, while the final property of the six, no. 114, was acquired in the late 1980s, allowing the stone yard area to be developed.
21st-Century Developments
Since 2010, the Art School has embarked on an ambitious programme of renovations and enhancements on its Kennington site. The Masterplan for the project, established under the direction of Alan Higgs Architects, is based on a three-phase delivery:
Phase 1 (2010-2014)
Completed over five consecutive summers, Phase 1 consisted of the renovation and upgrade of the six terrace buildings, including refurbishing some 35 studios, creating the expanded Sackler Library, and improving circulation throughout. In 2012, the Foundation Department relocated to the adjacent 1930s Old Vauxhall Telephone Exchange building.
Phase 2 (2015-2016)
This phase involves the creation of a new entrance for the Art School by inserting a glazed steel canopy structure forming an atrium in the space between the Georgian terrace and the studio buildings. Following ground level works in 2015, summer of 2016 saw continued developments with the installation of the new roof structure.
Phase 3
The final phase will focus on a partial re-development and refurbishment of the studio buildings at the rear of the site, which increase the work spaces for creative practice while protecting the special character and the legacy embodied in its buildings.
[Open House London]
We manage computer network IT Services and Web Marketing. Our Professional also works on Digital Surveillance, cloud PBX Phone System and backups to keep your data safe.
City & Guilds of London Art School
The Art School’s Architectural Heritage
City & Guilds of London Art School occupies nos. 114-124 Kennington Park Road, a terrace of late 18th century houses, and 19th and 20th century studios built over the gardens behind. The terrace is Grade II listed and stands in the Kennington Conservation Area. The Art School has been on this site since 1879.
The houses at nos. 114-124 Kennington Park Road were built in 1788, as part of the first wave of urbanisation in this area. They were designed as one half of a gateway development to a planned grand square by the builder Michael Searles. The projected plans were never fully realised, and the development of the square was carried out on a much-reduced scale, becoming what is now Cleaver Square. Although originally designed as a middle-class street, the growth of London in the Victorian era and the flight of prosperous families to suburbs such as Clapham and Brixton led to a decline in the area. While the 19th-century occupants of the Georgian houses are unknown, it seems quite possible that they were lower middle or working class.
In 1879, the South London Technical Art College (City & Guilds of London Art School since 1937) moved into nos. 122-124. Its predecessor, the Lambeth School of Art, had been founded nearby specifically to be close to the Doulton potteries, in order to provide art education to local workers (and mainly women). The first studio sheds, located behind nos. 122-124, were built shortly after 1879. These structures, shown on the Ordnance Survey map of 1894, had timber truss roofs. Later on, between 1918 and 1939, the Art School expanded into nos. 118-120, and new studios with steel frame trusses were constructed in the gardens behind. No. 116 Kennington Park Road was purchased by the Art School in 1974, while the final property of the six, no. 114, was acquired in the late 1980s, allowing the stone yard area to be developed.
21st-Century Developments
Since 2010, the Art School has embarked on an ambitious programme of renovations and enhancements on its Kennington site. The Masterplan for the project, established under the direction of Alan Higgs Architects, is based on a three-phase delivery:
Phase 1 (2010-2014)
Completed over five consecutive summers, Phase 1 consisted of the renovation and upgrade of the six terrace buildings, including refurbishing some 35 studios, creating the expanded Sackler Library, and improving circulation throughout. In 2012, the Foundation Department relocated to the adjacent 1930s Old Vauxhall Telephone Exchange building.
Phase 2 (2015-2016)
This phase involves the creation of a new entrance for the Art School by inserting a glazed steel canopy structure forming an atrium in the space between the Georgian terrace and the studio buildings. Following ground level works in 2015, summer of 2016 saw continued developments with the installation of the new roof structure.
Phase 3
The final phase will focus on a partial re-development and refurbishment of the studio buildings at the rear of the site, which increase the work spaces for creative practice while protecting the special character and the legacy embodied in its buildings.
[Open House London]
Exiting the overnight parking layby for the last time. The UK transport project planning, permits & escorts was by Teahan Convoi Service. This load was escorted by Teahan, Convoi Assist, RVT & Hampshire Police.
The AlphaSonic Mustang
Taken straight from the dealer to the paintbooth, this Mustang never had to experience life as an inferior factory looking pony. When Rick Anderson from AlphaSonic said he wanted to make this car “HOT” well there was just one option. I’d say the challenge was met. Jeff Mersey again comes through and this became one bad horsey!
Don’t have any idea what kind of finish your looking for….No problem let us help you decide, with complete project planning and mock-ups. At HARD Lifestyle we’ll work with you to come up with a truly unique look.
Affordable, Adorable and Artistic Pallet Project Plans
dearlinks.com/diy-pallets/affordable-adorable-and-artisti...
The Park Hills Civic Association organized a tour of the Wayne Avenue alignment of the Purple Line light rail project in March 2015. Staff from the Maryland Transit Administration explained aspects of the project plan and answered questions from participants. Representatives from the East Silver Spring Citizens Association, Seven Oaks Evanswood Citizens Association, the offices of County Councilmembers Hans Riemer and Tom Hucker, the Montgomery County Planning Department, the County Department of Transportation,the Silver Spring Regional Center, and the SSIMS/SCES PTSA also participated.
Airmen from the Virginia Air National Guard’s Virginia Beach-based 203rd RED HORSE Squadron and the 202nd RHS from Camp Blanding, Florida refine and train upon essential skills June 3, 2015 during a joint training mission to erect a Facilities Systems Training facility at Anderson Air Force Base, Guam. The Airmen are conducting training while building the FST facility under the Air National Guard’s Deployment for Training program. This training mission presents the opportunity for the RED HORSE squadron Airmen to focus on: project planning, design, surveying, site development with cut and fill operations, heavy equipment operations, vehicle maintenance and repair, project and troop management, logistical and personnel support, food preparation and lodging procedures, utility systems, and electrical and fire alarm installation. (U.S. Air National Guard photo by Tech. Sgt. Meghan Skrepenski/Released)
Lucie Stylianopoulos, University of Virginia, and Jon Frey, Michigan State University, at the ARCS project planning meeting at MATRIX, Michigan State University.
Project Planning for Cultural Festivals
Saturday, February 13, 2010
Dale Jarvis, ICH Development Officer; and Ryan Davis, 2009 Mummers Festival
Cupids 400
Prince of Wales Loyal Orange Lodge #26 (1906)
Cupids, Newfoundland and Labrador
Наш проект мы назвали Равновесие*
(равновесие - общее понятие, относимое к различным ситуациям, характеризующимся взаимодействием разнонаправленных сил, воздействие которых взаимно погашается таким образом, что наблюдаемые свойства системы остаются неизменными.)
Проект вошел в шортлист (всего 24 проекта) и будет демонстрироваться на фестивале + публикация в каталоге.
Оценивая российскую архитектуру за последние два года, мы, определенно, вспоминаем не только знаковые объекты. Наблюдая за процессами строительства новых сооружений в своем городе и своем районе, мы видим совсем не то, что хотелось бы. Участвуя в проектировании в период этого бума, мы видели расточительность и нерациональное использование ресурсов, которые не имели никакого смысла. Мы пытались использовать новые материалы и эргономичные решения, но слишком часто понимали, что в этом почти никто заинтересован. И в подавляющем большинстве того, что было построено за последние годы, мы видим все тоже, что и раньше.
Тем не менее, в современной российской архитектуре уже наметились сдвиги, и мы надеемся, что скоро она выйдет на качественно новый уровень. Мы верим в умную архитектуру, которая отличается чистыми решениями, делается для людей и не всегда требует огромных бессмысленных затрат.
Наш павильон представляет собой куб, облицованный потолками армстронг, главный фасад которого обрушивает на зрителя потоки света. Внутри этой конструкции расположен черный металлический «двутавр». Метафора проста – после наносного и недолговечного хочется увидеть стоящее, архитектуру с действительно высоким «индексом устойчивости». Кроме того, мы предполагаем установку в павильоне стола с материалами, поскольку считаем «материаловедение» одной из важнейших составляющих современного архитектурного процесса.
As a woodworker, you may have realized that finding the right detailed plans to build some custom projects to meet specific needs can be very difficult. This is among the most common problems woodworkers face today, but luckily for you, this and other related problem shouldn’t bother you.
At TedsWoodworking.com, Ted Mcgrath, a certified master woodworker, trainer, and author gives more than 16,000 plans, with step-by-step blueprints for various woodworking projects.
link Here:https://bit.ly/3s3HlF9
The construction process of the new physical science building continues on Sunday, November 8, 2020 in Chico, Calif.
(Jason Halley/University Photographer/CSU, Chico)
So I just wanted to put something up because it feels like forever since I've done any kind of self-work.
It's not great, I know, but it was just meant for a bit of a place holder for now..
I'm planning on starting my 365 up again starting on my birthday this year. I'm going to be 29 and kind of wanted to document my last year in the 20s. I also have a HUGE project planned for that last year as well.
I've been dieting and exercising since the 23rd of June and have lost nearly 19 pounds. Might not be able to tell here, but my body is really showing the difference.
My goal is to be down to my ideal weight by the time I hit 30. So documenting this year is important to me. I'm already 3 weeks ahead of my weight-loss schedule so I can't wait to see how it goes.
So I'll probably see you guys again around mid-October. Hope everyone is well!