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This was inside a fake elevator that had a foam yoga block and a rail inside. There was a button you could press to hear a soothing voice instruct you on what pose to do and then tell you to visualize a random color after each pose. I did the first 3 poses then it occurred to me "Oh god what if someone walks in on me doing this". So then I just stood and listened for a bit and 2 people did walk over.
Los días 25 y 30 de junio se han celebrado en Granada y Sevilla las Jornadas de Coordinación de los Programas Educativos de Hábitos de Vida Saludable, organizadas por las consejerías de Educación, Salud e Igualdad y Políticas Sociales.
President Gee delivering an address during the Memorial Stadium Dedication Ceremony. The stadium was built September 23, 1950. It was dedicated to the 76 students who died fighting in World War II. Gee is speaking on behalf of the deceased soldiers, and reading each of their names.
dmc.tamu-commerce.edu/cdm/compoundobject/collection/histo...
The pictures featured came from the Northeast Texas Digital Collection. Images have been remixed under the Fair Use Act. All rights belong to the owners of the images and the Digital Collection. These pictures are for educational purposes only, and not commercial use.
Printed on one sheet of recycled paper with vegetable based inks, these eco-friendly programs displayed the image of a sweet pea, a packet of which was given guests upon their departure.
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On view September 27 - November 22, 2024
Ceramics Program, Office for the arts at Harvard
224 Western Ave, Allston, MA 02134
Audrey An explores the notion of home, where furniture in domestic spaces becomes a repository for physical remnants of accumulated memories, shaping and reflecting one's identity. Drawing inspiration from Korean historical furniture, artifacts, and cross-cultural iconographies, in "Wishful Things”, An creates hypothetical spaces that embrace emotional states of oscillation between cultures, offering a venue for reflection and self-personification through inanimate-objects.
An explores the condition of being a 1.5 generation Korean-American, an ‘in-betweener’ who is not quite first or second generation enough. Through wishful object-making and their curation, she examines this in-betweenness, the embodiment of emotional oscillation to seek balance. Similarly to the way she moves fluidly between the two languages she speaks, An approaches her studio practice as a form of ‘code-switching’ between physical and digital work, as well as between clay and other materials such as plastic, wood, and foam. Her practice also navigates the spectrum between the analog handling of clay and digital fabrication methodologies, creating multifaceted visual renderings of objects noting on how we often remember things: sometimes exaggerated, somewhat fabricated, and glitched in low-resolution. These objects then come together as physical collages of organic and mechanized tension reflecting the complex and fragmented, but essentially harmonious feelings that transcend the cultural oscillations.
2022-2024 Ceramics Program Artist In Residence Audrey An’s creative research revolves around the notion of applying digital technologies to ceramics from the perspective of ‘convergence,’ whether it be cultural, technological, or interdisciplinary. She earned her BFA and Art History Minor from New York State College of Ceramics at Alfred University, an MFA from Penn State University, and was a post-baccalaureate student at Colorado State University. Audrey has participated in artist residency programs at Haystack Mountain School of Crafts (Deer Isle, ME), Watershed Center for the Ceramic Arts (Newcastle, ME) and was selected as Ceramics Monthly 2023 Emerging Artist.