View allAll Photos Tagged Program

... to the wet, grey weather outside !

 

HBW !

 

A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany

tune: www.youtube.com/watch?v=mHaXDWqpHy8

 

The woman watching tv at the right is from deposit photos.

textures and color washes are mine.

En el programa que nos entregaron para el viaje aparecían templos, pagodas, mercados, recorridos fluviales; pero en ningún momento nos informaron de lo que más me ha impresionado: la gente. Tanto en Vietnam como en Camboya, las personas con las que nos hemos cruzado (y no hablo sólo de las zonas turísticas, donde te lo puedes esperar) rebosaban amabilidad, sonrisas permanentes, predisposición para intentar entenderte aunque no hablaran inglés. No es necesario buscar el robado para los retratos. Posan a la mínima insinuación de que quieres hacerles una foto.

En la imagen, observad a la preciosidad de la izquierda. Las nuevas generaciones vienen con sus propios signos definitorios.

Processed in Capture One Windows

51 mm equiv. (standard)

Exp. Corr. Value: +0.0 EV

Exp. Program: Normal

Metering mode: Spot

WB Settings: Auto

Pentax program A, 35mm, Kodak gold 200

Created in Bryce a 3D program - no post manipulation or camera

View my recent images on Flickriver www.flickriver.com/photos/33235233@N05/

Program:Manual

Lens:150-600mm f/5-6.3 G VR

F:7.1

Speed:1/160

ISO:64

Focal Length:240 mm

AF Fine Tune Adj:0

Focus Mode:AF-F

AF Area:Unknown (5)

Shooting Mode:Delay, [3], Auto ISO

VR:On

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:112.20 m

Dof:112.37 m (79.31 - 191.69)

HyperFocal:270.01 m

 

Program:Manual

Lens:24-70mm f/2.8 G VR

F:6.3

Speed:30

ISO:400

Focal Length:34.0 mm (35 mm equivalent 51.0 mm)

Focus Mode:Manual

Shooting Mode:Continuous, IR Control

VR:Off

EV:-1/3

Metering Mode:Multi-segment

WB:Auto1

Focus Distance:14.13 m

Dof:inf (5.56 m - inf)

HyperFocal:9.16 m

AF Fine Tune:+11

 

Program:Manual

Lens:18-105mm f/3.5-5.6 G VR

F:11.0

Speed:1/250

ISO:100

Focal Length:18.0 mm (35 mm equivalent 27.0 mm)

AF Fine Tune Adj:0

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame

VR:On

EV:-1/3

Metering Mode:Multi-segment

WB:Auto1

Picture Control:Standard

Focus Distance:4.22 m

Dof:inf (1.09 m - inf)

HyperFocal:1.47 m

 

Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.

And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.

Why sign their death? Why exterminate them?

 

Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.

Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.

Pourqui signer leur mort? Pourqui les exterminer?

It's been 63 days since I started the Insanity workout program by Beach Body. It's been one helluva ride!

 

Normally I wouldn't post pictures of me without a shirt, but this is anything but normal for me. It took a lot for me to share these with you. I'm very self conscience and have always been embarassed by my body. But no mas! ;o)

 

I busted my ass for the past two months. Worked out every morning at 5am. Watched my daily caloric intake like my life depended on it. Quit drinking alcohol. Cut out all sorts of sweets. In the end, the results were stellar.

 

I lost a total of 16 lbs. I started at 181.2 and weighed in at 165.2. I've increased my cardiovascular condition to the point where I can actually participate in a 5k run. I've toned up and look better than I have in several years. Overall, I'm just a whole lot healthier.

 

I'm very proud of how far I've come in a relatively short period of time. It takes patience, persistence, and a true desire to commit to a lifestyle change. But it is worth all of the effort put forth.

 

So here I am, before my transformation and after training my mind and body to accept the challenges necessary to achieve my personal goals.

 

Want to know what the secret is?

 

There isn't any.

 

Maintain a healthy diet; exercise at a moderate pace to increase your heart rate, 3-4 times per week for a minimum of 30 minutes; be sure to drink 8-10 glasses of water per day; and be sure to get your full night's rest.

 

Most importantly, you will lose weight if you burn more calories than you take in. This is probably the closest thing to what the "secret" to losing weight is.

 

It doesn't take a gym membership or fancy workout equipment or expensive DVDs. You just have to want it bad enough.

 

;o)

Chanee jee, September 2010

When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.

Riddled with program descrepancies and circuiting errors, the Goof Bot has almost no good qualities. It cannot even handle the simplest tasks. Usually only brought out and powered up when in need of a good laugh. It stumbles and stutters and mutters giberish.

 

Another retro-ish bot while I have all the grey out, and yes the eyes are tied down with string.

Program:Manual

Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED

F:8.0

Speed:1/200

ISO:160

Focal Length:18.0 mm (35 mm equivalent 27.0 mm)

Focus Mode:AF-A

AF Area:Dynamic Area

Shooting Mode:Single-Frame, [3]

VR:On

WB:Auto

Flash:Normal

Flash type:Optional,TTL

Focus Distance:5.62 m

Dof:inf (1.49 m - inf)

HyperFocal:2.02 m

 

Athens, GA (Clarke County) Copyright 2008 D. Nelson

 

Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.

 

Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.

Our children's childen are the crown of old men .

[Status Update] ={Link Gridbourne}

{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."

 

Decision 1: "Lightsword Attack"

Decision 2: "Redirect + Escape"

Decision 3: "Use Item, SEO Lantern"

Decision 4: "Use Item, Save & Restore Potion"

Decision 5: " Use Item, Energy Crystal"

-end session-"]

 

Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮

 

More #castleTRON soon!

program live ND (32), without tripod

A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.

This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.

View the APF set

[1Jul70_35sE31]

Nanjing, January 2022

 

This is China~~

 

500px

 

Facebook

 

Instagram

original abstract art

 

Art prints and image rights StacyYoungArt.com

158/365

This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.

 

And i guess the concept behind this photo is all explained in the title.

 

View Large Please!

 

I really appreciate any constructive feedback/ critiques :)

 

website|facebook|tumblr<---- Reblog On TUMBLR :)

“Freedom! To fill people's mailboxes, eyes, ears and brains with commercial rubbish against their will, television programs that are impossible to watch with a sense of coherence. Freedom!”

―(Aleksandr I. Solzhenitsyn)―

 

Fast car atop a s l o w (motionless) mailbox.

Canon AE1 Program | Kodak Color Plus 200

 

Lyon, France | August 2018

Program:Manual

Lens:24-70mm f/2.8 G VR

F:2.8

Speed:1/250

ISO:5000

Focal Length:70 mm

AF Fine Tune Adj:+16

Focus Mode:AF-F

AF Area:Contrast-detect (normal area)

Shooting Mode:Continuous, Auto ISO, [9]

VR:On

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:0.60 m

Dof:0.011 m (0.590 - 0.601)

HyperFocal:58.24 m

 

bighugelabs.com/scout.php?mode=history&id=22807611586

on Explore

 

Exif data

  

Camera

Canon PowerShot SX60 HS

 

Exposure P

Canon Exposure Mode

Program AE

 

0.005 sec (1/200)

 

Aperture

f/5.0

Digital Zoom Ratio

2.028169014

 

Focal Length

14.8 mm + 2.0x converter

aka 150 mm

 

ISO Speed

500

 

Exposure Bias

-1/3 EV

#

Highest position: 498 on Saturday, November 7, 2015

#

Programed to never stop Working.

St. Thomas University (STU) is a private Catholic university in Opa-locka North, Miami Gardens, Florida. The university offers 23 undergraduate majors, 24 graduate majors, 4 doctoral programs, and 1 professional law program. As of 2018, the university enrolls 4,223 students, which includes 982 undergraduate students; 977 graduate students; 571 law students; and 1,693 dual enrollment (high school) students. Over the years, the University's students have represented several states across the nation, and more than 70 countries.

 

St. Thomas University is accredited by the Southern Association of Colleges and Universities (SACS). The school of law is accredited by the American Bar Association (ABA) and is a member of the Association of American Law Schools (AALS). The baccalaureate degree program in nursing and master's degree program in nursing are accredited by the Commission on Collegiate Nursing Education (CCNE).

 

St. Thomas University's history can be traced back to 1946 Havana, Cuba, where it was founded as the Universidad Católica de Santo Tomás de Villanueva, named after Saint Thomas of Villanova. In 1961, Fidel Castro's militia confiscated the school's land and expelled the faculty and priests. In turn, the Augustinians fled to Miami and opened a new Catholic men's college – Biscayne College. In 1984, with the establishment of the School of Law and other graduate degree programs, the college, by then co-educational, again became St. Thomas University. The university came under the sponsorship of the Archdiocese of Miami in 1988, conferring upon St. Thomas the distinction of being the only Catholic Archdiocesan sponsored university in the state of Florida.

 

From 1970 until 1993, St. Thomas University was the training camp home of the Miami Dolphins NFL team.

 

Biscayne College, now known as St. Thomas University, was also the former spring training home of the Baltimore Orioles.

 

The university was located in the Opa-locka North census-designated place, in an unincorporated area, until Miami Gardens incorporated as a city on May 13, 2003.

 

On Wednesday, March 20, 2019, St. Thomas University formally installed David A. Armstrong, J.D. as the University's 10th president,

 

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/St._Thomas_University_(Florida)

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

  

Program:Manual

Lens:24-70mm f/2.8 G VR

F:2.8

Speed:1/1250

ISO:64

Focal Length:70 mm

AF Fine Tune Adj:+17

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO

VR:On

Metering Mode:Multi-segment

WB:Auto1

Picture Control:Auto

Focus Distance:3.98 m

Dof:0.54 m (3.73 - 4.27)

HyperFocal:58.24 m

 

I’d like to present my entry to the BrickLink Designer Program Series 1 - Bob’s Café and Johnny’s Bakery!

 

It has a chance to become a limited edition LEGO set, so if you like it, please consider voting for it! - www.bricklink.com/v3/designer-program/series-1/414/Bob's-...

 

The set idea contains two buildings: the corner building has a café on the ground floor, a LEGO fan's apartment on the first floor, and a nice, cosy roof terrace. The second building has a small bakery on the ground floor and a small apartment on the first floor; but there's also an attic where minifigures can store their old stuff they're not using.

 

These houses are modular, which means you can connect them using technic pins and you can also easily remove/add multiple floors to them, and they’re compatible with the new LEGO road system. They have a much smaller footprint than classic modular buildings, but the facades and interiors are really detailed, so I hope AFOLs and younger builders will like this set.

HUB is the control vessel of the "Program" faction. Basically it's an advanced rouge AI that can control any advanced enough device by overwriting their main code. One of these ships can control more than hundred different devices at once making it as a top priority target in any conflict. It's especially dangerous because all of the modern military vehicles use electronic assistance and that's why "HUB" can hijack tanks, planes, guided missiles etc.

 

The shape was inspired by the D-5 Mantis form Star Wars

  

For 31 years Christian Celebration Center in Midland, Michigan has been putting on extravagant Christmas programs with Choirs, soloists, and now dancers; all of professional recording star talent.

 

216e 12 - DSC_8492 - lr-ps-wm - B&W

Program:Manual

Lens:24-70mm f/2.8 G VR

F:2.8

Speed:1/250

ISO:125

Focal Length:70 mm

AF Fine Tune Adj:+16

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Single-Frame, Auto ISO, [9]

VR:On

EV:-1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:5.96 m

Dof:1.22 m (5.41 - 6.63)

HyperFocal:58.24 m

 

programming disc of automated drilling machine from the early 1960´s for watchmaking industry.

still functional and running.

Los Propileos de la Acrópolis de Atenas (Grecia). Los Propileos son el único acceso occidental a la Acrópolis. Fueron construidos en el marco del programa monumental de Pericles entre 437 y 431 a. C. y sustituyeron a los viejos propileos de época de Pisístrato. Fueron cubiertos con un pórtico doble y gigante de mármol pentélico.

El arquitecto Mnesicles fue quien proyectó los pórticos como si fueran fachadas de templos dóricos. El pórtico exterior tiene una plataforma a cada lado con tres columnas jónicas que sostenían un techo de mármol azul con estrellas.

Los dos frentes tienen una fachada dórica, hexástila, con el intercolumnio central más ancho, dando paso a la calzada.

El muro de acceso se articula en cinco vanos adintelados dispuestos en orden decreciente. Flanqueando la escalinata de acceso, se encuentra un desarrollado basamento sobre el que se levanta el templo de Atenea Niké.

En los planes de Pericles, la construcción de los Propileos debía seguir a la del Partenón. Debían constituir una entrada monumental al complejo de templos y coronar el camino escarpado que lleva a la cima de la ciudad alta por su lado sur. Los Propileos debían reemplazar al propileo simple construido bajo Pisístrato. Comenzados en 437 a. C., no fueron nunca acabados, siendo interrumpidos los trabajos en 432 a. C., un año antes del estallido de la guerra del Peloponeso.

Es de apreciar la habilidad del arquitecto, Mnesicles al erigir sus propileos en difíciles condiciones topográficas. Esta construcción, dado que debía alzarse en el borde de la explanada superior del recinto de la Acrópolis, tenía que situarse sobre una fractura que señalaba el límite entre la pendiente de la vía ascendente y el plano horizontal.

Su fachada superior se situó en un nivel más bajo que su fachada oriental (interior). Prisionero de los derechos del templo de Atenea Niké, limitado al sur por los terrenos sagrados de Artemisa, obligado a proseguir la porción antigua de los propileos del siglo VI a. C. y de adaptarse a los movimientos de la vía sagrada de Atenas que seguía la procesión con sus carros y sus animales de sacrificio, Mnesicles erigió un edificio que respondía a esas múltiples dificultades. Respetó el ritmo fundamental de los propileos arcaicos con las cinco puertas de acceso a la planicie sagrada,​ abiertas en el muro transversal que cortaba el corredor que bordeaba los dos muros laterales. Pero una ligera diferencia de orientación ponía el eje del edificio en relación con el final de la Vía sagrada y con el eje este-oeste de la explanada, separando el Partenón y el conjunto del Erecteón.

Los Propileos tenían, por tanto, la difícil misión de «suprimir» visualmente la diferencia de nivel existente entre el lado exterior y el interior. Vistos desde abajo, presentaban una fachada hexástila dórica, con ángulos salientes formados por columnas más delgadas.

Para respetar y subrayar el movimiento ascendente de la procesión de las Panateneas, el cuerpo central de los nuevos propileos con sus cinco puertas se situó donde la ruptura de la pendiente era más acentuada, sobre un basamento de cinco escalones que compensaban el desnivel. La continuidad del movimiento se subrayaba con la importancia de la puerta central (4,13 m de anchura y 7,38 m de altura), ante la cual se interrumpían los escalones para dejar paso al carro de la diosa Atenea y para la ampliación del entrepaño correspondiente en el pórtico occidental (5,43 m en vez de 3,62 m en los entrepaños laterales).

Para recibir la procesión se erigió en el exterior una fachada de seis columnas dóricas sobre un basamento de cuatro escalones que se doblaban en ángulo recto para sostener las columnatas de las fachadas laterales encuadrando la explanada de llegada.

Para situar la vía de acceso en el interior del vestíbulo, la anchura de éste era de 18,12 m, análoga a la de la cella principal del Partenón. La profundidad del vestíbulo era de 12,96 m. Además, el orden jónico que sostenía el techo de esa sala fue adoptado por Mnesicles para la ordenación del vestíbulo.

Bordeando el espacio central que coincidía con la gran puerta central, Mnesicles situó dos filas de tres columnas jónicas.

Las naves estaban cubiertas por techos artesonados de mármol,​ cuyas vigas marmóreas sobrepasaban los seis metros.

Mnesicles tuvo que recurrir aquí a una técnica inusitada para reforzar los arquitrabes que sostenían esos techos «armándolos» con una barra metálica.

Los Propileos comprendían un edificio central, amplio vestíbulo de forma rectangular, y dos alas laterales. Entre las cinco puertas de la parte central, la de en medio daba acceso a la Vía sagrada que recorrían las procesiones de las Panateneas.

El ala norte, la pinacoteca, fue la primera galería de pintura del mundo. Se encontraban allí tablas de pintura realizadas por grandes artistas de la época, entre los cuales estaba Polignoto (siglo V a. C.), autor de composiciones mitológicas. El ala sur, más pequeña, se componía de una sala, que conducía al oeste, al templo de Atenea Niké.

Atravesados los Propileos, el visitante antiguo encontraba a su izquierda varios edificios administrativos u oficiales, entre los que estaba la casa de las Arréforas. Enfrente, se alzaba majestuosa la estatua de más de 9 m de Atenea Promacos. A su derecha, el visitante, descubría el pequeño santuario de Artemisa Brauronia y el de Atenea Obrera, y por fin el majestuoso Partenón.

Los Propileos fueron construidos en mármol del Pentélico a partir del basamento. Sin embargo, el arquitecto también utilizó mármol azul de Eleusis. El conjunto costó una colosal fortuna.

Más abajo del camino que llevaba a los Propileos se alzaba la Puerta Beulé cuyo nombre se debe a Charles Ernest Beulé, arqueólogo francés que la descubrió en 1853 bajo un bastión turco. Fue construida por los romanos en el siglo III. No se sabe si el acceso a la acrópolis se efectuaba por una rampa escalonada o por un camino en zigzag.

Los Propileos, como los otros monumentos atenienses tuvieron una historia agitada. Han sido sucesivamente palacio episcopal, residencia de los duques francos de Atenas, palacio florentino y depósito de armas turco.

La estructura fue destruida en gran parte en el siglo XVII como consecuencia de la explosión de un depósito de pólvora.

Atenas (Grecia) 31/7/2018

   

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