Pentax Program Plus (Program A)
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... to the wet, grey weather outside !
HBW !
A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany
tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
I'd have liked to have got a little further back for this capture but with limited space, this is what I got.
Canon AE-1 Program
Canon fd 50mm f/1.8
Fujicolor C200
Program:Manual
Lens:24-70mm f/2.8 G VR
F:11.0
Speed:1/250
ISO:560
Focal Length:34 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:3.98 m
Dof:inf (1.87 m - inf)
HyperFocal:3.50 m
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:7.1
Speed:1/160
ISO:64
Focal Length:240 mm
AF Fine Tune Adj:0
Focus Mode:AF-F
AF Area:Unknown (5)
Shooting Mode:Delay, [3], Auto ISO
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:112.20 m
Dof:112.37 m (79.31 - 191.69)
HyperFocal:270.01 m
Program:Manual
Lens:15mm f/2.4 G
F:11.0
Speed:0.3
ISO:400
Focal Length:15.0 mm (35 mm equivalent 15.0 mm)
Focus Mode:Manual
Shooting Mode:Single-Frame, [3], [9]
VR:Off
WB:Auto0
Picture Control:Neutral
Focus Distance:14.13 m
Dof:inf (0.65 m - inf)
HyperFocal:0.68 m
Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.
And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.
Why sign their death? Why exterminate them?
Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.
Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.
Pourqui signer leur mort? Pourqui les exterminer?
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Program:Manual
Lens:24-70mm f/2.8 G VR
F:7.1
Speed:1/25
ISO:3200
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:AF-S
AF Area:Single Area
Shooting Mode:Single-Frame, Auto ISO
VR:On
WB:Auto1
Focus Distance:11.89 m
Dof:inf (3.03 m - inf)
HyperFocal:4.05 m
AF Fine Tune:+16
Program:Manual
Lens:50mm f/1.4 G
F:13.0
Speed:1/200
ISO:64
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (4.17 m - inf)
HyperFocal:6.40 m
Camera: Canon AE-1 Program (1981)
Lens: FD 50mm f/1.8
Year: 2010
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The Canon AE-1 Program is a 35 mm single-lens reflex camera that uses Canon's FD mount lenses. It was introduced in 1981 as the successor to the Canon AE-1, five years after that camera's introduction. The major difference was the addition of the Program AE mode first seen in the A-1 (wiki)
Athens, GA (Clarke County) Copyright 2008 D. Nelson
Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.
Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.
Excerpt from torontoed.com:
The Water Wall mural, on the east side of the underpass, is inspired by the work of Josephine Mandamin, an Anishabaabewe grandmother who has walked almost 18,000 kilometres around each of the Great Lakes in order to bring attention to the physical plight of the planet’s greatest resource, water.
[Status Update] ={Link Gridbourne}
{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."
Decision 1: "Lightsword Attack"
Decision 2: "Redirect + Escape"
Decision 3: "Use Item, SEO Lantern"
Decision 4: "Use Item, Save & Restore Potion"
Decision 5: " Use Item, Energy Crystal"
-end session-"]
Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮
More #castleTRON soon!
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]
158/365
This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.
And i guess the concept behind this photo is all explained in the title.
I really appreciate any constructive feedback/ critiques :)
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:10.0
Speed:1/250
ISO:100
Focal Length:70.0 mm (35 mm equivalent 105.0 mm)
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Continuous
VR:On
WB:Auto1
Picture Control:Standard
Focus Distance:28.18 m
Dof:inf (13.11 m - inf)
HyperFocal:24.46 m
Program:Manual
Lens:35mm f/1.8 G
F:1.8
Speed:1/60
ISO:160
Focal Length:35.0 mm (35 mm equivalent 52.0 mm)
AF Fine Tune Adj:+4
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO
VR:Off
EV:-1/3
Metering Mode:Multi-segment
WB:Auto1
Picture Control:Standard
Focus Distance:5.01 m
Dof:1.52 m (4.37 - 5.88)
HyperFocal:33.65 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:2.8
Speed:1/1250
ISO:64
Focal Length:70 mm
AF Fine Tune Adj:+17
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:On
Metering Mode:Multi-segment
WB:Auto1
Picture Control:Auto
Focus Distance:3.98 m
Dof:0.54 m (3.73 - 4.27)
HyperFocal:58.24 m