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Leon and I entered the Internal Functional Programming Competition this year, he also wrote some visualisation software so we could see our bot in action.
Blue = cops, Red = robber, Green = our "infocloud" - Click on all sizes to see it animated.
The Twenty-Ninth of WIPO’s Program and Budget Committee (PBC) took place in Geneva from May 6 to May 10, 2019.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
The Fulbright Program honored their 2019-2020 Top Producing Institutions and 2018-2019 HBCU Institutional Leaders with an event featuring remarks by ECA Principal Deputy Assistant Secretary Matthew Lussenhop, Deputy Assistant Secretary for Academics Caroline Casagrande, Robert Jones (Chancellor, University of Illinois at Urbana-Champaign), Cynthia Jackson-Hammond (President, Central State University), and Johnathan Holifield (Executive Director of the White House Initiative on Historically Black Colleges and Universities).
Associates from Puget Sound Energy's Green Power Program are here to answer your questions about the program and help you enroll today! www.pse.com/greenpower
Photo by Erica Binns
maymare welfare society president mre.Rukhsana anjum arrange prevent AIDS awareness program cordination with dr.muzzafer
CHICAGO, IL - JUNE 10: The Physician Assistant Program of The Feinberg School of Medicine at Northwestern University hosted its second annual White Coat Ceremony on Friday, June 10, 2011 in Thorne Auditorium on the Chicago campus in Chicago, Illinois. Twenty nine students officially entered the two year program as part of a the Class of 2013 after taking the Physician Assistant Student Oath. A reception followed for friends, family and faculty.
Photo credit: Randy Belice
The Ceramics Program, Office for the Arts at Harvard will present its annual Holiday Show and Sale December 7-10, 2017 in its state-of-the art facility at 224 Western Avenue, Allston, Massachusetts.
Nearly seventy artists will present an extraordinary selection of ceramic work in this annual exhibition. From functional dinnerware to sculptural masterpieces, this popular exhibition has something for everyone and attracts several thousand visitors each year. Free cups made by the exhibiting artists will be given away on a first-come, first-served basis during the festive Opening Reception on Thursday, December 7, from 4:00 – 8:00 pm. The Show and Sale continues Friday, Saturday, and Sunday, December 8, 9, and 10, from 10:00 am – 7:00 pm.
Gallery 224, the Ceramics Program’s dedicated exhibition space, will showcase works from artists participating in the Holiday Show and Sale.
The Ceramics Program Show and Sale runs concurrently with the Allston-Brighton Winter Market next door at the Harvard Ed Portal. Artists’ studios nearby at 119 Braintree Street will also be open on Saturday and Sunday for Allston Open Studios.
A touchstone for the arts within Barry’s Corner, Allston, the Ceramics Program, Office for the Arts at Harvard provides a creative studio and laboratory study environment for Harvard students, staff, and faculty, as well as designers, artists, scholars, and scientists from the greater Boston, national and international arenas. Courses, workshops, master classes and special events are offered in the program's 15,000-square-foot studio at 224 Western Ave., near the Harvard Stadium in Allston.
The Studio is wheelchair accessible. For more information or directions please call 617.495.8680 or visit www.ofa.fas.harvard.edu/ceramics
"A thousand plastic flowers don't make a desert bloom. A thousand empty faces don't fill an empty room"."
— Fritz Perls
Jim Leighton, President swears in (L to R) Dan Zunker, Dir. of Sponsorships; Jennifer Schak, Dir. of Administration; Jodi Collen, CSEP, Dir. of the Minnesota Star Awards; Matthew Trettel, Dir. of Programs & Education; Craig Oliver, Dir. of Membership; Pete Nelson, VP of Programs & Education; Meghan Greeley, VP of Membership; Chrissy Mages, Dir. of Communications - PR & Marketing; Cara Schulz, Dir. of Communications - Newsletter & Website; Ryan Hanson, VP of Communications; Lisa Marie Borchert, President-Elect; and Kate Touhey, CSEP, Immediate Past President.
ART MACHINES is a program initiated by CCU in collaboration with LIMA. It consists of a lecture by Joost Rekveld, workshop and development trajectory for new art works that will be concluded with an audiovisual club evening. The evening was introduced by Sanneke Huisman (LIMA media art platform). The programme is developed in collaboration with Creative Coding Utrecht, Sensor Lab and Filmtheater ‘t Hoogt. ART MACHINES is made possible with the support of Creative Industry Fund, Gemeente Utrecht, KF Hein Fonds, Prins Bernhard Cultuurfonds, Fentener van Vlissingenfonds and the ANV.
Lançado nesta terça-feira (03/09), em solenidade no Palácio do Buriti, o programa Feira Legal vai fortalecer esses ambientes com tecnologia, segurança jurídica e desenvolvimento econômico. Ao todo, 20 mil comerciantes serão amparados em 38 feiras permanentes e três shoppings populares, na foto o Governador Ibaneis Rocha.Foto: Lúcio Bernardo Jr/Agência Brasília
On April 22, 14 girls and two coaches from Brazil who are a part of "Las Estrellas," a sports, leadership and English program, came to Knoxville, TN as part of the U.S. Department of State Empowering Women and Girls through Sports Initiative. After the first day, they had already experienced University culture by participating in Dr. Ashleigh Huffman's Service-Learning class and eating in the cafeteria.
So here's how it works:
> Turning the aperture ring raises the "Diaphragm Bar" behind the lens. At f/2.8 it's completely below the lens opening, and at f/22 it's just below the lens centerline.
> When the mirror rises, it drags this panel up with it; the odd shaped hole in the middle is the shutter opening. The mirror/shutter rises just as fast as its spring can whack it, and returns at the same speed as soon as it reaches the top.
> At f/2.8, the shutter is open for the entire distance of travel shown in green above - it takes about 1/60 second to cover this distance. But at f/22, with the DIaphragm Bar up where the purple line indicates, the shutter doesn't open until it reaches that line, and it closes as soon as it passes that line on the way down. The entire movement takes the same time as before, but the open time is only the time that it takes to travel the distance shown by the purple arrows. Assuming that the speed at f/2.8 was 1/60, this works out to about 1/500 second.
> The aperture at f/22 (and at all other settings except for f/2.8) is in the shape of a triangle with its point at the top - the top 2 sides are the edges of the "roof" part of the shutter opening, and the bottom side is provided by the Diaphragm bar.
It's actually just a little more complicated than this. In the above description, the f/22 opening is not centered on the same axis as the f/2.8 opening, and in fact if the Diaphragm Bar actually went as high as the purple line it would block off the center of the lens. So, in addition to all of the above, at the smaller apertures, the mirror/shutter is actually stopping its upward travel earlier than it does at full aperture. How does it do this? In the view of the Diaphragm Bar at www.flickr.com/photos/rick_oleson/53225547915/in/dateposted/, there is a second, gold colored bar that's coupled to the Diaphragm Bar, with a bent-up tab at its tip. As the Diaphragm Bar rises, this gold bar comes down - the tab at the end is the stop that the mirror strikes against to stop its upward travel. The two bars are coupled together so that the mirror's stopping position produces a centered triangular aperture opening at all settings. Dang.
Whoever did this will probably never be famous - but he was good.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
Stencil for the graphic representation of Computer Programs
1960s or 1970s
Scanned with Canon LIDE110
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page