Pentax Program Plus (Program A)
View allAll Photos Tagged Program,
... to the wet, grey weather outside !
HBW !
A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany
tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
2016-07-15 21.12.26
Check this photo's creation on my website...
www.brandonhilder.com/canadian-recycling-program/
Thanx for Viewin, Favin, and Commentin on my Stream!<
Program:Manual
Lens:24-70mm f/2.8 G VR
F:16.0
Speed:1.6
ISO:64
Focal Length:70 mm
AF Fine Tune Adj:+16
Focus Mode:AF-S
AF Area:Unknown (5)
Shooting Mode:Delay
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:13.34 m
Dof:inf (5.79 m - inf)
HyperFocal:10.19 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:11.0
Speed:1/250
ISO:560
Focal Length:34 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:3.98 m
Dof:inf (1.87 m - inf)
HyperFocal:3.50 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:4.5
Speed:30
ISO:100
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:Manual
Shooting Mode:IR Control
VR:Off
EV:-2/3
Metering Mode:Multi-segment
WB:Auto1
Focus Distance:4.47 m
Dof:12.02 m (2.63 - 14.66)
HyperFocal:6.39 m
AF Fine Tune:+18
Après avoir exposé à Anvers et à Venise, en 1999, l'entreprise a déménagé dans une nouvelle maison connue sous le nom de Kanaal, située à Wijnegem, à vingt minutes à l'est d'Anvers. Construit à l'origine en 1857, le vaste site était un ancien complexe de distillerie et de maltage. L'architecture existante comprenait des entrepôts en briques et des silos à grains en béton situés le long des rives du canal Albert.
Le développement initial du Kanaal comprenait l'installation des bureaux et des studios de l'entreprise. Cela a été rapidement suivi par l'acquisition d'installations artistiques permanentes, telles que celle d'Anish Kapoor, Au bord du monde. Un plan a été conçu pour faire de Kanaal un centre culturel et résidentiel, un processus qui a commencé au début des années 2000.
Les plans de transformation du site se sont appuyés sur le caractère et l'histoire des bâtiments d'origine pour donner à l'ensemble du quartier un nouveau souffle authentique. C'est un trait central de beaucoup de nos projets. Dick Vervoordt a mené un plan ambitieux pour combiner les efforts de trois équipes d'architectes - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - avec le paysagiste Michel Desvigne. La qualité de vie était une priorité absolue et les plans ont été conçus pour adapter la conception de l'intérieur vers l'extérieur, convertissant les anciens bâtiments en nouveaux espaces de vie et de travail.
En 2017, la galerie anversoise déménage dans un nouvel espace au Kanaal, ouvrant par une rétrospective monumentale de Kazuo Shiraga.
Le premier programme de la galerie comprenait une spécialité dans l'art d'après-guerre et contemporain avec un accent particulier sur l'art d'Europe, du Japon et de Corée, en particulier l'art des mouvements ZERO et Gutai. L'accent mis sur Dansaekhwa a suivi, alors que le programme de la galerie et sa participation à des foires d'art mondiales ont pris de l'importance et que sa liste d'artistes s'est élargie.
After exhibiting in Antwerp and Venice, in 1999 the company moved to a new house known as Kanaal, located in Wijnegem, twenty minutes east of Antwerp. Originally built in 1857, the sprawling site was a former distillery and malting complex. The existing architecture included brick warehouses and concrete grain silos located along the banks of the Albert Canal.
The initial development of the Kanaal included the installation of corporate offices and studios. This was quickly followed by the acquisition of permanent art installations, such as Anish Kapoor's At the Edge of the World. A plan has been devised to make Kanaal a cultural and residential center, a process that began in the early 2000s.
The site's transformation plans have built on the character and history of the original buildings to give the whole area an authentic new lease of life. This is a central feature of many of our projects. Dick Vervoordt led an ambitious plan to combine the efforts of three teams of architects - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - with landscaper Michel Desvigne. Quality of life was a top priority and plans were made to adapt the design from the inside out, converting old buildings into new living and working spaces.
In 2017, the Antwerp gallery moved to a new space at Kanaal, opening with a monumental retrospective of Kazuo Shiraga.
The gallery's first program included a specialty in post-war and contemporary art with a particular focus on art from Europe, Japan and Korea, particularly art from the ZERO and Gutai movements. The focus on Dansaekhwa followed, as the gallery's program and its participation in global art fairs grew in importance and its roster of artists grew.
An Eastbound UP tank train passes by the Oak Park green line Subway station, in Oak Park outside Chicago. Leading is UP’s Employee Assistance Program unit, which caught me off guard completely until I saw the stickers on the side.
Our forests and our fields are undergoing programmed death. For the maximum economic return, to maximize profits, they are depleted, exploited and killed.
And yet it's the only thing that makes us live. Until then, we can not feed ourselves with plastic or derivatives of petrol.
Why sign their death? Why exterminate them?
Nos forêts comme nos champs subissent la mort programmé. Pour le rendement économique maximal, pour avoir le maximum des bénéfices, on les appauvrit, on les exploitent et on les tuent.
Et pourtant c'est la seule chose qui nous fait vivre. Jusqu'au là, on n'arrive pas à se nourrir avec le plastique ou bien les dérivées du petrol.
Pourqui signer leur mort? Pourqui les exterminer?
Z8
Z 24-120mm f/4
Last week I was in San Diego to help train some of the folks at Best Buy. One of the more extensive retail training programs I have ever seen, Best Buy takes key people out of their store for a week... flies them to someplace like San Diego. There they spend time with professional photographers and manufacturer's reps learning the gear and techniques needed to talk with you.
One of the stops was "Action".
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Program:Manual
Lens:50mm f/1.4 G
F:13.0
Speed:1/200
ISO:64
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (4.17 m - inf)
HyperFocal:6.40 m
Bronze Star Medal Recipient Staff Sgt. (P) James Slough, the Harrisburg Opportunity Center assistant station commander, talks about how motivation and preparation has helped him have a successful career in the U.S. Army Sept. 30 during the discussion panel at the Youth and Education Services Career Day at the Maple Grove Raceway in Mohnton, Pa. Slough was chosen as the Harrisburg Recruiting Battalion’s Hometown Hero as part of the U.S. Army participation in the 27th Annual Toyo Tires National Hot Rod Association Nationals at the Maple Grove Raceway. Other members of the discussion panel were NHRA Seven-Time World Champion Tony “Sarge” Schumacher and -Time Motorcycle Champion Steve Johnson. U.S. Army photo by Christine June.
The early 393 led me to the start path, chasing through Mechanic Falls, Oxford, Paris and Bryant Pond. Here at Mechanic Falls, you can already see the light starting to draw lower, so the challenge again this time of year is to get some great parting shots but luck was with me today as I had light all the way through Oxford. Seen at the 'Dish' Apartment in downtown Mechanic Falls with a bit of hustle.
Camera: Canon AE-1 Program (1981)
Lens: FD 50mm f/1.8
Year: 2010
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The Canon AE-1 Program is a 35 mm single-lens reflex camera that uses Canon's FD mount lenses. It was introduced in 1981 as the successor to the Canon AE-1, five years after that camera's introduction. The major difference was the addition of the Program AE mode first seen in the A-1 (wiki)
Athens, GA (Clarke County) Copyright 2008 D. Nelson
Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.
Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.
[Status Update] ={Link Gridbourne}
{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."
Decision 1: "Lightsword Attack"
Decision 2: "Redirect + Escape"
Decision 3: "Use Item, SEO Lantern"
Decision 4: "Use Item, Save & Restore Potion"
Decision 5: " Use Item, Energy Crystal"
-end session-"]
Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮
More #castleTRON soon!
This photo isn’t about power lines so much as it is about tree trimming. You are driving along looking at beautiful trees along the road and you come across this ugly, misshapen u-shaped tree. It has been pruned to allow the power lines to pass though the branches. Tell me who would trim a tree like this? Someone with a dull chainsaw and no sense or knowledge of trees? I know the linemen don’t have time to prune trees unless there is an emergency (with a tree on the line.) In this area the power company hires a contractor to prune the trees. I say, hire someone else! Why wouldn’t you just cut the tree to an even height below the power lines. That one huge limb hanging over the road just looks ridiculous and is probably a danger in high winds. This isn’t even the worst tree. There was just nowhere to pull over to a get a shot of the other ones.
Sorry for the rant, but really...