View allAll Photos Tagged Program,
... to the wet, grey weather outside !
HBW !
A colourful bush in Main Cemetery / Hauptfriedhof, Frankfurt-Nordend, Germany
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
Canon AE-1 Program (1981)
Canon FD 28 mm F:2.8
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Nik Silver Efex Pro 2
Lightroom 3
Arista Edu 100
Kodak D-76
Los fariseos de los últimos días (Programa de variedades)
El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25:6). "Mis ovejas oyen mi voz […]" (Juan 10:27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.
Recomendación: He aquí yo estoy a la puerta y llamo
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:8.0
Speed:1/1000
ISO:280
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:130.54 m (94.71 - 225.25)
HyperFocal:326.16 m
A quiet little hamlet to spend a summer's afternoon.
Belchamp St Paul is a village just outside Sudbury. It is in the county of Essex. It is known for its thatched cottages and the pub was often used for the UK tv program Lovejoy.
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:4.0
Speed:1/1250
ISO:64
Focal Length:70 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:Off
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:74.11 m (16.68 - 90.79)
HyperFocal:40.77 m
Program:Manual
Lens:15mm f/2.4 G
F:11.0
Speed:1/80
ISO:64
Focal Length:15 mm
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:Off
WB:Auto1
Picture Control:Auto
Focus Distance:14.13 m
Dof:inf (0.65 m - inf)
HyperFocal:0.68 m
Program:Manual
Lens:18-105mm f/3.5-5.6 G VR
F:11.0
Speed:1/250
ISO:100
Focal Length:18.0 mm (35 mm equivalent 27.0 mm)
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame
VR:On
EV:-1/3
Metering Mode:Multi-segment
WB:Auto1
Picture Control:Standard
Focus Distance:4.22 m
Dof:inf (1.09 m - inf)
HyperFocal:1.47 m
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:7.1
Speed:1/1250
ISO:450
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:111.14 m (97.90 - 209.05)
HyperFocal:367.51 m
Program:Manual
Lens:15mm f/2.4 G
F:11.0
Speed:25
ISO:64
Focal Length:15 mm
AF Fine Tune Adj:0
Focus Mode:Manual
Shooting Mode:Continuous, Delay, [3], Exposure Bracketing
VR:Off
EV:+2
Bracketing:+2
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:14.13 m
Dof:inf (0.65 m - inf)
HyperFocal:0.68 m
Program:Manual
Lens:24-70mm f/2.8 G VR
F:7.1
Speed:1/60
ISO:100
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame
VR:On
Metering Mode:Spot
WB:Auto1
Focus Distance:11.89 m
Dof:inf (3.03 m - inf)
HyperFocal:4.05 m
AF Fine Tune:+11
Education And More is a Christian, Fair Trade charitable organization providing assistance to artisans and their families through student sponsorship educational opportunities and Fair Trade.
The artisan weavings and handcrafts that are sold by Education And More are made by several artisan groups in the villages around Lake Atitlan, Guatemala.
Education And More is a proud member of the Fair Trade Federation!
Learn more at www.educationandmore.org
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:8.0
Speed:1/400
ISO:450
Focal Length:190 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:10.88 m (23.76 - 34.64)
HyperFocal:150.19 m
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]
Program:Aperture-priority AE
Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
F:11.0
Speed:1/250
ISO:200
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:On
Metering Mode:Multi-segment
WB:Sunny
Picture Control:Standard
Focus Distance:5.62 m
Dof:inf (1.79 m - inf)
HyperFocal:2.61 m
158/365
This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.
And i guess the concept behind this photo is all explained in the title.
I really appreciate any constructive feedback/ critiques :)
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:10.0
Speed:1/800
ISO:72
Focal Length:200 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:Off
EV:-2
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:12.40 m (23.29 - 35.68)
HyperFocal:133.13 m
Excerpt from the Toronto Star of August 30, 2009:
As a teenager growing up south of the Junction, Joshua Barndt would wander around and spray graffiti on abandoned walls.
Last month, the 23-year-old returned to the neighbourhood with paint in hand – this time because the city wanted him there.
From July 7 to Aug. 5, Barndt and artist Jamie Bradbury, 27, led a team of five teenaged artists in painting a 122-metre mural along Dupont St. at Dundas St. W. underneath the new West Toronto Railpath for cyclists and pedestrians.
Art Starts, a non-profit organization that promotes local art, last week launched the mural, named after the Toronto Cyclists Union's motto: "Strength in Numbers."
"For me, it's coming back to old roaming ground and doing something that I'm allowed to do," Barndt said. "This is a neighbourhood ... (where) there's not a lot of access to contemporary artwork, so it's important to bring it down into the streets."
The $18,000 project was funded by the city's Graffiti Transportation Investment Program and the Toronto and Ontario Arts Councils.
As the viewer moves westward, the mural's colourful images present a narrative, first depicting the Junction's history, then themes about cycling in the city, followed by environmental issues, and ending at a utopia where nature coexists with city life.
"We've taken a corner that was undesirable," Bradbury said, "and within a matter of a month, it's completely changed the whole feeling of the area."
I’d like to present my entry to the BrickLink Designer Program Series 1 - Bob’s Café and Johnny’s Bakery!
It has a chance to become a limited edition LEGO set, so if you like it, please consider voting for it! - www.bricklink.com/v3/designer-program/series-1/414/Bob's-...
The set idea contains two buildings: the corner building has a café on the ground floor, a LEGO fan's apartment on the first floor, and a nice, cosy roof terrace. The second building has a small bakery on the ground floor and a small apartment on the first floor; but there's also an attic where minifigures can store their old stuff they're not using.
These houses are modular, which means you can connect them using technic pins and you can also easily remove/add multiple floors to them, and they’re compatible with the new LEGO road system. They have a much smaller footprint than classic modular buildings, but the facades and interiors are really detailed, so I hope AFOLs and younger builders will like this set.
Taken at the Fossil Rim Wildlife Center, a non-profit org specializing in captive breeding programs for indigenous and exotic endangered and threatened species.
Learn about the San Diego Zoo's successful koala loan program: zoonooz.sandiegozoo.org/zoonooz/have-pouch-will-travel-2/
HUB is the control vessel of the "Program" faction. Basically it's an advanced rouge AI that can control any advanced enough device by overwriting their main code. One of these ships can control more than hundred different devices at once making it as a top priority target in any conflict. It's especially dangerous because all of the modern military vehicles use electronic assistance and that's why "HUB" can hijack tanks, planes, guided missiles etc.
The shape was inspired by the D-5 Mantis form Star Wars