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I got three grayscale images of Saturn from the September 2012 data download and converted it into a color image. It didn't look very good so I messed around with saturation until I liked the colors...
...so I finally caved in a took some shots in the RAW mode (well I took them JPG + RAW). I've long been conflicted about processing images too much, however, what finally convinced me is that especially on night shots I can modify things in 2 seconds - things that I'd have to spend minutes to experiment with on the camera. For instance, (as was pointed out in a recent comment) you can slide the WB to get one you like. This is the same as taking lots of pics - typically I will attempt the same shot in several WB modes. Similarly you can switch to Landscape mode or add saturation. These are all things I do on the camera anyway. In addition, if I play with these things in RAW (using a Canon program that came with the Rebel) I will learn more about when to use each - and this will help me achieve my main goal which still remains: taking the best shot right off the camera.
Messing with WB and saturation in RAW does not seem like cheating so I will probably take all crucial shots (and most night shots) in RAW from now on.
In some instance you are under pressure to hurry up. Often other people get impatient. Often you run out of time. Often stuff moves or nice light ends. Often you get eaten up by mosquitos (like today when I took this). Therefore often I don't have time to try 3 WBs and 2 saturation setting for each shot. RAW helps get more and better pictures faster.
In this I only changed the WB slightly and changed it to Landscape mode.
Lucy is really into playing on her play mat and she looks so pleased with herself. Then after a while she just lays there and watches the tree out of the window!
I have decided to have a day off trying to photograph the pair of them together!
Tests with Toxiclibs lattice mesh builder. Inspired by Ernst Haeckels Art forms of Nature. Using GLSL shading. Get the complete Processing project: www.brian-steen.com/sketches/_110425_meshLattice02.zip
This is the "Air Land and Sea" image as I was working on it. I meant to take a picture at several points in the inking process but I forgot. Whoops!
The sun rose on fields
snow blown and misted
ghostly swirls and dervishes.
No fog this——
for fog simply lies.
No——this was living
as it arched and twisted,
fingering out to the road
and reaching for me
like the shade of a beloved friend.
There was white inside,
trying to seep out of pores,
I felt it strain
trying to mesh and meld
with this sentient wraith
fingers touching
joining
and suddenly
I am the morning mist
dancing in the crystal air.
~Lisa Shields
This is an example of the Dual Processing option on WavelengthPro.
As you can see the original UV image is in the background for reference, the active window is the dual processing. The balance of UVred channel and UVblue channel is changed by dragging the slider from side to side.
Three possible splits are shown HERE.
A few photos of select pages of my process book for my honours project.
The book serves as the 'glue' of my project, describing the processes I went through throughout the year, as well as illustrating them with photos
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Homage to a print that Jared Tarbell sent me a while ago. Thanks for the inspiration JT (though yours is much more elegant... nice trick with the black orb with multiple specular highlights... sublime!). Rendered out at 5000x5000. Check the fullsize to see the detail.