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This lamp is made from a water-cooled dual processor from an Apple G5 desktop computer. Other elements include an hour meter, aircraft compass and 40W LED bulbs.
Couldn't have done these shots without my friend Petri
A Japanese city is a compact, densely populated, relatively clean, fully 3 dimensional space. I can't tell you how many times I failed simply to look up, missing out on restaurants, Izakaya, who knows what else? I attribute it to my South-Western American upbringing. If you've ever been, you've noticed how wide open and sprawling a space it is. There's no need to build up, yet. And if you've ever been to an East Asian city, it's the complete opposite. Since we're all going to be living in cities in a hundred years time, the West should really take some pointers from Japanese and Korean city planners...
5. The bowl was domed in a spoon shaped depression carved out of wood. The handle has been filed and sanded.
Added nationality counts. These are tied to the viewport; as one browses the map, the display updates accordingly. Gray indicates an empty count.
An image of rust on a pole processed row-by-row with pixels less bright than the row average going to black and all other pixels scaled from black to white. Made with processinrg.org.
My guitar-callused fingertips. Color image converted to black-and-white with Processing code (processing.org) that pushes brighter colors more toward black.
U.S. Air Force Academy -- Basic cadets from the class of 2023 arrived here today to begin their journey of becoming an officer in the U.S. Air Force. Incoming personnel transitioned quickly into a military mindset after saying goodbye to family and friends. (U.S. Air Force photo/Darcie L. Ibidapo)
Process 4.5 is the first in a series of special edition Process publications. Printed in only black on lighweight 70gsm Bond, Process 4.5 purposely contrasts the usual high production qualities of the quarterly journal, as well acting as a platoform to experiment with different formats and production techniques. The publication's content is a reflection and retrospective of the first four editions of Process Journal. Consisting of three major parts, the first a comprehensive essay written by typographer and design-lecturer Brad Haylock. The second a typographic analysis of each of the typefaces featured in editions one to four, including type samples and specimens. And finally, we asked a selection of contributors from editions one to four the simple question: ‘what is your process’. Including responses from Brett Phillips (3 Deep Design), Michael C. Place (Build), Mason Wells (Bibliothèque), Tom Crabtree (Manual) and Tony Brook (Spin).