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Strength: The leading edges of the image draw a ton of attention directly to the subject.
Problem/Solution: There is detail lacking in the areas around the rocks and there almost seems to be too much detail in the grass. This might have been helped by using editing software to increase the shadows around the rocks while reducing the clarity of the grass.
Problem/Solution: The contrast of the rocks and their location along the rule-of-thirds lines causes them to somewhat compete with the subject for the eye's attention. This may have been helped by taking the image at a slightly different spot or by cropping the image so that the rocks are not directly on the interesting rule-of-thirds lines (however this could take away from the image's composition).
Problem/Solution: The image feels very cold. While that may contribute to the accurate feeling of the location, it makes for a somewhat unpleasant photo. This could have been helped by using editing software to make the white balance of the image (and especially the clouds) somewhat warmer.
Strength: The contrast between the subject and the bright sky behind him also draws more attention to the subject.
March 5th - 8th 2015
Calgary, Alberta
A&W Commercial shoot with Rethink Canada.
Nikon D600 / 50mm / 85mm / 17-35mm
Processed with LR4 / VSCO Film 04 Nikon.
This shat was taken by me from a ricemill at Ashuganj in Brahmanbaria.
This bow was working in the field, he used to help his parents in the field.
That was really hot environment but they was continuing their work.
I had captured this image for one reason, the boy was sweeping to separate rices and I liked the difference between the gold and normal part. its amazing.
// HACKPACT
// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).
// All of them explore the sound/graphic co-relation.
// Built with Processing and almost all of the audio with SuperCollider
// More info/detail about our codes here: www.realitat.com/HACKPACT
Last night around 10 a repetitive sound started outside. It had been going for at least half an hour when Tony said, "is that a bird?"
His dad nodded without listening. We have had odd chirpy birds at night but once the sound was pointed out, I realised it wasn't quite right. I made the others quieten down and listen and it became clear it wasn't a bird.
It was a lost and very frightened kitten.
I went out and sat with it for a while, hoping his mother would arrive for him, he was clearly too young to fend for himself. After a few hours, I gave up and brought him in. I reckon he's about five weeks old. Thank goodness he's weaned and after a rather distressed night and morning, he's starting to explore a bit.
It seems we've been adopted. She certainly is starting to act as if she owns the place.
I am shifting rather randomly between he and she -- fact is I can't actually tell yet!
But he ...er, or she ... is a real cutie!
Processed, filtered, or otherwise mangled version of Hokusai's Wave of Kanagawa ukiyo-e print. This variant is quite dark but if you view it at the native resolution, you'll see an outline of Hokusai's print in white dots.
f/22, 1/100th, ISO-100, 55mm, close-up filters(+1 & +2)
Strobist: 1 AB1600, 1/2+ power, @~3:30, bounced out of umbrella, triggered w/ Cybersync
I really like the close-up filters, I just can't get used to the limited DOF.
This shot was taken near Thornley woodlands center in a bird hide. This cheeky fox was digging for something. When he heard my mirror slapping on the camera he looked up and I got a nice moment of him looking straight at me! Shot was taken using a Sigma 100-300mm f/4 EX lens with a 2x teleconverter making 600mm focal length (and it still wasnt enough!).
The first thing to do was to get the white balance corrected to get rid of the blue hue. Then a play around with the exposure levels and a touch of highlight recovery helped take away the brightness of the sun on the breast of the fox. A square crop was chosen too.
One of many unused iterations of my "twill" print, which became the cover to my book. I have hundreds of these.
The final cover can be seen at abandonedart.org/?page_id=485
File name: 08_06_003803
Title: Parades
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1917 - 1934 (approximate)
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Parades & processions
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred citation: Courtesy of the Boston Public Library, Leslie Jones Collection.