View allAll Photos Tagged Processing
Added nationality counts. These are tied to the viewport; as one browses the map, the display updates accordingly. Gray indicates an empty count.
My guitar-callused fingertips. Color image converted to black-and-white with Processing code (processing.org) that pushes brighter colors more toward black.
Process 4.5 is the first in a series of special edition Process publications. Printed in only black on lighweight 70gsm Bond, Process 4.5 purposely contrasts the usual high production qualities of the quarterly journal, as well acting as a platoform to experiment with different formats and production techniques. The publication's content is a reflection and retrospective of the first four editions of Process Journal. Consisting of three major parts, the first a comprehensive essay written by typographer and design-lecturer Brad Haylock. The second a typographic analysis of each of the typefaces featured in editions one to four, including type samples and specimens. And finally, we asked a selection of contributors from editions one to four the simple question: ‘what is your process’. Including responses from Brett Phillips (3 Deep Design), Michael C. Place (Build), Mason Wells (Bibliothèque), Tom Crabtree (Manual) and Tony Brook (Spin).
Last month or so after reading some process from folks like Daniel Krall and Sam Bosma, and a lot of big projects that stressed me out I got fed up with my process and decided to streamline. I'm going to take another video later, but as you can see I'm working on layers in analog with marker paper-- a roughed out sketch, and then on top I trace out the shapes that will eventually become my colors/flats. Eventually I'll make time for a full fledged 'how I do this' post but hopefully this is a good little start!
Some stills of the viral ad I produced with and for Matt Pyke (Universal Everything) for the new Audi TT launch in Australia. More info
Have you ever seen (on Flickr or elsewhere) those beautiful, towering grain silos? They're made of wood, often found on a sweeping plain, and are stories tall?
Well, they are the dinosaurs of the grain world, it seems. Prone to fire and rarely used any more. Pity.
They've been replaced with the "grain elevators" in this picture. We never had any such contraptions on our farm (we purchased our grain in burlap bags from the local farm store), and I don't recall ever really seeing any like this until the past few years.
(Aged with textures by Distressed Jewell because someday these silos, too, will probably become obsolete.)
Cassava starch processing near Hanoi, Vietnam.
Credit: ©2009CIAT/NeilPalmer
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Im addicted! I love this project! I added some blending effects and am using a halo blurry image instead of a solid fill ellipse. I... had... no... idea...
Cartaz para o Der Wahnsinn,que faz cover do Rammstein,
eles tb tem um projeto parecido muito bom.
Ilustração produzida com *Processing,
linguagem de progamacao baseada em JAVA.
[ Nerd attack =D ]
*www.processing.org
I haven't shot any cross processing or used my lomo since July 08. I was getting very fed up with it all. But i actually loaded a film into my lomo the other week, i haven't used it yet, but never say never.
Taking the last two kaleidoscopic pieces a little further. I wanted to make an expandable sheet of the kaleidoscope triangles which I can resize dynamically. These grabs were made with webcam input but after seeing the work of Movax, I tried pointed the camera at the monitor and was very impressed with the result. Thanks for the inspiration!
Informal wood processing at a wood depot near Kinshasa, Democratic Republic of Congo, in May 2013. Photo: Flore de Preneuf / World Bank
Photo ID: FP-DRC-4597
Continuação da tipografia criada com Processing. faltando pouco para acabar.
dpois irei postando o codigo fonte para cada letra do alfabeto.
=D
Para saber mais sobre processing:
Preparing some final assets for an upcoming talk I'm giving on my process / projects. bit.ly/pAmbyn
In case you were wondering how well Moleskine®s are bound… they are bound well.