View allAll Photos Tagged Procedure
A 2nd Regiment Advanced Camp, Cadet acts as security in an ambush demonstration at Fort Knox, KY on June 15, 2019. | Photo by Hannah Hedden, CST Public Affairs Office
June 12, 2020--New York City--Governor Andrew M. Cuomo today signed an Executive Order — the 'New York State Police Reform and Reinvention Collaborative' — requiring local police agencies, including the NYPD, to develop a plan that reinvents and modernizes police strategies and programs in their community based on community input. Each police agency's reform plan must address policies, procedures, practices and deployment, including, but not limited to use of force. Joining the Governor for the bill signing are: Rev. Al Sharpton, Senate Majority Leader Andrea Stewart-Cousins, Assembly Leader Carl Heastie, Valerie Bell, the mother of Sean Bell; Gwen Carr, the mother of Eric Garner; and Hazel N. Dukes is President of the NAACP New York State Conference.
Cute child sits at dentist chair with smile while doctor in rubber gloves examines mouth with instrumets. Kid not scared and feels comfortable at medical procedure.
At the station of Ajmer, India, going back from the Camel Fair of Pushkar and this man happens to sit on the train next to me.
それは川上さんの誕生日です! と酋長の家旅館での人々は彼と一緒に祝っている!♡
すき焼き, ビール, 乾杯, そしておばちゃんの奇妙地元の音楽演奏. 標準手順よ!
It's Mr. Kawakami's birthday! And the peoples in the ryokans are making sure he doesn't go through it alone!♡
Sukiyakis, beers, kanpais, and some strange local music instrumental performance from Oba-chan. Standard procedure!
★Sony DSC-RX1, Zeiss Sonnar T* 35mm f/2
My photos are available as stock photos through: iStock | Getty
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Thank you all! ありがとうございました! 谢谢大家! Grazie a tutti! Terima kasih semua!
The Conductor and, I assume, a young trainee climb down to protect the crossing. I was surprised to see two red flares tossed onto the grade crossing before the radio call to the Engineer, "ahead three to a stop." Whether the flares were a typical part of the procedure or part of the training, I'll let the experts advise on that.
Can u belive i did this :) ? Ohh i love my job!
Procedures:
-Removal of the remaining roots and teeths.
-Alveoloplasty & gingivectomy
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2ª Consulta
Data: 12/05/2010
Alessandra Souza (eu) e Priscilla Lopes
Prof. Marcelo
_______________________________________
Região: Hemi-arcada inferior direita
Técnica anestésica: -Anestesia infiltrativa (nn alveolar médio e posterior) - -localizada em cada dente
-Anestesia N. Mentual
-Trígono retromolar
Anestésico: Mepivacaína com vaso [6 1/2 tubetes]
Procedimento: Remoção das raízes remanescentes e dentes perdidos, sem forceps, só com alavancas.
Instrumentos: cj alavancas e elevadores (apenas luxando com as alavancas), sindesmótomo e alveolótomo. Fio de sutura nª04.
***Sem nenhum forceps***
PHOTO DATE: 11-16-12
LOCATION: Bldg. 9NW - ISS Mockups
SUBJECT: Expedition 41/42 crew members Barry Wilmore, Terry Virts and Italian ESA astronaut Samantha Cristoforetti during ISS Joint AL Hardware training in the ISS mockups.
PHOTOGRAPHER: BILL STAFFORD
LASIK is a surgical procedure in which the cornea is reshaped so as to give clarity to vision and brings back the vision to normal so that you don't have to wear glasses or contact lens. The procedure is done with the excimer laser and it is a very safe procedure and does not weekend the cornea. The LASIK is mainly done for people who are above the age of 18 years and it helps to remove dependency on wearing glasses and contact lenses. It is a one-time procedure and it takes about 10 to 15 minutes to do the treatment and after the treatment the person has to rest about 3 to 4 hours after which vision get back to normal. The complete Restoration of vision is within 24-48 hours. This procedure is done both on males and as well as females above the age of 18 years and it is done so as to get rid of glasses and contact lenses. LASIK is done to remove the numbers of the glasses and it could either due to myopia that is minus numbers for plus number which is hyperopia and cylindrical number which is elastic matter. All the three conditions can be corrected with the Lasik procedure. How is Lasik is done I am going to explain briefly on the video here so the LASIK procedure is done on the front surface of the eye which is called the cornea in this procedure the cornea surface is treated with the excimer laser the curvature of the cornea is altered and flattened giving rise to the focusing of the light rays on the retina this helps to reduce the dependence on glasses and on Contact lenses and it eliminates both the condition the procedure is done in the laser room and The excimer laser is used. It is done just by putting eye drops anesthetic eyedrops the patient has to sit under the table of the laser machine and It is a fully computerized device. Where the eye is first properly focused on the laser machine Once the focusing is done, then the laser is applied on the front surface, which is the corneal surface. Once the corneal flap is made the laser is given in the inner layers of the cornea the amount of laser given depends upon the amount of Refractive error or the number here you can see that the excimer laser is given to reshape the corneal surface all this takes only few second and not more than 32 to 40 seconds the whole procedures complete the latest technology in laser surgery is blade free Lasik where we use femtosecond laser to make the corneal flap it is very precise and it goes in the inner layers of the cornea and separates the tissues without cutting them so it does not weaken the cornea and maintain the strength of the cornea. This is done with the femtosecond laser and Ojas Eye Hospital is proud to say that we are the first in western India to do this kind of treatment and offer blade free Lasik to all those spectacle wearers and contact lens user.
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Dr. Niteen Dedhia performs a partial thickness corneal transplantation using a femtosecond laser. This patient was legally blind prior to surgery secondary to a corneal scar caused by herpes.
Loss of corneal transparency prevents the entry of light rays into the eye and diminishes vision. In cases of severe of damage, this can cause total loss of vision making the person visually handicapped. It is estimated that there are around two million people in India suffering from corneal blindness.
Of these, sixty percent of the cases include children under age twelve, who have suffered corneal damage due to accidents. There are other conditions also such as malnutrition, Vitamin A deficiency, infection, certain corneal diseases such as 'keratoconus' and 'corneal degeneration', which can cause corneal blindness.
What is 'Corneal Transplantation'?
Corneal transplantation / keratoplasty/ corneal grafting is the surgical procedure that restores sight in patients suffering from corneal blindness. In this surgical procedure , the diseased opaque cornea is replaced by a clear healthy donor corneal tissue which restores sight by allowing the light rays to enter the eye through transplanted clear cornea. This procedure of corneal grafting is possible only on the availability of donor cornea by process of eye donation. By donating eyes after death a human being can restore sight to a blind person. This gift of sight is invaluable for these visually handicapped persons.
For More Information About Laser Corneal Transplant & LASIK Surgery please check our websites below :
www.ojaseyehospital.com/cornea+surgery+mumbai+keratoconus...
Customs and Border Protection Commissioner Gil Kerlikowske answers questions related to the release of the new revised version of "CBP Use of Force Policy, Guidelines and Procedures Handbook" during a press conference in Washington D.C. May 30, 2014. Photo by James Tourtellotte
Same procedure as every year (yay!) - this weekend I had the joyful honor to attend the Cologne fashion doll collectors' convention : )!
It was a fantastic day, I met with old and dear friends and got to know a whole bunch of lovely new people. My funniest moment was when a very kind french lady and her daughter came to my table and my french skills left me within a second. I could only excuse myself (in french at least!) with a laughing "I DO speak french, but not at this moment" - obviously *rotf* ; )
Ah, it was great! My photos surely aren't the best, they're usually taken in a hurry and only at the beginning of the day, since I'm becoming very busy afterwards, but at least I really did take some :).
To all of you who are going to attend the IT convention soon - I'm wishing you tons of fun, have many, many great moments, meet old and new friends and enjoy every minute. In my heart I'll be with you *hugs*!
Nina*
Root canal therapy in Lethbridge is completed cautiously with the aid of your dentist to do away with any infections within the pulp of your enamel. It allows your dentist to restore your basic oral fitness, alleviate any ache and sensitivity you’re experiencing, and save you the need for a teeth extraction. Though some sufferers experience minimum pain for the duration of the appointment, the process can be over before you recognise it. Our dentist in Lethbridge gives diverse offerings to help deal with your tooth infections and repair your oral health.
Visit For More Info: www.absolutedental.ca/tips-to-know-before-a-root-canal-pr...
This part of the procedure is not strictly necessary as you will have bonded the screen to the foil via the jack socket in the previous photos but I did it anyway just to be sure.
Solder wire to circuit board as shown. Strip the insulation from the other end of wire and stick down onto cavity foil.
Now plug the piezos back into their sockets and put it all back together. Connect battery and enjoy your noiseless Stagg.
Schloss Wernigerode / Sachsen Anhalt
Wernigerode Castle / Saxony-Anhalt
en.wikipedia.org/wiki/Wernigerode_Castle
Peleng 8mm fisheye
Rawtherapee, Gimp, GMIC
U.S. Marines with the 15th Marine Expeditionary Unit’s Maritime Raid Force ride a combat rubber raiding craft ashore aboard Bellows Air Force Station, Hawaii, May 15, 2015. The 15th MEU’s Force Reconnaissance Detachment helped familiarize the security element Marines with surf passage, broaching and casting procedures. (U.S. Marine Corps photo by Cpl. Anna Albrecht/Released)
Twitter: bit.ly/1xr6HiM
Facebook: on.fb.me/1cj34Am
15th MEU: go.usa.gov/FnwB
YouTube: bit.ly/1Fqrch5
Cosmetic hip implants plastic surgery.
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Cosmetic implant grant.
Cosmetic implant types.
Cosmetic implant dentist.
You will meet other people who will care for you in the operating room or procedure suite. They will help the anesthesia team take you to the next room.
I found this street sign in a "military housing" area off the 95 freeway in Maryland. We stopped for breakfast at a diner off the road.
I don't normally stand on policy and procedure, but I had to in order to take this picture!
The stained section on the slide is mounted under a thin glass coverslip. The technician takes care to keep any bubbles from being trapped in the resinous mounting medium. Tissue with a bubble over it cannot be interpreted.
The major advantage of any FUE procedure is the lack of a linear scar. The tiny 0.8mm harvest sites close 50% in size within 24 hours and can be completely undetectable within a weeks time, depending on the quality of hair in the donor area. Eventually, when the surrounding hair reaches a certain length (approximately 8mm) the area is completely camouflaged. Patients have less discomfort and can return to vigorous physical activity much sooner with FUE/Neograft procedures. Bauman Medical Group is one of the first medical offices in the U.S. and the only office in Florida to have the Neograft device. Stay tuned for more photos of this patient as his donor area continues to heal and camouflage improves further.
Several bunion surgical procedures are available to the podiatric physician. Bunion surgery will remove the bony enlargement, restore the normal alignment of the toe joint, and relieve foot pain. A simple bunionectomy, in which only the bony prominence is removed, may be used for the less severe deformity. Severe foot bunions may require a more involved procedure, which includes cutting the bone and realigning the joint.
West Germans and citizens of other Western countries could generally visit East Germany, often after applying for a visa at an East German embassy several weeks in advance. Visas for day trips restricted to East Berlin were issued without previous application in a simplified procedure at the border crossing. However, East German authorities could refuse entry permits without stating a reason. In the 1980s, visitors from the western part of the city who wanted to visit the eastern part had to exchange at least DM 25 into East German currency at the poor exchange rate of 1:1. It was forbidden to export East German currency from the East, but money not spent could be left at the border for possible future visits. Tourists crossing from the west had to also pay for a visa, which cost DM 5; West Berliners did not have to pay this.
West Berliners initially could not visit East Berlin or East Germany at all - all crossing points were closed to them between 26 August 1961 and 17 December 1963. In 1963, negotiations between East and West resulted in a limited possibility for visits during the Christmas season that year (Passierscheinregelung). Similar, very limited arrangements were made in 1964, 1965 and 1966.
In 1971, with the Four Power Agreement on Berlin, agreements were reached that allowed West Berliners to apply for visas to enter East Berlin and East Germany regularly, comparable to the regulations already in force for West Germans. However, East German authorities could still refuse entry permits.
East Berliners and East Germans could not, at first, travel to West Berlin or West Germany at all. This regulation remained in force essentially until the fall of the wall, but over the years several exceptions to these rules were introduced, the most significant being:
Elderly pensioners could travel to the West starting in 1965
Visits of relatives for important family matters
People who had to travel to the West for professional reasons (for example, artists, truck drivers, musicians, writers, etc.)
However, each visit had to be applied for individually and approval was never guaranteed. In addition, even if travel was approved, GDR travellers could exchange only a very small amount of East German Marks into Deutsche Marks (DM), thus limiting the financial resources available for them to travel to the West. This led to the West German practice of granting a small amount of DM annually (Begrüßungsgeld, or welcome money) to GDR citizens visiting West Germany and West Berlin to help alleviate this situation.
Citizens of other East European countries were in general subject to the same prohibition of visiting Western countries as East Germans, though the applicable exception (if any) varied from country to country.
Allied military personnel and civilian officials of the Allied forces could enter and exit East Berlin without submitting to East German passport controls, purchasing a visa or being required to exchange money. Likewise, Soviet military patrols could enter and exit West Berlin. This was a requirement of the post-war Four Powers Agreements. A particular area of concern for the Western Allies involved official dealings with East German authorities when crossing the border, since Allied policy did not recognize the authority of the GDR to regulate Allied military traffic to and from West Berlin, as well as the Allied presence within Greater Berlin, including entry into, exit from, and presence within East Berlin.
The Allies held that only the Soviet Union, and not the GDR, had authority to regulate Allied personnel in such cases. For this reason, elaborate procedures were established to prevent inadvertent recognition of East German authority when engaged in travel through the GDR and when in East Berlin. Special rules applied to travel by Western Allied military personnel assigned to the Military Liaison Missions accredited to the commander of Soviet forces in East Germany, located in Potsdam.
Allied personnel were restricted by policy when travelling by land to the following routes:
Transit between West Germany and West Berlin
Road: the Helmstedt-Berlin autobahn (A2) (Checkpoints Alpha and Bravo respectively). Soviet military personnel manned these checkpoints and processed Allied personnel for travel between the two points. Military personnel were required to be in uniform when traveling in this manner.
Rail: Western Allied military personnel and civilian officials of the Allied forces were forbidden to use commercial train service between West Germany and West Berlin, because of GDR passport and customs controls when using them. Instead, the Allied forces operated a series of official (duty) trains that traveled between their respective duty stations in West Germany and West Berlin. When transiting the GDR, the trains would follow the route between Helmstedt and Griebnitzsee, just outside of West Berlin. In addition to persons traveling on official business, authorized personnel could also use the duty trains for personal travel on a space-available basis. The trains traveled only at night, and as with transit by car, Soviet military personnel handled the processing of duty train travelers.
Entry into and exit from East Berlin
Checkpoint Charlie (as a pedestrian or riding in a vehicle)
As with military personnel, special procedures applied to travel by diplomatic personnel of the Western Allies accredited to their respective embassies in the GDR. This was intended to prevent inadvertent recognition of East German authority when crossing between East and West Berlin, which could jeopardize the overall Allied position governing the freedom of movement by Allied forces personnel within all Berlin.
Ordinary citizens of the Western Allied powers, not formally affiliated with the Allied forces, were authorized to use all designated transit routes through East Germany to and from West Berlin. Regarding travel to East Berlin, such persons could also use the Friedrichstraße train station to enter and exit the city, in addition to Checkpoint Charlie. In these instances, such travelers, unlike Allied personnel, had to submit to East German border controls
A procedure list of recurring todos, such as cleaning my car. I find it is easier to have a detailed list of how I approach the task and have a simple "clean car" on my big list of things to check off.
You can read more about it and download a copy here:
Procedures include: Total laparoscopic hysterectomy, laparoscopic supracervical hysterectomy (hysterectomy leaving the cervix), endometrial ablation (for treatment of heavy bleeding), hysteroscopic tubal occlusion (minimally invasive surgical sterilization) and outpatient urinary incontinence Surgery.
根據《議事規則》第49B(2A)條就譴責許智峯議員的議案成立的調查委員會記者會
根据《议事规则》第49B(2A)条就谴责许智峯议员的议案成立的调查委员会记者会
Press Conference of the Investigation Committee established under Rule 49B(2A) of the Rules of Procedure in respect of the motion to censure Hon HUI Chi-fung (2020.07.08)
根據《議事規則》第49B(2A)條就譴責鄭松泰議員的議案成立的調查委員會記者會
根据《议事规则》第49B(2A)条就谴责郑松泰议员的议案成立的调查委员会记者会
Press Conference of the Investigation Committee established under Rule 49B(2A) of the Rules of Procedure in respect of the motion to censure Dr Hon CHENG Chung-tai (2018.04.11)
Dr. Darm of Aesthetic Medicine in Portland, Oregon pioneered his trademark procedure – the Lipolift – for the treatment of unwanted fat and cellulite. Lipolift III, known as the Laser Lipolysis (laser-assisted liposuction) offers a minimally invasive body sculpting solution that safely "melts" fat away with less pain, less downtime and consistent aesthetic results. The laser is slipped through a very small hole in the skin and passed back and forth while it slowly dissolves the fat and destroys the fat cells. The melted fat is then gently sucked out through a small cannula. Treatment areas include abdomen, flanks, back, arms, neck, and thighs.
The SlimLipo Body Sculpting Laser from Palomar is FDA cleared for laser-assisted lipolysis and it is the first system optimized specifically for this application.
Visit www.drdarm.com for more information.
Are you having broken or missing teeth? If yes, then get dental implants procedure. The procedure effectively helps to replace your teeth and provide you with the natural-looking teeth. With the help of this treatment, you can get back your lost smile.
221104-N-LP924-1005 PUERTO CORTES, Honduras (Nov. 4, 2022) Hospitalman Leslie Hernandez, from Houston, Texas, high fives a local patient aboard the hospital ship USNS Comfort (T-AH 20), Nov. 4, 2022. Comfort is deployed to U.S. 4th Fleet in support of Continuing Promise 22, a humanitarian assistance and goodwill mission conducting direct medical care, expeditionary veterinary care, and subject matter expert exchanges with five partner nations in the Caribbean, Central and South America. (U.S. Navy photo by Mass Communication Specialist 3rd Class Sophia Simons)
Cosmetic implant dentistry lakeland.
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Which polymer is used in cosmetic implant and why.
same procedure as every year:1st spraypaint on a new years eve champaign box, HAPPY NEW YEAR!
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get the entire story behind the enigmatic and Londons most prolific artist who inspired the crowd:
UR SO PORNO BABY! if u want it
Mr. Fahrenheit: Die wahre Geschichte
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board certification in plastic & reconstructive surgery 1996
american board certification in aesthetic medicine 2009
experience in plastic surgery for more than 18 years
procedures that done by doctor kamal saleh are :
1-liposuction,creation of body image,sculpting body contour,augmentation of buttock,double chin tratments
2-breast augmentation,silicone implants,saline breast implants,macrolane breast injection,lipofilling of breast
3-breast reduction
4-tummy tuck,dermolipectomy,abdominoplasty
5-hair transplantation,hair restoration
6-gynecomastia
7-otoplasty,treatments of bat ear
8-brow lift,face lift,brachioplasty
9-blepharoplasty,lid surgery
10-laser treatments,hair removal,skin rejuvenation ,ta too removal
11-botox injection,fillers,lipofilling,treatments of wrinkles,excess sweating
12-rhinoplasty,nose job,septoplasty
13-mesotherapy,hair falling,fatmelting,rejuvenation
14-non surgical procedures,zerona fatmelting,titan skin lifting,l.p.g,smooth shap for cellulite treatments,dermobrasion,
Are teeth implants considered cosmetic.
Implants and cosmetic dental center germantown.
Encino cosmetic and dental implants.
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Are implants cosmetic.
Božena Končić Badurina
Vanja Babić & Bojan Mucko
Dino Bićanić
Eric del Castillo
ANA Elizabet
Thierry Geoffoy / Colonel
Toni Meštrović
Kata Mijatović & Zoran Pavelić
Adrian Paci
Viktor Popović
Ale de la Puente
Driton Selmani
Lana Stojićević
Vlasta Žanić
kustosica/curator:
Neli Ružić
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HITNOST (english bellow)
Hitnost je nametnuti oblik vremena, ali i poziv na budnost. U stanju hitnosti prisutan je osjećaj da smo out of time, da nema vremena ni odgode. U isto vrijeme, paradoksalno, percepcija vremena se ekspandira i sjecka do najsitnijih dijelova, nanosekunda koje postanu fraktalni beskraj. Rastvara se unutrašnjost vremenskog stroja, koji uostalom već odavno i nije mehanički, simbolička preslika univerzalne vrtnje, nego njen elektronski prijevod u liniju sastavljenu od nula i jedinica.
Hitnost, dakle, nema veze samo s brzinom reakcije, već i s promjenom u percepciji vremena.
Iako se za nju možemo unaprijed pripremati, planirati i razraditi procedure, iskustvo takvih reakcija upućuje na prostor sinkroniciteta, koincidencije ili gubljenja kontrole, volje ili apatije. Adrenalin trenutno povećava snagu, percepciju i intuiciju. Dok gasimo vatru otvara se neki drugi prostor u nama, snaga ljudskosti, zajedništva, empatije. Odjednom znamo da nismo sami.
Temu ovodišnjeg Almissa Open Art Festivala predložila sam još prošle godine. U međuvremenu nas je imperativ hitnosti sustigao, gotovo i prestigao, njena prisutnost u svakodnevnici postala je očigledna. Izvanredno stanje i hitnost oduvijek su bili dio suvremenosti, 1940. godine W. Benjamin u svojoj osmoj Tezi o filozofiji povijesti piše: »Tradicija potlačenih uči nas da “izvanredno stanje” u kojem živimo nije iznimka, nego pravilo.« (1) Izvanredno stanje koje je sada samo prekriveno hitnošću pandemije. Namjera je ovogodišnje Almisse portretirati ovaj globalno nametnuti koncept, njegove implikacije u suvremenosti i u našim životima te neizvjesnost kao polugu strategija političke i ekonomske manipulacije.
Eksperiment izolacije i iskustvo izvanjske tišine, omogućili su usmjeriti pažnju na unutrašnje prostore trajanja. Istovremeno se, kroz virtualne prozore, dogodilo ubrzanje i nezaustavljivi prodori izvanjskog. Sada još više nego ranije, u virtualnoj povezanosti i fizičkoj udaljenosti, javno zadire u privatni prostor na novim razinama. Drukčiji ritmovi i percepcije vremena, suprotne i konfliktivne temporalnosti postale su duboko osobno iskustvo: usporavanja, ubrzavanje, čekanje rezultata, vrijeme bolesti i neizvjesnosti, iscrpljenosti, nemogućnost projekcije budućnosti.
Više nego ikada prije hitnost nekih drugih postala je i naša, jasno nam ukazavši na povezanost svih na jedinoj nam planeti. Kao da je ovaj chiaroscuro scenarij osvijetlio i naglasio sjene prašine nagomilane ispod tepiha.
Već dugo smo svjedoci raspadanja tkiva na svim razinama. Zdravstvena kriza bila je već itekako pripremljena ekološkom krizom i klimatskim promjenama te izrabljivanjem prirodnih resursa, uključujući i ljudske. Iako je zaustavljanje aktivnosti na trenutak zamrzlo sliku sunovrata, po svemu sudeći ovaj virus je i posljedica narušenih ekoloških sustava u doba Antropocena. Nevidljivi virus je na jedan trenutak zaustavio mašineriju, i osvijestio povezanost, fragilnost, kao i emancipacijsku snagu ranjivosti. Ali, osvijetlio je i bolno oštar reljef nejednakosti.
Simptomi kronične bolesti modela neoliberalnog kapitalizma postali su vidljiviji: rastuće siromaštvo i nejednakost; nefunkcionalnost tržišnih modela zdravstva; rasizam i ksenofobija; nasilje prema najugroženijima – poput žena, osoba starije životne dobi, izbjeglica i migranata; porast nacionalizma i populizma, perfidnih oblika kolonijalizma, turizma - autizma svijeta, gentrifikacija gradova koja guta javne prostore i zajednice.
Budućnost može postati zastrašujuća distopija uz duboke socioekonomske probleme, prijetnja tehno(loškog)-totalitarizma koji se naslanja na već prethodno uspostavljene dinamike kontrole i abolicije slobode. Voda nam je do grla, odavno je za sve prekasno, ali prekasno je i za odustajanje. Imamo li plan za jučer? Kako se može pripremiti teren (pa makar od jednog metra kvadratnog) da ne dopustimo povratak na staro sutra?
Almissa Open Art ulazi u svoje 11. izdanje, koje smo preimenovali u broj hitne službe 112, kako bismo naglasili dvije stvari – seciranje koncepta hitnosti, ali i mogućnosti umjetnosti da dijagnosticira i pokreće procese u pulsirajućoj sadašnjosti. Jean-Marie Gustave Le Clézio predviđa da ćemo »jednog dana možda saznati da nikada nije postojala umjetnost, već samo medicina.«(2)
Kroz intervencije, akcije, performanse i projekcije te druge hibridne forme obraćat ćemo se publici, slučajnim prolaznicima grada Omiša, govoriti glasno i šaptati o disfunkciji svijeta, tražiti nove smjerove kretanja, izazvati postojeće strukture. Dovesti u odnos umjetničke prakse direktne akcije u javnom prostoru i poetično guranje granica vremena, neophodno, uzaludno, suludo, salto mortale koji može promijeniti redoslijed, alterirati sustav koji kolabira na konkretnim i nevidljivim razinama, kolektivno, individualno i potkožno.
Ovogodišnja Almissa će pozvati "na ponovno osvajanje osobnog prostora, ali i zajedničkog javnog prostora grada"(3) , upućivati na brižnost kao oblik otpora i "solidarnost kao nužni preduvjet razvoja zajednice"(4) . Upozorit će na sužavanje osobnih sloboda, na privremenost kao stalnost, nepouzdanost oslonca i izvjesnost lavine kao metaforu vremena koje živimo.
Uvjerena sam da umjetnost kao polje senzibiliteta i solidarnosti može pridonijeti kulturi nježnosti i jačanju spona koje nas drže zajedno. Osjećaju zajedništva, »novog čulnog tkanja u kojem prozaične aktivnosti stiču poetsku dimenziju preko koje stvaraju jedan zajednički svijet«, ono što Rancière naziva »preraspodjelom osjetilnog«. (5)
U doba hitnosti, čini se još važnijim, kako kaže Rancière, da se pitanje odnosa estetike i politike podigne na ovu razinu, razinu osjetilnog razgraničenja onoga što je zajedničko zajednici, oblika njezine vidljivosti i organizacije. (6) Možda je upravo u vremenu kada hitnost nadglašava suvremenost, moguće anticipirati novo tkanje zajednice?
- Neli Ružić
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1 Benjamin, Walter, Eseji, Nolit Beograd, 1974., str.83
2 Le Clézio, Jean-Marie Gustave u Deleuze & Guattary, Što je filozofija?, Sandorf & Mizantrop, Zagreb, 2017. str. 134.
3.Iz izjave autorice ANE Elizabet
4. Iz izjave autorice Božene Končić Badurina
5. Rancier, Jacques. Politike vremena, Novi osvrt na modernost, Sveska br.6, mjesto izdavanja i godina str.7
4 Rancière, Jacques, 2004, The Politics of Aesthetics, Distribution of the sensible, London, New York, Continuum International Publishing group. str.18 »The important thing is that the question of the relationship between aesthetics and politics be raised at this level, the level of the sensible delimitation of what is common to the community, the forms of its visibility and of its organization.« Prijevod autorice teksta.
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PROGRAM:
21.8. PETAK / FRIDAY
OTVORENJE / OPENING
21:00 POLJIČKI TRG
18:00 - 21:00
GRADSKI MUZEJ OMIŠ / OMIŠ CITY MUSEUM
Ale de la Puente - Un infinito / An Infinity, 2014
Snimljeni razgovor s autoricom / Recorded conversation with the author
18:00 -21:00
CRKVA SVETOGA DUHA / CHURCH OF THE HOLY SPIRIT
Adrian Paci - Centro de permanenza temporanea, 2007
Dokumentarni film + Documentary Moments of Transition
BILLBOARD NA ULAZU U OMIŠ, (POLJIČKA CESTA – DOČINE)
BILLBOARD AT THE ENTRANCE TO OMIS, (POLJICA ROAD - DOČINE)
Thierry Geoffroy / Colonel - The Emergency Will Replace The Contemporary, 2016
19:00 – 21:00
POKRETNA JEDINICA + MOBILE UNIT
Zoran Pavelić - Almissa Emergency, 2020
ULICA FOŠAL 8 / FOŠAL STREET 8
ANA Elizabet - Dišeš? / Are You Breathing?, 2011
______________________
22.8. SUBOTA + SATURDAY
od 10:00
ULICA FOŠAL, PLAKATNA MJESTA /
FOŠAL STREET, POSTER PLACES
Božena Končić Badurina - Što ova mladost ima zaboravit'? / What Does This Youth Have to Forget?, 2020
12:00 – 20:00
TVRĐAVA MIRABELLA (BUNKER) / MIRABELLA FORTRESS (BUNKER)
Toni Meštrović - Samokontrola / Self-control, 2020
19:00 – 21:00
POKRETNA JEDINICA + MOBILE UNIT
Kata Mijatović - Almissa Emergency, 2020
(MOŽE SE POSJETITI + ON DISPLAY:)
10:00 -12:00 i 16:00 - 21:00
CRKVA SVETOGA DUHA / CHURCH OF THE HOLY SPIRIT
Adrian Paci - Centro de permanenza temporanea, 2007
17:00 – 20:00
GRADSKI MUZEJ OMIŠ / OMIŠ CITY MUSEUM
Ale de la Puente - Un infinito + An Infinity, 2014
ULICA FOŠAL 8 / FOŠAL STREET 8
ANA Elizabet - Dišeš + Are You Breathing?, 2011
BILLBOARD NA ULAZU U OMIŠ, (POLJIČKA CESTA – DOČINE)
BILLBOARD AT THE ENTRANCE TO OMIS, (POLJICA ROAD - DOČINE)
Thierry Geoffroy - The Emergency Will Replace The Contemporary, 2016.
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23.8. NEDJELJA + SUNDAY
OMIŠKA ŠETNICA (PUT SVJETIONIKA – LUKOBRAN) /
OMIŠ PROMENADE (LIGHTHOUSE ROAD)
17:00 – 21:00
Bojan Mucko / Vanja Babić - Terenski rad 3 / Fieldwork 3, 2020
19:00 – 21:00
POKRETNA JEDINICA + MOBILE UNIT
Zoran Pavelić - Almissa Emergency, 2020
12:00 - 21:00
ULICA MILE GOJSALIĆ / MILE GOJSALIĆ STREET
Eric del Castillo - Stilitas, 2020
od 12:00
STUP SRAMA, POLJIČKI TRG / PILLAR OF SHAME, POLJIČKI SQUARE
Lana Stojićević - Kolona / Traffic Jam, 2020
(MOŽE SE POSJETITI + ON DISPLAY:)
10:00 -12:00 i 16:00 - 21:00
CRKVA SVETOGA DUHA / CHURCH OF THE HOLY SPIRIT
Adrian Paci - Centro de permanenza temporanea, 2007
17:00 – 2:00
GRADSKI MUZEJ OMIŠ / OMIŠ CITY MUSEUM
Ale de la Puente - Un infinito + An Infinity, 2014
ULICA FOŠAL, PLAKATNA MJESTA /
FOŠAL STREET, POSTER LOCATIONS
Božena Končić Badurina - Što ova mladost ima zaboravit'?/ What Does This Youth Have to Forget?, 2020
ULICA FOŠAL 8 / FOŠAL STREET 8
ANA Elizabet - Dišeš + Are You Breathing?, 2011
BILLBOARD NA ULAZU U OMIŠ, (POLJIČKA CESTA – DOČINE)
BILLBOARD AT THE ENTRANCE TO OMIS, (POLJICA ROAD - DOČINE)
Thierry Geoffroy / Colonel - The Emergency Will Replace The Contemporary, 2016
17:00 – 20:00
TVRĐAVA MIRABELLA (BUNKER) / MIRABELLA FORTRESS (BUNKER)
Toni Meštrović - Samokontrola + Self-control, 2020 (dokumentacija)
______________________
24.8. PONEDJELJAK + MONDAY
8:00 - 15:00
ZGRADA GRADSKA UPRAVA / CITY HALL
Dino Bićanić - Everything Is Going to Be a Memory, 2017
19:00 – 21:00
POKRETNA JEDINICA + MOBILE UNIT
Kata Mijatović - Almissa Emergency, 2020
20:00
ŠETNICA RIBNJAK (LUKOBRAN NA PRIKU) / PROMENADE RIBNJAK (BREAKWATER ON PRIK)
Driton Selmani - Flag of Tomorrow, 2020
Razgovor s autorom
(MOŽE SE POSJETITI + ON DISPLAY:)
10:00 -18:00
CRKVA SVETOGA DUHA / CHURCH OF THE HOLY SPIRIT
Adrian Paci - Centro de permanenza temporanea, 2007.
8:00 –15:00
GRADSKI MUZEJ OMIŠ / OMIŠ CITY MUSEUM
Ale de la Puente - Un infinito + An Infinity, 2014
ULICA FOŠAL 8 / FOŠAL STREET 8
ANA Elizabet - Dišeš + Are You Breathing?, 2011
BILLBOARD NA ULAZU U OMIŠ, (POLJIČKA CESTA – DOČINE)
BILLBOARD AT THE ENTRANCE TO OMIS, (POLJICA ROAD - DOČINE)
Thierry Geoffroy / Colonel - The Emergency Will Replace The Contemporary, 2016
ULICA FOŠAL, PLAKATNA MJESTA / FOŠAL STREET, POSTER LOCATIONS
Božena Končić Badurina - Što ova mladost ima zaboravit'? / What Does This Youth Have to Forget?, 2020
STUP SRAMA, POLJIČKI TRG / PILLAR OF SHAME, POLJIČKI SQUARE
Lana Stojićević - Kolona + Traffic Jam, 2020
17:00 – 20:00
TVRĐAVA MIRABELLA (BUNKER) / MIRABELLA FORTRESS (BUNKER)
Toni Meštrović - Samokontrola + Self-control, 2020 (dokumentacija)
_______________________
25. 8. UTORAK + TUESDAY
20:00
DOM ZDRAVLJA / HEALTH CENTER
Viktor Popović - Bez naziva (Arhiv Omiš: Dom zdravlja) / Untitled (Archive Omiš: Health Center, 2020
21:00- 23:00
PLATO KRAJ SREDNJE ŠKOLE / PLATEAU NEAR HIGH SCHOOL
Boris Greiner - Razgovor s autorima / Conversation with artists
Snimljeni razgovor s autorom Thierry Geoffroy / Colonel I kustosicom Tijanom Mišković + Recorded conversation with the author Thierry Geoffroy / Colonel and the curator Tijana Mišković
(MOŽE SE POSJETITI + ON DISPLAY:)
8:00 - 15:00
ZGRADA GRADSKE UPRAVE / CITY HALL
Dino Bićanić - Everything Is Going to Be a Memory, 2017
8:00 – 15:00
GRADSKI MUZEJ OMIŠ / OMIŠ CITY MUSEUM
Ale de la Puente - Un infinito / An Infinity, 2014
17:00 – 20:00
TVRĐAVA MIRABELLA (BUNKER) / / MIRABELLA FORTRESS (BUNKER)
Toni Meštrović - Samokontrola / Self-control, 2020 (dokumentacija)
ULICA FOŠAL 8 / FOŠAL STREET 8
ANA Elizabet - Dišeš / Are You Breathing?, 2011
BILLBOARD NA ULAZU U OMIŠ, (POLJIČKA CESTA – DOČINE)
BILLBOARD AT THE ENTRANCE TO OMIS, (POLJICA ROAD - DOČINE)
Thierry Geoffroy / Colonel - The Emergency Will Replace The Contemporary, 2016
ULICA FOŠAL, PLAKATNA MJESTA /
FOŠAL STREET, POSTER LOCATIONS
Božena Končić Badurina - Što ova mladost ima zaboravit'? / What Does This Youth Have to Forget?, 2020
STUP SRAMA, POLJIČKI TRG / PILLAR OF SHAME, POLJIČKI SQUARE
Lana Stojićević - Kolona / Traffic Jam, 2020
ŠETNICA RIBNJAK (LUKOBRAN NA PRIKU) / PROMENADE RIBNJAK (BREAKWATER ON PRIK)
Driton Selmani - Flag of Tomorrow, 2020
_______________________
26.8. SRIJEDA + WEDNESDAY
19:00 -20:00
VELIKA PLAŽA / CITY BEACH
Vlasta Žanić - Voda do grla / Neck Deep, 2020
(ON DISPLAY, MOŽE SE POSJETITI:)
8:00 - 15:00
ZGRADA GRADSKE UPRAVE / CITY HALL
Dino Bićanić - Everything Is Going to Be a Memory, 2017
8:00 – 15:00
GRADSKI MUZEJ OMIŠ / OMIŠ CITY MUSEUM
Ale de la Puente - Un infinito / An Infinity, 2014
17:00 – 19:00
ULICA MILE GOJSALIĆ / MILE GOJSALIĆ STREET
Eric del Castillo - Stilitas, 2020
17:00 – 20:00
TVRĐAVA MIRABELLA (BUNKER) / / MIRABELLA FORTRESS (BUNKER)
Toni Meštrović - Samokontrola / Self-control, 2020. (dokumentacija)
ULICA FOŠAL 8 / FOŠAL STREET 8
ANA Elizabet - Dišeš / Are You Breathing?, 2011
BILLBOARD NA ULAZU U OMIŠ, (POLJIČKA CESTA – DOČINE)
BILLBOARD AT THE ENTRANCE TO OMIS, (POLJICA ROAD - DOČINE)
Thierry Geoffroy / Colonel -The Emergency Will Replace The Contemporary, 2012.
ULICA FOŠAL, PLAKATNA MJESTA /
FOŠAL STREET, POSTER LOCATIONS
Božena Končić Badurina - Što ova mladost ima zaboravit'?/ What Does This Youth Have to Forget?, 2020
STUP SRAMA, POLJIČKI TRG / PILLAR OF SHAME, POLJIČKI SQUARE
Lana Stojićević - Kolona / Traffic Jam, 2020
ŠETNICA RIBNJAK (LUKOBRAN NA PRIKU) /
PROMENADE RIBNJAK (BREAKWATER ON PRIKO)
Driton Selmani - Flag of Tomorrow, 2020
+ ukoliko vrijeme nije naznačeno, može se pogledati tijekom cijelog dana
+ if no time is specified, can be 4een throughout the day
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EMERGENCY
Emergency is an imposed form of time, but also a call to awareness. In a state of emergency there is a feeling that we are out of time, that there is no time or delay. At the same time, paradoxically, the perception of time is expanded and splintered into its tiniest parts, nanoseconds that become a fractal infinity. The interior of the time machine is open wide, and at any rate, it stopped being mechanical a long time ago, the symbolic copy of universal rotation, but is instead its electronic translation into a line composed of zeros and ones.
Emergency is, therefore, not only related to the speed of reaction, but also to changes in the perception of time. Even though we can prepare for it in advance, plan and develop procedures, the experience of such reactions points to the space of synchronicity, coincidence or loss of control, will or apathy. Adrenaline instantly increases strength, perception and intuition. As we extinguish the fire, another space opens up within us, the power of humanity, community, empathy. Suddenly we know that we are not alone.
I proposed the theme of this year’s Almissa Open Art Festival as early as last year. In the meantime, the imperative of emergency caught up with us, almost overtook us, and its presence in our everyday life became obvious. The state of emergency and urgency have always been a part of contemporaneity, as W. Benjamin writes in 1940, in his eighth Thesis on the Philosophy of History: “The tradition of the oppressed teaches us that the ‘state of emergency’ in which we live is not an exception but the rule.”(1) The state of emergency that is now only concealed with the urgency of the pandemic. The intention of this year’s Almissa is to portray this globally imposed concept, its implications in contemporaneity and in our lives, as well as the uncertainty as a lever for strategies of political and economic manipulation.
The experiment of isolation and the experience of external silence, facilitated focusing of attention to internal spaces of duration. At the same time, an acceleration and an unstoppable penetration of the external happened through virtual windows. Now, even more than before, while being virtually connected and physically distant, there are new levels of public encroachment into private space. Different rhythms and perceptions of time, opposite and conflicting temporalities became a deep personal experience: slowing down, accelerating, waiting for results, time of illness and uncertainty, exhaustion, inability to project the future.
More than ever before, the emergency of others has also become ours, clearly demonstrating the interconnectedness of everything on our only planet. It is as if this chiaroscuro scenario illuminated and accented the shadows of dust accumulated under the carpet.
We have long been witnessing the breakdown of tissue on all levels. The health crisis has already been well-primed by the ecological crisis and climate change, as well as the exploitation of natural resources, including those human. Even though the halting of activities momentarily froze the picture of the downturn, it is very likely that this virus is also the consequence of disturbed ecological systems in the Anthropocene era. For a moment, the invisible virus stopped the machinery, and brought connectivity, fragility, as well as the emancipatory power of vulnerability to the fore. But it also threw inequality into painfully stark relief.
Symptoms of the chronic model of the neoliberal capitalist disease became more visible: growing poverty and inequality; the dysfunctional business model of healthcare; racism and xenophobia; violence against the most vulnerable – such as women, the elderly, refugees and migrants; the rise of nationalism and populism, perfidious forms of colonialism, tourism – autism of the world, the gentrification of cities that is swallowing public spaces and communities.
The future could become a terrifying dystopia with deep socio-economic problems, the threat of techno(logical)-totalitarianism that relies on already established dynamics of control and the abolition of freedom. We find ourselves neck-deep, it has long been too late for anything, but it is also too late to give up. Do we have a plan for yesterday? How can we prepare the terrain (even if it is only one square metre in size) without allowing for the return of the old tomorrow?
Almissa Open Art is heading into its 11th edition, that we renamed as the number of the emergency services 112, in order to emphasize two things – dissecting the concept of emergency, but also the ability of art to diagnose and initiate processes in the pulsating present. Jean-Marie Gustave Le Clézio anticipates that “one day, perhaps, we will find out there was no art, but only medicine.” (2)
Through interventions, actions, performances and projections, as well as other hybrid forms, we will address the public, accidental passers-by in the town of Omiš, speak loudly and whisper about the dysfunction of the world, try to find new directions of movement, and challenge the existing structures. To relate artistic practices of direct action in public space and the poetic pushing of limits of time, the necessary, futile, insane, the somersault that could change the order, alter the system that is collapsing on concrete and invisible levels, collectively, individually and subcutaneously.
This year’s Almissa will call "for the recapturing of personal space, but also the common public urban space" (3), pointing to care as a form of resistance and "solidarity as a necessary precondition for community development." (4) It will caution against the narrowing of personal freedoms, temporality as permanence, the unreliability of support and the certainty of an avalanche as a metaphor for the times we live in.
I am convinced that art as the field of sensibility and solidarity can contribute to the culture of tenderness and strengthening the bonds that hold us together. To the feeling of community, “a new sensory fabric in which prosaic activities acquire poetic dimension through which they create a common world”, which Rancière calls “redistribution of the sensory”. (5)
In the time of emergency, it seems even more important, as Rancière says, that the question of the relationship between aesthetics and politics be raised at this level, the level of the sensible delimitation of what is common to the community, the forms of its visibility and of its organization. (6) Perhaps precisely in the time when emergency is overriding contemporaneity, it will be possible to anticipate the new fabric of community?
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1 Benjamin, Walter, Eseji, Nolit Beograd, 1974, p.83
2 “Jednog dana ćemo možda saznati da nije postojala umjetnost, već samo medicina.”, Le Clézio, Jean-Marie Gustave u Deleuze & Guattary, Što je filozofija?, Sandorf & Mizantrop, Zagreb, 2017. p. 134.
3 From artist's statement - ANA Elizabet)
4 From artist's statement- Božena Končić Badurina
5 Rancier, Jacques. Politike vremena, Novi osvrt na modernost, Sveska br. 6, mjesto izdavanja i godina p.7
6 Rancière, Jacques, 2004, The Politics of Aesthetics, Distribution of the sensible, London, New York, Continuum International Publishing group. p. 18
The surgical procedure in which the surgeon brings an end of the small #intestine out through the belly is known as ileostomy surgery. The end of the small intestine sticks out on the abdominal wall to form a stoma. An ileostomy can be temporary or permanent.
You may require a temporary #ileostomy if your lower bowel needs to rest for a specific duration to heal. Ileostomy surgery is generally a part of colorectal cancer surgery, diverticulitis surgery, or J-pouch surgery to treat familial polyposis or ulcerative colitis. The surgeon will most likely construct a loop stoma to give you a temporary ileostomy.
You may need a permanent ileostomy if your large intestine needs to be removed, or your anus stops functioning due to a severe condition. Reasons you may need a permanent ileostomy may include Crohn’s disease, #colonic dysmotility, ulcerative colitis, familial #polyposis, and some #cancers. You will probably need an end stoma for the permanent ileostomy.
Caring for ileostomy
Caring for your ileostomy almost entirely involves the use of the ostomy pouch. For this purpose, you may be looking at a wide range of options to pick the one that fits your requirements and lifestyle. You will be able to purchase ostomy supplies from local medical supply stores or by ordering online.
Living with an ileostomy
All you need is to remain motivated to get back to your healthy self after ileostomy #surgery. Once your bowel recovers, you will be able to live normally. A few aspects of living with an ileostomy are worth mentioning here.
• Unless your job requires you to lift heavy objects, you should be able to return to your workplace. There will undoubtedly be some changed in your routine due to pouching requirements, but effective management won’t let these interruptions affect your work. You may also talk to your employer and coworkers about your ileostomy.
• Having an ileostomy doesn’t mean that you are going to have to say goodbye to your social life. You may be concerned about the leakage and odor, but the good news is that modern-day ostomy supplies prevent leakages and odors in the best possible way.
• The location of the ileostomy is just above the beltline, meaning that you can wear anything you want. Ostomy appliances remain flat with the belly. You can also wear an ostomy belt to keep your ostomy appliance snugly in place.
• You can resume your physical training regimen after ileostomy surgery. You are going to have to allow your bowel to recovery, though. You can play all sports, but make sure that they do not involve lifting too heavy objects because it can cause harmful stress on your stoma. You can talk about it with your doctor or ET.
• You may have to commit to a selected diet plan right after surgery, and continue with it until your bowel fully recovers. Once your bowel heals, you can start introducing your favorite foods back into your diet.
It is best to remain in touch with your #ostomy care nurse and doctor. Managing an ileostomy is not hard. You just have to have the right information. Your doctor and ET are the authentic sources that can provide you the accurate information about how to live with an ileostomy or any other kind of ostomy.
Chapter Business Procedure
CPS Gold
College/Postsecondary Gold medalist team from Canadian Valley Technical Center-El Reno (Okla.). From L to R: James Watson, Cynthia Chavez, Matthew Rivera, Connor Todd. (Not pictured: Zane Chandler.)