I suppose I have been driving up and down the A143 for the last 33 years, and I have noticed the sign to Mendham the very first time I drove down there, as Mendham was also the surname of one of the Norwich City players at this time.

 

But it wasn't until a friend posted a shot of the church from the air, that the thought of visiting it entered my little head. (www.flickr.com/photos/john_fielding/)

 

Anyway, I turned off the main road into the lane that leads to Mendham, the lane shrinking to a width of just wider than the car, before it plunged down a valley side to the now dry water meadows before a bridge took me over the river and from Norfolk into Suffolk.

 

The church was at the entrance to the village, guarded by a pillbox, looking over the lane now, but 75 years ago would have covered fire on the lane and bridge that spans the mighty river Waveney, which must be some ten feet side at this point.

 

The church was open, and despite the gloomy day, I could see lots of interest, including a blocked squint, but not too sure about that east window, but then I'm no expert.

 

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(Introduction: In 2007, I started revisiting the churches of Suffolk. It was interesting to look back at what I'd written when I'd first come this way. Back then, by the time I got to Mendham in 2002, the journey was almost complete. Here, and on the entry for neighbouring Weybread, there is a demob-happy irreverence which suggests I was happy for the journey to be coming to an end. In truth, I think I was exhausted, and it would actually be another year before I started on Norfolk. But that was in the future. I came to Mendham in the days before I owned a digital camera, which was the main reason for going back. Apart from replacing the old photographs and adding lots of new ones, I have left the account pretty much as I wrote it in 2002. This entry seems to have an uncharacteristic number of side-swipes at other villages, and the Countryside Alliance, who were at that time making themselves rather unpleasant. Perhaps they have been proved right, who can say? Anyway, this is what I wrote.)

 

2002: Mendham, for me, is synonymous with civilisation. I had come here from Bungay, one of my favourite East Anglian towns, and I had made the choice there to travel onwards on the Suffolk side of the Waveney, even though the more direct trip on the Norfolk side would take me through Earsham and Redenhall. This was because I wanted to visit Flixton, where the 19th century church of St Mary is a direct copy by Salvin of the Saxon church at Sompting in Sussex. Out of Flixton, I could stay on the main road, or try and take a short cut through the Saints.

Now, anyone who knows Suffolk will tell you that no one takes a short cut through the Saints. This elaborate maze of twelve villages is connected by threadlike roads without name, direction or purpose, that lead you into farmyards and then peter out, or double back on themselves, so you see yourself across the fields trying to get to somewhere other than the place where you are. The Saints were created by a Zen Buddhist God to demonstrate the futility of life.

 

But I ambled on, aiming for the easily recognisable tower of the church of St George, South Elmham St Cross, which would lead me to my intended destination. The road lurched and dipped, straining to throw me off down some unmarked byway, but I held to my course. I had a map, a sense of direction, and would not be diverted from reaching St George. And then I got there, and it turned out to be South Elmham St Peter.

 

I stopped for a moment, exasperated. Looking at the map, it was easy to see where I had gone wrong (they do this to you, the Saints, they point out your inadequacies) but I was now 4 miles further east than I should have been. I found a lane that led me down into South Elmham St Margaret, and resisted the temptation to head off of this road, which was the correct one.

 

Okay, then I didn't. I was going to stick to it, but a sudden lane pointed to St Cross. So I took it. Instantly, it narrowed, dipped, and sent me hurtling into a tunnel overgrown with hawthorn. The road surface disappeared under a sea of mud, obviously left over from the winter ploughing. My bike cheerfully sprayed the slurry all up the front of me. Now, I'm a reasonable man - well, mostly. But I have no time for the Countryside Alliance mob, and howled in execration, something along the lines of "----ing farmers, why can't they keep their mud on their ----ing fields where it belongs", which caused mild consternation to the donkey skulking under a tree at the bottom of the dip.

 

I climbed up the other side of the valley - and at the top of the rise there was a proper road, and a sign saying Mendham 2 and I knew I was free. With a cry of "YES!" I headed on into Mendham, a large and civilised place, which was birthplace and home to the artist Sir Alfred Munnings. Right beside the Waveney sits the pretty church of All Saints in a delightful graveyard.

 

The first impression is a neat, substantial building, and indeed this is a major 19th century restoration that was done well. The 14th tower is slightly older than the body of the church it stands against, but the chancel is late 19th century. The going over the rest of the church received 20 years earlier was at the hands of our old friend Richard Phipson, and the headstops on the porch will instantly remind us of his contemporary work at St Mary le Tower, Ipswich.

 

It is a big church, and the inside is pretty much all the work of Phipson in his 'see, I can be surprisingly creative when I try' period. So it is very Victorian, although I thought the roof angels were superb despite this. They bear shields with a complete set of Passion symbols. The chancel arch is very striking, being wooden, and based on a pair of arch braces. There is a fine memorial to William Godbold, as well as a number of lovely brasses to the Freston family, which don't seem to get mentioned in books on the subject. Best of all, I think, is the 1880s east window by Ward and Hughes depicting the Ascension.

 

Mortlock thought the painting of the Presentation in the Temple was probably Venetian, dating from the early 17th century. In general, this is a crisp, spare, simple interior, a cool place to pause in the middle of a busy journey.

 

Back outside again, the graveyard has something that no other graveyard in Suffolk has. The western edge drops straight into the Waveney, and against this edge is a pill box, a machine gun emplacement from the Second World War (or, at least, I'm guessing it was built to repel Nazi invaders, rather than anything that might come across from the Norfolk side).

 

My next port of call was Weybread, just three miles away - but five if I stayed in the narrow winding lanes on the Suffolk bank, so I took a deep breath, screwed up my courage, and crossed the river into Norfolk.

  

All Saints, Mendham, is situated between Bungay and Harleston, Norfolk, just south of the border. I found it open.

 

Simon Knott 2002 (revised and updated 2007)

  

www.suffolkchurches.co.uk/mendham.htm

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edham, adjoins east to Brockdish, on the great road; and is originally a hamlet and chapelry to Mendham, which is a very extensive place; the parish church stands just over the river, and so is in Suffolk; but this hamlet and the adjacent part between it and the parish church, on the Norfolk side, were no less than two miles and five furlongs long, and seven furlongs broad, at the Conqueror's survey, and paid 7d. to the geld or tax; and the part on the Norfolk side (exclusive of the bounds of this ancient hamlet) was called Scotford, or the part at the ford, (over which there is a good brick bridge built, called Shotford bridge at this day,) and for many ages had a rector presented to it, who served in the church of Mendham, by the name of the rector of Shotford portion in Mendham.

 

Part of Herolveston or Harleston then belonged to Mendham also; and now, that part of the town opposite to the south side of the chapel, on which the publick-house called the Pye stands, is in Mendham.

 

Mendham parish church is dedicated to All the Saints, and was originally a rectory, one turn of which, was in Sir William de Huntingfield, founder of the priory here, to which he gave it, and the other in Sir Thomas de Nedham, who gave it to William Prior of the Holy Trinity at Ipswich, and the convent there, to which it was appropriated by Thomas de Blundeville Bishop of Norwich, in 1227, when the vicarage was settled to consist of a messuage and 24 acres of land, 6 acres of meadow and marsh, with all the alterage belonging to the church, and the tithes of the mills, hay, turf, and fish, and all sorts of pulse, and 10s. per annum rent; viz. from the Lady Eve de Arches half a mark, &c. (fn. 1) and the said Prior was to pay all dues to the bishop and archdeacon, except synodals; (fn. 2) and Henry de Diss, chaplain, the first vicar here, was presented by the Prior of Ipswich. The account of this church in Norwich Domesday is thus; the Prior of the Holy Trinity of Ipswich hath the moiety of the church of Mendham, appropriated to his convent, and hath a house and two carucates of land, and receives the tithes of the demeans of Sir Thomas de Nedham; this was valued formerly at 15 marks. The Prior of Mendham hath the other moiety, and receives the tithes of Sir William de Hunting field, and his moiety is valued at ten marks. Sir Thomas de Clare is patron of the third part, which the vicar holds of the fee of Cockfield, and is valued at tive marks.

 

The chapel of St. Peter at Nedham was in all probability founded by the Nedham family, and most likely, by Sir Thomas de Nedham himself, for his own tenants; and being so far from the mother-church of Mendham, was made parochial, and hath separate bounds, officers, administration of sacraments, and burial; it is under the episcopal, but exempt from the archidiaconal jurisdiction; for it pays neither synodals, procurations, nor Peter-pence: and in 1329, a perpetual composition and agreement was made between the parishioners of the mother-church of Mendham, and those of the chapel of Nedham; by which, in lieu of all reparations and dues to the parish of Mendham, they agreed to pay 18d. every Easter-day, towards the repairs of Mendham church, as an acknowledgment that they were members of it. In 1411, the parishioners of Nedham, complained to Pope John XXIII. that their chapel was not well served, though the Prior of Mendham was well paid his tithes; upon which, a bull directed to Alexander de Totington Bishop of Norwich, issued; (fn. 3) commanding him to oblige the Prior of Mendham to find, and give security to him, that that convent would always find a parochial chaplain resident in Nedham, well and duly to serve the chapel there: and ever since, the impropriator of Mendham nominates the parish chaplain. In 1603, it was returned that

 

Mr. Andrew Wily, clerk, was curate, that there were 220 communicants, and that it was an impropriation; the herbages being reserved for the maintenance of the minister, who hath now the vicarial tithes, amounting to about 14l. per annum, for which it is served once every fortnight;

 

The Rev. Mr. John Tracey being the present curate.

 

The steeple is round at bottom and octangular at top, and hath four bells in it; the south porch and nave are tiled; there are several stones, but none with inscriptions on them, all their brasses being reaved: the chancel was wholly rebuilt in 1735, of brick, and tiled (though less than the old one was) by William Freston, Esq. who is interred in it; for whom there is a mural monument on the south side, with the

 

Crest of Freston, viz. a demi-greyhound arg. collared sab. and his arms,

 

Az. on a fess or, three leopards heads gul. which were first granted to the Frestons of Yorkshire, (fn. 4) impaling

 

Kedington, and this inscription,

 

Memoriæ sacrum, Gulielmi Freston de Mendham in Agro Norfolciensi, Armigeri, qui ex hac Vitâ demigravit 26° Die Oct. A. D. MDCCXXXIXo. Ætatis LVo. Et Margarettæ Uxoris Charissimæ, Filiæ et Herædis Henrici Kedington, Armigeri, quæ nimio ob Mariti obitum indulgens Dolori, Die 2do. Julij animam efflavit Anno Dni. DCCXLIo. Ætatis LIo. Vincula Amoris inter eos arctissima ut ad Amorem mutuum nihil posset accedere. Ex his nati sunt octo Liberi, Quorum sex jam Superstites; Maria Filia natû maxima, 20° Die Mensis Junij mortem obijt A. D. MDCCXL. Æt. XVII. Et in hoc Adesto (cum Johanne Fratre Infantulo) humata jacet. Hoc Monumentum Pietatis Ergo Coke Freston Filius natû maximus posuit.

 

Anno Domini MDCCXLVI.

 

This chapelry hath a lete held in it by the Duke of Norfolk's steward, it being in his Grace's liberty, who is lord paramount in right of his hundred of Earsham, over all the Norfolk part of Mendham; and in 1285, Roger Bigot, then lord of the hundred, had free-warren allowed him here.

 

The abbot and convent of Sibton in Suffolk had a fishery, and water-mill called Fryer's Mill, in this place; (fn. 5) which was let with their grange and manor of Weybrede in Suffolk; which in 1611, belonged to George Hering of Norwich.

 

This hamlet originally belonged to the Abbot of Bury, (fn. 6) and was infeoffed by one Frodo at the Conquest, whose descendants took the sirname of Nedham, and contrary to the common rule, gave their name to this place; it should seem that the family extinguished in several heiresses, by the many parts or manors it was divided into; and now there are four manors still subsisting here.

 

The first is a very small one, called Sileham Comitis, ex Parte Norfolk; and was originally part of the Earl's manor of Sileham, from which it was separated, and now belongs to Mr. James Bransby of Shotesham.

 

The second is called Denison's, or Denston's manor: this was given to the priory of Mendham, to which it belonged till its Dissolution.

 

This monastery was founded in King Stephen's time, by Will. son of Rog. de Hunting field, with the approbation of Roger his son and heir, who gave the whole isle of Mendham, called Medenham, or the village of meadows, to the monks of Castleacre, on condition they should erect a church of stone, and build a convent by it, and place at least eight of their monks there: in the place called Hurst, or Bruningsherst, being then a woody isle on the Suffolk side of the river; accordingly, monks being placed there, the founder ordered that they should be subject to Castleacre monks, as a cell to that house, in the same manner as Castleacre itself was, to the monastery of St. Pancras at Lewes in Suffolk; and that to the church of Cluni or Clugny in France: but after the death of the founder, the Prior of Castleacre covenanted with Roger de Hunting field his son, (who was also a great benefactor,) to maintain at least eight monks at Mendham, and not to depose the Prior there, unless for disobedience, incontinence, or dilapidations of the house.

 

Their founder gave the whole island of St. Mary of Mendham, with Ulveshage and the Granges there; and many other lands, rents, and homages; and all his lands in Crochestune, and his homagers there, which were all to be employed by the Prior, to the maintenance of Mendham monks, except half a mark of silver to be paid yearly to the priory of Castleacre, as an acknowledgment of their depending as a cell to that monastery; (fn. 7) he gave them also, St. Margaret's church at Linstede, and St. Peter's there; the moiety of the church of Trideling; an aldercarr and 11 acres by the mill, of Thomas de Mendham; and the third part of the tithes of his demeans in Suttorp; and 5s. rent in Bradenham; together with all his right in the church of Mendham: to all which, William the Dean of Redenhall, and others, were witnesses. And Stephen de Saukeville released all his right in Hurst. In 1239, Richard son of Benedict, after his decease, settled a messuage and 60 acres of land on this priory. In 1386, Sir Robert de Swillington, Knt. Sir Roger Bois, Knt. John Pyeshale, clerk, and Robert de Ashfield, settled the patronage of this monastery, on Isabel Countess of Suffolk. This house and all its revenues, were given by King Henry VIII. together with the lands of the dissolved priories of Ankerwick in Lincolnshire, and Little Marlow in Buckinghamshire, to the then newly restored monastery at Bisham or Butlesham in Berkshire, in 1537, (fn. 8) by way of augmentation to the value of 661l. 14s. 9d. per annum for the maintenance of an abbot and 13 monks of the Benedictine order. But that monastery was short-lived and soon fell; and this house, &c. in 1539, was granted to Charles Duke of Suffolk, and with it, this manor of Denston's, which, 2d 3d Philip and Mary, was conveyed to Richard Freston Esq. and Anne his wife, and he was lord of it in 1567; and it continued in his family some time: it now belongs to Mrs. Frances Bacon of Earlham, widow.

 

The prior was taxed for all his temporals in Mendham on the Norfolk side, at 4l. 12s. 11d.

 

From the rolls of this manor, I find the following Priors of Mendham, to have kept courts here.

 

1239, John. 1250, Simon. 1336. Nic. Cressi; he died this year, and Sir Rog. de Hunting field, patron of the priory, kept a court during the vacancy.

 

1340, John de Waltun; succeeded in 1342, by Henry de Berlegh. 1353, William. 1382, John de Tomston. 1400, Robert. 1420, John Betelee succeeded. 1449, Sir Tho. Rede. 1487, Sir Tho Pytte. 1501, Sir Tho. Bullock. 1523, Simon. Robert Howton, sub-prior, and Sir Ric. Pain, monk.

 

The third manor is called Bourt's and was owned by Daniel Bourt in 1345, and after by John le Straunge and Thomas de Hales, who held it at half a fee of the heirs of Roger de Hunting field; it after belonged to the Grices of Brockdish, for which family I refer you thither. In 1600, Thomas Pawlet, Esq. conveyed it to Thomas Leigh and John Godfrey; and it now belongs to Sir Edmund Bacon of Gillingham, Bart.

 

The fourth manor is called Gunshaw's, which see at p. 348.

 

To this hamlet, joins the aforesaid portion of Mendham, called

 

Shotford in Mendham,

Which contains two manors, called Whitendons, or the Whitehills, and Seameares, each of which originally presented alternately to the portion of Shotford in Mendham church.

 

Rectors of Shotford portion.

 

1317, Ralf son of Sir William de Ingham, accolite. Lady Maroya, relict of Sir John de Ingham, Knt. for this turn

 

1318, Walter of Ipswich, priest.

 

1328, Jeffry de Swanton.

 

1332, Roger Nicole, priest. John son of Robert de Ingham, attorney to Sir Oliver Ingham, Knt.

 

1339, Roger de Hempstede.

 

1347, Robert at Wode. Lady Isabel Queen of England.

 

1349, Giles Arches of Mendham, to the rectory of the third part of the church of Mendham, called Shotford portion in Norfolk. Sir Roger Lord Strange of Knokyn, Knt. He resigned in 1350, and the Lady Joan le Strange gave it to

 

Robert de Harwoode; afterwards the noble Sir Miles Stapleton, Knt. having the whole advowson, gave it to Mendham priory; and on the 3d of July, 1385, it was appropriated to the monastery of the blessed Virgin Mary at Mendham, and no vicarage ordained, so that the Prior received all tithes whatever of the whole portion, paying a pension of 6s. 8d. yearly to the Bishop, and finding a chaplain to perform a third part of the service in Mendham church: which service was after turned into that of a chantry priest, who was to officiate in St. Mary's chapel on the east side of Mendham churchyard; and that service ceased in Edward the Sixth's time, and the chapel was granted by the Crown into lay hands, and is now used as a malt-house.

 

The manor of Semere's

 

At the Conqueror's survey, belonged to Roger of Poictou, third son of Roger de Montgomery Earl of Arundel, and was held in the Confessor's time by a freeman named Ulfriz: (fn. 9) it was then valued at 10s. and after at 20. It divided into two parts, one belonged in 1311, to Alice and Edmund de Sancto Mauro or Seymor, Knt. and Joan his wife, from which family it took its name: this Sir Edmund, in 1335, infeoffed it with the manors of Sileham and Esham, and their advowsons, in Sir John Wing field, Knt. as trustee; and Laurence Seymour, parson of the united churches of Sileham and Esham, and Ralf his brother, released all their right; and the next year, Sir John released them to John son and heir of Sir Edward Seymour, Knt. It appears, that in 1291, John de Brampton held the other part of Elizabeth de Ingham at half a fee, and that it then divided, the one half continuing in the Inghams, of which Sir John Ingham, Knt. was lord, and Maroya or Mariona, his widow, in 1217. In 1331, Sir Oliver Ingham, Knt. and it passed with that family, till Sir Miles Stapleton gave it to Mendham priory, when it became joined to Denston's in Nedham. The other part, now Semere's manor, was sold to Sir John Wingfield by Laurence de Seymor; and in 1349, John Garlek and Sara his wife conveyed their third parts of Sileham, Esham, and this manor, and their advowson, to him. In 1401, Edw. Hales was lord; in 1551, it was sold to Henry Floteman, and it is now owned by John Kerrich of Bury M. D.

 

Whitendons, or Wichendons manor,

 

Belonged to Humfry, a freeman of Edric's in the Confessor's time; and to Robert Malet, lord of the honour of Eye, in the Conqueror's; (fn. 10) it after belonged to a family sirnamed De Arcubus; and in 1226, William de Arches and Eve his wife gave it to the Priory of the Holy Trinity at Ipswich; in which house it continued till its dissolution, when it came to the Crown, and the first year of Edward VI. 1546, he granted the advowson of Sileham and its appurtenances, this manor of Wichendon, and all the tithes and glebes, in Mendham, Nedham, and Metfield, late in the tenure of Richard Freston, Esq. to the said Richard and his heirs; (fn. 11) who upon this grant, came and settled in the manor-house here; and his descendants have continued in it to this time.

 

This Richard, in 1534, (fn. 12) appears to be treasurer, and a great favourite of Charles Brandon Duke of Suffolk; and an intimate acquaintance of Sir Rob. Budde, who was master of Wingfield college, and chaplain to his grace; and by his interest it was, that he obtained several great grants from the Crown; (fn. 13) among which, he had Denston's manor in Nedham, and many lands belonging to Mendham priory: he was afterwards knighted, and lies buried with Dame Anne Coke his wife, in Mendham chancel, for whom there is a monument against the east part of the north wall, with the arms of Freston impaling Coke, which shows that he outlived his wife, and died in 1557; and was succeeded by

 

Richard, his son and heir, who married Cecily, daughter of Thomas Felton, Esq.; (fn. 14) she lies buried in the chancel, under a stone, on which is her effigies, and the following inscriptions in Roman capitals on brass plates:

 

Cecilia Freston, (fn. 15) Filia Thomæ Felton Arm. Uxor dicti Ricardi, viro Amore Charissima, habuerunt sex Filios et 2 Filias et obdormivit in Domino 6 Sep. 1615. Christus mihi Vita.

 

An adjoining stone hath the arms of Freston with a mullet, impaling Felton, and his image in brass, and this,

 

Ricardus Freestone Armiger, (fn. 16) vir singulari Pietate, Eraditione, et Integritate, qui obdormivit in Domino 27 Nov. 1616. mors mihi lucrum.

 

William Freston, Esq. their eldest son, inherited; and in 1620, settled the manor on Alban Pigot, Esq. with the patronage of Nedham chapel; and the same year, Sir Robert Heath, Knt. recovered it against Pigot, and conveyed it to Freston again; he died soon after, and

 

Richard his brother inherited, and died seized of this and Denston's manor in 1634; (fn. 17) he is buried under a stone in the chancel, with his crest and arms, impaling in fess, an inescutcheon, on which a plain cross between three crosslets formy fitché, the sharpened parts pointing towards the inescutcheon; and on a brass plate this,

 

Animam Creatori, Marmoreo presenti Monumento, Ricardus Freston (dum vixit, in Agro Norfolciensi Armiger) Corporis Reliquias, amicis omnibus sui desiderium, 20 Dec. A. D. 1634, reliquit, non procul a cujus dextrâ, Pater Materque ejus requiescunt. Vitam vixit summâ cum Pietate, tum morum probitate, laudabilem Amicitiam magnâ cum Sinceritate coluit.

 

By this lies a stone with Freston's arms single.

 

Hic jacet Corpus Richardi Freston Armigeri, Filij Richardi Freeston de Mendham in Agro Norfolciensi Armigeri, qui hinc translatus est ad supera, Flore Juventutis suæ, vir summis dotibus Animi et Corporis, recumbens in Christi merita, obijt 14 Augusti 1648.

 

Anthony Freston, brother of the said Richard, (fn. 18) was buried Oct. 13, 1655; Lydia his wife lies buried in the chancel under a stone, with the arms of Freston impaling on a chief indented, two hands cooped at the wrist.

 

Ledia Wife of Anthony Freston, younger son of Richard Freston Esq; ob. 22 Mar. 1651.

 

Anthony, son of the said Anthony, married Bridget, (fn. 19) daughter of Henry Coke, Esq. of Thorington in Suffolk, and Margaret Lovelace his wife; which Henry was son to Sir Edward Coke and Dame Bridget Paston his wife, and had a daughter,

 

Penelope, late wife of John Smith of Cratfield in Suffolk, buried here in 1681, æt. 51, whose marble lies in the altar rails, and hath

 

Smith's crest, viz. an arm cooped at the shoulder, holding a chaplet; the arms are, Barry of six arg. and sab. in chief three barnacles of the 2d, (which coat was granted to the Smiths of Lincolnshire,) quartering a chevron ingrailed between three garbs, and a lion rampant impaling Freston.

 

Eliz. Daughter of Anthony Freston Esq; and Bridget his Wife, was buried May 4, 1716, æt. 62.

 

Theophila their youngest daughter, married James Rant, Esq. and is buried here with this,

 

Hic jacet Sepulta Theophila Uxor Jacobi Rant Armigeri, Filii natû quarti, Gvlielmi Rant de Yelverton in Com. Norf. Armigeri, et Elizæ. Uxoris secundæ: Theophila prædicta, minima natû Filia fuit, Antonij Freston de Mendham in Com. Norf. Armigeri, et Brigidæ Uxoris ejus, E Vitâ excessit 12° Die Aprilis A.D. 1721, Ao Æt. 55. Duos Filios superstites reliquit, viz. Frestonum et Gulielmum.

 

Si quæris, Lector, qualis sub marmore dormit Fœmina! Scito brevi, casta, benigna, pia.

 

Rant's arms as in vol. i. p. 204, impaling Freston.

 

Over the south chancel door is a mural monument thus inscribed,

 

Beneath this Monument lyeth interred the Body of Edward Freston, Gent. youngest Son of Anthony Freston of Mendham in the County of Norfolk, Esq; and Bridget his Wife, Daughter of Henry Coke of Thorington in the County of Suffolk, Esq; he died 28 Day of Dec. 1708, Ao, Æt. 43. As also the Body of Elizabeth the Wife of Edward Freston, and Daughter of John Sayer of Pulham St. Mary the Virgin, in the County of Norfolk, Gent. she died the 25 Day of Sept. 1727, Ao Æt. 55.

 

Freston's crest and arms, impaling Sayer, as at p. 31, vol. iv. and crest on a cap of maintenance, a dragon's head erased vert.

 

Another monument more west, against the south wall, hath the arms of Freston impaling,

 

Cooke, or, a chevron ingrailed between three cinquefoils az. on a chief of the 2d, a lion passant guardant az.

 

M. S. Sub hoc marmore conditæ sunt reliquiæ Richardi Freston, Arm. hominis adprimè pij; mariti Uxoris amantissimi, Parentis, propitij, et clementis Domini: Vis plura Lector? Scies, hoc Monumentum a Maria Uxore ejus, Filia viri colendissimi, Domini Gulielmi Cooke, in Agro Norfolciensi, quondam Baronetti; Amoris et Pietatis Ergo extructum, ut omnes qui huc venient et intuentur, tam clari exempli memores sint et æmuli, et Vitâ cum eo fruantur æternâ, obijt 22 Junij 1721, æt. 68.

 

William Freston and Margaret Kedington his wife, who are buried in Nedham chapel as before, left this manor, impropriation, and a good estate, to

 

Coke Freston, Esq. their eldest son, who now owns them, and dwells in the site of the manor, called Wichingdon-hall.

 

In the Suffolk part of Mendham, there are four manors; the first is called

 

Mendham's-Hall, or Mendham-Hall,

 

From the ancient lords of it, who took their sirname from the town: it originally belonged to the Abbot of Bury, and was infeoffed by Baldwin Abbot there, in Hugh de Vere, of whom Nicholas de Menham had it; in 1205, William de Mendham, and in 1239, Benedict son of Serlo de Mendham conveyed a messuage and 10 acres to the prior of Ipswich, who had obtained in 1230 a release from Robert Byhurt, of all his right in Mendham advowson. In 1285 Thomas de Mendham, who was lord also in 1306; in 1312, John de Mendham had it; in 1318, John son of John de Mendham, and Christian his wife, sold it to the lord of

 

Kingshall in Mendham, (fn. 20)

 

To which it hath been joined ever since. This manor belonged to the King, according as its name intimates, and was settled by Edw. I. on Queen Eleanor his first wife, after whose death it came to the Veres Earls of Oxford; and Sir Robert Vere, in 1314, sold it to Sir John de Fresingfield, Knt. son of Seman de Fresingfield; at which time, Robert son of John de Mendham, released to him all right in Mendham's-Hall manor; and in 1317, Sir John sold them to Sir Walter de Norwich, Knt. and his heirs, the Earl of Oxford releasing all right; Sir John de Insula, or L'isle, Sir John de Foxele, and Sir John Abel, Knts. Barons of the King's Exchequer, Sir John Muteford, justice of the King's Bench, and others, being witnesses. In 1353, Sir John de Huntingfield held those manors late of Thomas Earl of Oxford, at half a fee. In 1363, it was presented that William de Huntingfield held the river Waghene as a separate fishing, from Mendham bridge to King's-hall mill, and that he had the fishery there, as belonging to his manor of King's-hall. In 1369, Will. de Huntingfield held it for life; and in 1370, John Deyns, rector of Toft in Lincolnshire, and Richard Wright of Holbech, chaplain, his trustees, released to Roger de Huntingfield, who, with his trustees, John de Seckford, parson of Somercotes, John de Linstede, parson of Cawston, Tho. Horne, rector of Huntingfield, and others, soon after, settled them on Mendham priory: in which they continued to its dissolution, and then were granted to Charles Brandon Duke of Suffolk, and his heirs, by King Henry VIII. in 1540, along with the lete of Metfield, and

 

The manor of Mendham Priory,

 

Which was given to it by its founder. They after belonged to the Frestons, and in 1551, Richard Freston was lord; in 1619, Sir Thomas Holland of Quidenham, Knt. sold to Edw. Ward of Mendham in Suffolk, Esq. the site of Mendham priory manor, now called Mendham'shall, &c. Kings-hall meadow, &c. the park, the manor of Mendhamhall, &c. with the letes thereto belonging, situate in Mendham, Withersdale, and Waybrede; all which, he purchased of Anthony Gosnold of Clopton, Esq. Anthony Gosnold of Swillington, Gent. Robert Gosnold of Ottley in Suffolk, Esq. Thomas Laurence of St. James's in S. Elmham, Gent. Michael Wentworth of Rogersthorpe in Yorkshire, Esq. Thomas Wales of Thorp in Norfolk, yeoman, and Loye Browne of Norwich: and the said Thomas, and Dame Mary his wife, sued a fine, and passed a recovery to the use of the said Edward Ward the elder, and his heirs; together with the fishery in the river Wayveneth. It came afterwards to the Baxters, and thence to the Gardiners of Norwich; and was sold by Richard Berney, Esq. recorder of Norwich, executor to Stephen Gardiner, Esq. late recorder there, to the Rev. Mr. Thomas Whitaker, late rector of Fresingfield, whose widow now owns them. They have a lete here, and another in Metfield, belonging to them; they give dower, and the eldest son is heir.

 

I find the following memorials relating to the Baxters in this church:

 

Depositum Stephani Baxter Generosi, qui decessit 12 Die Sept. 1696, æt. 79,

 

On a neat mural monument are the arms of

 

Godbold, az. two long bows in saltier or. Crest, an arm cooped at the shoulder az.

 

M.S. V. C.mi. D. Gulielmi Godbold Militis, ex illustri et perantiquâ Prosapiâ oriundi, qui post septennem peregrinationem, animi excolendi Gratiâ, per Italiam, Greciam, Palœstinam, &c. in solo natali in bonarum Literarum Studijs consenescens, morte repentinâ obijt Londini, Mense Aprilis Ao MDCXIIIC. Ætatis LXIXo. Hoc Monumentum designavit vir integerrimus, et sinceræ Probitatis Exemplar, Thomas Baxter Generosus, quem Testamenti sui Curatorem instituit; ipso autem Thomâ, morte subitaneâ perempto, collapso super eum Equo, nocte intempestivâ et tenebrosâ. IIII Calendas Septemb. MDCXC. Franciscus Gardiner de Civitate Norwicensi Armiger, ejusdem Thomœ Baxter sororis maritus, et Testamenti Curator, posuit. Baxter with a label of three, (see p. 212,) impaling D'eye, as in vol. ii. p. 345.

 

Hic reposita, beatam præstolatur Resurrectionem Fæmina, Pietate et Virtute insignis, Elizabetha Filia Thomœ Dey, de Insula, sive Eay in Agro Suffolciensi Armigeri, Uxor Thomæ Baxter de Mendham in eodem Agro Generosi, cui prolem edidit Masculam unam, alteramque fœminam, Quarum utramque ipso die lustrico et renata simul et denata est, annos nata triginta sex, nupta plus minus septendecem; obijt 27 Dec. 1681.

 

The next manor here, is called

 

Walsham-Hall,

 

From Gilbert de Walsham, who held it of the Abbot of Bury in the time of King Ric. I. at one fee; and lately it belonged to the Hobarts, who lived in the site of it, till Anthony Hobart, Gent. sold it to Mr. Robert Bransby, senior, of Shotesham, who sold it to Mrs. Sarah Woogan, wife of the Rev. Mr. Holmes, rector of Fresingfield, who now owns it.

 

I find the following account of the Hobarts buried here:

 

In the chancel on brass plates, Hobart's arms with a label of three.

 

William Son of James Hobart of Mendham Esq; died 9 March 1641. aged 3 Months.

 

Hobart with a crescent, on a stone at the east end of the nave, part of which is covered by a seat.

 

Hic expectant Christi adventum relliquiæ Jacobi Hobart Arm. (Filij unici Edwardi Hobart, dum vixit de Langley in Agro Norfolciensi Armigeri) qui Vitâ per 57 annos, piè justè, et sobriè peractâ, Patriam repetijt 20 Aug. Ao 1669: Cujus fœlici memoriæ, castissima illius Uxor, Brigetta (Gulielmi Spring, nuper de Pakenham Suffolciâ Militis Filia,) hoc &c.

 

An adjoining stone hath the arms of Hobart impaling Spring, as at vol. ii. p. 485.

 

Resurrectionem in Christo hic expectat Brigetta, Jacobi Hobart Arm. Relicta, Filiaque Gulielmi Spring nuper de Pakenham in Agro Suffolciensi Militis, quæ dum vixit Pietatem coluit et 26° Die Jan. placidè in Domino obdormivit A0 Sal. 1671.

 

Vivit post Funera Virtus.

 

On a black marble in the south isle,

 

Hic jacet Jacobus Filius et Hæres, Jacobi Hobart nuper de Mendham, Armigeri, ultimo Die Martij ad Cœlestem Patriam emigravit Ao Xti. 1673, æt. 23.

 

Animam Cœlo, Corpus humo reddidit.

 

Miles another Son, buried Jun. 8, 1686.

 

Edward Hobart, Esq; Son of James Hobart of Mendham, Esq; did 4 Nov. 1711, æt. 60. James his eldest son died 7 Aug. 1676, æt. 1 Mens. Sarah a Daughter 1689. Thomas a Son 1698, æt. 1 An. And John, Anthony, and Elizabeth, other Children buried here, and Lydia a Daughter in 1691.

 

Lydia Daughter of Edward Hobart Esq; and Penelope his Wife, died 31 Oct. 1680, æt. 1 An. 7 Mens.

 

Her Time was short, the longer is her Rest, God calls them soonest, whom he loves best.

 

There is an under manor or free-tenement, called Midletonhall, in this town, which belongs to Mrs. Whitaker, and is a good old seat; here Richard de Midleton lived in 1373, and William his son in 1390, who was succeeded by William his son; on whose marriage in 1392, it was settled on Margaret his wife, with estates in South-Elmham and Redenhale: this family always sealed with a fess erm. between three croslets; and it continued in it a long time. In 1457, William Midleton owned it, and Robert Midleton in 1467, who lived here in 1491. In 1558, Henry Reppes of Mendham died seized of it, and of Thorney manor in Stow in Suffolk, and gave them to Anne Wodehouse, alias Reppes, for life, with remainder to John Reppes, son of his brother Francis, remainder to John Reppes his brother, &c. In 1562, Ric. Whetley, rector of Homersfield, leased his rectory to Bassingbourn Gawdy of Midleton-hall in Mendham, Esq. by whom it was sold, and so became joined to the other manors.

 

There is an ancient seat here called Oaken-hill, (but no manor,) in which the family of the Batemans have resided ever since the time of William Bateman Bishop of Norwich; and William Bateman, only son of William Bateman, Gent. of Mendham, lately deceased, now dwells there: (see vol. iii. p. 506;) most of this family have had the christian name of William, ever since the Bishop's time.

 

Mendham church is a good building, with a square tower and five bells; having its nave, two isles, and south porch leaded, and chancel tiled, in which are the following memorials, besides those already taken notice of:

 

In the north isle window, France and England in a bordure gul. impaling or, an eagle displayed sab. quartering Morley.

 

And this on a stone,

 

M. S. Aliciæ Filiæ Henrici Borret de Stradbrook in Agro Suffolciensi Generosi, ob. 4 Oct. 1690, æt. 49.

 

Expectans ultimum Sonum Tubæ.

 

On a mural monument against the north chancel wall,

 

In medio hujus-ce Templi Tramite, juxta Cineres matris suæ Pientissimæ, Theop. Rant, suos etiam voluit deponi Frestonus Rant Armiger, cum quo unà sepeliuntur Urbanitas, et suavissima Facetiarum copia, cum quo unà abripiuntur ditissima placendi vena, animusque arctioris Amicitiæ necessitudini accomodalus, Hoc Juvene adempto, vix alterum reperies, aut literarum Scientiâ præcellentiorem aut humanitate Parem, cum difficilem Legis Angliœ Doctrinam, universum ferè Quinquennium apud Hospitium Grayense Studio sanè Laudabili prosecutus est, acerba suis, luctuosa sodalibus, gravis omnibus, labori vitæque mors Finem imposuit 23° Sept. Ao 1728, æt. suæ 27°. Et Luctûs et Pietatis Monumentum, Pater suus amantissimus, Jacobus Rant Armiger, hoc marmor posuit.

 

James Rant, Esq. his father, is since dead, and buried by him, and Will. Rant, Esq. his only surviving son, now lives in MendhamPriory, which is situated just by the river Waveney, about five furlongs south-west of the church, where there is a good old chapel still left, which is kept clean and neat; but there is no manor remaining with the site.

 

In the chancel,

 

Tirrel impales a chevron between three stags passant. James Tirrel Esq; May 22, 1656, 48. and left behind him his dear Consort his 2d Wife, and two Daughters by her, Eliz. and Jane. Eliz. his Widow died 1697. James his Son 1640.

 

In the churchyard are memorials for William Bateman, Gent. Jan. 9, 1659, æt. 70.

 

Hic spe plenâ resurgendi, situm est depositum mortale Johannis Kerrich Clerici Rectoris de Sternefield in Comitatû Suffolciæ, Qui, dum vixit, Dei Gloriam et animarum Salutem sedulò Studuit ob. 14 Maij. A. D. 1691, æt. 28°. Hic juxta jacet etiam Henricus Kerrich Frater supradicti Johannis qui obijt Apr. 17°, A.D. 1687, æt. 18. John Kerrich ob. June 24 1704, æt. 72. Mary his Wife, ob. 18 March 1708, æt. 76. James their Son 29 Apr. 1715, æt. 44.

 

In 1469, Walter Nyche or Neech of Mendham, was buried in AllSaints church there, before St. Nicholas's altar, and gave 12d. to every monk of Mendham, and five marks for a new tabernacle at St. Nicholas's altar; he owned an estate here, which had continued many generations in his family. In 1610, 21 Jan. Anne Neech married to William Bateman, Gent. to whose family the estate now belongs. He left Katerine his wife, Alice and Margaret, his daughters; and three sons, Robert, John le Senior, priest, and John le Junior; from whom descended the Rev. Mr. Anthony Neech, late rector of Snitterton, of whom in vol. i. p. 110, 421.

 

The vicarage stands in the King's Books at 5l. 5s. 2d. ob. and being sworn of the clear yearly value of 23l. 4s. 7d. is capable of augmentation, and was augmented accordingly by the Rev. Mr. Whitaker, late rector of Fresingfield, the patron, who presented his nephew, the Rev. Mr. Thomas Whitaker, the present vicar.

 

Vicars here.

 

1228, Henry de Diss, the first vicar, presented by the Prior of Ipswich, as were all the succeeding vicars to the Dissolution.

 

1305, Walter le Shepherd.

 

1318, Benedict.

 

1320, Hervy del Welle of Mendham.

 

1329, William son of John Gibbs of Kenford, who resigned in

 

1347, to John de Reppes, priest, in exchange for Shelton mediety.

 

1364, Edward de Flete.

 

1394, John de Hunstanton.

 

1505, Sir Jeffery Lowen.

 

1534, Will. Grave.

 

1631, Thomas Trendle, buried here 18 June the same year.

 

1632, George Fen.

 

1653, Mr. John Harward, minister.

 

1671, John Mayhew, sequestrator.

 

1677, Mr. Ric. Jennings, sequestrator, succeeded by Mr. Child, sequestrator; who was succeeded by the present vicar's predecessor,

 

Mr. Seth Turner, who was presented by Mr. Stephen Baxter,-and was vicar above 50 years; he is buried here.

 

Medefield, or Metfield, (fn. 21)

Is also another hamlet and parochial chapel of Mendham, the great tithes of which, belong to the impropriator there, who nominates and pays the stipendiary chaplain. The Rev. Mr. John Mendham, vicar of Weybrede, hath it now; and I am informed, there is a good house and glebe given to the serving minister since the Reformation.

 

The chapel is dedicated to St. John the Baptist, and hath a square tower, clock, and three bells; on the biggest is this,

 

Munere Baptiste, Benedictus sit chorus iste.

 

The south porch, nave, and chancel, are leaded. There are stones for John Norton 1609. Anne wife of John Francklin, Gent. daughter of William and Elizabeth Blobold, Gent. 1636, and left John, William, Elizabeth, and Anne. Will. Browne 1660, 70.

 

Francis Smallpeece Esq; Son and Heir of Tho. Smallpeece Esq; and Anne his Wife. 1652.

 

Smallpeece, S. a chevron ingrailed between three cinquefoils ar. Crest, a bird rising.

 

But this hamlet is of chief remark, as being the ancient seat of the Jermys.

 

It seems this manor, called

 

Metefield In Mendham,

 

Was anciently of the fee of the abbot of Holm, of whom it was held in the time of Richard I. at half a fee, by Hugh Burd; after which, it was escheated to the Crown, and was granted to Thomas de Brotherton, son to King Edward I. who married Alice, daughter of Sir Roger Hales of Harwich, Knt. whose sister Joan, (fn. 22) married to Sir John Germyn or Jermy, Knt.; and in 1325, the said Thomas conveyed to his brother-in-law, Sir John Jermy, Knt. two parts of this manor, and the third part to his wife, for the assignment of her dower. In 1353, Sir John Germy, Knt. held it at a quarter of a fee of the manor of King's-hall in Mendham. In 1385, Sir Will. Jermy, Knt. was buried here; Elizabeth his wife survived him. In 1428, Sir John Jermy, Knt. and Margaret Mounteney his wife, owned this and Withersdale manors; and he it was, that rebuilt this church and manor-house, where he placed the matches of his family in the windows; and his own arms are carved several times on the timber of the roof, and are still in several windows, and in stone on the font; he died in 1487, and was buried at the north-east corner of the chancel; his inscription was cut in old text letters on his stone, but it is so worn and broken, that this only remains,

 

Johannes Jermy Miles quondam Dominus et qui obiit

 

By his will in Register Aleyn, fo. 330, which is dated at BukenhamFerry, Oct. 24, 1487, he appointed to be buried here, and gave a legacy to this church, and those of Bukenham-Ferry and Hasingham, of which he was patron; he ordered 100 marks to be distributed to the poor on his burial day, and gave the manor and advowsons of Bukenham and Hasingham, to be sold, after his wife Margaret's death: he gave 200 marks to the Abbot of St. Bennet at the Holm in Ludham, to found a chantry priest to sing mass daily there, for him and his family for ever; he is called Sir John Jermy, senior, Knt.

 

Sir John Jermy, junior, Knt. his son and heir, married Elizabeth, daughter of Will. Wroth of Enfield, Esq. and had two sons; from Thomas, the younger son, descended the Jermys of Bayfield in Norfolk, under which place I design an ample account of the family. And

 

John Jermy, Esq. the eldest son, continued the family at Metfield; he married Isabel, daughter of John Hopton, Esq. and lies buried in the chancel by his grandfather, with this on a brass plate on his stone;

Orate pro animabus Johannis Jermy et Jsabelle Uroris sue, unius Filiarum Johannis Nopton Armigeri, qui quidem Johannis obiit riiio Die Januarii Anno Domini Mo vc iiii. Quorum anima- bus propicietur Deus Amen. (fn. 23)

 

Jermy, arg. a lion rampant guardant gul. impaling Hopton, as at vol. iii. p. 553.

 

Edmund Jermy, Esq. his son and heir, married a daughter of William Booth, Esq. and left Sir John Jermy of Metfield and Brightwell, Knight of the Bath; (fn. 24) who by Margaret, daughter and heir of Sir Thomas Teye, Knt. had Francis Jermy of Brightwell, Esq. who by Eliz. daughter and coheir of Sir William Fitz-Williams of Ireland, Knt. had Sir Thomas Jermy, Knight of the Bath; who by Jane, daughter and heiress of Edward Stuart or Styward, of Teversham in Cambridgeshire, had four sons, Thomas, Edmund, John, and William, of which,

 

Thomas, his eldest son, settled here, for whom there is an altar tomb at the north-east corner of this chancel, with the arms of Jermy, and a griffin proper for the crest, and this,

 

Thomas Jarmy Esq; Sonne and Heire of Sir Thomas Jarmy Knight of the noble Order of the Bath. 21 Dec. 1652.

 

Since which time, the manor hath been sold from the family, and now belongs to Walter Plommer, Esq.

 

¶I have an account, which says, that more gentlemen kept coaches in Mendham, than in any place in Suffolk, and that in 1642, many cavileers in these parts, raised a sum for the King; among which in this town, Richard Baxter, Gent. lord, 30l. Rob. Harper 30l. William Bateman, senior, 10l. James Terrold. Gent. 10l. William Jacob 20l. Will. Herring 3l. &c. Thomas Jermy, Esq. 20l. Anthony Freston, Gent. 5l.

 

In Charles the Second's time, Sir William Godbould lived here, and Colonel John Hobard; and Edward Ward, Esq. justice of the peace, in K. James the Second's time.

 

www.british-history.ac.uk/topographical-hist-norfolk/vol5...

A very convincing Porsche 356 replica on a 1957 VW Beetle chassis. Cool. But in all probability this means that the rust was painted on... Fiberglass doesn't rust you know...

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Another damp Etobicoke morning

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The ZSU-37-6 (“ZSU” stands for Zenitnaya Samokhodnaya Ustanovka / Зенитная Самоходная Установка = "anti-aircraft self-propelled mount"), also known as Object 511 during its development phase and later also as “ZSU-37-6 / Лена”, was a prototype for a lightly armored Soviet self-propelled, radar guided anti-aircraft weapon system that was to replace the cannon-armed ZSU-23-4 “Shilka” SPAAG.

The development of the "Shilka" began in 1957 and the vehicle was brought into service in 1965. The ZSU-23-4 was intended for AA defense of military facilities, troops, and mechanized columns on the march. The ZSU-23-4 combined a proven radar system, the non-amphibious chassis based on the GM-575 tracked vehicle, and four 23 mm autocannons. This delivered a highly effective combination of mobility with heavy firepower and considerable accuracy, outclassing all NATO anti-aircraft guns at the time. The system was widely fielded throughout the Warsaw Pact and among other pro-Soviet states. Around 2,500 ZSU-23-4s, of the total 6,500 produced, were exported to 23 countries.

 

The development of a potential successor started in 1970. At the request of the Soviet Ministry of Defense, the KBP Instrument Design Bureau in Tula started work on a new mobile anti-aircraft system as a replacement for the 23mm ZSU-23-4. The project was undertaken to improve on the observed shortcomings of the ZSU-23-4 (short range and no early warning) and to counter new ground attack aircraft in development, such as the A-10 Thunderbolt II, which was designed to be highly resistant to 23 mm cannons.

 

KBP studies demonstrated that a cannon of at least 30 mm caliber was necessary to counter these threats, and that a bigger caliber weapon would offer some more benefits. Firstly, to destroy a given target, such a weapon would only require from a third to a half of the number of shells that the ZSU-23-4’s 23 mm cannon would need. Secondly, comparison tests revealed that firing with an identical mass of 30 mm projectiles instead of 23 mm ammunition at a MiG-17 (or similarly at NATO's Hawker Hunter or Fiat G.91…) flying at 300 m/s would result in a 1.5 times greater kill probability. An increase in the maximum engagement altitude from 2,000 to 4,000 m and higher effectiveness when engaging lightly armored ground targets were also cited as potential benefits.

 

The initial requirements set for the new mobile weapon system were to achieve twice the performance in terms of the ZSU-23-4’s range, altitude and combat effectiveness. Additionally, the system should have a reaction time, from target acquisition to firing, no greater than 10 seconds, so that enemy helicopters that “popped up” from behind covers and launched fire-and-forget weapons at tanks or similar targets could be engaged effectively.

From these specifications KBP developed two schools of thought that proposed different concepts and respective vehicle prototypes: One design team followed the idea of an anti-aircraft complex with mixed cannon and missile armament, which made it effective against both low and high-flying targets but sacrificed short-range firepower. The alternative proposed by another team was a weapon carrier armed only with a heavy gatling-type gun, tailored to counter targets flying at low altitudes, esp. helicopters, filling a similar niche as the ZSU-23-4 and leaving medium to high altitude targets to specialized anti-aircraft missiles. The latter became soon known as “Object 511”.

 

Object 511 was based on the tracked and only lightly armored GM-577 chassis, produced by Minsk Tractor Works (MTZ). It featured six road wheels on each side, a drive sprocket at the rear and three return rollers. The chassis was primarily chosen because it was already in use for other anti-aircraft systems like the 2K11 “Krug” complex and could be taken more or less “off the rack”. A new feature was a hydropneumatic suspension, which was chosen in order to stabilize the chassis as firing platform and also to cope with the considerably higher all-up weight of the vehicle (27 tons vs. the ZSU-23-4’s 19 tons). Other standard equipment of Object 511 included heating, ventilation, navigational equipment, night vision aids, a 1V116 intercom and an external communications system with an R-173 receiver.

 

The hull was - as the entire vehicle - protected from small arms fire (7,62mm) and shell splinters, but not heavily armored. An NBC protection system was integrated into the chassis, as well as an automatic fire suppression system and an automatic gear change. The main engine bay, initially with a 2V-06-2 water-cooled multi-fuel diesel engine with 450 hp (331 kW) was in the rear. It was later replaced by a more powerful variant of the same engine with 510 hp (380 kW).

The driver sat in the front on the left side, with a small gas turbine APU to his right to operate the radar and hydraulic systems independently from the main engine.

Between these hull segments, the chassis carried a horseshoe-shaped turret with full 360° rotation. It was relatively large and covered more than the half of the hull’s roof, because it held the SPAAGs main armament and ammunition supply, the search and tracking radar equipment as well as a crew of two: the commander with a cupola on the right side and the gunner/radar operator on the left side, with the cannon installation and its feeding system between them. In fact, it was so large that Object 511’s engine bay was only accessible when the turret was rotated 90° to the side – unacceptable for an in-service vehicle (which would probably have been based on a bigger chassis), but accepted for the prototype which was rather focused on the turret and its complex weapon and radar systems.

 

Object 511’s centerpiece was the newly-developed Gryazev-Shipunov GSh-6-37 cannon, a heavy and experimental six-barreled 37mm gatling gun. This air-cooled weapon with electrical ignition was an upscaled version of the naval AO-18 30mm gun, which was part of an automated air defense system for ships, the AK-630 CIWS complex. Unlike most modern American rotary cannons, the GSh-6-37 was gas-operated rather than hydraulically driven, allowing it to "spin up" to maximum rate of fire more quickly. This resulted in more rounds and therefore weight of fire to be placed on target in a short burst, reduced reaction time and allowed hits even in a very small enemy engagement window.

 

The GSh-6-37 itself weighed around 524 kg (1.154 lb), the whole system, including the feed system and a full magazine, weighed 7,493 pounds (3,401 kg). The weapon had a total length of 5.01 m (16’ 7“), its barrels were 2.81 m (9’ 2½”) long. In Object 511’s turret it had an elevation between +80° and -11°, moving at 60°/sec, and a full turret rotation only took 3 seconds. Rate of fire was 4,500 rounds per minute, even though up to 5.500 RPM were theoretically possible and could be cleared with an emergency setting. However, the weapon would typically only fire short bursts of roundabout 50 rounds each, or longer bursts of 1-2 (maximum) seconds to save ammunition and to avoid overheating and damage – initially only to the barrels, but later also to avoid collateral damage from weapon operation itself (see below). Against ground targets and for prolonged, safe fire, the rate of fire could alternatively be limited to 150 RPM.

The GSh-6-37 fired 1.09 kg shells (each 338mm long) at 1,070 m/s (3.500 ft/s), developing a muzzle energy of 624,000 joules. This resulted in an effective range of 6,000 m (19.650 ft) against aerial and 7,000 m (23.0000 ft) against ground targets. Maximum firing range was past 7,160 m (23,490 ft), with the projectiles self-destructing beyond that distance. In a 1 sec. burst, the weapon delivered an impressive weight of fire of almost 100 kg.

The GSh-6-37 was belt-fed, with a closed-circuit magazine to avoid spilling casings all around and hurting friendly troops in the SPAAG’s vicinity. Typical types of ammunition were OFZT (proximity-fused incendiary fragmentation) and BZT (armor-piercing tracer, able to penetrate more than 60 mm of 30° sloped steel armor at 1.000 m/3.275’ distance). Since there was only a single ammunition supply that could not be switched, these rounds were normally loaded in 3:1 ratio—three OFZT, then one BZT, every 10th BZT round marked with a tracer. Especially the fragmentation rounds dealt extensive collateral damage, as the sheer numbers of fragments from detonating shells was sufficient to damage aircraft flying within a 200-meter radius from the impact center. This, coupled with the high density of fire, created a very effective obstacle for aerial targets and ensured a high hit probability even upon a casual and hurried attack.

 

The gun was placed in the turret front’s center, held by a massive mount with hydraulic dampers. The internal ammunition supply in the back of the turret comprised a total of 1.600 rounds, but an additional 800 rounds could be added in an external reserve feed bin, attached to the back of the turret and connected to the internal belt magazine loop through a pair of ports in the turret’s rear, normally used to reload the GSh-6-37.

 

A rotating, electronically scanned E-band (10 kW power) target acquisition radar array was mounted on the rear top of the turret that, when combined with the turret front mounted J-band (150 kW power) mono-pulse tracking radar, its dish antenna hidden under a fiberglass fairing to the right of the main weapon, formed the 1RL144 (NATO: Hot Shot) pulse-Doppler 3D radar system. Alongside, the 1A26 digital computer, a laser rangefinder co-axial to the GSh-6-37, and the 1G30 angle measurement system formed the 1A27 targeting complex.

Object 511’s target acquisition offered a 360-degree field of view, a detection range of around 18 km and could detect targets flying as low as 15 m. The array could be folded down and stowed when in transit, lying flat on the turret’s roof. The tracking radar had a range of 16 km, and a C/D-band IFF system was also fitted. The radar system was highly protected against various types of interference and was able to work properly even if there were mountains on the horizon, regardless of the background. The system made it possible to fire the GSh-6-37 on the move, against targets with a maximum target speed of up to 500 m/s, and it had an impressive reaction time of only 6-8 seconds.

Thanks to its computerized fire control system, the 1A27 was highly automated and reduced the SPAAG’s crew to only three men, making a dedicated radar operator (as on the ZSU-23-4) superfluous and saving internal space in the large but still rather cramped turret.

 

Development of Object 511 and its systems were kicked-off in 1972 but immediately slowed down with the introduction of the 9K33 “Osa” missile system, which seemed to fill the same requirement but with greater missile performance. However, after some considerable debate it was felt that a purely missile-based system would not be as effective at dealing with very low flying attack helicopters attacking at short range with no warning, as had been proven so successful in the 1973 Arab-Israeli War. Since the reaction time of a gun system was around 8–10 seconds, compared to approximately 30 seconds for a missile-based system, development of Object 511 was restarted in 1973.

 

A fully functional prototype, now officially dubbed “ZSU-37-6“ to reflect its role and armament and christened “Лена” (Lena, after the Russian river in Siberia), was completed in 1975 at the Ulyanovsk Mechanical Factory, but it took until 1976 that the capricious weapon and the 1A27 radar system had been successfully integrated and made work. System testing and trials were conducted between September 1977 and December 1978 on the Donguzskiy range, where the vehicle was detected by American spy satellites and erroneously identified as a self-propelled artillery system with a fully rotating turret (similar to the American M109), as a potential successor for the SAU-122/2S1 Gvozdika or SAU-152/2S3 Akatsiya SPGs that had been introduced ten years earlier, with a lighter weapon of 100-120mm caliber and an autoloader in the large turret.

 

The tests at Donguzskiy yielded mixed results. While the 1A27 surveillance and acquisition radar complex turned out to be quite effective, the GSh-6-37 remained a constant source of problems. The gun was highly unreliable and afforded a high level of maintenance. Furthermore, it had a massive recoil of 6.250 kp/61 kN when fired (the American 30 mm GAU-8 Avenger “only” had a recoil of 4.082 kp/40 kN). As a result, targets acquired by the 1A27 system were frequently lost after a single burst of fire, so that they had to be tracked anew before the next shot could be placed.

To make matters even words, the GSh-6-37 was noted for its high and often uncomfortable vibration and extreme noise, internally and externally. Pressure shock waves from the gun muzzles made the presence of unprotected personnel in the weapon’s proximity hazardous. The GSh-6-37’s massive vibrations shook the whole vehicle and led to numerous radio and radar system failures, tearing or jamming of maintenance doors and access hatches and the cracking of optical sensors. The effects were so severe that the gun’s impact led after six months to fatigue cracks in the gun mount, the welded turret hull, fuel tanks and other systems. One spectacular and fateful showcase of the gun’s detrimental powers was a transmission failure during a field test/maneuver in summer 1978 – which unfortunately included top military brass spectators and other VIPs, who were consequently not convinced of the ZSU-37-6 and its weapon.

 

The GSh-6-37’s persisting vibration and recoil problems, as well as its general unreliability if it was not immaculately serviced, could not be satisfactorily overcome during the 2 years of state acceptance trials. Furthermore, the large and heavy turret severely hampered Object 511’s off-road performance and handling, due to the high center of gravity and the relatively small chassis, so that the weapon system’s full field potential could not be explored. Had it found its way into a serial production vehicle, it would certainly have been based on a bigger and heavier chassis, e.g. from an MBT. Other novel features tested with Object 511, e.g. the hydropneumatic suspension and the automated 1A27 fire control system, proved to be more successful.

 

However, the troublesome GSh-6-37 temporarily attained new interest in 1979 through the Soviet Union’s engagement in Afghanistan, because it became quickly clear that conventional battle tanks, with long-barreled, large caliber guns and a very limited lift angle were not suited against small targets in mountainous regions and for combat in confined areas like narrow valleys or settlements. The GSh-6-37 appeared as a promising alternative weapon, and plans were made to mount it in a more strongly armored turret onto a T-72 chassis. A wooden mockup turret was built, but the project was not proceeded further with. Nevertheless, the concept of an armored support vehicle with high firepower and alternative armament would persist and lead, in the course of the following years, to a number of prototypes that eventually spawned the BMPT "Terminator" Tank Support Fighting Vehicle.

 

More tests and attempts to cope with the gun mount continued on a limited basis through 1979, but in late 1980 trials and development of Object 511 and the GSh-6-37 were stopped altogether: the 2K22 “Tunguska” SPAAG with mixed armament, developed in parallel, was preferred and officially accepted into service. In its original form, the 2K22 was armed with four 9M311 (NATO: SA-19 “Grison”) short-range missiles in the ready-to-fire position and two 2A38 30mm autocannons, using the same 1A27 radar system as Object 511. The Tunguska entered into limited service from 1984, when the first batteries, now armed with eight missiles, were delivered to the army, and gradually replaced the ZSU-23-4.

 

Having become obsolete, the sole Object 511 prototype was retired in 1981 and mothballed. It is today part of the Military Technical Museum collection at Ivanovskaya, near Moscow, even though not part of the public exhibition and in a rather derelict state, waiting for restoration and eventual display.

  

Specifications:

Crew: Three (commander, gunner, driver)

Weight: about 26,000 kg (57,300 lb)

Length: 7.78 m (25 ft 5 1/2 in) with gun facing forward

6.55 m (21 ft 5 1/2 in) hull only

Width: 3.25 m (10 ft 8 in)

Height: 3.88 m (12 ft 9 in) overall,

2.66 m (8 8 1/2 ft) with search radar stowed

Suspension: Hydropneumatic

Ground clearance: 17–57 cm

Fuel capacity: 760 l (200 US gal, 170 imp gal)

 

Armor:

Unknown, but probably not more than 15 mm (0.6”)

 

Performance:

Speed: 65 km/h (40 mph) maximum on the road

Climbing ability: 0.7 m (2.3')

Maximum climb gradient: 30°

Trench crossing ability: 2.5 m (8.2')

Fording depth: 1.0 m (3.3')

Operational range: 500 km (310 mi)

Power/weight: 24 hp/t

 

Engine:

1× 2V-06-2S water-cooled multi-fuel diesel engine with 510 hp (380 kW)

1× auxiliary DGChM-1 single-shaft gas turbine engine with 70 hp at 6,000 rpm,

connected with a direct-current generator

 

Transmission:

Hydromechanical

 

Armament:

1× GSh-6-37 six-barreled 37mm (1.5 in) Gatling gun with 1.600 rounds,

plus 800 more in an optional, external auxiliary magazine

  

The kit and its assembly:

This fictional SPAAG was intended as a submission to the “Prototypes” group build at whatifmodellers.com in August 2020. Inspiration came from a Trumpeter 1:72 2P25/SA-6 launch platform which I had recently acquired with a kit lot – primarily because of the chassis, which would lend itself for a conversion into “something else”.

 

The idea to build an anti-aircraft tank with a gatling gun came when I did research for my recent YA-14 build and its armament. When checking the American GAU-8 cannon from the A-10 I found that there had been plans to use this weapon for a short-range SPAAG (as a replacement for the US Army’s M163), and there had been plans for even heavier weapons in this role. For instance, there had been the T249 “Vigilante” prototype: This experimental system consisted of a 37 mm T250 six-barrel Gatling gun, mounted on a lengthened M113 armored personnel carrier platform, even though with a very limited ammunition supply, good only for 5 sec. of fire – it was just a conceptual test bed. But: why not create a Soviet counterpart? Even more so, since there is/was the real-world GSh-6-30 gatling gun as a potential weapon, which had, beyond use in the MiG-27, also been used in naval defense systems. Why not use/create an uprated/bigger version, too?

 

From this idea, things evolved in a straightforward fashion. The Trumpeter 2P25 chassis and hull were basically taken OOB, just the front was modified for a single driver position. However, the upper hull had to be changed in order to accept the new, large turret instead of the triple SA-6 launch array.

 

The new turret is a parts combination: The basis comes from a Revell 1:72 M109 howitzer kit, the 155 mm barrel was replaced with a QuickBoost 1:48 resin GSh-6-30 gun for a MiG-27, and a co-axial laser rangefinder (a piece of styrene) was added on a separate mount. Unfortunately, the Revell kit does not feature a movable gun barrel, so I decided to implant a functional joint, so that the model’s weapon could be displayed in raised and low position – primarily for the “action pictures”. The mechanism was scratched from styrene tubes and a piece of foamed plastic as a “brake” that holds the weapon in place and blocks the view into the turret from the front when the weapon is raised high up. The hinge was placed behind the OOB gun mantle, which was cut into two pieces and now works as in real life.

Further mods include the dish antenna for the tracking radar (a former tank wheel), placed on a disc-shaped pedestal onto the turret front’s right side, and the retractable rotating search radar antenna, scratched from various bits and pieces and mounted onto the rear of the turret – its roof had to be cleaned up to make suitable space next to the commander’s cupola.

 

Another challenge was the adaptation of the new turret to the hull, because the original SA-6 launch array has only a relatively small turret ring, and it is placed relatively far ahead on the hull. The new, massive turret had to be mounted further backwards, and the raised engine cowling on the back of the hull did not make things easier.

As a consequence, I had to move the SA-6 launcher ring bearing backwards, through a major surgical intervention in the hull roof (a square section was cut out, shortened, reversed and glued back again into the opening). In order to save the M109’s turret ring for later, I gave it a completely new turret floor and transplanted the small adapter ring from the SA-6 launch array to it. Another problem arose from the bulged engine cover: it had to be replaced with something flat, otherwise the turret would not have fitted. I was lucky to find a suitable donor in the spares box, from a Leopard 1 kit. More complex mods than expected, and thankfully most of the uglier changes are hidden under the huge turret. However, Object 511 looks pretty conclusive and menacing with everything in place, and the weapon is now movable in two axis’. The only flaw is a relatively wide gap between the turret and the hull, due to a step between the combat and engine section and the relatively narrow turret ring.

  

Painting and markings:

AFAIK, most Soviet tank prototypes in the Seventies/Eighties received a simple, uniform olive green livery, but ,while authentic, I found this to look rather boring. Since my “Object 511” would have taken part in military maneuvers, I decided to give it an Eighties Soviet Army three-tone camouflage, which was introduced during the late Eighties. It consisted of a relatively bright olive green, a light and cold bluish grey and black-grey, applied in large patches.

This scheme was also adapted by the late GDR’s Volksarmee (called “Verzerrungsanstrich” = “Distortion scheme”) and maybe – even though I am not certain – this special paint scheme might only have been used by Soviet troops based on GDR soil? However, it’s pretty unique and looks good, so I adapted it for the model.

 

Based upon visual guesstimates from real life pictures and some background info concerning NVA tank paint schemes, the basic colors became Humbrol 86 (Light Olive Green; RAL 6003), Revell 57 (Grey; RAL 7000) and Revell 06 (Tar Black; RAL 9021). Each vehicle had an individual paint scheme, in this case it was based on a real world NVA lorry.

 

On top of the basic colors, a washing with a mix of red brown and black acrylic paint was applied, and immediately dried with a soft cotton cloth so that it only remained in recesses and around edges, simulating dirt and dust. Some additional post-shading with lighter/brighter versions of the basic tones followed.

Decals came next – the Red Stars were a rather dramatic addition and came from the Trumpeter kit’s OOB sheet. The white “511” code on the flanks was created with white 3 mm letters from TL Modellbau.

 

The model received a light overall dry brushing treatment with light grey (Revell 75). As a finishing touch I added some branches as additional camouflage. These are bits of dried moss (collected on the local street), colorized with simple watercolors and attached with white glue. Finally, everything was sealed and stabilized with a coat of acrylic matt varnish and some pigments (a greyish-brown mix of various artist mineral pigments) were dusted into the running gear and onto the lower hull surfaces with a soft brush.

  

An effective kitbashing, and while mounting the different turret to the hull looks simple, the integration of unrelated hull and turret so that they actually fit and “work” was a rather fiddly task, and it’s effectively not obvious at all (which is good but “hides” the labour pains related to the mods). However, the result looks IMHO good, like a beefed-up ZSU-23-4 “Schilka”, just what this fictional tank model is supposed to depict.

The image series Pokémon Should've Been On relates to the question of fate and to whether or not it is an acceptable method of understanding a situation. The title refers to a childhood television show that was interrupted by 9/11 coverage.

 

The images form a pattern of life itself in all its intricacies. Shared experiences undeniably link in a formative narrative of probability. The mind’s understanding of what senses lead to the acceptance of a situational interpretation as truth supports this notion.

 

The interrogation of the psychology responsible for this in a given situation has the ability to compliment and conflict, each viewer walks away with a different interpretation of what they have perceived.

"My father’s family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.

I give Pirrip as my father’s family name, on the authority of his tombstone and my sister — Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father’s, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, “Also Georgiana Wife of the Above,” I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine — who gave up trying to get a living, exceedingly early in that universal struggle — I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers—pockets, and had never taken them out in this state of existence.

 

Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond, was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip."

 

So opens Great Expectations. And it is this very churchyard, although at night, and misty that those first lines were set. In the next paragraph, the criminal, Magwitch, appears.

 

St Mary now lies at the end of a dead end lane, leading out towards the banks of the nearby River Thames, with the freight only line to Grain passing a field length's away. In short, you don't pass this way by accident, and will be lucky to find it, as some of the locals have been spinning the road signs round.

 

It is yet another wonderful bright winters day here in The Garden of England, and I was out here with Jools re-doing some shots I had messed up last time was here, and anyway, on that day the church was full of scarecrows for a festival.

 

As we were the first ones here today, the ancient carved door was closed, so we eased it open and went inside.

 

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Difficult to find, but more than worth the effort. It consists of a Norman nave and chancel to which a south aisle and chapel were added in the mid-fourteenth century. The aisle and chapel are now laid out as the main nave and chancel. The exterior has wonderful striped walls, like a smaller version of nearby Cliffe, whilst the fourteenth-century south door is the highly carved original. Inside the contemporary pulpit is one of the earliest in the county with six carved traceried panels. Behind it is a fifteenth-century rood screen, which, despite the loss of its loft, is a surprising survival. In the north-east corner of the Lady Chapel is a table tomb whose top is made up from the original stone altar slab, or mensa, with its five consecration crosses showing prominently. In the south wall of the same chapel is a medieval aumbry with its original hinged door. The stained glass is all nineteenth and twentieth century - the excellent south chancel window showing the Agony in the Garden is dated 1863 unfortunately by an unidentified artist. Of the same date is the tortoise stove in the north aisle, which displays on its lid the motto 'Slow but sure combustion'. The church is excellently maintained by The Churches Conservation Trust - the congregation worshipping in a replacement church in the village, built in 1860 by E.W. Stephens of Maidstone.

 

www.kentchurches.info/church.asp?p=Higham+1

 

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THE next parish northward from Merston is HIGHAM, which in antient records is variously written Hecham, Hegham, and Heabham.

 

It was from the reign of king Stephen till about the reign of king Edward III. frequently called Lillechurch, alias Higham; the former of which names it took from a manor or ville in this parish, where a priory was built, but in later times it seems to have been called by its former name of Higham only, that of Lillechurch being entirely omitted.

 

THIS PARISH is situated on the north side of the London high road, nearly opposite to Shorne. It lies low adjoining to the marshes, the river Thames being its northern boundary, of course the air is very unhealthy, and much subject to intermittents, a satality which attends in general all those parishes, which lie on the north side of the high London road as far as Canterbury, and thence again to the uplands of the Isle of Thanet. Higham is about four miles in extent from north-west to south-east, and but little more than a mile in breadth. The surface is slat, and the soil in general very fertile, excepting towards the eastern part of it, where it is high ground and light land. The village and church stand close to, and entirely exposed to the marshes, which comprehend nearly one half of the parish. The nunnery, now called the Abbey, was situated not far from the east end of the church, where the farm-house, of which the sides and back part are built of stone, with windows of a gothic orm, discovers marks of some antiquity, and seems to have been a part of the abbey, but it is supposed to have been only a part of some of the offices, (fn. 1) there being in the field on the south side many appearances of foundations, and contiguous to the farm-yard there remains some part of the thick stone wall covered with ivy, being the inclosure of the abbey, and was carried quite round the yard. About a mile from the church, near the road to Cliff, is Lillechurch-house, where the priory or abbey of Higham, as it is now called, is supposed to have been first erected; behind the garden of which, in a field called Church-place, many human bones have been found. At the east end of the parish, in the road from Frindsbury to Cliff, is the estate of Mockbeggar, and on the submit of the hill southward, The mansion of Hermitage, below which, in the flat country, at an equal distance from the church, is the manor and hamlet of Higham-ridgeway, a name plainly derived from the antient causeway through it, leading towards the river. Plautius, the Roman general, under the emperor Claudius, in the year of Christ, 43, is said to have passed the river Thames from Essex into Kent, near the mouth of it, with his army, in pursuit of the flying Britons, who being acquainted with the firm and fordable places of the river, passed it easily. (fn. 2) This passage is considered to have been from East Tilbury, in Essex, across the river to Higham. (fn. 3) Between these places there was a ferry on the river for many ages after, the method of intercourse between the two counties of Kent and Essex for all these parts, and it continued so till the dissolution of the abbey here; before which time, Higham was likewise the place for shipping and unshipping corn and goods in great quantities from this part of the county to and from London and elsewhere. The probability of this having been a frequented ford or passage in the time of the Romans, is strengthened by the visible remains of the raised causeway, or road, near thirty feet wide, leading from the Thames side through the marshes by Higham, southward to this ridgeway before-mentioned, and thence across the London high road on Gads-hill to Shorne ridgeway, about half a mile beyond which it joins the Roman Watling-street-road, near the entrance into Cobham park.

 

In the pleas of the crown in the 21st year of king Edward I. the prioress of the nunnery of Higham was found liable to maintain a bridge and causeway that led from Higham down to the river Thames, in order to give the better and easter passage to such as would ferry from hence over into Essex.

 

This parish, among others in this neighbourhood, was antiently bound to contribute to the repair of the ninth pier of Rochester bridge, as the manor of Okely was to the fourth pier of it. (fn. 4)

 

In queen Elizabeth's reign there was a fort or bulwark at Higham for the defence of the river Thames, under the direction of a captain, soldiers, &c. (fn. 5)

 

HIGHAM was part of the possessions with which William the Conqueror enriched his half-brother, Odo, bishop of Baieux and earl of Kent, under the general title of whose lands, it is thus entered in the book of Domesday, taken in the year 1080.

 

The same Adam holds Hecham of the bishop (of Baieux). It was taxed at 5 sulings. The arable land is 12 carucates. In demesne there are 3 carucates, and 24 villeins, with 12 borderers having 6 carucates and an half. There are 20 servants, and 30 acres of meadow. There is a church, and 1 mill of 10 shillings, and a fishery of 3 shillings, and in Exesle pasture for 200 sheep. In the time of king Edward the Confessor, it was worth 12 pounds, and afterwards 6 pounds, now 15 pounds.

 

In the time of king Edward, Goduin, the son of Carli and Toli, held this land for two manors.

 

These were the two manors of Higham and Lillechurch, which on the disgrace of bishop Odo, about four years afterwards, were with the rest of his estates, consiscated to the crown, where they remained till king Stephen, together with Matilda his queen, in the 14th year of his reign, gave them by the name of the manor of Lillechurch, with its appurtenances, under which name both manors seem then to have been comprehended, being part of her inheritance, with other premises, to William de Ipre, in exchange for the manor for Fauresham.

 

KING STEPHEN afterwards founded a NUNNERY, of the Benedictine order, at Lillechurch in Higham, (fn. 6) to which his daughter, the princess Mary, as is mentioned in a deed, retired cum monialibus suis quas tanquam in proprietate sua recepit. (fn. 7) She afterwards became abbess of Rumsey.

 

After the death of king Stephen, William de Ipre above mentioned, earl of Kent, was, with the rest of the Flemish, of whom he was principal, forced to abandon this kingdom, and their estates were all seized, by which this manor came again to the crown; but in the 6th year of king John, the nuns gave the king one hundred pounds for his grant of the manor of Lille cherche; after which, king Henry III. in his 11th year, granted and confirmed to the abbey of St. Mary of Sulpice, in Bourges, and to the prioress and nuns of Lillecherche, that manor, in pure and perpetual alms, with all its appurtenances, and all liberties and free customs belonging to it, by which it should seem that this house had then some dependence on that abbey; and he further granted to the prioress and nuns, to have one fair at Lillecherche for three days yearly, on the day of St. Michael, and two days afterwards; and that they should possess them, and in like manner as the grant, which they had of his father, king John, plainly testified. (fn. 8)

 

King Henry, in his 50th year, granted to the prioress and nuns of Lillechurch an exemption from the suit they were yearly used to make at his court of the honor of Boloigne, at St. Martin the Great in London, for their demesne lands in the manor of Lillecherche. King Edward I. in his 16th year, confirmed the above fair to the prioress and nuns there.

 

This monastery was subject to the visitation of the bishops of Rochester; and accordingly Hamo de Heth, bishop of Rochester, in 1320, visited it, and professed eight nuns here; as he did again in 1328, when he buried Joane de Hadloe, prioress of this house, and he afterwards confirmed Maud de Colcestre prioress in her place, at Greenwich. At what time this priory was removed from Lillechurch, where it was certainly first built, to where the ruins are still visible, near the present church of Higham, is no where mentioned, nor is there any clue leading to discover it. That it was so those ruins, as well as the change of the name of it, are convincing proofs; nor is there any thing further worth mentioning relating to it till king Henry VII's reign, at which time the manors of Higham and Lillecherche, with their lands and appurtenances, conti nued in the possession of the prioress; in the 17th year of which reign, this house was become almost deserted, for it appeared then, on the election of a prioress, that there were only a sub-prioress and two nuns belonging to it, though there had been in former times sixteen belonging to it. Soon after which, in 1548, Margaret, countess of Richmond and Derby, having begun the foundation of St. John's college, in Cambridge, died, and left her executors to carry on the design; one of these was John Fisher, bishop of Rochester, who being himself a learned man, and greatly anxious for the increase of learning, obtained licence of king Henry VIII. to dissolve this monastery with that of Bromhall, in Berkshire, that the lands and revenues of them might be annexed towards the better support and maintenance of the above college. (fn. 9) Accordingly, about the year 1521, these nunneries were dissolved, (fn. 10) and, with their revenues, were surrendered into the hands of the crown; three years after which, the master and fellows of that college obtained, at the instance of bishop Fisher, of the king and pope Clement VII. these priories, with their appurtenances, to be transferred and confirmed for ever to their college, (fn. 11) where the inheritance of the scite of this priory, or abbey as it is now called, the manor and church of Higham, with the manor of Lillichurch, and the rest of the lands and revenues belonging to it here and elsewhere, continue at this time. The lease of these manors, with the scite of the abbey, and the lands in this parish belonging to it, were some years ago purchased by Mr. Rich. Hornsby, of Horton Kirkby in this county, of Mr. Tho. Peake. Mr. Hornsby died possessed of it within these few years, since which his interest in this estate has been sold to Mr. Thomas Williams and Mr. Thomas Smith, gent. of Dartford, the former of whom sold it to Mr. John Prebble, who is the present lessee of them.

 

Prioresses of Higham.

 

MARY, daughter of king Stephen, first prioress. (fn. 12)

 

ALICIA, JOANE, Named in several charters.

 

ACELINA, anno 50 king Henry III. (fn. 13)

 

AMPHELICIA, anno 16 king Edward I.

 

MATILDA, succeeded anno 17 king Edward I.

 

JOANE DE HADLOE, obt. anno 3 king Edward III. (fn. 14)

 

MAUD DE COLCESTRE, chosen in her room. (fn. 15)

 

ELIZABETH, or ISABEL, anno 18 and 31 king Edward III

 

CECILIA, anno 38 and 52 of the same reign.

 

JOANE DE COBEHAM, anno 15 and 18 of king Richard II

 

JOANE SOANE, succeeded anno 19 of the same reign.

 

ALICE PECKHAM, anno 7 king Henry V.

 

ISABEL, anno 25 king Henry VI.

 

ELIZABETA BRADFORTH, resig. anno 17 king Henry VII. (fn. 16)

 

AGNES SWAINE, succeeded. (fn. 17)

 

MARGARET HILDERDEN, anno 4 king Henry VIII.

 

ANCHORET UNGOTHORPE, alias OWGLETHORPE, anno 6 king Henry VIII. She died Jan. 31, anno 12 of the same reign, after which there was not another prioress elected.

 

GREAT and LITTLE OKELY are two reputed manors in this parish, which derive their name from ac, or ake, an oak, and ley, a field, in Saxon, Aclea, a place in which there is plenty of oaks. In the reign of king John, John le Brun held half a knight's fee in Acle, of William de Clovile, as he did of Warine de Montchensie. (fn. 18)

 

In the 7th year of Edward I. both these estates were in the possession of William de St. Clere, (fn. 19) the former being held, as half a knight's fee, of Warine de Montchensie, as of his manor of Swanescombe; and the latter, as half a knight's fee, of the bishop of Rochester. Soon after which these estates were possessed by two different branches of this family: Great Okeley descended to Nicholas de St. Clere, from whom it passed to Walter Neile, who, as well as his descendants, were lessess to the abbey of Higham, for great part of their possessions in this parish. One of his descendants, in the reign of king Henry VII. alienated it to John Sedley, esq. of Southfleet, in this county, one of the auditors of the exchequer to that prince, whose descendant, Sir Charles Sedley, (fn. 20) bart. in the reign of king Charles II. passed away this manor by sale to Mr. Shales, of Portsmouth, who not long afterwards sold it to Peter Burrell, esq. of Beckenham, in this county, whose descendant the Right Hon. Peter lord Gwydir is the present possessor of it.

 

LITTLE OKELEY manor descended from William de St. Clere, who possessed it, as has been beforementioned, in the 7th year of king Edward I. to Nicholas de Clere, and from him to John de St. Clere, who paid respective aid for it in the 20th year of king Edward III. at making the Black Prince a knight, as half a knight's fee, held of the bishop of Rochester. From this family it passed, after some intermission, to that of Cholmeley; one of whom, Sir Roger Cholmeley of London, died possessed of this manor, and left it to one of his daughters and coheirs, among other premises. She married Mr. Beckwith, by whom she had one son, Roger, and two daughters, Elizabeth and Frances, She afterwards married Christopher Kenne, esq. of Kenne, in Somersetshire, who was possessed of it in her right, anno 22 queen Elizabeth; and then, having levied a fine of it, sold it to Thompson; and he, in the reign of king Charles I. alienated it to Best, who passed it away by sale to Sir Charles Sedley, bart. from whom it went the same way to Farnham Aldersey, one of whose descendants sold it to Mr. Wm. Gates, gent. of Rochester, on whose death, in 1768, it came to his son of the same name, and his eldest son, Mr. George Gates, attorney at law and town clerk of Rochester, died possessed of it s.p. in 1792, and his sisters are now entitled to it.

 

There are no courts held for either Great or Little Okeley manors.

 

THE HERMITAGE is a pleasant seat in this parish, situated at almost the south-east extremity of it, about a mile northward from the London road to Dover. It stands on a hill, and commands a most extensive prospect both of the Medway and Thames, the Channel below the Nore, and a vast tract of country both in Kent and Essex.

 

This seat was new built by Sir Francis Head, bart. who inclosed a park round it (since disparked) and greatly improved the adjoining grounds. He resided here, and died possessed of it, with the manor of Higham Ridgway, and other estates in this parish, in 1768, and was buried in a vault in Higham church. He was descended from Richard Head, of Rochester, who by Anne, daughter of William Hartridge, of Cranbrooke, in this county, had issue four sons; of whom Richard, the second, was advanced to the dignity of a baronet, on June 19, 1676. He had three wives, first, Elizabeth, daughter and coheir of Francis Merrick, alderman of Rochester, by whom he had three sons; Francis, of whom hereafter; Henry, who married Elizabeth, daughter of Richard Summers, esq. and Merrick, D. D. who married Elizabeth, daughter of Robert Dixon, D. D. prebendary of Rochester, by whom he left a daughter, Elizabeth, married to Theophilus Delangle; Dr. Head was rector of Leyborne and Ulcombe, in this county, and died in 1686, and lies buried in Leyborne church—And also one daughter, Elizabeth, married to Sir Robert Faunce, of Maidstone, in this county. Secondly, Elizabeth, daughter and coheir of Mr. Willey, of Wrotham, by whom he had one son, Henry, who married the daughter and coheir of John Dawes, merchant, of London, by whom he had Dawes Head, ancestor of the present baronet, now in Virginia; and also two daughters, Jane, first married to Herbert Price, esq. and afterwards to John Boys, esq. of Hode; and Frances, first married to Thomas Poley, esq. and afterwards to Adam Lawry, of Rochester. Thirdly, Anne, daughter of William Kingsley, D. D. archdeacon of Canterbury, and relict of John Boys, esq. by whom he had no issue.

 

Sir Richard Head above mentioned, served several times in parliament for the city of Rochester. He died in 1689, and lies buried in Rochester cathedral, having been a good benefactor to the poor of St. Nicholas's parish, in that city.

 

Francis Head, esq. barrister at law, eldest son of Sir Richard, married Sarah, only daughter of Sir Geo. Ent, of London, M. D. who afterwards married Sir Paul Barrett, by whom he had six children. He died in his father's life time, in 1678, and was buried in the chancel of St. Margaret's church, Rochester; and by his will gave his house, pleasantly situated in St. Margaret's, to that see, for the residence of the bishop and his successors. Only two of his children survived him, viz. Sarah, married to John Lynch, esq. of Groves; and a son, Francis, who succeeded his grandfather in titles and estate, and resided at Canterbury, He married Margaret, daughter and coheir of James Smithbye, esq. by whom he had six sons and three daughters; he died, and was buried in St. Mildred's church, in Canterbury, in 1716. Of the above children, only four sons and one daughter survived him, viz. Sir Richard, his successor, who died unmarried, in 1721; Sir Francis, of whom hereafter; James Head, esq. barrister at law, who died unmarried in 1727, and was buried at Ickham, in this county; and Sir John Head, bart. who was D.D. and prebendary and archdeacon of Canterbury, and succeeded his brother, Sir Francis, but died in 1769, without surviving issue, though he was twice married; first, to Jane, daughter of the Rev. Mr. Peter Leigh, by whom he had several children, who all died before him; secondly, in 1751, Jane, sister of Wm. Geekie, D.D. prebendary of Canterbury, who survived him, but by whom he had no issue.

 

Anne, the surviving daughter of Sir Francis Head, married William Egerton, LL.D. prebendary of Canterbury, and grandson of the earl of Bridgewater.

 

Sir Francis Head, bart. the son, succeeded his brother Richard in title and in this estate, and having new built the seat, resided here, as above mentioned.

 

The arms borne by the family of Head were, Argent, a chevron ermines, between three unicorns heads, couped sable. (fn. 21)

 

Sir Francis last mentioned, married Mary, daughter and sole heir of Sir William Boys, M.D. (by Anne his wife, daughter of Sir Paul Barrett, sergeant at law, who married the widow of Francis Head, esq. the eldest son of the first baronet) by whom he had three daughters and coheirs; Mary Wilhelmina, married in 1753, to the Hon. Harry Roper, eldest son of Henry lord Teynham, and died, s.p. in 1758; Anne Gabriel, married first to Moses Mendez, esq. by whom she had two sons, Francis and James, who both took the name of Head, and will be hereafter noticed; and a daughter, who became a nun prossessed in France; and secondly, in 1760, to the Hon. John Roper, next brother to Harry Roper above mentioned, by whom she had no issue, and died in 1771; and Eliza beth Campbell, married to the Rev. Dr. Lill, of Ireland, since deceased, by whom she had one son, Francis, and three daughters.

 

On the death of Sir Francis, this seat, with the manor of Higham, Ridgway, and other estates in this parish, devolved, by settlement, to his widow, lady Head, who died in 1792, and was buried in the same vault with her late husband; and this seat, and the manor and estates above mentioned, descended by settlement, one fourth part to the widow of Francis Head, seq. (daughter of Mr. Egerton) re-married to colonel Andrew Cowell, of the Guards, as guardian to her only daughter by Mr. Head; another fourth part to James Roper Head, esq. his younger brother, who married Miss Burgess, and now resides at the Hermitage; and the remaining half part, or moiety, to Elizabeth Campbell, the widow of Dr. Lill; in which divisions the property of these estates remain vested at this time.

 

SIR ANTHONY ST. LEGER, in the reign of king Edward VI. was possessed of an estate, called the BROOKES, being marsh lands, with other lands in Higham; all which, in the 4th year of that reign, he conveyed to the king. This estate afterwards came into the possession of the Stuarts, dukes of Richmond, from whom it is now come, in like manner as Cobham hall, to the Right Hon. John earl of Darnley, the present possessor of it.

 

Charities.

 

THIS PARISH of Higham has a right of nomination to one place in the New College of Cobham, for one poor person, inhabitant of this parish, to be chosen and presented so, and by such as the ordinances of the college have powder to present and elect for this parish; and if the parish of Halling make default in their turn, then the benefit of election devolves on this parish.

 

THOMAS SHAVE gave by will, in 1655, two dozen of bread to the poor of this parish, to be disposed of every Sunday; for which purpose he settled the Sun-house, with the yard, and three acres and three roods of land, now vested in the minister and churchwardens, feoffees in trust, and of the annual produce of 7l.

 

HIGHAM is within the ECCLESIASTICAL JURISDICTION of the diocese and deanry of Rochester. The church is dedicated to St. Mary, and consists of two isles and two chancels, with a slat tower, having two bells.

 

Among other monuments and memorials in it are the following: In the chancel, a stone with a bend voided between six escallops for William Inglett, B.D. vicar of this parish, ob. Jan. 4, 1659; another, with a chevron between three leaves slipped, for Mr. Richard Pearson, forty-four years vicar here, obt. Ap. 14, 1710; under an arch, in the south wall, an altar monument for Anne, wife of Samuel Cordwell, and daughter of Richard Machan, esq. obt. 1642. In the north chancel, by the north wall, on an altar monument, a brass plate, having three cups covered, impaling on a chevron three birds heads erased, for Elizabeth Boteler, obt. 1615, wife of Wm. Boteler, esq. of Rochester, daughter of Sir William Crayford, leaving two sons and two daughters, Henry, Thomas, Anne, and Elizabeth; another like for Robert Hylton, late yeoman of the Guards to king Henry VIII. obt. 1529. A memorial for Elizabeth, wife of Robert Parker, of Shinglewell, who left two sons, Richard and Robert, ob. 1670. (fn. 22)

 

The church, with its appurtenances, once belonged to the Benedictine abbey of St. John, in Colchester, and was granted at the instance of queen Matilda, wife of king Stephen (that king and his son, earl Eustace, confirming it) by Hugh, abbot, and the convent of that abbey, to the convent of the nuns of Lillechirche, in exchange for land, of one hundred shillings value, at East Doniland, in Essex. (fn. 23) Not withstanding which great disputes afterwards arose between them concerning this church, which was settled by agreement in the beginning of Edward II.'s reign, when Walter, abbot of Colchester, and his convent, gave up to the nuns all their right and title to it. In consideration of which they granted to the abbot and convent certain land in Lillecherche, belonging to this church, of the yearly value of thirty shillings; and if the land, called Blunteshale, should be made over to them by the nuns, on the same terms as the above land was granted to them, then they agreed to restore the lands of thirty shillings value to the nuns, and to receive the lands of Blunteshale in exchange for it of them, which was then confirmed by Gilbert, bishop of London, and S . . . . . . . . . abbot of St. Alban's, and the abbot of Colchester above mentioned and his convent, having, for the purpose of this exchange, resigned this church into the hands of Walter, bishop of Rochester, and quitted all kind of claim to it, he granted and gave the same in alms to Mary, daughter of king Stephen, and her nuns at Lillechurch, with all its appurtenances, in as ample and full a manner as any of their predecessors ever possessed it; and at the same time, with the consent and good will of Amselice, then prioress here, endowed the vicarage of this church as follows: viz. that the chaplain ministering in it should have all obventions of the altar, exceptiog twenty-four candles, which the nuns should receive on the day of the purification of the Blessed Virgin, of the better ones made on that day; and all legacies, made as well to himself as to the church, except it was a horse, ox, or cow, which the prioress and nuns should take; and that he should have all small tithes arising from the parish, excepting those from the demesnes of the nuns, and from the food of their cattle, and except the tithe of wool arising from the parish; and that he should have yearly six seams of corn from the nuns, viz. two of wheat, two of barley, and two of oats; of which, two should be paid to him at the feast of St. Michael, two at the Nativity, and two at the feast of Easter, and forage and herbage for one horse; and that he should sustain the burthen of clerks necessary to administer in the church, of whom one should daily be present at the greater mass before the said nuns; that the prioress should pay the synodals, and sustain the other episcopal burthens, saving, nevertheless, in all matters episcopal, the right to the bishop; all which was confirmed by him.

 

The prioress and convent, in the reign of king Edward III. having begun the repair of this church, pope Alexander IV. in his 4th year, anno 1357, granted an indulgence of forty days remission of penance to all who should contribute to it, by his bull for that purpose, which was to continue in force for five years.

 

This church remained with the nunnery till the dissolution of it, about the year 1521, when it was, with the other possessions of it, surrendered into the hands of king Henry VIII. three years after which, the priory and church, together with all the rents and revenues belonging to them, were granted by the king, with the pope's consent, to the master and sellows of St. John's college, in Cambridge; the church, with its appurtenances, to be held by them in like manner as it was held before by the prioress and convent, and paying yearly to the bishop of Rochester, and his successors, 13s. 4d. as an annual pension; and to the archdeacon and his successors, 7s. 6d. yearly for ever, as had been accoustomed; and on the vacancy of the see of Rochester, to the archbishop and his successors, four shillings for procurations, &c. and also out of the revenues of the priory twelve pence yearly on Michaelmas day, in the priory, to the poor people dwelling and being there for ever. The instrument of the commissary of the bishop of Rochester, for the above union and appropriation of the priory and church of Higham, to the master and fellows of St. John's college, Cambridge, (fn. 24) is dated in 1523; and with them the inheritance of the appropriation and advowson of the vicarage of the church of Higham continues at this time.

 

The yearly rent paid by the lessee of this parsonage to the master and fellows of St. John's, is 5l. 6s. 8d. in money, six quarters of wheat, three quarters of malt, and six couple of capons.

 

About the time of the restoration of king Charles II. colonel Goodyer was lessee of it, and he sold his interest in it to one Page, who alienated it to Richard Pearson, A. M. vicar of this parish, who possessed the lease of it for forty years, and died in 1710, and de vised his term in it to his nephew, John Pearson, who by his will devised it to his executors, Richard Pearson and John Till, of Essex, who, in 1738, for one thousand pounds, sold it to Mr. Tho. Harris, gent. of Sutton-at-Home. He died possessed of it in 1769, and by his will devised his interest in the term of this parsonage to Stephen Dilly, yeoman, whose widow is the present lessee of it.

 

The vicarage of Higham is valued in the king's books at 8l. 10s. and the yearly tenths at 17s. In the year 1650, this vicarage was valued at 60l. per annum. (fn. 25) The vicar receives all tithes arising within this parish, excepting corn.

 

THERE ARE certain lands in Higham, in Okeleyfarm, of which the impropriator of the parsonage takes but half the tithes (the other half being part of the portion of tithes belonging to the dean and chapter of Rochester, of which a further account will be given) These lands are now called dominical lands, and are thus described:

 

The orchard, below the house, five acres; Barnfield, eight acres; Downefield, elevan acres; Cookfield, eighteen acres; in the whole, forty-two acres. The impropriator takes the whole tithes of all the rest of Okeley-farm, as well as of the rest of the parish, excepting one field, called the Homestal, which belongs to the vicar, and is compounded for at three pounds and some shillings yearly.

 

The portion of tithes above mentioned was part of the antient possessions of the priory of Rochester. William de Cloeville gave for ever two parts of his tithe of Acle, now Okeley, to the monks of St. Andrew's, Rochester, in consideration of their having made his son a monk there; which gift he made with the consent of Gosfrid Talbot, chief lord of the see. (fn. 26) Gundulph, bishop of Rochester, who was consecrated in 1077, confirmed this donation, as did several of the succeeding bishops of Rochester, and others. (fn. 27) On the dissolution of the priory of Rochester, in the reign of king Henry VIII. this portion of tithes was, together with the rest of the possessions of that monastery, surrendered into the king's hands in the 32d year of his reign; who presently after, in his 33d year, settled it, by his dotation charter, on his new founded dean and chapter of Rochester, part of whose inheritance it continues at this time.

 

¶It appears by the survey of this portion of tithes, called Odeley portion, taken by order of the state in 1650; on the dissolution of deans and chapters, &c. that the same was then valued at ten pounds per ann. improved rent, and was let, anno 6 queen Elizabeth, by the dean and chapter, to John Sedley, esq. for ninety nine years, at the yearly rent of 13s. 4d. (fn. 28) Peter Burrell, esq. of Beckenham, died possessed of the lease of these tithes this year, 1775, and his descendant, the Right Hon. lord Gwydir, is the present lessee of them.

 

www.british-history.ac.uk/survey-kent/vol3/pp481-498

History

The church with the downed tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips, Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

It was the genes fault.

 

Read that there is a study, saying that infidelity probability in men, is increased by genetics.

According to it men with an extra gen code, 343, are more subject to go cheating.

 

Trust me Honey, I didn't wanted to cheat on you with that girl, it is just my genetic coding. There is nothing I can do. - Said the husband when caught on bed with another woman.

 

Somehow, even if true, doesn't look like an explanation that won't make things go ugly.

 

Kisses

Jessica

 

article in english : arstechnica.com/news.ars/post/20080902-study-men-with-gen...

  

Y fue culpa de los genes

  

Lei en el periodico que segun un estudio cientifico, la probabilidad de que los hombres sean infieles, depende de su codificaicon genetica.

Segun esto si tienen un codigo extra de gen 343, es mas probable que sean infieles.

 

En serio querida, yo no queria engañarte con esta chica, pero pues es mi codigo genteico, no es como que pueda modificarlo o asi- Dijo el esposo tras ser encontrado en la cama con otra mujer.

 

DEfinitivamente pos mas cierta que sea la explicaicon segun la noticia, como que eso no evitara que una vez encontrada la infidelidad las cosas no se tornen bizarras.

 

Kisses

Jessica

 

Articulo en español : www.eluniversal.com.mx/notas/534992.html

History

 

The church with the dowend tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

The Pennsylvania Railroad constructed over 1100 of the N6B class of caboose (or cabin cars as they were called on the Pennsylvania Railroad) from 1914 to 1923. This particular car was constructed in one of the PRR's freight car shops in June 1920. Although steel N5 class cabin cars were constructed at the same time as the N6B class, after the last N6B was constructed in 1923, all new PRR cabooses would be made of steel. The wooden N6B class was the most numerous type of cabin car on the PRR and made up over 50% of the cabin cars in service until the construction of new cars in the 1940's. In 1957 the PRR still rostered 867 N6B's and in all probability the N6B class represents the largest single class of caboose ever constructed. The N6B's were used across the length of the PRR system, although in later years saw frequent usage in local service. One N6B was assigned to the Enola to Rutherford daily local in the 1960's. This train traveled on the tracks between the Harrisburg Amtrak station and the Post Office. Other N6B's ended their service in maintenance of way service, as was the case with this car which was renumbered to 492883. All remaining N6B's were scrapped in the early 1960's and none were carried over into the Penn Central era. Only a handful are known to exist today and this car is the only one that has been restored to its original PRR livery. The restored paint scheme and number was worn by this car from the 1930's up until its removal from revenue service.

 

This car was in a very deteriorated state when the Chapter was given the car by the Robert M. Mumma estate in December 1986. The outside and inside condition of the car showed the effects of many years of exposure to the elements and inundation by the waters of the 1972 Agnes flood. After the removal of interior debris and mud, restoration began with the removal of exterior siding. The removal of the exterior siding showed that the underlying structural trusses (similar to what one would expect on a bridge) were deteriorated in places and needed to be patched or replaced prior to renailing the new siding to the car. Repairs were made and new beveled fir siding, a duplicate of the original pine siding, was purchased and installed. New roof boards where installed and metal braces were placed inside to remove pronounced sags in both ends of the roof. A rubber roof was installed in place of the original canvas one to insure weather tightness. A new roofwalk was constructed from a pattern of the original. New wooden end sills were cut and installed where needed. All exterior wood was primed, and the metal grab irons were removed, sandblasted, straightened and reinstalled. All of the windows were removed for replacement of rotted wood and installation of new laminated safety glass.

 

With the exterior of the car starting to show some of its future potential, work began on the interior. The wardrobe locker doors, which had warped badly after the 1972 Agnes floodwaters, were removed, rebuilt and reinstalled. The floor of the car, with holes that allowed inspection of the ground and undercarriage, was a challenge. The subflooring and final flooring were replaced, and the final flooring sanded and varnished. The peeling green paint was scraped from the walls and washed several times to remove accumulations of "flood mud". The stove was removed, sandblasted and repainted, and the sink was rebuilt. Rotted interior wood was replaced, and the lower bunks were reconstructed. New quarter round molding was cut and placed in many places in the car. The interior was primed and sanded in preparation for painting in the original buff color.

 

While progress was now very evident, much remained to be done. Exterior paint was mixed to match chips taken from the end platform, with four gallons being required to paint the exterior. Original PRR lettering blueprints where located and the stencils traced and cut. The original number was found over one end door. The metal work on the end platforms was scraped, primed and painted. The corner grab irons were painted safety yellow. The final stage of the restoration involved mechanical work on the trucks and air brake system. Each axle was jacked up, new grease pads installed and the reservoir filled with bearing oil. The air brake system was disassembled; necessary new parts were located and replaced. An air brake test was done to insure correct operation of the air brake system. New interior caboose lamps were located, and the final detailing completed on the exterior and interior of the car. After over 2100 hours of labor, lasting over 16 months, the restoration of this historic car was completed.

 

The restoration was a group effort on the part of 24 Harrisburg Chapter National Railway Historical Society members who contributed over 2100 hours of labor to the completion of the project. Many more contributed financially to the project and helped at the chapter's fund raising train shows.

 

History

The church with the downed tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips, Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

By the laws of probability, this house should not even be standing today; I took photos of it back in the 1990's and it had reached such an advanced state of neglect and deterioration that demolition or collapse seemed its inevitable fate. Yet somehow by whatever preservation miracle occured the house is not only still standing but shows evidence that stablization and restoration are underway. (I'll post some scanned 20 year-old analog photos for comparison soon) This small mansion, like most of the finer brick Victorians in Gainesville, is the design and work of local Builder-Architect John Grundy Garrett who began his career as a cabinet maker, then contractor-builder, and later architect-builder. Garrett designed and built this house for William Kilgore, a former Confederate officer who owned a furniture business just up the street (the former furniture store building is still standing too) It is among the smallest brick Victorians from Garrett who himself lived in a modest frame Victorian which has likely been lost during the flood about a decade ago.

History

 

The church with the dowend tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

she can manipulate probability, so she is lucky all the time! Domino is the mutant who is unbeatable for sheer luck.

 

These photoshopped 1024X768 wallpapers are for everyone to download. just comment on the photo before you download. I would love to hear your praise and criticisms.

Again... not on theme, but this just had to be done this week. Next week the bloom will probably be over, and there is a good probability the weather will be less sunny and more wet.

 

This time I used Nikkor AI-s 28mm 1:2 lens on my digital Canon. This is second one on my mission of using every manual focus Nikon lens I have in my use for Face-Down Tuesday -shots.

 

Again, I forgot to take a "making of" shot of the camera/lens combination, but here's one I took when I got back home. Doesn't look too different from the previous one except no funky filter holder.

This showcase of mathematical models, which explain many complexities of mathematics, never fails to intrigue visitors to IBM's "World of Numbers . . and Beyond." Nearby is a "pin-ball" visualization of how the theory of Probability works

 

postmarked 1984

English

The bay of La Concha is a small bay located on the Spanish coast of the Cantabrian Sea, the city of San Sebastian. As its name suggests has a shell, and home to two beaches (Ondarreta and the beach of La Concha) and an island, the island of Santa Clara.

Geological

The bay occupies the space between the mountains Igueldo (west) and Urgull (east). According to geological studies, the original bay stretching from Mount Igueldo to Mount Ulia, which closes the Zurriola Beach in the east, since the current Urgull mountain might have been, in all probability, an island. Thus, the original bay with a beach of more than 3000 meters in length, covering the three beaches in the city and two islands. Subsequently, the accumulated sediment in the river mouth Urumea, formed a small isthmus that joined Urgull Island to the mainland, is becoming a mountain. Thus was formed the present bay, whose clamshell would be consolidated with the construction of the ride.

Shoreline of the bay has an approximate length of 2000 meters, of which 1400 belong to the beach of La Concha and 600 remaining Ondarreta beach. Approximate distance from the beach of La Concha to the island of Santa Clara is a little over 1000 meters. Due to its pecualiar configuration, the bay waters are usually calm, although the tide changes are frequent and strongly affect the width of the beaches, which may disappear for a few hours.

The promenade that borders the bay of La Concha is composed of several sections with different names. Starting at the eastern end, on the slopes of Mount Urgull, the ride is called the Paseo Nuevo. Behind him the ride goes through the small fishing port of the city, and later as the height of City Hall starting on Paseo de La Concha, probably the most famous of Spain. During this walk until the end of the bay is the famous La Concha railing, designed by Juan Rafael Alday and installed in the 1910s. On the Paseo de La Concha are the architectural and ornamental highlights of the Bay promenade, street lights characteristics located at the beginning of the ramp down to the beach of La Concha, two watches, the resort's buildings Pearl and the Royal Bath House. Going westbound is reached Miraconcha Walk, which ends at the Palacio Real de Miramar. The tour received between Miramar and El Peine del Viento name Ondarreta Walk, next to which there are gardens. The promenade on the edge of the bay is complete, as stated in the sculpture of The Wind Comb, San Sebastian designed by sculptor Eduardo Chillida.

 

Spanish

La bahía de La Concha es una pequeña bahía situada en la costa española del mar Cantábrico, frente a la ciudad de San Sebastián. Como indica su nombre posee forma de concha, y alberga dos playas (Ondarreta y la playa de La Concha) y una isla, la isla de Santa Clara.

Origen geológico

La bahía ocupa el espacio comprendido entre los montes Igueldo (oeste) y Urgull (este). Según estudios geológicos, la primitiva bahía abarcaba desde el monte Igueldo hasta el monte Ulía, que cierra la playa de la Zurriola por el este, ya que el actual monte Urgull pudo haber sido, con toda probabilidad, una isla. De esta forma, la primitiva bahía, con una línea de playa de más de 3000 metros de longitud, abarcaba las tres playas de la ciudad y dos islas. Posteriormente, y con los sedimentos acumulados en la desembocadura del río Urumea, se formó un pequeño istmo que unió la isla de Urgull a tierra firme, convirtiéndose está en un monte. Así quedó formada la actual bahía, cuya forma de concha sería consolidada con la construcción del paseo.

La línea de playa de la bahía tiene una longitud aproximada de 2000 metros, de los cuales 1400 corresponden a la playa de La Concha y los 600 restantes a la playa de Ondarreta. La distancia aproximada de la playa de La Concha a la isla de Santa Clara es de algo más de 1000 metros. Debido a su pecualiar configuración, las aguas de la bahía suelen ser mansas, si bien los cambios de marea son frecuentes y afectan en gran medida a la anchura de las playas, que pueden llegar a desaparecer por unas horas.

El paseo marítimo que bordea la bahía de La Concha está compuesto de varios tramos con nombres distintos. Comenzando por el extremo oriental, en las faldas del monte Urgull, el paseo recibe el nombre de Paseo Nuevo. Tras él el paseo discurre por el pequeño puerto pesquero de la ciudad, y posteriormente y a la altura del edificio del Ayuntamiento comienza el Paseo de La Concha, probablemente el más famoso de España. Durante este paseo y hasta el final de la bahía se encuentra la famosa barandilla de La Concha, diseñada por Juan Rafael Alday e instalada en la década de 1910. En el Paseo de La Concha se encuentran los elementos arquitectónicos y ornamentales más destacados del paseo que bordea la bahía: unas características farolas situadas al comienzo de la rampa de bajada a la playa de La Concha, dos grandes relojes, los edificios del balneario de La Perla y la Real Casa de Baños. Avanzando en sentido oeste se alcanza el Paseo de Miraconcha, que finaliza en el Palacio Real de Miramar. El paseo recibe entre Miramar y El Peine del Viento el nombre de Paseo de Ondarreta, junto al cual hay unos jardines. El paseo marítimo al borde de la bahía finaliza, como se ha dicho, en el conjunto escultórico de El Peine del Viento, diseñado por el escultor donostiarra Eduardo Chillida.

 

A return visit to St Mary.

 

I was last here about 6 years ago, parking in the little square one warm September afternoon.

 

Much colder in March, but plenty of parking spaces, and St Mary was surprisingly open.

 

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The church stands in the village square removed from the main road. The flint rubble construction and severe restoration of the exterior does not look welcoming, but the interior is most appealing with plenty of light flooding through the clerestory windows. The rectangular piers of both north and south arcades with their pointed arches and boldly carved stops are of late twelfth-century date. Between them hang some eighteenth-century text boards. The character of the church is given in the main by late nineteenth- and early twentieth-century work. The high altar has four charmingly painted panels by John Ripley Wilmer in Pre-Raphaelite style, executed in 1907. At the opposite end of the church are the organ loft, font cover and baptistry, all designed by F.C. Eden, who restored the church in the early 1900s. He also designed the west window of the south aisle as part of a larger scheme which was not completed. In the south chancel wall are two windows of great curiosity. One contains a fifteenth-century figure of St Thomas Becket while the other shows figures of David and Saul. This dates from the nineteenth century and was painted by Frank Wodehouse who was the then vicar's brother. The face of David was based on that of Mme Carlotta Patti, the opera singer, while Gladstone and Disraeli can be identified hovering in the background! It is a shame that it has deteriorated badly.

 

www.kentchurches.info/church.asp?p=Elham

 

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ELEHAM,

OR, as it is as frequently written, Elham, lies the next parish south-eastward from Stelling. It was written in the time of the Saxons both Uleham and Æiham, in Domesday, Albam. Philipott says, it was antiently written Helham, denoting the situation of it to be a valley among the hills, whilst others suppose, but with little probability, that it took its name from the quantity of eels which the Nailbourn throws out when it begins to run. There are Seven boroughsin it, of Bladbean, Boyke, Canterwood, Lyminge, Eleham, Town, Sibton, and Hurst.

 

Eleham is said to be the largest parish in the eastern parts of this county, extending itself in length from north to south, through the Nailbourn valley, about three miles and an half; and in breadth five miles and a half, that is, from part of Stelling-minnis, within the bounds of it, across the valley to Eleham down and Winteridge, and the southern part of Swinfield-minnis, almost up to Hairn-forstal, in Uphill Folkestone. The village, or town of Eleham, as it is usually called, is situated in the above-mentioned valley, rather on a rise, on the side of the stream. It is both healthy and pleasant, the houses in it being mostly modern and wellbuilt, of brick and fashed. As an instance of the healthiness of this parish, there have been within these few years several inhabitants of it buried here, of the ages of 95, 97, and 99, and one of 105; the age of 40 years being esteemed that of a young person, in this parish. The church, with the vicarage on the side of the church-yard, is situated on the eastern side of it, and the court lodge at a small distance from it. This is now no more than a small mean cottage, thatched, of, I believe, only two rooms on a floor, and unsit for habitation. It appears to be the remains of a much larger edifice, and is built of quarry-stone, with small arched gothic windows and doors, the frames of which are of ashlar stone, and seemingly very antient indeed. It is still accounted a market-town, the market having been obtained to it by prince Edward, afterwards king Edward I. in his father's life-time, anno 35 Henry III. to be held on a Monday weekly, which, though disused for a regular constancy, is held in the market-house here once in five or six years, to keep up the claim to the right of it; besides which there are three markets regularly held, for the buying and selling of cattle, in every year, on Palm, Easter, and Whit Mondays, and one fair on Oct. 20th, by the alteration of the stile, being formerly held on the day of St. Dionis, Oct. 9, for toys and pedlary. The Nailbourn, as has been already mentioned before, in the description of Liminage, runs along this valley northward, entering this parish southward, by the hamlet of Ottinge, and running thence by the town of Eleham, and at half a mile's distance, by the hamlet of North Eleham, where there are several deep ponds, in which are from time to time quantities of eels, and so on to Brompton's Pot and Wingmere, at the northern extremity of this parish. The soil in the valley is mostly an unfertile red earth, mixed with many flints; but the hills on each side of it, which are very frequent and steep, extend to a wild romantic country, with frequent woods and uninclosed downs, where the soil consists mostly of chalk, excepting towards Stelling and Swinfield minnis's, where it partakes of a like quality to that of the valley, tance,by the hamlet of North Eleham, where there only still more poor and barren. At the north-west corner of the parish, on the hill, is Eleham park, being a large wood, belonging to the lord of Eleham manor.

 

Dr. Plot says, he was informed, that there was the custom of borough English prevailing over some copyhold lands in this parish, the general usage of which is, that the youngest son should inherit all the lands and tenements which his father had within the borough, &c. but I cannot find any here subject to it. On the contrary, the custom here is, to give the whole estate to the eldest son, who pays to the younger ones their proportions of it, as valued by the homage of the manor, in money.

 

At the time of taking the survey of Domesday, anno 1080, this place was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it:

 

In Honinberg hundred, the bishop of Baieux holds in demesne Alham. It was taxed at six sulins. The arable land is twenty-four carucates. In demesne there are five carucates and forty-one villeins, with eight borderers having eighteen carucates. There is a church, and eight servants, and two mills of six shillings, and twenty eight acres of meadow. Wood for the pannage of one hundred hogs. In the time of king Edward the Confessor, and afterwards, it was worth thirty pounds, now forty, and yet it yields fifty pounds. Ederic held this manor of king Edward.

 

Four years after the bishop was disgraced, and all his possessions were consiscated to the crown, whence this manor seems to have been granted to William de Albineto, or Albini, surnamed Pincerna, who had followed the Conqueror from Normandy in his expedition hither. He was succeeded by his son, of the same name, who was made Earl of Arundel anno 15 king Stephen, and Alida his daughter carried it in marriage to John, earl of Ewe, in Normandy, whose eldest son Henry, earl of Ewe, was slain at the siege of Ptolemais in 1217, leaving Alice his sole daughter and heir, who entitled her husband Ralph D'Issondon to the possession of this manor, as well as to the title of earl of Ewe. She died in the reign of king Henry III. possessed of this manor, with the advowson of the church, and sealed with Barry, a label of six points, as appears by a deed in the Surrenden library; after which it appears to have come into the possession of prince Edward, the king's eldest son, who in the 35th year of it obtained the grant of a market on a Monday, and a fair, at this manor, (fn. 1) and afterwards, in the 41st year of that reign, alienated it to archbishop Boniface, who, left he should still further inflame that enmity which this nation had conceived against him, among other foreigners and aliens, by thus increasing his possessions in it, passed this manor away to Roger de Leyborne, who died possessed of it in the 56th year of that reign, at which time it appears that there was a park here; (fn. 2) and in his name it continued till Juliana de Leyborne, daughter of Thomas, became the sole heir of their possessions, from the greatness of which she was usually called the Infanta of Kent. She was thrice married, yet she had no issue by either of her husbands, all of whom she survived, and died in the 41st year of king Edward III. upon which this manor, among the rest of her estates, escheated to the crown, there being no one who could make claim to them, by direct or even by collateral alliance. (fn. 3) Afterwards it continued in the crown till king Richard II. vested it in feoffees in trust, towards the endowment of St. Stephen's chapel, in his palace of Westminster, which he had in his 22d year, completed and made collegiate, and had the year before granted to the dean and canons this manor, among others, in mortmain. (fn. 4) All which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 9th year, granted to them a fair in this parish yearly, on the Monday after Palm-Sunday, and on the Wednesday following, with all liberties, &c. In which situation it continued till the 1st year of king Edward VI. when this college was, with all its possessions, surrendered into the king's hands, where this manor did not continue long; for the king in his 5th year, granted it to Edward, lord Clinton and Saye, and he reconveyed it to the crown the same year. After which the king demised it, for the term of eighty years, to Sir Edward Wotton, one of his privy council, whose son Thomas Wotton, esq. sold his interest in it to Alexander Hamon, esq. of Acrise, who died in 1613, leaving two daughters his coheirs, the youngest of whom Catherine, married to Sir Robert Lewknor, entitled him to it; he was at his death succeeded by his son Hamon Lewknor, esq. but the reversion in see having been purchased of the crown some few years before the expiration of the above-mentioned term, which ended the last year of king James I.'s reign, to Sir Charles Herbert, master of the revels. He at the latter end of king Charles I.'s reign, alienated it to Mr. John Aelst, merchant, of London; after which, I find by the court rolls, that it was vested in Thomas Alderne, John Fisher, and Roger Jackson, esqrs. who in the year 1681 conveyed it to Sir John Williams, whose daughter and sole heir Penelope carried it in marriage to Thomas Symonds, esq. of Herefordshire, by the heirs of whose only surviving son Thomas Symonds Powell, esq. of Pengethley, in that county, it has been lately sold to Sir Henry Oxenden, bart. who is now entitled to it.

 

A court leet and court baron is held for this manor, which is very extensive. There is much copyhold land held of it. The demesnes of it are tithe-free. There is a yearly rent charge, payable for ever out of it, of 87l. 13s. 1d. to the ironmongers company, in London.

 

Shottlesfield is a manor, situated at the southeast boundary of this parish, the house standing partly in Liminge, at a small distance southward from the street or hamlet of the same name. It was, as early as the reign of king Edward II. the inheritance of a family called le Grubbe, some of whom had afterwards possessions about Yalding and Eythorne. Thomas le Grubbe was possessed of it in the 3d year of that reign, and wrote himself of Shottlesfeld, and from him it continued down by paternal descent to John Grubbe, who in the 2d year of king Richard III. conveyed it by sale to Thomas Brockman, of Liminge, (fn. 5) whose grandson Henry Brockman, in the 1st year of queen Mary, alienated it to George Fogge, esq. of Braborne, and he, in the beginning of queen Elizabeth's reign, sold it to Bing, who, before the end of that reign, passed it away to Mr. John Masters, of Sandwich, from whom it descended to Sir Edward Masters, of Canterbury, who at his decease, soon after the death of Charles I. gave it to his second son, then LL. D. from whose heirs it was alienated to Hetherington, whose last surviving son the Rev. William Hetherington, of North Cray place, died possessed of it unmarried in 1778, and by will devised it, among his other estates, to Thomas Coventry, esq. of London, who lately died possessed of it s. p. and the trustees of his will are now entitled to it.

 

The manor of Bowick, now called Boyke, is situated likewise in the eastern part of this parish, in the borough of its own name, which was in very antient times the residence of the Lads, who in several of their old evidences were written De Lad, by which name there is an antient farm, once reputed a manor, still known, as it has been for many ages before, in the adjoining parish of Acrise, which till the reign of queen Elizabeth, was in the tenure of this family. It is certain that they were resident here at Bowick in the beginning of king Henry VI.'s reign, and in the next of Edward IV. as appears by the registers of their wills in the office at Canterbury, they constantly stiled themselves of Eleham. Thomas Lade, of Bowick, died possessed of it in 1515, as did his descendant Vincent Lade in 1563, anno 6 Elizabeth. Soon after which it passed by purchase into the name of Nethersole, from whence it quickly afterwards was alienated to Aucher, and thence again to Wroth, who at the latter end of king Charles I.'s reign sold it to Elgar; whence, after some intermission, it was sold to Thomas Scott, esq. of Liminge, whose daughter and coheir Elizabeth, married to William Turner, esq. of the Friars, in Canterbury, at length, in her right, became possessed of it; his only surviving daughter and heir Bridget married David Papillon, esq. of Acrise, and entitled him to this manor, and his grandson Thomas Papillon, esq. of Acrise, is the present owner of it.

 

Mount and Bladbean are two manors, situated on the hills, on the opposite sides of this parish, the former near the eastern, and the latter near the western boundaries of it; the latter being antiently called Bladbean, alias Jacobs-court, a name now quite forgotten. Both these manors appear to have been in the reign of the Conqueror, part of the possessions of Anschitillus de Ros, who is mentioned in Domesday as holding much land in the western part of this county, their principal manor there being that of Horton, near Farningham. One of this family made a grant of it to the Cosentons, of Cosenton, in Aylesford, to hold of their barony of Ros, as of their manor of Horton before-mentioned, by knight's service. In the 7th year of Edward III. Sir Stephen de Cosenton obtained a charter of freewarren for his lands here. He was the son of Sir William de Cosenton, sheriff anno 35 Edward I. and was sometimes written of Cosenton, and sometimes of Mount, in Eleham. At length his descendant dying in the beginning of king Henry VIII.'s reign, without male issue, his three daughters, married to Duke, Wood, and Alexander Hamon, esq. became his coheirs, and shared a large inheritance between them, and upon their division of it, the manor of Bladbean, alias Jacobs-court, was allotted to Wood, and Mount to Alexander Hamon.

 

The manor of Bladbean, alias Jacobs-court, was afterwards alienated by the heirs of Wood to Thomas Stoughton, esq. of St. Martin's, near Canterbury, who by will in 1591 (fn. 6) gave this manor, with its rents and services, to Elizabeth his daughter and coheir, married to Thomas Wilde, esq. of St. Martin's, whose grandson Colonel Dudley Wilde, at his death in 1653, s. p. devised it to his widow, from whom it went by sale to Hills, and Mr. James Hills, in 1683, passed it away to Mr. Daniel Woollet, whose children divided this estate among them; a few years after which John Brice became, by purchase of it at different times, possessed of the whole of it, which he in 1729 conveyed by sale to Mr. Valentine Sayer, of Sandwich, who died possessed of it in 1766, and the heirs of his eldest son Mr. George Sayer, of Sandwich, are now entitled to it.

 

The manor of Mount, now called Mount court, which was allotted as above-mentioned, to Alexander Hamon, continued down to his grandson, of the same name, who died possessed of it in 1613, leaving two daughters his coheirs, the youngest of whom, Catherine, entitled her husband Sir Robert Lewknor, to it, in whose descendants it continued till Robert Lewknor, esq. his grandson, in 1666, alienated it, with other lands in this parish, to Thomas Papillon, esq. of Lubenham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present proprietor of it.

 

Ladwood is another manor in this parish, lying at the eastern boundary of it, likewise on the hills next to Acrise. It was written in old evidences Ladswood, whence it may with probability be conjectured, that before its being converted into a farm of arable land, and the erecting of a habitation here, it was a wood belonging to the family of Lad, resident at Bowick; but since the latter end of king Edward III.'s reign, it continued uninterrupted in the family of Rolse till the reign of king Charles II. soon after which it was alienated to Williams, in which name it remained till Penelope, daughter of Sir John Williams, carried it in marriage to Thomas Symonds, esq. the heirs of whose only surviving son Thomas Symonds Powell, esq. sold it to David Papillon, esq. whose son Thomas Papillon, esq. now possesses it.

 

The manor of Canterwood, as appears by an old manuscript, seemingly of the time of Henry VIII. was formerly the estate of Thomas de Garwinton, of Welle, lying in the eastern part of the parish, and who lived in the reigns of Edward II. and III. whose greatgrandson William Garwinton, dying s. p. Joane his kinswoman, married to Richard Haut, was, in the 9th year of king Henry IV. found to be his heir, not only in this manor, but much other land in these parts, and their son Richard Haut having an only daughter and heir Margery, she carried this manor in marriage to William Isaak. After which, as appears from the court-rolls, which do not reach very high, that the family of Hales became possessed of it, in which it staid till the end of queen Elizabeth's reign, when it went by sale to Manwood, from which name it was alienated to Sir Robert Lewknor, whose grandson Robert Lewknor, esq. in 1666 sold it, with other lands in this parish already mentioned, to Thomas Papillon, esq. of Lu benham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present owner of it.

 

Oxroad, now usually called Ostrude, is a manor, situated a little distance eastward from North Eleham. It had antiently owners of the same name; Andrew de Oxroad held it of the countess of Ewe, in the reign of king Edward I. by knight's service, as appears by the book of them in the king's remembrancer's office. In the 20th year of king Edward III. John, son of Simon atte Welle, held it of the earl of Ewe by the like service. After which the Hencles became possessed of it, from the reign of king Henry IV. to that of king Henry VIII. when Isabel, daughter of Tho. Hencle, marrying John Beane, entitled him to it, and in his descendants it continued till king Charles I.'s reign, when it was alienated to Mr. Daniel Shatterden, gent. of this parish, descended from those of Shatterden, in Great Chart, which place they had possessed for many generations. At length, after this manor had continued for some time in his descendants, it was sold to Adams, in which name it remained till the heirs of Randall Adams passed it away by sale to Papillon, in whose family it still continues, being now the property of Thomas Papillon, esq. of Acrise.

 

Hall, alias Wingmere, is a manor, situated in the valley at the northern boundary of this parish, next to Barham, in which some part of the demesne lands of it lie. It is held of the manor of Eleham, and had most probably once owners of the name of Wigmere, as it was originally spelt, of which name there was a family in East Kent, and in several antient evidences there is mention made of William de Wigmere and others of this name. However this be, the family of Brent appear to have been for several generations possessed of this manor, and continued so till Thomas Brent, of Wilsborough, dying in 1612,s. p. it passed into the family of Dering, of Surrenden; for in king James I.'s reign Edward Dering, gent. of Egerton, eldest son of John, the fourth son of John Dering, esq, of Surren den, who had married Thomas Brent's sister, was become possessed of it; and his only son and heir Thomas Dering, gent. in 1649, alienated it to William Codd, gent. (fn. 7) of Watringbury, who was succeeded in it by his son James Codd, esq. of Watringbury, who died s. p. in 1708, being then sheriff of this county, and being possessed at his death of this manor in fee, in gavelkind; upon which it came to the representatives of his two aunts, Jane, the wife of Boys Ore, and Anne, of Robert Wood, and they, in 1715, by fine levied, entitled Thomas Manley, and Elizabeth, his wife, to the possession of this manor for their lives, and afterwards to them in fee, in separate moieties. He died s. p. in 1716, and by will gave his moiety to John Pollard; on whose death s. p. it came, by the limitation in the above will, to Joshua Monger, whose only daughter and heir Rachael carried it in marriage to her husband Arthur Pryor, and they in 1750 joined in the sale of it to Mr. Richard Halford, gent. of Canterbury. The other moiety of this manor seems to have been devised by Elizabeth Manley above-mentioned, at her death, to her nephew Thomas Kirkby, whose sons Thomas, John, and Manley Kirkby, joined, in the above year, in the conveyance of it to Mr. Richard Halford above-mentioned, who then became possessed of the whole of it. He was third son of Richard Halford, clerk, rector of the adjoining parish of Liminge, descended from the Halfords, of Warwickshire, as appears by his will in the Prerogative-office, Canterbury, by which he devised to his several sons successively in tail, the estate in Warwickshire, which he was entitled to by the will of his kinsman William Halford, gent, of that county. They bear for their arms, Argent, a greybound passant, sable, on a chief of the second, three fleurs de lis, or. He died possessed of it in 1766, leaving by Mary his wife, daughter of Mr. Christopher Creed, of Canterbury, one son Richard Halford, gent. now of Canterbury; and two daughters, Mary married to Mr. John Peirce, surgeon, of Canterbury; and Sarah. In 1794, Mr. Peirce purchased the shares of Mr. Richard and Mrs. Sarah Halford, and he is now the present owner of this manor. He bears for his arms, Azure field, wavy bend, or, two unicorns heads, proper.

 

The manor OF Clavertigh is situated on the hills at the north-west boundary of this parish, next to Liminge, which antiently belonged to the abbey of Bradsole, or St. Radigund, near Dover, and it continued among the possessions of it till the 27th year of king Henry VIII. when by the act then passed, it was suppressed, as not having the clear yearly revenue of two hundred pounds, and was surrendered into the king's hands, who in his 29th year, granted the scite of this priory, with all its lands and possessions, among which this manor was included, with certain exceptions, however, mentioned in it, to archbishop Cranmer, who in the 38th year of that reign, conveyed this manor of Clavertigh, with lands called Monkenlands, late belonging to the same priory in this parish, back again to the king, who that same year granted all those premises to Sir James Hales, one of the justices of the common pleas, to hold in capite, (fn. 8) and he, in the beginning of king Edward VI.'s reign, passed them away to Peter Heyman, esq. one of the gentlemen of that prince's bedchamber who seems to have had a new grant of them from the crown, in the 2d year of that reign. He was succeeded by his eldest son, Ralph Heyman, esq. of Sellindge, whose descendant Sir Peter Heyman, bart. alienated the manor of Clavetigh to Sir Edward Honywood, of Evington, created a baronet in 1660, in whose descendants this manor has continued down to Sir John Honywood, bart. of Evington, who is the present possessor of it.

 

Charities.

Jonas Warley, D. D. gave by will in 1722, 50l. to be put out on good security, the produce to be given yearly in bread on every Sunday in the year, after divine service, to six poor widows, to each of them a two-penny loaf. The money is now vested in the vicar and churchwardens, and the produce of it being no more than 2l. 5s. per annum, only a three-halfpenny loaf is given to each widow.

 

Land in this parish, of the annual produce of 1l. was given by a person unknown, to be disposed of to the indigent. It is vested in the minister, churchwardens, and overseers.

 

Four small cottages were given to the parish, by a person unknown, and are now inhabited by poor persons. They are vested in the churchwardens and overseers.

 

Sir John Williams, by will in 1725, founded A CHARITY SCHOOL in this parish for six poor boys, legal inhabitants, and born in this parish, to be taught reading, writing, and accounts, to be cloathed once in two years; and one such boy to be bound out apprentice, as often as money sufficient could be raised for that use. The minister, churchwardens, and overseers to be trustees, who have power to nominate others to assist them in the management of it. The master has a house to live in, and the lands given to it are let by the trustees.

 

The poor constantly relieved are about seventy-five, casually fifty-five.

 

Eleham is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of its own name.

 

The church, which is dedicated to St. Mary, is large and handsome, consisting of three isles, the middle one having an upper range of windows, and one chancel, having a tower steeple, with a spire shast on it, at the west end, in which are eight bells, a clock, and chimes. Within the altar-rails is a memorial for John Somner, gent. son of the learned William Somner, of Canterbury, obt. 1695; arms, Ermine, a chevron voided. In the chancel a brass plate for Michael Pyx, of Folkestone, mayor and once high bailisf to Yarmouth, obt. 1601. Another for Nicholas Moore, gent. of Bettenham, in Cranbrooke; he died at Wingmer in 1577. In the middle isle a memorial for Captain William Symons, obt. 1674; arms, Parted per pale, and fess, three trefoils slipt. A brass plate for John Hill, dean and vicar of Eleham, obt. 1730. In this church was a lamp burning, called the light of Wyngmer, given before the year 1468, probably by one of the owners of that manor.

 

The church of Eleham was given by archbishop Boniface, lord of the manor of Eleham, and patron of this church appendant to it, at the instance of Walter de Merton, then canon of St. Paul's, and afterwards bishop of Rochester, to the college founded by the latter in 1263, at Maldon, in Surry. (fn. 9) After which the archbishop, in 1268, appropriated this church to the college, whenever it should become vacant by the death or cession of the rector of it, saving a reasonable vicarage of thirty marcs, to be endowed by him in it, to which the warden of the college should present to him and his successors, a fit vicar, as often as it should be vacant, to be nominated to the warden by the archbishop; otherwise the archbishop and his successors should freely from thence dispose of the vicarage for that turn. (fn. 10)

 

¶The year before this, Walter de Merton had begun a house in Oxford, whither some of the scholars were from time to time to resort for the advancement of their studies, to which the whole society of Maldon was, within a few years afterwards, removed, and both societies united at Oxford, under the name of the warden and fellows of Merton college. This portion of thirty marcs, which was a stated salary, and not tithes, &c. to that amount, was continued by a subsequent composition or decree of archbishop Warham, in 1532; but in 1559, the college, of their own accord, agreed to let the vicarial tithes, &c. to Thomas Carden, then vicar, at an easy rent, upon his discharging the college from the before-mentioned portion of thirty marcs: and this lease, with the like condition, has been renewed to every subsequent vicar ever since; and as an addition to their income, the vicars have for some time had another lease, of some wood grounds here, from the college. (fn. 11)

 

The appropriation or parsonage of this church is now held by lease from the warden and fellows, by the Rev. John Kenward Shaw Brooke, of Town-Malling. The archbishop nominates a clerk to the vicarage of it, whom the warden and fellows above-mentioned present to him for institution.

 

This vicarage is valued in the king's books at twenty pounds, (being the original endowment of thirty marcs), and the yearly tenths at two pounds, the clear yearly certified value of it being 59l. 15s. 2d. In 1640 it was valued at one hundred pounds per annum. Communicants six hundred. It is now of about the yearly value of one hundred and fifty pounds.

 

All the lands in this parish pay tithes to the rector or vicar, excepting Parkgate farm, Farthingsole farm, and Eleham-park wood, all belonging to the lord of Eleham manor, which claim a modus in lieu of tithes, of twenty shillings yearly paid to the vicar. The manor farm of Clavertigh, belonging to Sir John Honywood, bart and a parcel of lands called Mount Bottom, belonging to the Rev. Mr. Thomas Tournay, of Dover, claim a like modus in lieu of tithes.

 

www.british-history.ac.uk/survey-kent/vol8/pp95-110

Poker is a family of card games that share betting rules and usually (but not always) hand rankings. Poker games differ in how the cards are dealt, how hands may be formed, whether the high or low hand wins the pot in a showdown (in some games, the pot is split between the high and low hands), limits on bets and how many rounds of betting are allowed. In most modern poker games, the first round of betting begins with some form of forced bet. The action then proceeds to the left. Each player in turn must either match the maximum previous bet or fold, losing the amount bet so far and all further interest in the hand. A player who matches a bet may also raise, increasing the bet. The betting round ends when all players have either matched the last bet or folded. If all but one player fold on any round, the remaining player collects the pot without showing their hand. If more than one player remains in contention after the final betting round, the hands are shown and the winning hand takes the pot.

With the exception of initial forced bets, money is only placed into the pot voluntarily by a player who, at least in theory, rationally believes the bet has positive expected value. Thus while the outcome of any particular hand is determined mostly by chance, the long-run expectations of the players are determined by their actions chosen based on probability and psychology.

 

History

 

The history is a matter of debate. One of the earliest known games to incorporate betting, hand rankings, and bluffing was the 15th century German game Pochspiel. Poker closely resembles the Persian game of As Nas, though there is no specific description of nas prior to 1890. In the 1937 edition of Foster's Complete Hoyle, R. F. Foster wrote: "the game of poker, as first played in the United States, five cards to each player from a twenty-card pack, is undoubtedly the Persian game of as nas." By 1990s some gaming historians including David Parlett started to challenge the notion that poker is a direct derivative of As Nas. There is evidence that a game called poque, a French game similar to poker, was played around the region where poker is said to have originated. The name of the game likely descended from the Irish Poca (Pron. Pokah) ('Pocket') or even the French poque, which descended from the German pochen ('to brag as a bluff' lit. 'to knock'). Yet it is not clear whether the origins of poker itself lie with the games bearing those names. It is commonly regarded as sharing ancestry with the Renaissance game of primero and the French brelan. The English game brag (earlier bragg) clearly descended from brelan and incorporated bluffing (though the concept was known in other games by that time). It is quite possible that all of these earlier games influenced the development of poker as it exists now.

 

Harry Truman's poker chips

A modern school of thought rejects these ancestries. They focus on the card play in poker, which is trivial and could have been derived from any number of games, or made up on general cardplay principles. The unique features of poker have to do with the betting, and do not appear in any known older game. In this view poker originated much earlier, in the early or mid-1700s, and spread throughout the Mississippi River region by 1800. It was played in a variety of forms, with 52 cards, and included both straight poker and stud. 20 card poker was a variant for two players (it is a common English practice to reduce the deck in card games when there are fewer players). The development of poker is linked to the historical movement that also saw the invention of commercial gambling.

English actor Joseph Crowell reported that the game was played in New Orleans in 1829, with a deck of 20 cards and four players betting on which player's hand was the most valuable. Jonathan H. Green's book, An Exposure of the Arts and Miseries of Gambling (G. B. Zieber, Philadelphia, 1843), described the spread of the game from there to the rest of the country by Mississippi riverboats, on which gambling was a common pastime. As it spread north along the Mississippi River and to the West during the gold rush, it is thought to have become a part of the frontier pioneer ethos.

Soon after this spread, the full 52-card English deck was used and the flush was introduced. The draw was added prior to 1850 (when it was first mentioned in print in a handbook of games). During the American Civil War, many additions were made including stud poker (the five-card variant), and the straight. Further American developments followed, such as the wild card (around 1875), lowball and split-pot poker (around 1900), and community card poker games (around 1925).

The game and jargon of poker have become important parts of American culture and English culture. Such phrases and clichés as ace in the hole, ace up one's sleeve, beats me, blue chip, call one's bluff, cash in, high roller, pass the buck, poker face, stack up, up the ante, when the chips are down, wild card, and others are used in everyday conversation, even by those unaware of their origins at the poker table.

  

Beginning in 1970 a series of developments lead to poker becoming far more popular than it was previously:

Modern tournament play became popular in American casinos after the World Series of Poker began, in 1970. Notable champions from these early WSOP tournaments include Johnny Moss, Amarillo Slim, Bobby Baldwin, Doyle Brunson, and Puggy Pearson.

Later in the 1970s, the first serious strategy books appeared, notably Super/System by Doyle Brunson and Caro's Book of Poker Tells by Mike Caro, followed later by The Theory of Poker by David Sklansky.

In the 1990s, poker and casino gambling spread across the United States, most notably to Atlantic City, New Jersey.

In 1999, Late Night Poker debuted on British television, introducing poker for the first time to many Europeans.

Poker's popularity experienced an unprecedented spike at the beginning of the 21st century, largely because of the introduction of online poker and hole-card camera, which turned the game into a spectator sport. Viewers could now follow the action and drama of the game, and broadcasts of poker tournaments such as the World Series of Poker and the World Poker Tour brought in huge audiences for cable and satellite TV distributors. Because of the increasing coverage of poker events, poker pros became celebrities, with poker fans all over the world entering into expensive tournaments for the chance to play with them. This increased camera exposure also brings a new dimension to the poker professional's game—the realization that their actions may be aired later on TV.

Since 2003, major poker tournament fields have grown dramatically, in part because of the growing popularity of online satellite-qualifier tournaments where the prize is an entry into a major tournament. The 2003 and 2004 World Series Of Poker champions, Chris Moneymaker and Greg Raymer, respectively, won their seats to the main event by winning online satellites.[16] After the passage of the UIGEA in October 2006, attendance at live tournaments as well as participation in live and online cash games initially slowed, however they are still growing and far more popular today than they were prior to 2003.

 

Gameplay

 

In casual play, the right to deal a hand typically rotates among the players and is marked by a token called a dealer button (or buck). In a casino, a house dealer handles the cards for each hand, but the button (typically a white plastic disk) is rotated clockwise among the players to indicate a nominal dealer to determine the order of betting.

One or more players are usually required to make forced bets, usually either an ante or a blind bet (sometimes both). The dealer shuffles the cards, the player on the chair to their right cuts, and the dealer deals the appropriate number of cards to the players one at a time, beginning with the player to their left. Cards may be dealt either face-up or face-down, depending on the variant of poker being played. After the initial deal, the first of what may be several betting rounds begins. Between rounds, the players' hands develop in some way, often by being dealt additional cards or replacing cards previously dealt. At the end of each round, all bets are gathered into the central pot.

At any time during a betting round, if one player bets and no opponents choose to call (match) the bet and instead fold, the hand ends immediately, the bettor is awarded the pot, no cards are required to be shown, and the next hand begins. This is what makes bluffing possible. Bluffing is a primary feature of poker, one that distinguishes it from other vying games and from other games that make use of poker hand rankings.

At the end of the last betting round, if more than one player remains, there is a showdown, in which the players reveal their previously hidden cards and evaluate their hands. The player with the best hand according to the poker variant being played wins the pot. A poker hand consists of five cards, but in some variants a player has more than five to choose from.

See betting (poker) for detailed rules regarding forced bets, betting actions, limits, stakes, and all-in situations. See list of poker variants and poker hand rankings for order of play and other details for the most common poker variants.

[edit]Variations

   

WSOP Main Event Table

Poker has many variations, all following a similar pattern of play and generally using the same hand ranking hierarchy. There are three main families of variants, largely grouped by the protocol of card-dealing and betting:

 

Straight

A complete hand is dealt to each player, and players bet in one round, with raising and re-raising allowed. This is the oldest poker family; the root of the game as currently played was a game known as Primero, which evolved into the game three-card brag, a very popular gentleman's game around the time of the American Revolutionary War and still enjoyed in the U.K. today. Straight hands of five cards are sometimes used as a final showdown, but poker is currently virtually always played in a more complex form to allow for additional strategy.

 

Stud poker

Cards are dealt in a prearranged combination of face-down and face-up rounds, or streets, with a round of betting following each. This is the next-oldest family; as poker progressed from three to five-card hands, they were often dealt one card at a time, either face-down or face-up, with a betting round between each. The most popular stud variant today, seven-card stud, deals two extra cards to each player (three face-down, four face-up) from which they must make the best possible 5-card hand.

 

Draw poker

A complete hand is dealt to each player, face-down, and after betting, players are allowed to attempt to change their hand (with the object of improving it) by discarding unwanted cards and being dealt new ones. Five-card draw is the most famous variation in this family.

 

Community card poker (also known as flop poker)

A variation of Stud, players are dealt an incomplete hand of face-down cards, and then a number of face-up community cards are dealt to the center of the table, each of which can be used by one or more of the players to make a 5-card hand. Texas hold-em and Omaha are two well-known variants of the Community family.

Other games that use poker hand rankings may likewise be referred to as poker. Video poker is a single-player computer game that functions much like a slot machine; most video poker machines play draw poker, where the player bets, a hand is dealt, and the player can discard and replace cards. Payout is dependent on the hand resulting after the draw and the player's initial bet.

Strip poker is a traditional poker variation where players remove clothing when they lose bets. Since it depends only on the basic mechanic of betting in rounds, strip poker can be played with any form of poker; however, it is usually based on simple variants with few betting rounds, like five card draw.

Another game with the poker name, but with a vastly different mode of play, is called Acey-Deucey or Red Dog poker. This game is more similar to Blackjack in its layout and betting; each player bets against the house, and then is dealt two cards. For the player to win, the third card dealt (after an opportunity to raise the bet) must have a value in between the first two. Payout is based on the odds that this is possible, based on the difference in values of the first two cards. Other poker-like games played at casinos against the house include three card poker and pai gow poker.

Hotel Imparatul Romanilor, probability the best in the city, at least when this picture was taken, most likely in 1970s, judging by fashion.

 

Worn by: Clive Owen as Walter Raleigh

Costume Designer: Alexandra Byrne

Film: Elizabeth: The Golden Age

An Elizabethan man of average means - and Raleigh is as commoner - would, in all probability, possess a single suit of clothes, so production did not have the luxury of outfitting him as they would their courtiers. Byrne explains, "There are lots of contemporary engravings of Raleigh, but the reality is that a gentleman of that time maybe had one suit of clothing - he would have gone to sea in those clothes, where they would have gotten wet, then dried, they would have gotten torn, they would have been repaired. So we worked with the idea that his clothes had gone to sea with him and they had evolved of the the journey... and remember, it was four months there and four monthes back."

The designer worked with Clive Owen on the evolution of the design, assuring him that "the britches would be fine! He was a little alarmed by them. But by the end of production, I think he was quite keen on them, the way they have become a part of him. They give you a certain way of walking and a certain scale. He wears them like no one else!"

Costumes displayed courtesy of Universal Pictures International, celebrating the release of Elizabeth: The Golden Age, only at the movies November 15.

History

The church with the downed tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

History

 

The church with the dowend tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . (+ 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 +). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 + ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [+ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 +) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel + Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called (+ around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, + 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch (+ 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

This is a big development step from what I have been producing has have been all things bright and colourful. I took inspiration from Mira Schendel’s ‘Still Waves of Probability 1969’ installation. Hundreds of nylon threads dropping down from the ceiling, splashing onto the floor like the waves of an ocean, or the upwards spatter of pouring rain, I felt mesmerised by the work and how one cannot see the threads, precisely and yet somehow the vision appears, the visibility of the invisible.

Brian N. Ball. DAW #40, 1973.

 

Cover by Frank Kelly Freas.

It seems that, judging by the report below from 1872, that the services of the QATB would have been needed that New Year's Eve:

 

The Brisbane Courier

Wed 3 Jan 1872

 

Accident to an Ipswich Artilleryman

 

The members of No. 2 Battery Q.V.A having determined to fire a salute in honor of the old new year and one which to welcome the new, assembled with their guns at North Ipswich just before midnight on Sunday last, but the firing of the first gun caused a most melancholy accident, which had the effect of making the men desist, so that the original design was not carried out.

 

It appears that Gunner Henry Walker arrived upon the ground after the gun in question was loaded, and took up his position as No. 2, to the right of the old muzzle. Immediately afterwards the order to fire was given, and Walker, whose particular duty was to put the cartridge into the gun, stepped forward (it is supposed having misunderstood the word "fire" for "load"), and just he had placed the cartridge in the muzzle with both hands the gun went off. The consequence was that his right hand was shot away, and his left arm frightfully shattered. The poor fellow, who was sensible immediately afterwards, though he had no recollection of the accident, was at once removed to his house, not far from the ground, where Dr. Von Lossberg was soon in attendance, and recommended his immediate removal to the hospital. A buggy having been procured, was at once taken thither, and on the way so great was his suffering that he begged of his comrades to blow his brains out to end his misery.

 

On arrival at the hospital Dr. Rowlands was already waiting, and after consultation with Dr. Heeney and Dr. Von Lossberg, amputated a portion of the right wrist and the left arm below the elbow. The patient was of course placed under the influence of chloroform, and we are informed that he sang a jovial air quite lustily while the operation was being performed. On inquiry at the hospital last night we learned that the poor fellow was going on as favorably as could be expected, but as there is danger of mortification setting in it will be a day or two before he can be pronounced out of danger.

 

[...]

 

Mr Walker, who is a fitter at the railway works, is a married man, and has three children. His wife was on the grounds at the time of the sad occurrence, and of course received a great shock. [...] No blame is attached to anyone but the poor fellow himself, and none will blame him for what was a pure accident, which would in all probability not have happened by daylight.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The ZSU-37-6 (“ZSU” stands for Zenitnaya Samokhodnaya Ustanovka / Зенитная Самоходная Установка = "anti-aircraft self-propelled mount"), also known as Object 511 during its development phase and later also as “ZSU-37-6 / Лена”, was a prototype for a lightly armored Soviet self-propelled, radar guided anti-aircraft weapon system that was to replace the cannon-armed ZSU-23-4 “Shilka” SPAAG.

The development of the "Shilka" began in 1957 and the vehicle was brought into service in 1965. The ZSU-23-4 was intended for AA defense of military facilities, troops, and mechanized columns on the march. The ZSU-23-4 combined a proven radar system, the non-amphibious chassis based on the GM-575 tracked vehicle, and four 23 mm autocannons. This delivered a highly effective combination of mobility with heavy firepower and considerable accuracy, outclassing all NATO anti-aircraft guns at the time. The system was widely fielded throughout the Warsaw Pact and among other pro-Soviet states. Around 2,500 ZSU-23-4s, of the total 6,500 produced, were exported to 23 countries.

 

The development of a potential successor started in 1970. At the request of the Soviet Ministry of Defense, the KBP Instrument Design Bureau in Tula started work on a new mobile anti-aircraft system as a replacement for the 23mm ZSU-23-4. The project was undertaken to improve on the observed shortcomings of the ZSU-23-4 (short range and no early warning) and to counter new ground attack aircraft in development, such as the A-10 Thunderbolt II, which was designed to be highly resistant to 23 mm cannons.

 

KBP studies demonstrated that a cannon of at least 30 mm caliber was necessary to counter these threats, and that a bigger caliber weapon would offer some more benefits. Firstly, to destroy a given target, such a weapon would only require from a third to a half of the number of shells that the ZSU-23-4’s 23 mm cannon would need. Secondly, comparison tests revealed that firing with an identical mass of 30 mm projectiles instead of 23 mm ammunition at a MiG-17 (or similarly at NATO's Hawker Hunter or Fiat G.91…) flying at 300 m/s would result in a 1.5 times greater kill probability. An increase in the maximum engagement altitude from 2,000 to 4,000 m and higher effectiveness when engaging lightly armored ground targets were also cited as potential benefits.

 

The initial requirements set for the new mobile weapon system were to achieve twice the performance in terms of the ZSU-23-4’s range, altitude and combat effectiveness. Additionally, the system should have a reaction time, from target acquisition to firing, no greater than 10 seconds, so that enemy helicopters that “popped up” from behind covers and launched fire-and-forget weapons at tanks or similar targets could be engaged effectively.

From these specifications KBP developed two schools of thought that proposed different concepts and respective vehicle prototypes: One design team followed the idea of an anti-aircraft complex with mixed cannon and missile armament, which made it effective against both low and high-flying targets but sacrificed short-range firepower. The alternative proposed by another team was a weapon carrier armed only with a heavy gatling-type gun, tailored to counter targets flying at low altitudes, esp. helicopters, filling a similar niche as the ZSU-23-4 and leaving medium to high altitude targets to specialized anti-aircraft missiles. The latter became soon known as “Object 511”.

 

Object 511 was based on the tracked and only lightly armored GM-577 chassis, produced by Minsk Tractor Works (MTZ). It featured six road wheels on each side, a drive sprocket at the rear and three return rollers. The chassis was primarily chosen because it was already in use for other anti-aircraft systems like the 2K11 “Krug” complex and could be taken more or less “off the rack”. A new feature was a hydropneumatic suspension, which was chosen in order to stabilize the chassis as firing platform and also to cope with the considerably higher all-up weight of the vehicle (27 tons vs. the ZSU-23-4’s 19 tons). Other standard equipment of Object 511 included heating, ventilation, navigational equipment, night vision aids, a 1V116 intercom and an external communications system with an R-173 receiver.

 

The hull was - as the entire vehicle - protected from small arms fire (7,62mm) and shell splinters, but not heavily armored. An NBC protection system was integrated into the chassis, as well as an automatic fire suppression system and an automatic gear change. The main engine bay, initially with a 2V-06-2 water-cooled multi-fuel diesel engine with 450 hp (331 kW) was in the rear. It was later replaced by a more powerful variant of the same engine with 510 hp (380 kW).

The driver sat in the front on the left side, with a small gas turbine APU to his right to operate the radar and hydraulic systems independently from the main engine.

Between these hull segments, the chassis carried a horseshoe-shaped turret with full 360° rotation. It was relatively large and covered more than the half of the hull’s roof, because it held the SPAAGs main armament and ammunition supply, the search and tracking radar equipment as well as a crew of two: the commander with a cupola on the right side and the gunner/radar operator on the left side, with the cannon installation and its feeding system between them. In fact, it was so large that Object 511’s engine bay was only accessible when the turret was rotated 90° to the side – unacceptable for an in-service vehicle (which would probably have been based on a bigger chassis), but accepted for the prototype which was rather focused on the turret and its complex weapon and radar systems.

 

Object 511’s centerpiece was the newly-developed Gryazev-Shipunov GSh-6-37 cannon, a heavy and experimental six-barreled 37mm gatling gun. This air-cooled weapon with electrical ignition was an upscaled version of the naval AO-18 30mm gun, which was part of an automated air defense system for ships, the AK-630 CIWS complex. Unlike most modern American rotary cannons, the GSh-6-37 was gas-operated rather than hydraulically driven, allowing it to "spin up" to maximum rate of fire more quickly. This resulted in more rounds and therefore weight of fire to be placed on target in a short burst, reduced reaction time and allowed hits even in a very small enemy engagement window.

 

The GSh-6-37 itself weighed around 524 kg (1.154 lb), the whole system, including the feed system and a full magazine, weighed 7,493 pounds (3,401 kg). The weapon had a total length of 5.01 m (16’ 7“), its barrels were 2.81 m (9’ 2½”) long. In Object 511’s turret it had an elevation between +80° and -11°, moving at 60°/sec, and a full turret rotation only took 3 seconds. Rate of fire was 4,500 rounds per minute, even though up to 5.500 RPM were theoretically possible and could be cleared with an emergency setting. However, the weapon would typically only fire short bursts of roundabout 50 rounds each, or longer bursts of 1-2 (maximum) seconds to save ammunition and to avoid overheating and damage – initially only to the barrels, but later also to avoid collateral damage from weapon operation itself (see below). Against ground targets and for prolonged, safe fire, the rate of fire could alternatively be limited to 150 RPM.

The GSh-6-37 fired 1.09 kg shells (each 338mm long) at 1,070 m/s (3.500 ft/s), developing a muzzle energy of 624,000 joules. This resulted in an effective range of 6,000 m (19.650 ft) against aerial and 7,000 m (23.0000 ft) against ground targets. Maximum firing range was past 7,160 m (23,490 ft), with the projectiles self-destructing beyond that distance. In a 1 sec. burst, the weapon delivered an impressive weight of fire of almost 100 kg.

The GSh-6-37 was belt-fed, with a closed-circuit magazine to avoid spilling casings all around and hurting friendly troops in the SPAAG’s vicinity. Typical types of ammunition were OFZT (proximity-fused incendiary fragmentation) and BZT (armor-piercing tracer, able to penetrate more than 60 mm of 30° sloped steel armor at 1.000 m/3.275’ distance). Since there was only a single ammunition supply that could not be switched, these rounds were normally loaded in 3:1 ratio—three OFZT, then one BZT, every 10th BZT round marked with a tracer. Especially the fragmentation rounds dealt extensive collateral damage, as the sheer numbers of fragments from detonating shells was sufficient to damage aircraft flying within a 200-meter radius from the impact center. This, coupled with the high density of fire, created a very effective obstacle for aerial targets and ensured a high hit probability even upon a casual and hurried attack.

 

The gun was placed in the turret front’s center, held by a massive mount with hydraulic dampers. The internal ammunition supply in the back of the turret comprised a total of 1.600 rounds, but an additional 800 rounds could be added in an external reserve feed bin, attached to the back of the turret and connected to the internal belt magazine loop through a pair of ports in the turret’s rear, normally used to reload the GSh-6-37.

 

A rotating, electronically scanned E-band (10 kW power) target acquisition radar array was mounted on the rear top of the turret that, when combined with the turret front mounted J-band (150 kW power) mono-pulse tracking radar, its dish antenna hidden under a fiberglass fairing to the right of the main weapon, formed the 1RL144 (NATO: Hot Shot) pulse-Doppler 3D radar system. Alongside, the 1A26 digital computer, a laser rangefinder co-axial to the GSh-6-37, and the 1G30 angle measurement system formed the 1A27 targeting complex.

Object 511’s target acquisition offered a 360-degree field of view, a detection range of around 18 km and could detect targets flying as low as 15 m. The array could be folded down and stowed when in transit, lying flat on the turret’s roof. The tracking radar had a range of 16 km, and a C/D-band IFF system was also fitted. The radar system was highly protected against various types of interference and was able to work properly even if there were mountains on the horizon, regardless of the background. The system made it possible to fire the GSh-6-37 on the move, against targets with a maximum target speed of up to 500 m/s, and it had an impressive reaction time of only 6-8 seconds.

Thanks to its computerized fire control system, the 1A27 was highly automated and reduced the SPAAG’s crew to only three men, making a dedicated radar operator (as on the ZSU-23-4) superfluous and saving internal space in the large but still rather cramped turret.

 

Development of Object 511 and its systems were kicked-off in 1972 but immediately slowed down with the introduction of the 9K33 “Osa” missile system, which seemed to fill the same requirement but with greater missile performance. However, after some considerable debate it was felt that a purely missile-based system would not be as effective at dealing with very low flying attack helicopters attacking at short range with no warning, as had been proven so successful in the 1973 Arab-Israeli War. Since the reaction time of a gun system was around 8–10 seconds, compared to approximately 30 seconds for a missile-based system, development of Object 511 was restarted in 1973.

 

A fully functional prototype, now officially dubbed “ZSU-37-6“ to reflect its role and armament and christened “Лена” (Lena, after the Russian river in Siberia), was completed in 1975 at the Ulyanovsk Mechanical Factory, but it took until 1976 that the capricious weapon and the 1A27 radar system had been successfully integrated and made work. System testing and trials were conducted between September 1977 and December 1978 on the Donguzskiy range, where the vehicle was detected by American spy satellites and erroneously identified as a self-propelled artillery system with a fully rotating turret (similar to the American M109), as a potential successor for the SAU-122/2S1 Gvozdika or SAU-152/2S3 Akatsiya SPGs that had been introduced ten years earlier, with a lighter weapon of 100-120mm caliber and an autoloader in the large turret.

 

The tests at Donguzskiy yielded mixed results. While the 1A27 surveillance and acquisition radar complex turned out to be quite effective, the GSh-6-37 remained a constant source of problems. The gun was highly unreliable and afforded a high level of maintenance. Furthermore, it had a massive recoil of 6.250 kp/61 kN when fired (the American 30 mm GAU-8 Avenger “only” had a recoil of 4.082 kp/40 kN). As a result, targets acquired by the 1A27 system were frequently lost after a single burst of fire, so that they had to be tracked anew before the next shot could be placed.

To make matters even words, the GSh-6-37 was noted for its high and often uncomfortable vibration and extreme noise, internally and externally. Pressure shock waves from the gun muzzles made the presence of unprotected personnel in the weapon’s proximity hazardous. The GSh-6-37’s massive vibrations shook the whole vehicle and led to numerous radio and radar system failures, tearing or jamming of maintenance doors and access hatches and the cracking of optical sensors. The effects were so severe that the gun’s impact led after six months to fatigue cracks in the gun mount, the welded turret hull, fuel tanks and other systems. One spectacular and fateful showcase of the gun’s detrimental powers was a transmission failure during a field test/maneuver in summer 1978 – which unfortunately included top military brass spectators and other VIPs, who were consequently not convinced of the ZSU-37-6 and its weapon.

 

The GSh-6-37’s persisting vibration and recoil problems, as well as its general unreliability if it was not immaculately serviced, could not be satisfactorily overcome during the 2 years of state acceptance trials. Furthermore, the large and heavy turret severely hampered Object 511’s off-road performance and handling, due to the high center of gravity and the relatively small chassis, so that the weapon system’s full field potential could not be explored. Had it found its way into a serial production vehicle, it would certainly have been based on a bigger and heavier chassis, e.g. from an MBT. Other novel features tested with Object 511, e.g. the hydropneumatic suspension and the automated 1A27 fire control system, proved to be more successful.

 

However, the troublesome GSh-6-37 temporarily attained new interest in 1979 through the Soviet Union’s engagement in Afghanistan, because it became quickly clear that conventional battle tanks, with long-barreled, large caliber guns and a very limited lift angle were not suited against small targets in mountainous regions and for combat in confined areas like narrow valleys or settlements. The GSh-6-37 appeared as a promising alternative weapon, and plans were made to mount it in a more strongly armored turret onto a T-72 chassis. A wooden mockup turret was built, but the project was not proceeded further with. Nevertheless, the concept of an armored support vehicle with high firepower and alternative armament would persist and lead, in the course of the following years, to a number of prototypes that eventually spawned the BMPT "Terminator" Tank Support Fighting Vehicle.

 

More tests and attempts to cope with the gun mount continued on a limited basis through 1979, but in late 1980 trials and development of Object 511 and the GSh-6-37 were stopped altogether: the 2K22 “Tunguska” SPAAG with mixed armament, developed in parallel, was preferred and officially accepted into service. In its original form, the 2K22 was armed with four 9M311 (NATO: SA-19 “Grison”) short-range missiles in the ready-to-fire position and two 2A38 30mm autocannons, using the same 1A27 radar system as Object 511. The Tunguska entered into limited service from 1984, when the first batteries, now armed with eight missiles, were delivered to the army, and gradually replaced the ZSU-23-4.

 

Having become obsolete, the sole Object 511 prototype was retired in 1981 and mothballed. It is today part of the Military Technical Museum collection at Ivanovskaya, near Moscow, even though not part of the public exhibition and in a rather derelict state, waiting for restoration and eventual display.

  

Specifications:

Crew: Three (commander, gunner, driver)

Weight: about 26,000 kg (57,300 lb)

Length: 7.78 m (25 ft 5 1/2 in) with gun facing forward

6.55 m (21 ft 5 1/2 in) hull only

Width: 3.25 m (10 ft 8 in)

Height: 3.88 m (12 ft 9 in) overall,

2.66 m (8 8 1/2 ft) with search radar stowed

Suspension: Hydropneumatic

Ground clearance: 17–57 cm

Fuel capacity: 760 l (200 US gal, 170 imp gal)

 

Armor:

Unknown, but probably not more than 15 mm (0.6”)

 

Performance:

Speed: 65 km/h (40 mph) maximum on the road

Climbing ability: 0.7 m (2.3')

Maximum climb gradient: 30°

Trench crossing ability: 2.5 m (8.2')

Fording depth: 1.0 m (3.3')

Operational range: 500 km (310 mi)

Power/weight: 24 hp/t

 

Engine:

1× 2V-06-2S water-cooled multi-fuel diesel engine with 510 hp (380 kW)

1× auxiliary DGChM-1 single-shaft gas turbine engine with 70 hp at 6,000 rpm,

connected with a direct-current generator

 

Transmission:

Hydromechanical

 

Armament:

1× GSh-6-37 six-barreled 37mm (1.5 in) Gatling gun with 1.600 rounds,

plus 800 more in an optional, external auxiliary magazine

  

The kit and its assembly:

This fictional SPAAG was intended as a submission to the “Prototypes” group build at whatifmodellers.com in August 2020. Inspiration came from a Trumpeter 1:72 2P25/SA-6 launch platform which I had recently acquired with a kit lot – primarily because of the chassis, which would lend itself for a conversion into “something else”.

 

The idea to build an anti-aircraft tank with a gatling gun came when I did research for my recent YA-14 build and its armament. When checking the American GAU-8 cannon from the A-10 I found that there had been plans to use this weapon for a short-range SPAAG (as a replacement for the US Army’s M163), and there had been plans for even heavier weapons in this role. For instance, there had been the T249 “Vigilante” prototype: This experimental system consisted of a 37 mm T250 six-barrel Gatling gun, mounted on a lengthened M113 armored personnel carrier platform, even though with a very limited ammunition supply, good only for 5 sec. of fire – it was just a conceptual test bed. But: why not create a Soviet counterpart? Even more so, since there is/was the real-world GSh-6-30 gatling gun as a potential weapon, which had, beyond use in the MiG-27, also been used in naval defense systems. Why not use/create an uprated/bigger version, too?

 

From this idea, things evolved in a straightforward fashion. The Trumpeter 2P25 chassis and hull were basically taken OOB, just the front was modified for a single driver position. However, the upper hull had to be changed in order to accept the new, large turret instead of the triple SA-6 launch array.

 

The new turret is a parts combination: The basis comes from a Revell 1:72 M109 howitzer kit, the 155 mm barrel was replaced with a QuickBoost 1:48 resin GSh-6-30 gun for a MiG-27, and a co-axial laser rangefinder (a piece of styrene) was added on a separate mount. Unfortunately, the Revell kit does not feature a movable gun barrel, so I decided to implant a functional joint, so that the model’s weapon could be displayed in raised and low position – primarily for the “action pictures”. The mechanism was scratched from styrene tubes and a piece of foamed plastic as a “brake” that holds the weapon in place and blocks the view into the turret from the front when the weapon is raised high up. The hinge was placed behind the OOB gun mantle, which was cut into two pieces and now works as in real life.

Further mods include the dish antenna for the tracking radar (a former tank wheel), placed on a disc-shaped pedestal onto the turret front’s right side, and the retractable rotating search radar antenna, scratched from various bits and pieces and mounted onto the rear of the turret – its roof had to be cleaned up to make suitable space next to the commander’s cupola.

 

Another challenge was the adaptation of the new turret to the hull, because the original SA-6 launch array has only a relatively small turret ring, and it is placed relatively far ahead on the hull. The new, massive turret had to be mounted further backwards, and the raised engine cowling on the back of the hull did not make things easier.

As a consequence, I had to move the SA-6 launcher ring bearing backwards, through a major surgical intervention in the hull roof (a square section was cut out, shortened, reversed and glued back again into the opening). In order to save the M109’s turret ring for later, I gave it a completely new turret floor and transplanted the small adapter ring from the SA-6 launch array to it. Another problem arose from the bulged engine cover: it had to be replaced with something flat, otherwise the turret would not have fitted. I was lucky to find a suitable donor in the spares box, from a Leopard 1 kit. More complex mods than expected, and thankfully most of the uglier changes are hidden under the huge turret. However, Object 511 looks pretty conclusive and menacing with everything in place, and the weapon is now movable in two axis’. The only flaw is a relatively wide gap between the turret and the hull, due to a step between the combat and engine section and the relatively narrow turret ring.

  

Painting and markings:

AFAIK, most Soviet tank prototypes in the Seventies/Eighties received a simple, uniform olive green livery, but ,while authentic, I found this to look rather boring. Since my “Object 511” would have taken part in military maneuvers, I decided to give it an Eighties Soviet Army three-tone camouflage, which was introduced during the late Eighties. It consisted of a relatively bright olive green, a light and cold bluish grey and black-grey, applied in large patches.

This scheme was also adapted by the late GDR’s Volksarmee (called “Verzerrungsanstrich” = “Distortion scheme”) and maybe – even though I am not certain – this special paint scheme might only have been used by Soviet troops based on GDR soil? However, it’s pretty unique and looks good, so I adapted it for the model.

 

Based upon visual guesstimates from real life pictures and some background info concerning NVA tank paint schemes, the basic colors became Humbrol 86 (Light Olive Green; RAL 6003), Revell 57 (Grey; RAL 7000) and Revell 06 (Tar Black; RAL 9021). Each vehicle had an individual paint scheme, in this case it was based on a real world NVA lorry.

 

On top of the basic colors, a washing with a mix of red brown and black acrylic paint was applied, and immediately dried with a soft cotton cloth so that it only remained in recesses and around edges, simulating dirt and dust. Some additional post-shading with lighter/brighter versions of the basic tones followed.

Decals came next – the Red Stars were a rather dramatic addition and came from the Trumpeter kit’s OOB sheet. The white “511” code on the flanks was created with white 3 mm letters from TL Modellbau.

 

The model received a light overall dry brushing treatment with light grey (Revell 75). As a finishing touch I added some branches as additional camouflage. These are bits of dried moss (collected on the local street), colorized with simple watercolors and attached with white glue. Finally, everything was sealed and stabilized with a coat of acrylic matt varnish and some pigments (a greyish-brown mix of various artist mineral pigments) were dusted into the running gear and onto the lower hull surfaces with a soft brush.

  

An effective kitbashing, and while mounting the different turret to the hull looks simple, the integration of unrelated hull and turret so that they actually fit and “work” was a rather fiddly task, and it’s effectively not obvious at all (which is good but “hides” the labour pains related to the mods). However, the result looks IMHO good, like a beefed-up ZSU-23-4 “Schilka”, just what this fictional tank model is supposed to depict.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The ZSU-37-6 (“ZSU” stands for Zenitnaya Samokhodnaya Ustanovka / Зенитная Самоходная Установка = "anti-aircraft self-propelled mount"), also known as Object 511 during its development phase and later also as “ZSU-37-6 / Лена”, was a prototype for a lightly armored Soviet self-propelled, radar guided anti-aircraft weapon system that was to replace the cannon-armed ZSU-23-4 “Shilka” SPAAG.

The development of the "Shilka" began in 1957 and the vehicle was brought into service in 1965. The ZSU-23-4 was intended for AA defense of military facilities, troops, and mechanized columns on the march. The ZSU-23-4 combined a proven radar system, the non-amphibious chassis based on the GM-575 tracked vehicle, and four 23 mm autocannons. This delivered a highly effective combination of mobility with heavy firepower and considerable accuracy, outclassing all NATO anti-aircraft guns at the time. The system was widely fielded throughout the Warsaw Pact and among other pro-Soviet states. Around 2,500 ZSU-23-4s, of the total 6,500 produced, were exported to 23 countries.

 

The development of a potential successor started in 1970. At the request of the Soviet Ministry of Defense, the KBP Instrument Design Bureau in Tula started work on a new mobile anti-aircraft system as a replacement for the 23mm ZSU-23-4. The project was undertaken to improve on the observed shortcomings of the ZSU-23-4 (short range and no early warning) and to counter new ground attack aircraft in development, such as the A-10 Thunderbolt II, which was designed to be highly resistant to 23 mm cannons.

 

KBP studies demonstrated that a cannon of at least 30 mm caliber was necessary to counter these threats, and that a bigger caliber weapon would offer some more benefits. Firstly, to destroy a given target, such a weapon would only require from a third to a half of the number of shells that the ZSU-23-4’s 23 mm cannon would need. Secondly, comparison tests revealed that firing with an identical mass of 30 mm projectiles instead of 23 mm ammunition at a MiG-17 (or similarly at NATO's Hawker Hunter or Fiat G.91…) flying at 300 m/s would result in a 1.5 times greater kill probability. An increase in the maximum engagement altitude from 2,000 to 4,000 m and higher effectiveness when engaging lightly armored ground targets were also cited as potential benefits.

 

The initial requirements set for the new mobile weapon system were to achieve twice the performance in terms of the ZSU-23-4’s range, altitude and combat effectiveness. Additionally, the system should have a reaction time, from target acquisition to firing, no greater than 10 seconds, so that enemy helicopters that “popped up” from behind covers and launched fire-and-forget weapons at tanks or similar targets could be engaged effectively.

From these specifications KBP developed two schools of thought that proposed different concepts and respective vehicle prototypes: One design team followed the idea of an anti-aircraft complex with mixed cannon and missile armament, which made it effective against both low and high-flying targets but sacrificed short-range firepower. The alternative proposed by another team was a weapon carrier armed only with a heavy gatling-type gun, tailored to counter targets flying at low altitudes, esp. helicopters, filling a similar niche as the ZSU-23-4 and leaving medium to high altitude targets to specialized anti-aircraft missiles. The latter became soon known as “Object 511”.

 

Object 511 was based on the tracked and only lightly armored GM-577 chassis, produced by Minsk Tractor Works (MTZ). It featured six road wheels on each side, a drive sprocket at the rear and three return rollers. The chassis was primarily chosen because it was already in use for other anti-aircraft systems like the 2K11 “Krug” complex and could be taken more or less “off the rack”. A new feature was a hydropneumatic suspension, which was chosen in order to stabilize the chassis as firing platform and also to cope with the considerably higher all-up weight of the vehicle (27 tons vs. the ZSU-23-4’s 19 tons). Other standard equipment of Object 511 included heating, ventilation, navigational equipment, night vision aids, a 1V116 intercom and an external communications system with an R-173 receiver.

 

The hull was - as the entire vehicle - protected from small arms fire (7,62mm) and shell splinters, but not heavily armored. An NBC protection system was integrated into the chassis, as well as an automatic fire suppression system and an automatic gear change. The main engine bay, initially with a 2V-06-2 water-cooled multi-fuel diesel engine with 450 hp (331 kW) was in the rear. It was later replaced by a more powerful variant of the same engine with 510 hp (380 kW).

The driver sat in the front on the left side, with a small gas turbine APU to his right to operate the radar and hydraulic systems independently from the main engine.

Between these hull segments, the chassis carried a horseshoe-shaped turret with full 360° rotation. It was relatively large and covered more than the half of the hull’s roof, because it held the SPAAGs main armament and ammunition supply, the search and tracking radar equipment as well as a crew of two: the commander with a cupola on the right side and the gunner/radar operator on the left side, with the cannon installation and its feeding system between them. In fact, it was so large that Object 511’s engine bay was only accessible when the turret was rotated 90° to the side – unacceptable for an in-service vehicle (which would probably have been based on a bigger chassis), but accepted for the prototype which was rather focused on the turret and its complex weapon and radar systems.

 

Object 511’s centerpiece was the newly-developed Gryazev-Shipunov GSh-6-37 cannon, a heavy and experimental six-barreled 37mm gatling gun. This air-cooled weapon with electrical ignition was an upscaled version of the naval AO-18 30mm gun, which was part of an automated air defense system for ships, the AK-630 CIWS complex. Unlike most modern American rotary cannons, the GSh-6-37 was gas-operated rather than hydraulically driven, allowing it to "spin up" to maximum rate of fire more quickly. This resulted in more rounds and therefore weight of fire to be placed on target in a short burst, reduced reaction time and allowed hits even in a very small enemy engagement window.

 

The GSh-6-37 itself weighed around 524 kg (1.154 lb), the whole system, including the feed system and a full magazine, weighed 7,493 pounds (3,401 kg). The weapon had a total length of 5.01 m (16’ 7“), its barrels were 2.81 m (9’ 2½”) long. In Object 511’s turret it had an elevation between +80° and -11°, moving at 60°/sec, and a full turret rotation only took 3 seconds. Rate of fire was 4,500 rounds per minute, even though up to 5.500 RPM were theoretically possible and could be cleared with an emergency setting. However, the weapon would typically only fire short bursts of roundabout 50 rounds each, or longer bursts of 1-2 (maximum) seconds to save ammunition and to avoid overheating and damage – initially only to the barrels, but later also to avoid collateral damage from weapon operation itself (see below). Against ground targets and for prolonged, safe fire, the rate of fire could alternatively be limited to 150 RPM.

The GSh-6-37 fired 1.09 kg shells (each 338mm long) at 1,070 m/s (3.500 ft/s), developing a muzzle energy of 624,000 joules. This resulted in an effective range of 6,000 m (19.650 ft) against aerial and 7,000 m (23.0000 ft) against ground targets. Maximum firing range was past 7,160 m (23,490 ft), with the projectiles self-destructing beyond that distance. In a 1 sec. burst, the weapon delivered an impressive weight of fire of almost 100 kg.

The GSh-6-37 was belt-fed, with a closed-circuit magazine to avoid spilling casings all around and hurting friendly troops in the SPAAG’s vicinity. Typical types of ammunition were OFZT (proximity-fused incendiary fragmentation) and BZT (armor-piercing tracer, able to penetrate more than 60 mm of 30° sloped steel armor at 1.000 m/3.275’ distance). Since there was only a single ammunition supply that could not be switched, these rounds were normally loaded in 3:1 ratio—three OFZT, then one BZT, every 10th BZT round marked with a tracer. Especially the fragmentation rounds dealt extensive collateral damage, as the sheer numbers of fragments from detonating shells was sufficient to damage aircraft flying within a 200-meter radius from the impact center. This, coupled with the high density of fire, created a very effective obstacle for aerial targets and ensured a high hit probability even upon a casual and hurried attack.

 

The gun was placed in the turret front’s center, held by a massive mount with hydraulic dampers. The internal ammunition supply in the back of the turret comprised a total of 1.600 rounds, but an additional 800 rounds could be added in an external reserve feed bin, attached to the back of the turret and connected to the internal belt magazine loop through a pair of ports in the turret’s rear, normally used to reload the GSh-6-37.

 

A rotating, electronically scanned E-band (10 kW power) target acquisition radar array was mounted on the rear top of the turret that, when combined with the turret front mounted J-band (150 kW power) mono-pulse tracking radar, its dish antenna hidden under a fiberglass fairing to the right of the main weapon, formed the 1RL144 (NATO: Hot Shot) pulse-Doppler 3D radar system. Alongside, the 1A26 digital computer, a laser rangefinder co-axial to the GSh-6-37, and the 1G30 angle measurement system formed the 1A27 targeting complex.

Object 511’s target acquisition offered a 360-degree field of view, a detection range of around 18 km and could detect targets flying as low as 15 m. The array could be folded down and stowed when in transit, lying flat on the turret’s roof. The tracking radar had a range of 16 km, and a C/D-band IFF system was also fitted. The radar system was highly protected against various types of interference and was able to work properly even if there were mountains on the horizon, regardless of the background. The system made it possible to fire the GSh-6-37 on the move, against targets with a maximum target speed of up to 500 m/s, and it had an impressive reaction time of only 6-8 seconds.

Thanks to its computerized fire control system, the 1A27 was highly automated and reduced the SPAAG’s crew to only three men, making a dedicated radar operator (as on the ZSU-23-4) superfluous and saving internal space in the large but still rather cramped turret.

 

Development of Object 511 and its systems were kicked-off in 1972 but immediately slowed down with the introduction of the 9K33 “Osa” missile system, which seemed to fill the same requirement but with greater missile performance. However, after some considerable debate it was felt that a purely missile-based system would not be as effective at dealing with very low flying attack helicopters attacking at short range with no warning, as had been proven so successful in the 1973 Arab-Israeli War. Since the reaction time of a gun system was around 8–10 seconds, compared to approximately 30 seconds for a missile-based system, development of Object 511 was restarted in 1973.

 

A fully functional prototype, now officially dubbed “ZSU-37-6“ to reflect its role and armament and christened “Лена” (Lena, after the Russian river in Siberia), was completed in 1975 at the Ulyanovsk Mechanical Factory, but it took until 1976 that the capricious weapon and the 1A27 radar system had been successfully integrated and made work. System testing and trials were conducted between September 1977 and December 1978 on the Donguzskiy range, where the vehicle was detected by American spy satellites and erroneously identified as a self-propelled artillery system with a fully rotating turret (similar to the American M109), as a potential successor for the SAU-122/2S1 Gvozdika or SAU-152/2S3 Akatsiya SPGs that had been introduced ten years earlier, with a lighter weapon of 100-120mm caliber and an autoloader in the large turret.

 

The tests at Donguzskiy yielded mixed results. While the 1A27 surveillance and acquisition radar complex turned out to be quite effective, the GSh-6-37 remained a constant source of problems. The gun was highly unreliable and afforded a high level of maintenance. Furthermore, it had a massive recoil of 6.250 kp/61 kN when fired (the American 30 mm GAU-8 Avenger “only” had a recoil of 4.082 kp/40 kN). As a result, targets acquired by the 1A27 system were frequently lost after a single burst of fire, so that they had to be tracked anew before the next shot could be placed.

To make matters even words, the GSh-6-37 was noted for its high and often uncomfortable vibration and extreme noise, internally and externally. Pressure shock waves from the gun muzzles made the presence of unprotected personnel in the weapon’s proximity hazardous. The GSh-6-37’s massive vibrations shook the whole vehicle and led to numerous radio and radar system failures, tearing or jamming of maintenance doors and access hatches and the cracking of optical sensors. The effects were so severe that the gun’s impact led after six months to fatigue cracks in the gun mount, the welded turret hull, fuel tanks and other systems. One spectacular and fateful showcase of the gun’s detrimental powers was a transmission failure during a field test/maneuver in summer 1978 – which unfortunately included top military brass spectators and other VIPs, who were consequently not convinced of the ZSU-37-6 and its weapon.

 

The GSh-6-37’s persisting vibration and recoil problems, as well as its general unreliability if it was not immaculately serviced, could not be satisfactorily overcome during the 2 years of state acceptance trials. Furthermore, the large and heavy turret severely hampered Object 511’s off-road performance and handling, due to the high center of gravity and the relatively small chassis, so that the weapon system’s full field potential could not be explored. Had it found its way into a serial production vehicle, it would certainly have been based on a bigger and heavier chassis, e.g. from an MBT. Other novel features tested with Object 511, e.g. the hydropneumatic suspension and the automated 1A27 fire control system, proved to be more successful.

 

However, the troublesome GSh-6-37 temporarily attained new interest in 1979 through the Soviet Union’s engagement in Afghanistan, because it became quickly clear that conventional battle tanks, with long-barreled, large caliber guns and a very limited lift angle were not suited against small targets in mountainous regions and for combat in confined areas like narrow valleys or settlements. The GSh-6-37 appeared as a promising alternative weapon, and plans were made to mount it in a more strongly armored turret onto a T-72 chassis. A wooden mockup turret was built, but the project was not proceeded further with. Nevertheless, the concept of an armored support vehicle with high firepower and alternative armament would persist and lead, in the course of the following years, to a number of prototypes that eventually spawned the BMPT "Terminator" Tank Support Fighting Vehicle.

 

More tests and attempts to cope with the gun mount continued on a limited basis through 1979, but in late 1980 trials and development of Object 511 and the GSh-6-37 were stopped altogether: the 2K22 “Tunguska” SPAAG with mixed armament, developed in parallel, was preferred and officially accepted into service. In its original form, the 2K22 was armed with four 9M311 (NATO: SA-19 “Grison”) short-range missiles in the ready-to-fire position and two 2A38 30mm autocannons, using the same 1A27 radar system as Object 511. The Tunguska entered into limited service from 1984, when the first batteries, now armed with eight missiles, were delivered to the army, and gradually replaced the ZSU-23-4.

 

Having become obsolete, the sole Object 511 prototype was retired in 1981 and mothballed. It is today part of the Military Technical Museum collection at Ivanovskaya, near Moscow, even though not part of the public exhibition and in a rather derelict state, waiting for restoration and eventual display.

  

Specifications:

Crew: Three (commander, gunner, driver)

Weight: about 26,000 kg (57,300 lb)

Length: 7.78 m (25 ft 5 1/2 in) with gun facing forward

6.55 m (21 ft 5 1/2 in) hull only

Width: 3.25 m (10 ft 8 in)

Height: 3.88 m (12 ft 9 in) overall,

2.66 m (8 8 1/2 ft) with search radar stowed

Suspension: Hydropneumatic

Ground clearance: 17–57 cm

Fuel capacity: 760 l (200 US gal, 170 imp gal)

 

Armor:

Unknown, but probably not more than 15 mm (0.6”)

 

Performance:

Speed: 65 km/h (40 mph) maximum on the road

Climbing ability: 0.7 m (2.3')

Maximum climb gradient: 30°

Trench crossing ability: 2.5 m (8.2')

Fording depth: 1.0 m (3.3')

Operational range: 500 km (310 mi)

Power/weight: 24 hp/t

 

Engine:

1× 2V-06-2S water-cooled multi-fuel diesel engine with 510 hp (380 kW)

1× auxiliary DGChM-1 single-shaft gas turbine engine with 70 hp at 6,000 rpm,

connected with a direct-current generator

 

Transmission:

Hydromechanical

 

Armament:

1× GSh-6-37 six-barreled 37mm (1.5 in) Gatling gun with 1.600 rounds,

plus 800 more in an optional, external auxiliary magazine

  

The kit and its assembly:

This fictional SPAAG was intended as a submission to the “Prototypes” group build at whatifmodellers.com in August 2020. Inspiration came from a Trumpeter 1:72 2P25/SA-6 launch platform which I had recently acquired with a kit lot – primarily because of the chassis, which would lend itself for a conversion into “something else”.

 

The idea to build an anti-aircraft tank with a gatling gun came when I did research for my recent YA-14 build and its armament. When checking the American GAU-8 cannon from the A-10 I found that there had been plans to use this weapon for a short-range SPAAG (as a replacement for the US Army’s M163), and there had been plans for even heavier weapons in this role. For instance, there had been the T249 “Vigilante” prototype: This experimental system consisted of a 37 mm T250 six-barrel Gatling gun, mounted on a lengthened M113 armored personnel carrier platform, even though with a very limited ammunition supply, good only for 5 sec. of fire – it was just a conceptual test bed. But: why not create a Soviet counterpart? Even more so, since there is/was the real-world GSh-6-30 gatling gun as a potential weapon, which had, beyond use in the MiG-27, also been used in naval defense systems. Why not use/create an uprated/bigger version, too?

 

From this idea, things evolved in a straightforward fashion. The Trumpeter 2P25 chassis and hull were basically taken OOB, just the front was modified for a single driver position. However, the upper hull had to be changed in order to accept the new, large turret instead of the triple SA-6 launch array.

 

The new turret is a parts combination: The basis comes from a Revell 1:72 M109 howitzer kit, the 155 mm barrel was replaced with a QuickBoost 1:48 resin GSh-6-30 gun for a MiG-27, and a co-axial laser rangefinder (a piece of styrene) was added on a separate mount. Unfortunately, the Revell kit does not feature a movable gun barrel, so I decided to implant a functional joint, so that the model’s weapon could be displayed in raised and low position – primarily for the “action pictures”. The mechanism was scratched from styrene tubes and a piece of foamed plastic as a “brake” that holds the weapon in place and blocks the view into the turret from the front when the weapon is raised high up. The hinge was placed behind the OOB gun mantle, which was cut into two pieces and now works as in real life.

Further mods include the dish antenna for the tracking radar (a former tank wheel), placed on a disc-shaped pedestal onto the turret front’s right side, and the retractable rotating search radar antenna, scratched from various bits and pieces and mounted onto the rear of the turret – its roof had to be cleaned up to make suitable space next to the commander’s cupola.

 

Another challenge was the adaptation of the new turret to the hull, because the original SA-6 launch array has only a relatively small turret ring, and it is placed relatively far ahead on the hull. The new, massive turret had to be mounted further backwards, and the raised engine cowling on the back of the hull did not make things easier.

As a consequence, I had to move the SA-6 launcher ring bearing backwards, through a major surgical intervention in the hull roof (a square section was cut out, shortened, reversed and glued back again into the opening). In order to save the M109’s turret ring for later, I gave it a completely new turret floor and transplanted the small adapter ring from the SA-6 launch array to it. Another problem arose from the bulged engine cover: it had to be replaced with something flat, otherwise the turret would not have fitted. I was lucky to find a suitable donor in the spares box, from a Leopard 1 kit. More complex mods than expected, and thankfully most of the uglier changes are hidden under the huge turret. However, Object 511 looks pretty conclusive and menacing with everything in place, and the weapon is now movable in two axis’. The only flaw is a relatively wide gap between the turret and the hull, due to a step between the combat and engine section and the relatively narrow turret ring.

  

Painting and markings:

AFAIK, most Soviet tank prototypes in the Seventies/Eighties received a simple, uniform olive green livery, but ,while authentic, I found this to look rather boring. Since my “Object 511” would have taken part in military maneuvers, I decided to give it an Eighties Soviet Army three-tone camouflage, which was introduced during the late Eighties. It consisted of a relatively bright olive green, a light and cold bluish grey and black-grey, applied in large patches.

This scheme was also adapted by the late GDR’s Volksarmee (called “Verzerrungsanstrich” = “Distortion scheme”) and maybe – even though I am not certain – this special paint scheme might only have been used by Soviet troops based on GDR soil? However, it’s pretty unique and looks good, so I adapted it for the model.

 

Based upon visual guesstimates from real life pictures and some background info concerning NVA tank paint schemes, the basic colors became Humbrol 86 (Light Olive Green; RAL 6003), Revell 57 (Grey; RAL 7000) and Revell 06 (Tar Black; RAL 9021). Each vehicle had an individual paint scheme, in this case it was based on a real world NVA lorry.

 

On top of the basic colors, a washing with a mix of red brown and black acrylic paint was applied, and immediately dried with a soft cotton cloth so that it only remained in recesses and around edges, simulating dirt and dust. Some additional post-shading with lighter/brighter versions of the basic tones followed.

Decals came next – the Red Stars were a rather dramatic addition and came from the Trumpeter kit’s OOB sheet. The white “511” code on the flanks was created with white 3 mm letters from TL Modellbau.

 

The model received a light overall dry brushing treatment with light grey (Revell 75). As a finishing touch I added some branches as additional camouflage. These are bits of dried moss (collected on the local street), colorized with simple watercolors and attached with white glue. Finally, everything was sealed and stabilized with a coat of acrylic matt varnish and some pigments (a greyish-brown mix of various artist mineral pigments) were dusted into the running gear and onto the lower hull surfaces with a soft brush.

  

An effective kitbashing, and while mounting the different turret to the hull looks simple, the integration of unrelated hull and turret so that they actually fit and “work” was a rather fiddly task, and it’s effectively not obvious at all (which is good but “hides” the labour pains related to the mods). However, the result looks IMHO good, like a beefed-up ZSU-23-4 “Schilka”, just what this fictional tank model is supposed to depict.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The ZSU-37-6 (“ZSU” stands for Zenitnaya Samokhodnaya Ustanovka / Зенитная Самоходная Установка = "anti-aircraft self-propelled mount"), also known as Object 511 during its development phase and later also as “ZSU-37-6 / Лена”, was a prototype for a lightly armored Soviet self-propelled, radar guided anti-aircraft weapon system that was to replace the cannon-armed ZSU-23-4 “Shilka” SPAAG.

The development of the "Shilka" began in 1957 and the vehicle was brought into service in 1965. The ZSU-23-4 was intended for AA defense of military facilities, troops, and mechanized columns on the march. The ZSU-23-4 combined a proven radar system, the non-amphibious chassis based on the GM-575 tracked vehicle, and four 23 mm autocannons. This delivered a highly effective combination of mobility with heavy firepower and considerable accuracy, outclassing all NATO anti-aircraft guns at the time. The system was widely fielded throughout the Warsaw Pact and among other pro-Soviet states. Around 2,500 ZSU-23-4s, of the total 6,500 produced, were exported to 23 countries.

 

The development of a potential successor started in 1970. At the request of the Soviet Ministry of Defense, the KBP Instrument Design Bureau in Tula started work on a new mobile anti-aircraft system as a replacement for the 23mm ZSU-23-4. The project was undertaken to improve on the observed shortcomings of the ZSU-23-4 (short range and no early warning) and to counter new ground attack aircraft in development, such as the A-10 Thunderbolt II, which was designed to be highly resistant to 23 mm cannons.

 

KBP studies demonstrated that a cannon of at least 30 mm caliber was necessary to counter these threats, and that a bigger caliber weapon would offer some more benefits. Firstly, to destroy a given target, such a weapon would only require from a third to a half of the number of shells that the ZSU-23-4’s 23 mm cannon would need. Secondly, comparison tests revealed that firing with an identical mass of 30 mm projectiles instead of 23 mm ammunition at a MiG-17 (or similarly at NATO's Hawker Hunter or Fiat G.91…) flying at 300 m/s would result in a 1.5 times greater kill probability. An increase in the maximum engagement altitude from 2,000 to 4,000 m and higher effectiveness when engaging lightly armored ground targets were also cited as potential benefits.

 

The initial requirements set for the new mobile weapon system were to achieve twice the performance in terms of the ZSU-23-4’s range, altitude and combat effectiveness. Additionally, the system should have a reaction time, from target acquisition to firing, no greater than 10 seconds, so that enemy helicopters that “popped up” from behind covers and launched fire-and-forget weapons at tanks or similar targets could be engaged effectively.

From these specifications KBP developed two schools of thought that proposed different concepts and respective vehicle prototypes: One design team followed the idea of an anti-aircraft complex with mixed cannon and missile armament, which made it effective against both low and high-flying targets but sacrificed short-range firepower. The alternative proposed by another team was a weapon carrier armed only with a heavy gatling-type gun, tailored to counter targets flying at low altitudes, esp. helicopters, filling a similar niche as the ZSU-23-4 and leaving medium to high altitude targets to specialized anti-aircraft missiles. The latter became soon known as “Object 511”.

 

Object 511 was based on the tracked and only lightly armored GM-577 chassis, produced by Minsk Tractor Works (MTZ). It featured six road wheels on each side, a drive sprocket at the rear and three return rollers. The chassis was primarily chosen because it was already in use for other anti-aircraft systems like the 2K11 “Krug” complex and could be taken more or less “off the rack”. A new feature was a hydropneumatic suspension, which was chosen in order to stabilize the chassis as firing platform and also to cope with the considerably higher all-up weight of the vehicle (27 tons vs. the ZSU-23-4’s 19 tons). Other standard equipment of Object 511 included heating, ventilation, navigational equipment, night vision aids, a 1V116 intercom and an external communications system with an R-173 receiver.

 

The hull was - as the entire vehicle - protected from small arms fire (7,62mm) and shell splinters, but not heavily armored. An NBC protection system was integrated into the chassis, as well as an automatic fire suppression system and an automatic gear change. The main engine bay, initially with a 2V-06-2 water-cooled multi-fuel diesel engine with 450 hp (331 kW) was in the rear. It was later replaced by a more powerful variant of the same engine with 510 hp (380 kW).

The driver sat in the front on the left side, with a small gas turbine APU to his right to operate the radar and hydraulic systems independently from the main engine.

Between these hull segments, the chassis carried a horseshoe-shaped turret with full 360° rotation. It was relatively large and covered more than the half of the hull’s roof, because it held the SPAAGs main armament and ammunition supply, the search and tracking radar equipment as well as a crew of two: the commander with a cupola on the right side and the gunner/radar operator on the left side, with the cannon installation and its feeding system between them. In fact, it was so large that Object 511’s engine bay was only accessible when the turret was rotated 90° to the side – unacceptable for an in-service vehicle (which would probably have been based on a bigger chassis), but accepted for the prototype which was rather focused on the turret and its complex weapon and radar systems.

 

Object 511’s centerpiece was the newly-developed Gryazev-Shipunov GSh-6-37 cannon, a heavy and experimental six-barreled 37mm gatling gun. This air-cooled weapon with electrical ignition was an upscaled version of the naval AO-18 30mm gun, which was part of an automated air defense system for ships, the AK-630 CIWS complex. Unlike most modern American rotary cannons, the GSh-6-37 was gas-operated rather than hydraulically driven, allowing it to "spin up" to maximum rate of fire more quickly. This resulted in more rounds and therefore weight of fire to be placed on target in a short burst, reduced reaction time and allowed hits even in a very small enemy engagement window.

 

The GSh-6-37 itself weighed around 524 kg (1.154 lb), the whole system, including the feed system and a full magazine, weighed 7,493 pounds (3,401 kg). The weapon had a total length of 5.01 m (16’ 7“), its barrels were 2.81 m (9’ 2½”) long. In Object 511’s turret it had an elevation between +80° and -11°, moving at 60°/sec, and a full turret rotation only took 3 seconds. Rate of fire was 4,500 rounds per minute, even though up to 5.500 RPM were theoretically possible and could be cleared with an emergency setting. However, the weapon would typically only fire short bursts of roundabout 50 rounds each, or longer bursts of 1-2 (maximum) seconds to save ammunition and to avoid overheating and damage – initially only to the barrels, but later also to avoid collateral damage from weapon operation itself (see below). Against ground targets and for prolonged, safe fire, the rate of fire could alternatively be limited to 150 RPM.

The GSh-6-37 fired 1.09 kg shells (each 338mm long) at 1,070 m/s (3.500 ft/s), developing a muzzle energy of 624,000 joules. This resulted in an effective range of 6,000 m (19.650 ft) against aerial and 7,000 m (23.0000 ft) against ground targets. Maximum firing range was past 7,160 m (23,490 ft), with the projectiles self-destructing beyond that distance. In a 1 sec. burst, the weapon delivered an impressive weight of fire of almost 100 kg.

The GSh-6-37 was belt-fed, with a closed-circuit magazine to avoid spilling casings all around and hurting friendly troops in the SPAAG’s vicinity. Typical types of ammunition were OFZT (proximity-fused incendiary fragmentation) and BZT (armor-piercing tracer, able to penetrate more than 60 mm of 30° sloped steel armor at 1.000 m/3.275’ distance). Since there was only a single ammunition supply that could not be switched, these rounds were normally loaded in 3:1 ratio—three OFZT, then one BZT, every 10th BZT round marked with a tracer. Especially the fragmentation rounds dealt extensive collateral damage, as the sheer numbers of fragments from detonating shells was sufficient to damage aircraft flying within a 200-meter radius from the impact center. This, coupled with the high density of fire, created a very effective obstacle for aerial targets and ensured a high hit probability even upon a casual and hurried attack.

 

The gun was placed in the turret front’s center, held by a massive mount with hydraulic dampers. The internal ammunition supply in the back of the turret comprised a total of 1.600 rounds, but an additional 800 rounds could be added in an external reserve feed bin, attached to the back of the turret and connected to the internal belt magazine loop through a pair of ports in the turret’s rear, normally used to reload the GSh-6-37.

 

A rotating, electronically scanned E-band (10 kW power) target acquisition radar array was mounted on the rear top of the turret that, when combined with the turret front mounted J-band (150 kW power) mono-pulse tracking radar, its dish antenna hidden under a fiberglass fairing to the right of the main weapon, formed the 1RL144 (NATO: Hot Shot) pulse-Doppler 3D radar system. Alongside, the 1A26 digital computer, a laser rangefinder co-axial to the GSh-6-37, and the 1G30 angle measurement system formed the 1A27 targeting complex.

Object 511’s target acquisition offered a 360-degree field of view, a detection range of around 18 km and could detect targets flying as low as 15 m. The array could be folded down and stowed when in transit, lying flat on the turret’s roof. The tracking radar had a range of 16 km, and a C/D-band IFF system was also fitted. The radar system was highly protected against various types of interference and was able to work properly even if there were mountains on the horizon, regardless of the background. The system made it possible to fire the GSh-6-37 on the move, against targets with a maximum target speed of up to 500 m/s, and it had an impressive reaction time of only 6-8 seconds.

Thanks to its computerized fire control system, the 1A27 was highly automated and reduced the SPAAG’s crew to only three men, making a dedicated radar operator (as on the ZSU-23-4) superfluous and saving internal space in the large but still rather cramped turret.

 

Development of Object 511 and its systems were kicked-off in 1972 but immediately slowed down with the introduction of the 9K33 “Osa” missile system, which seemed to fill the same requirement but with greater missile performance. However, after some considerable debate it was felt that a purely missile-based system would not be as effective at dealing with very low flying attack helicopters attacking at short range with no warning, as had been proven so successful in the 1973 Arab-Israeli War. Since the reaction time of a gun system was around 8–10 seconds, compared to approximately 30 seconds for a missile-based system, development of Object 511 was restarted in 1973.

 

A fully functional prototype, now officially dubbed “ZSU-37-6“ to reflect its role and armament and christened “Лена” (Lena, after the Russian river in Siberia), was completed in 1975 at the Ulyanovsk Mechanical Factory, but it took until 1976 that the capricious weapon and the 1A27 radar system had been successfully integrated and made work. System testing and trials were conducted between September 1977 and December 1978 on the Donguzskiy range, where the vehicle was detected by American spy satellites and erroneously identified as a self-propelled artillery system with a fully rotating turret (similar to the American M109), as a potential successor for the SAU-122/2S1 Gvozdika or SAU-152/2S3 Akatsiya SPGs that had been introduced ten years earlier, with a lighter weapon of 100-120mm caliber and an autoloader in the large turret.

 

The tests at Donguzskiy yielded mixed results. While the 1A27 surveillance and acquisition radar complex turned out to be quite effective, the GSh-6-37 remained a constant source of problems. The gun was highly unreliable and afforded a high level of maintenance. Furthermore, it had a massive recoil of 6.250 kp/61 kN when fired (the American 30 mm GAU-8 Avenger “only” had a recoil of 4.082 kp/40 kN). As a result, targets acquired by the 1A27 system were frequently lost after a single burst of fire, so that they had to be tracked anew before the next shot could be placed.

To make matters even words, the GSh-6-37 was noted for its high and often uncomfortable vibration and extreme noise, internally and externally. Pressure shock waves from the gun muzzles made the presence of unprotected personnel in the weapon’s proximity hazardous. The GSh-6-37’s massive vibrations shook the whole vehicle and led to numerous radio and radar system failures, tearing or jamming of maintenance doors and access hatches and the cracking of optical sensors. The effects were so severe that the gun’s impact led after six months to fatigue cracks in the gun mount, the welded turret hull, fuel tanks and other systems. One spectacular and fateful showcase of the gun’s detrimental powers was a transmission failure during a field test/maneuver in summer 1978 – which unfortunately included top military brass spectators and other VIPs, who were consequently not convinced of the ZSU-37-6 and its weapon.

 

The GSh-6-37’s persisting vibration and recoil problems, as well as its general unreliability if it was not immaculately serviced, could not be satisfactorily overcome during the 2 years of state acceptance trials. Furthermore, the large and heavy turret severely hampered Object 511’s off-road performance and handling, due to the high center of gravity and the relatively small chassis, so that the weapon system’s full field potential could not be explored. Had it found its way into a serial production vehicle, it would certainly have been based on a bigger and heavier chassis, e.g. from an MBT. Other novel features tested with Object 511, e.g. the hydropneumatic suspension and the automated 1A27 fire control system, proved to be more successful.

 

However, the troublesome GSh-6-37 temporarily attained new interest in 1979 through the Soviet Union’s engagement in Afghanistan, because it became quickly clear that conventional battle tanks, with long-barreled, large caliber guns and a very limited lift angle were not suited against small targets in mountainous regions and for combat in confined areas like narrow valleys or settlements. The GSh-6-37 appeared as a promising alternative weapon, and plans were made to mount it in a more strongly armored turret onto a T-72 chassis. A wooden mockup turret was built, but the project was not proceeded further with. Nevertheless, the concept of an armored support vehicle with high firepower and alternative armament would persist and lead, in the course of the following years, to a number of prototypes that eventually spawned the BMPT "Terminator" Tank Support Fighting Vehicle.

 

More tests and attempts to cope with the gun mount continued on a limited basis through 1979, but in late 1980 trials and development of Object 511 and the GSh-6-37 were stopped altogether: the 2K22 “Tunguska” SPAAG with mixed armament, developed in parallel, was preferred and officially accepted into service. In its original form, the 2K22 was armed with four 9M311 (NATO: SA-19 “Grison”) short-range missiles in the ready-to-fire position and two 2A38 30mm autocannons, using the same 1A27 radar system as Object 511. The Tunguska entered into limited service from 1984, when the first batteries, now armed with eight missiles, were delivered to the army, and gradually replaced the ZSU-23-4.

 

Having become obsolete, the sole Object 511 prototype was retired in 1981 and mothballed. It is today part of the Military Technical Museum collection at Ivanovskaya, near Moscow, even though not part of the public exhibition and in a rather derelict state, waiting for restoration and eventual display.

  

Specifications:

Crew: Three (commander, gunner, driver)

Weight: about 26,000 kg (57,300 lb)

Length: 7.78 m (25 ft 5 1/2 in) with gun facing forward

6.55 m (21 ft 5 1/2 in) hull only

Width: 3.25 m (10 ft 8 in)

Height: 3.88 m (12 ft 9 in) overall,

2.66 m (8 8 1/2 ft) with search radar stowed

Suspension: Hydropneumatic

Ground clearance: 17–57 cm

Fuel capacity: 760 l (200 US gal, 170 imp gal)

 

Armor:

Unknown, but probably not more than 15 mm (0.6”)

 

Performance:

Speed: 65 km/h (40 mph) maximum on the road

Climbing ability: 0.7 m (2.3')

Maximum climb gradient: 30°

Trench crossing ability: 2.5 m (8.2')

Fording depth: 1.0 m (3.3')

Operational range: 500 km (310 mi)

Power/weight: 24 hp/t

 

Engine:

1× 2V-06-2S water-cooled multi-fuel diesel engine with 510 hp (380 kW)

1× auxiliary DGChM-1 single-shaft gas turbine engine with 70 hp at 6,000 rpm,

connected with a direct-current generator

 

Transmission:

Hydromechanical

 

Armament:

1× GSh-6-37 six-barreled 37mm (1.5 in) Gatling gun with 1.600 rounds,

plus 800 more in an optional, external auxiliary magazine

  

The kit and its assembly:

This fictional SPAAG was intended as a submission to the “Prototypes” group build at whatifmodellers.com in August 2020. Inspiration came from a Trumpeter 1:72 2P25/SA-6 launch platform which I had recently acquired with a kit lot – primarily because of the chassis, which would lend itself for a conversion into “something else”.

 

The idea to build an anti-aircraft tank with a gatling gun came when I did research for my recent YA-14 build and its armament. When checking the American GAU-8 cannon from the A-10 I found that there had been plans to use this weapon for a short-range SPAAG (as a replacement for the US Army’s M163), and there had been plans for even heavier weapons in this role. For instance, there had been the T249 “Vigilante” prototype: This experimental system consisted of a 37 mm T250 six-barrel Gatling gun, mounted on a lengthened M113 armored personnel carrier platform, even though with a very limited ammunition supply, good only for 5 sec. of fire – it was just a conceptual test bed. But: why not create a Soviet counterpart? Even more so, since there is/was the real-world GSh-6-30 gatling gun as a potential weapon, which had, beyond use in the MiG-27, also been used in naval defense systems. Why not use/create an uprated/bigger version, too?

 

From this idea, things evolved in a straightforward fashion. The Trumpeter 2P25 chassis and hull were basically taken OOB, just the front was modified for a single driver position. However, the upper hull had to be changed in order to accept the new, large turret instead of the triple SA-6 launch array.

 

The new turret is a parts combination: The basis comes from a Revell 1:72 M109 howitzer kit, the 155 mm barrel was replaced with a QuickBoost 1:48 resin GSh-6-30 gun for a MiG-27, and a co-axial laser rangefinder (a piece of styrene) was added on a separate mount. Unfortunately, the Revell kit does not feature a movable gun barrel, so I decided to implant a functional joint, so that the model’s weapon could be displayed in raised and low position – primarily for the “action pictures”. The mechanism was scratched from styrene tubes and a piece of foamed plastic as a “brake” that holds the weapon in place and blocks the view into the turret from the front when the weapon is raised high up. The hinge was placed behind the OOB gun mantle, which was cut into two pieces and now works as in real life.

Further mods include the dish antenna for the tracking radar (a former tank wheel), placed on a disc-shaped pedestal onto the turret front’s right side, and the retractable rotating search radar antenna, scratched from various bits and pieces and mounted onto the rear of the turret – its roof had to be cleaned up to make suitable space next to the commander’s cupola.

 

Another challenge was the adaptation of the new turret to the hull, because the original SA-6 launch array has only a relatively small turret ring, and it is placed relatively far ahead on the hull. The new, massive turret had to be mounted further backwards, and the raised engine cowling on the back of the hull did not make things easier.

As a consequence, I had to move the SA-6 launcher ring bearing backwards, through a major surgical intervention in the hull roof (a square section was cut out, shortened, reversed and glued back again into the opening). In order to save the M109’s turret ring for later, I gave it a completely new turret floor and transplanted the small adapter ring from the SA-6 launch array to it. Another problem arose from the bulged engine cover: it had to be replaced with something flat, otherwise the turret would not have fitted. I was lucky to find a suitable donor in the spares box, from a Leopard 1 kit. More complex mods than expected, and thankfully most of the uglier changes are hidden under the huge turret. However, Object 511 looks pretty conclusive and menacing with everything in place, and the weapon is now movable in two axis’. The only flaw is a relatively wide gap between the turret and the hull, due to a step between the combat and engine section and the relatively narrow turret ring.

  

Painting and markings:

AFAIK, most Soviet tank prototypes in the Seventies/Eighties received a simple, uniform olive green livery, but ,while authentic, I found this to look rather boring. Since my “Object 511” would have taken part in military maneuvers, I decided to give it an Eighties Soviet Army three-tone camouflage, which was introduced during the late Eighties. It consisted of a relatively bright olive green, a light and cold bluish grey and black-grey, applied in large patches.

This scheme was also adapted by the late GDR’s Volksarmee (called “Verzerrungsanstrich” = “Distortion scheme”) and maybe – even though I am not certain – this special paint scheme might only have been used by Soviet troops based on GDR soil? However, it’s pretty unique and looks good, so I adapted it for the model.

 

Based upon visual guesstimates from real life pictures and some background info concerning NVA tank paint schemes, the basic colors became Humbrol 86 (Light Olive Green; RAL 6003), Revell 57 (Grey; RAL 7000) and Revell 06 (Tar Black; RAL 9021). Each vehicle had an individual paint scheme, in this case it was based on a real world NVA lorry.

 

On top of the basic colors, a washing with a mix of red brown and black acrylic paint was applied, and immediately dried with a soft cotton cloth so that it only remained in recesses and around edges, simulating dirt and dust. Some additional post-shading with lighter/brighter versions of the basic tones followed.

Decals came next – the Red Stars were a rather dramatic addition and came from the Trumpeter kit’s OOB sheet. The white “511” code on the flanks was created with white 3 mm letters from TL Modellbau.

 

The model received a light overall dry brushing treatment with light grey (Revell 75). As a finishing touch I added some branches as additional camouflage. These are bits of dried moss (collected on the local street), colorized with simple watercolors and attached with white glue. Finally, everything was sealed and stabilized with a coat of acrylic matt varnish and some pigments (a greyish-brown mix of various artist mineral pigments) were dusted into the running gear and onto the lower hull surfaces with a soft brush.

  

An effective kitbashing, and while mounting the different turret to the hull looks simple, the integration of unrelated hull and turret so that they actually fit and “work” was a rather fiddly task, and it’s effectively not obvious at all (which is good but “hides” the labour pains related to the mods). However, the result looks IMHO good, like a beefed-up ZSU-23-4 “Schilka”, just what this fictional tank model is supposed to depict.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The ZSU-37-6 (“ZSU” stands for Zenitnaya Samokhodnaya Ustanovka / Зенитная Самоходная Установка = "anti-aircraft self-propelled mount"), also known as Object 511 during its development phase and later also as “ZSU-37-6 / Лена”, was a prototype for a lightly armored Soviet self-propelled, radar guided anti-aircraft weapon system that was to replace the cannon-armed ZSU-23-4 “Shilka” SPAAG.

The development of the "Shilka" began in 1957 and the vehicle was brought into service in 1965. The ZSU-23-4 was intended for AA defense of military facilities, troops, and mechanized columns on the march. The ZSU-23-4 combined a proven radar system, the non-amphibious chassis based on the GM-575 tracked vehicle, and four 23 mm autocannons. This delivered a highly effective combination of mobility with heavy firepower and considerable accuracy, outclassing all NATO anti-aircraft guns at the time. The system was widely fielded throughout the Warsaw Pact and among other pro-Soviet states. Around 2,500 ZSU-23-4s, of the total 6,500 produced, were exported to 23 countries.

 

The development of a potential successor started in 1970. At the request of the Soviet Ministry of Defense, the KBP Instrument Design Bureau in Tula started work on a new mobile anti-aircraft system as a replacement for the 23mm ZSU-23-4. The project was undertaken to improve on the observed shortcomings of the ZSU-23-4 (short range and no early warning) and to counter new ground attack aircraft in development, such as the A-10 Thunderbolt II, which was designed to be highly resistant to 23 mm cannons.

 

KBP studies demonstrated that a cannon of at least 30 mm caliber was necessary to counter these threats, and that a bigger caliber weapon would offer some more benefits. Firstly, to destroy a given target, such a weapon would only require from a third to a half of the number of shells that the ZSU-23-4’s 23 mm cannon would need. Secondly, comparison tests revealed that firing with an identical mass of 30 mm projectiles instead of 23 mm ammunition at a MiG-17 (or similarly at NATO's Hawker Hunter or Fiat G.91…) flying at 300 m/s would result in a 1.5 times greater kill probability. An increase in the maximum engagement altitude from 2,000 to 4,000 m and higher effectiveness when engaging lightly armored ground targets were also cited as potential benefits.

 

The initial requirements set for the new mobile weapon system were to achieve twice the performance in terms of the ZSU-23-4’s range, altitude and combat effectiveness. Additionally, the system should have a reaction time, from target acquisition to firing, no greater than 10 seconds, so that enemy helicopters that “popped up” from behind covers and launched fire-and-forget weapons at tanks or similar targets could be engaged effectively.

From these specifications KBP developed two schools of thought that proposed different concepts and respective vehicle prototypes: One design team followed the idea of an anti-aircraft complex with mixed cannon and missile armament, which made it effective against both low and high-flying targets but sacrificed short-range firepower. The alternative proposed by another team was a weapon carrier armed only with a heavy gatling-type gun, tailored to counter targets flying at low altitudes, esp. helicopters, filling a similar niche as the ZSU-23-4 and leaving medium to high altitude targets to specialized anti-aircraft missiles. The latter became soon known as “Object 511”.

 

Object 511 was based on the tracked and only lightly armored GM-577 chassis, produced by Minsk Tractor Works (MTZ). It featured six road wheels on each side, a drive sprocket at the rear and three return rollers. The chassis was primarily chosen because it was already in use for other anti-aircraft systems like the 2K11 “Krug” complex and could be taken more or less “off the rack”. A new feature was a hydropneumatic suspension, which was chosen in order to stabilize the chassis as firing platform and also to cope with the considerably higher all-up weight of the vehicle (27 tons vs. the ZSU-23-4’s 19 tons). Other standard equipment of Object 511 included heating, ventilation, navigational equipment, night vision aids, a 1V116 intercom and an external communications system with an R-173 receiver.

 

The hull was - as the entire vehicle - protected from small arms fire (7,62mm) and shell splinters, but not heavily armored. An NBC protection system was integrated into the chassis, as well as an automatic fire suppression system and an automatic gear change. The main engine bay, initially with a 2V-06-2 water-cooled multi-fuel diesel engine with 450 hp (331 kW) was in the rear. It was later replaced by a more powerful variant of the same engine with 510 hp (380 kW).

The driver sat in the front on the left side, with a small gas turbine APU to his right to operate the radar and hydraulic systems independently from the main engine.

Between these hull segments, the chassis carried a horseshoe-shaped turret with full 360° rotation. It was relatively large and covered more than the half of the hull’s roof, because it held the SPAAGs main armament and ammunition supply, the search and tracking radar equipment as well as a crew of two: the commander with a cupola on the right side and the gunner/radar operator on the left side, with the cannon installation and its feeding system between them. In fact, it was so large that Object 511’s engine bay was only accessible when the turret was rotated 90° to the side – unacceptable for an in-service vehicle (which would probably have been based on a bigger chassis), but accepted for the prototype which was rather focused on the turret and its complex weapon and radar systems.

 

Object 511’s centerpiece was the newly-developed Gryazev-Shipunov GSh-6-37 cannon, a heavy and experimental six-barreled 37mm gatling gun. This air-cooled weapon with electrical ignition was an upscaled version of the naval AO-18 30mm gun, which was part of an automated air defense system for ships, the AK-630 CIWS complex. Unlike most modern American rotary cannons, the GSh-6-37 was gas-operated rather than hydraulically driven, allowing it to "spin up" to maximum rate of fire more quickly. This resulted in more rounds and therefore weight of fire to be placed on target in a short burst, reduced reaction time and allowed hits even in a very small enemy engagement window.

 

The GSh-6-37 itself weighed around 524 kg (1.154 lb), the whole system, including the feed system and a full magazine, weighed 7,493 pounds (3,401 kg). The weapon had a total length of 5.01 m (16’ 7“), its barrels were 2.81 m (9’ 2½”) long. In Object 511’s turret it had an elevation between +80° and -11°, moving at 60°/sec, and a full turret rotation only took 3 seconds. Rate of fire was 4,500 rounds per minute, even though up to 5.500 RPM were theoretically possible and could be cleared with an emergency setting. However, the weapon would typically only fire short bursts of roundabout 50 rounds each, or longer bursts of 1-2 (maximum) seconds to save ammunition and to avoid overheating and damage – initially only to the barrels, but later also to avoid collateral damage from weapon operation itself (see below). Against ground targets and for prolonged, safe fire, the rate of fire could alternatively be limited to 150 RPM.

The GSh-6-37 fired 1.09 kg shells (each 338mm long) at 1,070 m/s (3.500 ft/s), developing a muzzle energy of 624,000 joules. This resulted in an effective range of 6,000 m (19.650 ft) against aerial and 7,000 m (23.0000 ft) against ground targets. Maximum firing range was past 7,160 m (23,490 ft), with the projectiles self-destructing beyond that distance. In a 1 sec. burst, the weapon delivered an impressive weight of fire of almost 100 kg.

The GSh-6-37 was belt-fed, with a closed-circuit magazine to avoid spilling casings all around and hurting friendly troops in the SPAAG’s vicinity. Typical types of ammunition were OFZT (proximity-fused incendiary fragmentation) and BZT (armor-piercing tracer, able to penetrate more than 60 mm of 30° sloped steel armor at 1.000 m/3.275’ distance). Since there was only a single ammunition supply that could not be switched, these rounds were normally loaded in 3:1 ratio—three OFZT, then one BZT, every 10th BZT round marked with a tracer. Especially the fragmentation rounds dealt extensive collateral damage, as the sheer numbers of fragments from detonating shells was sufficient to damage aircraft flying within a 200-meter radius from the impact center. This, coupled with the high density of fire, created a very effective obstacle for aerial targets and ensured a high hit probability even upon a casual and hurried attack.

 

The gun was placed in the turret front’s center, held by a massive mount with hydraulic dampers. The internal ammunition supply in the back of the turret comprised a total of 1.600 rounds, but an additional 800 rounds could be added in an external reserve feed bin, attached to the back of the turret and connected to the internal belt magazine loop through a pair of ports in the turret’s rear, normally used to reload the GSh-6-37.

 

A rotating, electronically scanned E-band (10 kW power) target acquisition radar array was mounted on the rear top of the turret that, when combined with the turret front mounted J-band (150 kW power) mono-pulse tracking radar, its dish antenna hidden under a fiberglass fairing to the right of the main weapon, formed the 1RL144 (NATO: Hot Shot) pulse-Doppler 3D radar system. Alongside, the 1A26 digital computer, a laser rangefinder co-axial to the GSh-6-37, and the 1G30 angle measurement system formed the 1A27 targeting complex.

Object 511’s target acquisition offered a 360-degree field of view, a detection range of around 18 km and could detect targets flying as low as 15 m. The array could be folded down and stowed when in transit, lying flat on the turret’s roof. The tracking radar had a range of 16 km, and a C/D-band IFF system was also fitted. The radar system was highly protected against various types of interference and was able to work properly even if there were mountains on the horizon, regardless of the background. The system made it possible to fire the GSh-6-37 on the move, against targets with a maximum target speed of up to 500 m/s, and it had an impressive reaction time of only 6-8 seconds.

Thanks to its computerized fire control system, the 1A27 was highly automated and reduced the SPAAG’s crew to only three men, making a dedicated radar operator (as on the ZSU-23-4) superfluous and saving internal space in the large but still rather cramped turret.

 

Development of Object 511 and its systems were kicked-off in 1972 but immediately slowed down with the introduction of the 9K33 “Osa” missile system, which seemed to fill the same requirement but with greater missile performance. However, after some considerable debate it was felt that a purely missile-based system would not be as effective at dealing with very low flying attack helicopters attacking at short range with no warning, as had been proven so successful in the 1973 Arab-Israeli War. Since the reaction time of a gun system was around 8–10 seconds, compared to approximately 30 seconds for a missile-based system, development of Object 511 was restarted in 1973.

 

A fully functional prototype, now officially dubbed “ZSU-37-6“ to reflect its role and armament and christened “Лена” (Lena, after the Russian river in Siberia), was completed in 1975 at the Ulyanovsk Mechanical Factory, but it took until 1976 that the capricious weapon and the 1A27 radar system had been successfully integrated and made work. System testing and trials were conducted between September 1977 and December 1978 on the Donguzskiy range, where the vehicle was detected by American spy satellites and erroneously identified as a self-propelled artillery system with a fully rotating turret (similar to the American M109), as a potential successor for the SAU-122/2S1 Gvozdika or SAU-152/2S3 Akatsiya SPGs that had been introduced ten years earlier, with a lighter weapon of 100-120mm caliber and an autoloader in the large turret.

 

The tests at Donguzskiy yielded mixed results. While the 1A27 surveillance and acquisition radar complex turned out to be quite effective, the GSh-6-37 remained a constant source of problems. The gun was highly unreliable and afforded a high level of maintenance. Furthermore, it had a massive recoil of 6.250 kp/61 kN when fired (the American 30 mm GAU-8 Avenger “only” had a recoil of 4.082 kp/40 kN). As a result, targets acquired by the 1A27 system were frequently lost after a single burst of fire, so that they had to be tracked anew before the next shot could be placed.

To make matters even words, the GSh-6-37 was noted for its high and often uncomfortable vibration and extreme noise, internally and externally. Pressure shock waves from the gun muzzles made the presence of unprotected personnel in the weapon’s proximity hazardous. The GSh-6-37’s massive vibrations shook the whole vehicle and led to numerous radio and radar system failures, tearing or jamming of maintenance doors and access hatches and the cracking of optical sensors. The effects were so severe that the gun’s impact led after six months to fatigue cracks in the gun mount, the welded turret hull, fuel tanks and other systems. One spectacular and fateful showcase of the gun’s detrimental powers was a transmission failure during a field test/maneuver in summer 1978 – which unfortunately included top military brass spectators and other VIPs, who were consequently not convinced of the ZSU-37-6 and its weapon.

 

The GSh-6-37’s persisting vibration and recoil problems, as well as its general unreliability if it was not immaculately serviced, could not be satisfactorily overcome during the 2 years of state acceptance trials. Furthermore, the large and heavy turret severely hampered Object 511’s off-road performance and handling, due to the high center of gravity and the relatively small chassis, so that the weapon system’s full field potential could not be explored. Had it found its way into a serial production vehicle, it would certainly have been based on a bigger and heavier chassis, e.g. from an MBT. Other novel features tested with Object 511, e.g. the hydropneumatic suspension and the automated 1A27 fire control system, proved to be more successful.

 

However, the troublesome GSh-6-37 temporarily attained new interest in 1979 through the Soviet Union’s engagement in Afghanistan, because it became quickly clear that conventional battle tanks, with long-barreled, large caliber guns and a very limited lift angle were not suited against small targets in mountainous regions and for combat in confined areas like narrow valleys or settlements. The GSh-6-37 appeared as a promising alternative weapon, and plans were made to mount it in a more strongly armored turret onto a T-72 chassis. A wooden mockup turret was built, but the project was not proceeded further with. Nevertheless, the concept of an armored support vehicle with high firepower and alternative armament would persist and lead, in the course of the following years, to a number of prototypes that eventually spawned the BMPT "Terminator" Tank Support Fighting Vehicle.

 

More tests and attempts to cope with the gun mount continued on a limited basis through 1979, but in late 1980 trials and development of Object 511 and the GSh-6-37 were stopped altogether: the 2K22 “Tunguska” SPAAG with mixed armament, developed in parallel, was preferred and officially accepted into service. In its original form, the 2K22 was armed with four 9M311 (NATO: SA-19 “Grison”) short-range missiles in the ready-to-fire position and two 2A38 30mm autocannons, using the same 1A27 radar system as Object 511. The Tunguska entered into limited service from 1984, when the first batteries, now armed with eight missiles, were delivered to the army, and gradually replaced the ZSU-23-4.

 

Having become obsolete, the sole Object 511 prototype was retired in 1981 and mothballed. It is today part of the Military Technical Museum collection at Ivanovskaya, near Moscow, even though not part of the public exhibition and in a rather derelict state, waiting for restoration and eventual display.

  

Specifications:

Crew: Three (commander, gunner, driver)

Weight: about 26,000 kg (57,300 lb)

Length: 7.78 m (25 ft 5 1/2 in) with gun facing forward

6.55 m (21 ft 5 1/2 in) hull only

Width: 3.25 m (10 ft 8 in)

Height: 3.88 m (12 ft 9 in) overall,

2.66 m (8 8 1/2 ft) with search radar stowed

Suspension: Hydropneumatic

Ground clearance: 17–57 cm

Fuel capacity: 760 l (200 US gal, 170 imp gal)

 

Armor:

Unknown, but probably not more than 15 mm (0.6”)

 

Performance:

Speed: 65 km/h (40 mph) maximum on the road

Climbing ability: 0.7 m (2.3')

Maximum climb gradient: 30°

Trench crossing ability: 2.5 m (8.2')

Fording depth: 1.0 m (3.3')

Operational range: 500 km (310 mi)

Power/weight: 24 hp/t

 

Engine:

1× 2V-06-2S water-cooled multi-fuel diesel engine with 510 hp (380 kW)

1× auxiliary DGChM-1 single-shaft gas turbine engine with 70 hp at 6,000 rpm,

connected with a direct-current generator

 

Transmission:

Hydromechanical

 

Armament:

1× GSh-6-37 six-barreled 37mm (1.5 in) Gatling gun with 1.600 rounds,

plus 800 more in an optional, external auxiliary magazine

  

The kit and its assembly:

This fictional SPAAG was intended as a submission to the “Prototypes” group build at whatifmodellers.com in August 2020. Inspiration came from a Trumpeter 1:72 2P25/SA-6 launch platform which I had recently acquired with a kit lot – primarily because of the chassis, which would lend itself for a conversion into “something else”.

 

The idea to build an anti-aircraft tank with a gatling gun came when I did research for my recent YA-14 build and its armament. When checking the American GAU-8 cannon from the A-10 I found that there had been plans to use this weapon for a short-range SPAAG (as a replacement for the US Army’s M163), and there had been plans for even heavier weapons in this role. For instance, there had been the T249 “Vigilante” prototype: This experimental system consisted of a 37 mm T250 six-barrel Gatling gun, mounted on a lengthened M113 armored personnel carrier platform, even though with a very limited ammunition supply, good only for 5 sec. of fire – it was just a conceptual test bed. But: why not create a Soviet counterpart? Even more so, since there is/was the real-world GSh-6-30 gatling gun as a potential weapon, which had, beyond use in the MiG-27, also been used in naval defense systems. Why not use/create an uprated/bigger version, too?

 

From this idea, things evolved in a straightforward fashion. The Trumpeter 2P25 chassis and hull were basically taken OOB, just the front was modified for a single driver position. However, the upper hull had to be changed in order to accept the new, large turret instead of the triple SA-6 launch array.

 

The new turret is a parts combination: The basis comes from a Revell 1:72 M109 howitzer kit, the 155 mm barrel was replaced with a QuickBoost 1:48 resin GSh-6-30 gun for a MiG-27, and a co-axial laser rangefinder (a piece of styrene) was added on a separate mount. Unfortunately, the Revell kit does not feature a movable gun barrel, so I decided to implant a functional joint, so that the model’s weapon could be displayed in raised and low position – primarily for the “action pictures”. The mechanism was scratched from styrene tubes and a piece of foamed plastic as a “brake” that holds the weapon in place and blocks the view into the turret from the front when the weapon is raised high up. The hinge was placed behind the OOB gun mantle, which was cut into two pieces and now works as in real life.

Further mods include the dish antenna for the tracking radar (a former tank wheel), placed on a disc-shaped pedestal onto the turret front’s right side, and the retractable rotating search radar antenna, scratched from various bits and pieces and mounted onto the rear of the turret – its roof had to be cleaned up to make suitable space next to the commander’s cupola.

 

Another challenge was the adaptation of the new turret to the hull, because the original SA-6 launch array has only a relatively small turret ring, and it is placed relatively far ahead on the hull. The new, massive turret had to be mounted further backwards, and the raised engine cowling on the back of the hull did not make things easier.

As a consequence, I had to move the SA-6 launcher ring bearing backwards, through a major surgical intervention in the hull roof (a square section was cut out, shortened, reversed and glued back again into the opening). In order to save the M109’s turret ring for later, I gave it a completely new turret floor and transplanted the small adapter ring from the SA-6 launch array to it. Another problem arose from the bulged engine cover: it had to be replaced with something flat, otherwise the turret would not have fitted. I was lucky to find a suitable donor in the spares box, from a Leopard 1 kit. More complex mods than expected, and thankfully most of the uglier changes are hidden under the huge turret. However, Object 511 looks pretty conclusive and menacing with everything in place, and the weapon is now movable in two axis’. The only flaw is a relatively wide gap between the turret and the hull, due to a step between the combat and engine section and the relatively narrow turret ring.

  

Painting and markings:

AFAIK, most Soviet tank prototypes in the Seventies/Eighties received a simple, uniform olive green livery, but ,while authentic, I found this to look rather boring. Since my “Object 511” would have taken part in military maneuvers, I decided to give it an Eighties Soviet Army three-tone camouflage, which was introduced during the late Eighties. It consisted of a relatively bright olive green, a light and cold bluish grey and black-grey, applied in large patches.

This scheme was also adapted by the late GDR’s Volksarmee (called “Verzerrungsanstrich” = “Distortion scheme”) and maybe – even though I am not certain – this special paint scheme might only have been used by Soviet troops based on GDR soil? However, it’s pretty unique and looks good, so I adapted it for the model.

 

Based upon visual guesstimates from real life pictures and some background info concerning NVA tank paint schemes, the basic colors became Humbrol 86 (Light Olive Green; RAL 6003), Revell 57 (Grey; RAL 7000) and Revell 06 (Tar Black; RAL 9021). Each vehicle had an individual paint scheme, in this case it was based on a real world NVA lorry.

 

On top of the basic colors, a washing with a mix of red brown and black acrylic paint was applied, and immediately dried with a soft cotton cloth so that it only remained in recesses and around edges, simulating dirt and dust. Some additional post-shading with lighter/brighter versions of the basic tones followed.

Decals came next – the Red Stars were a rather dramatic addition and came from the Trumpeter kit’s OOB sheet. The white “511” code on the flanks was created with white 3 mm letters from TL Modellbau.

 

The model received a light overall dry brushing treatment with light grey (Revell 75). As a finishing touch I added some branches as additional camouflage. These are bits of dried moss (collected on the local street), colorized with simple watercolors and attached with white glue. Finally, everything was sealed and stabilized with a coat of acrylic matt varnish and some pigments (a greyish-brown mix of various artist mineral pigments) were dusted into the running gear and onto the lower hull surfaces with a soft brush.

  

An effective kitbashing, and while mounting the different turret to the hull looks simple, the integration of unrelated hull and turret so that they actually fit and “work” was a rather fiddly task, and it’s effectively not obvious at all (which is good but “hides” the labour pains related to the mods). However, the result looks IMHO good, like a beefed-up ZSU-23-4 “Schilka”, just what this fictional tank model is supposed to depict.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The ZSU-37-6 (“ZSU” stands for Zenitnaya Samokhodnaya Ustanovka / Зенитная Самоходная Установка = "anti-aircraft self-propelled mount"), also known as Object 511 during its development phase and later also as “ZSU-37-6 / Лена”, was a prototype for a lightly armored Soviet self-propelled, radar guided anti-aircraft weapon system that was to replace the cannon-armed ZSU-23-4 “Shilka” SPAAG.

The development of the "Shilka" began in 1957 and the vehicle was brought into service in 1965. The ZSU-23-4 was intended for AA defense of military facilities, troops, and mechanized columns on the march. The ZSU-23-4 combined a proven radar system, the non-amphibious chassis based on the GM-575 tracked vehicle, and four 23 mm autocannons. This delivered a highly effective combination of mobility with heavy firepower and considerable accuracy, outclassing all NATO anti-aircraft guns at the time. The system was widely fielded throughout the Warsaw Pact and among other pro-Soviet states. Around 2,500 ZSU-23-4s, of the total 6,500 produced, were exported to 23 countries.

 

The development of a potential successor started in 1970. At the request of the Soviet Ministry of Defense, the KBP Instrument Design Bureau in Tula started work on a new mobile anti-aircraft system as a replacement for the 23mm ZSU-23-4. The project was undertaken to improve on the observed shortcomings of the ZSU-23-4 (short range and no early warning) and to counter new ground attack aircraft in development, such as the A-10 Thunderbolt II, which was designed to be highly resistant to 23 mm cannons.

 

KBP studies demonstrated that a cannon of at least 30 mm caliber was necessary to counter these threats, and that a bigger caliber weapon would offer some more benefits. Firstly, to destroy a given target, such a weapon would only require from a third to a half of the number of shells that the ZSU-23-4’s 23 mm cannon would need. Secondly, comparison tests revealed that firing with an identical mass of 30 mm projectiles instead of 23 mm ammunition at a MiG-17 (or similarly at NATO's Hawker Hunter or Fiat G.91…) flying at 300 m/s would result in a 1.5 times greater kill probability. An increase in the maximum engagement altitude from 2,000 to 4,000 m and higher effectiveness when engaging lightly armored ground targets were also cited as potential benefits.

 

The initial requirements set for the new mobile weapon system were to achieve twice the performance in terms of the ZSU-23-4’s range, altitude and combat effectiveness. Additionally, the system should have a reaction time, from target acquisition to firing, no greater than 10 seconds, so that enemy helicopters that “popped up” from behind covers and launched fire-and-forget weapons at tanks or similar targets could be engaged effectively.

From these specifications KBP developed two schools of thought that proposed different concepts and respective vehicle prototypes: One design team followed the idea of an anti-aircraft complex with mixed cannon and missile armament, which made it effective against both low and high-flying targets but sacrificed short-range firepower. The alternative proposed by another team was a weapon carrier armed only with a heavy gatling-type gun, tailored to counter targets flying at low altitudes, esp. helicopters, filling a similar niche as the ZSU-23-4 and leaving medium to high altitude targets to specialized anti-aircraft missiles. The latter became soon known as “Object 511”.

 

Object 511 was based on the tracked and only lightly armored GM-577 chassis, produced by Minsk Tractor Works (MTZ). It featured six road wheels on each side, a drive sprocket at the rear and three return rollers. The chassis was primarily chosen because it was already in use for other anti-aircraft systems like the 2K11 “Krug” complex and could be taken more or less “off the rack”. A new feature was a hydropneumatic suspension, which was chosen in order to stabilize the chassis as firing platform and also to cope with the considerably higher all-up weight of the vehicle (27 tons vs. the ZSU-23-4’s 19 tons). Other standard equipment of Object 511 included heating, ventilation, navigational equipment, night vision aids, a 1V116 intercom and an external communications system with an R-173 receiver.

 

The hull was - as the entire vehicle - protected from small arms fire (7,62mm) and shell splinters, but not heavily armored. An NBC protection system was integrated into the chassis, as well as an automatic fire suppression system and an automatic gear change. The main engine bay, initially with a 2V-06-2 water-cooled multi-fuel diesel engine with 450 hp (331 kW) was in the rear. It was later replaced by a more powerful variant of the same engine with 510 hp (380 kW).

The driver sat in the front on the left side, with a small gas turbine APU to his right to operate the radar and hydraulic systems independently from the main engine.

Between these hull segments, the chassis carried a horseshoe-shaped turret with full 360° rotation. It was relatively large and covered more than the half of the hull’s roof, because it held the SPAAGs main armament and ammunition supply, the search and tracking radar equipment as well as a crew of two: the commander with a cupola on the right side and the gunner/radar operator on the left side, with the cannon installation and its feeding system between them. In fact, it was so large that Object 511’s engine bay was only accessible when the turret was rotated 90° to the side – unacceptable for an in-service vehicle (which would probably have been based on a bigger chassis), but accepted for the prototype which was rather focused on the turret and its complex weapon and radar systems.

 

Object 511’s centerpiece was the newly-developed Gryazev-Shipunov GSh-6-37 cannon, a heavy and experimental six-barreled 37mm gatling gun. This air-cooled weapon with electrical ignition was an upscaled version of the naval AO-18 30mm gun, which was part of an automated air defense system for ships, the AK-630 CIWS complex. Unlike most modern American rotary cannons, the GSh-6-37 was gas-operated rather than hydraulically driven, allowing it to "spin up" to maximum rate of fire more quickly. This resulted in more rounds and therefore weight of fire to be placed on target in a short burst, reduced reaction time and allowed hits even in a very small enemy engagement window.

 

The GSh-6-37 itself weighed around 524 kg (1.154 lb), the whole system, including the feed system and a full magazine, weighed 7,493 pounds (3,401 kg). The weapon had a total length of 5.01 m (16’ 7“), its barrels were 2.81 m (9’ 2½”) long. In Object 511’s turret it had an elevation between +80° and -11°, moving at 60°/sec, and a full turret rotation only took 3 seconds. Rate of fire was 4,500 rounds per minute, even though up to 5.500 RPM were theoretically possible and could be cleared with an emergency setting. However, the weapon would typically only fire short bursts of roundabout 50 rounds each, or longer bursts of 1-2 (maximum) seconds to save ammunition and to avoid overheating and damage – initially only to the barrels, but later also to avoid collateral damage from weapon operation itself (see below). Against ground targets and for prolonged, safe fire, the rate of fire could alternatively be limited to 150 RPM.

The GSh-6-37 fired 1.09 kg shells (each 338mm long) at 1,070 m/s (3.500 ft/s), developing a muzzle energy of 624,000 joules. This resulted in an effective range of 6,000 m (19.650 ft) against aerial and 7,000 m (23.0000 ft) against ground targets. Maximum firing range was past 7,160 m (23,490 ft), with the projectiles self-destructing beyond that distance. In a 1 sec. burst, the weapon delivered an impressive weight of fire of almost 100 kg.

The GSh-6-37 was belt-fed, with a closed-circuit magazine to avoid spilling casings all around and hurting friendly troops in the SPAAG’s vicinity. Typical types of ammunition were OFZT (proximity-fused incendiary fragmentation) and BZT (armor-piercing tracer, able to penetrate more than 60 mm of 30° sloped steel armor at 1.000 m/3.275’ distance). Since there was only a single ammunition supply that could not be switched, these rounds were normally loaded in 3:1 ratio—three OFZT, then one BZT, every 10th BZT round marked with a tracer. Especially the fragmentation rounds dealt extensive collateral damage, as the sheer numbers of fragments from detonating shells was sufficient to damage aircraft flying within a 200-meter radius from the impact center. This, coupled with the high density of fire, created a very effective obstacle for aerial targets and ensured a high hit probability even upon a casual and hurried attack.

 

The gun was placed in the turret front’s center, held by a massive mount with hydraulic dampers. The internal ammunition supply in the back of the turret comprised a total of 1.600 rounds, but an additional 800 rounds could be added in an external reserve feed bin, attached to the back of the turret and connected to the internal belt magazine loop through a pair of ports in the turret’s rear, normally used to reload the GSh-6-37.

 

A rotating, electronically scanned E-band (10 kW power) target acquisition radar array was mounted on the rear top of the turret that, when combined with the turret front mounted J-band (150 kW power) mono-pulse tracking radar, its dish antenna hidden under a fiberglass fairing to the right of the main weapon, formed the 1RL144 (NATO: Hot Shot) pulse-Doppler 3D radar system. Alongside, the 1A26 digital computer, a laser rangefinder co-axial to the GSh-6-37, and the 1G30 angle measurement system formed the 1A27 targeting complex.

Object 511’s target acquisition offered a 360-degree field of view, a detection range of around 18 km and could detect targets flying as low as 15 m. The array could be folded down and stowed when in transit, lying flat on the turret’s roof. The tracking radar had a range of 16 km, and a C/D-band IFF system was also fitted. The radar system was highly protected against various types of interference and was able to work properly even if there were mountains on the horizon, regardless of the background. The system made it possible to fire the GSh-6-37 on the move, against targets with a maximum target speed of up to 500 m/s, and it had an impressive reaction time of only 6-8 seconds.

Thanks to its computerized fire control system, the 1A27 was highly automated and reduced the SPAAG’s crew to only three men, making a dedicated radar operator (as on the ZSU-23-4) superfluous and saving internal space in the large but still rather cramped turret.

 

Development of Object 511 and its systems were kicked-off in 1972 but immediately slowed down with the introduction of the 9K33 “Osa” missile system, which seemed to fill the same requirement but with greater missile performance. However, after some considerable debate it was felt that a purely missile-based system would not be as effective at dealing with very low flying attack helicopters attacking at short range with no warning, as had been proven so successful in the 1973 Arab-Israeli War. Since the reaction time of a gun system was around 8–10 seconds, compared to approximately 30 seconds for a missile-based system, development of Object 511 was restarted in 1973.

 

A fully functional prototype, now officially dubbed “ZSU-37-6“ to reflect its role and armament and christened “Лена” (Lena, after the Russian river in Siberia), was completed in 1975 at the Ulyanovsk Mechanical Factory, but it took until 1976 that the capricious weapon and the 1A27 radar system had been successfully integrated and made work. System testing and trials were conducted between September 1977 and December 1978 on the Donguzskiy range, where the vehicle was detected by American spy satellites and erroneously identified as a self-propelled artillery system with a fully rotating turret (similar to the American M109), as a potential successor for the SAU-122/2S1 Gvozdika or SAU-152/2S3 Akatsiya SPGs that had been introduced ten years earlier, with a lighter weapon of 100-120mm caliber and an autoloader in the large turret.

 

The tests at Donguzskiy yielded mixed results. While the 1A27 surveillance and acquisition radar complex turned out to be quite effective, the GSh-6-37 remained a constant source of problems. The gun was highly unreliable and afforded a high level of maintenance. Furthermore, it had a massive recoil of 6.250 kp/61 kN when fired (the American 30 mm GAU-8 Avenger “only” had a recoil of 4.082 kp/40 kN). As a result, targets acquired by the 1A27 system were frequently lost after a single burst of fire, so that they had to be tracked anew before the next shot could be placed.

To make matters even words, the GSh-6-37 was noted for its high and often uncomfortable vibration and extreme noise, internally and externally. Pressure shock waves from the gun muzzles made the presence of unprotected personnel in the weapon’s proximity hazardous. The GSh-6-37’s massive vibrations shook the whole vehicle and led to numerous radio and radar system failures, tearing or jamming of maintenance doors and access hatches and the cracking of optical sensors. The effects were so severe that the gun’s impact led after six months to fatigue cracks in the gun mount, the welded turret hull, fuel tanks and other systems. One spectacular and fateful showcase of the gun’s detrimental powers was a transmission failure during a field test/maneuver in summer 1978 – which unfortunately included top military brass spectators and other VIPs, who were consequently not convinced of the ZSU-37-6 and its weapon.

 

The GSh-6-37’s persisting vibration and recoil problems, as well as its general unreliability if it was not immaculately serviced, could not be satisfactorily overcome during the 2 years of state acceptance trials. Furthermore, the large and heavy turret severely hampered Object 511’s off-road performance and handling, due to the high center of gravity and the relatively small chassis, so that the weapon system’s full field potential could not be explored. Had it found its way into a serial production vehicle, it would certainly have been based on a bigger and heavier chassis, e.g. from an MBT. Other novel features tested with Object 511, e.g. the hydropneumatic suspension and the automated 1A27 fire control system, proved to be more successful.

 

However, the troublesome GSh-6-37 temporarily attained new interest in 1979 through the Soviet Union’s engagement in Afghanistan, because it became quickly clear that conventional battle tanks, with long-barreled, large caliber guns and a very limited lift angle were not suited against small targets in mountainous regions and for combat in confined areas like narrow valleys or settlements. The GSh-6-37 appeared as a promising alternative weapon, and plans were made to mount it in a more strongly armored turret onto a T-72 chassis. A wooden mockup turret was built, but the project was not proceeded further with. Nevertheless, the concept of an armored support vehicle with high firepower and alternative armament would persist and lead, in the course of the following years, to a number of prototypes that eventually spawned the BMPT "Terminator" Tank Support Fighting Vehicle.

 

More tests and attempts to cope with the gun mount continued on a limited basis through 1979, but in late 1980 trials and development of Object 511 and the GSh-6-37 were stopped altogether: the 2K22 “Tunguska” SPAAG with mixed armament, developed in parallel, was preferred and officially accepted into service. In its original form, the 2K22 was armed with four 9M311 (NATO: SA-19 “Grison”) short-range missiles in the ready-to-fire position and two 2A38 30mm autocannons, using the same 1A27 radar system as Object 511. The Tunguska entered into limited service from 1984, when the first batteries, now armed with eight missiles, were delivered to the army, and gradually replaced the ZSU-23-4.

 

Having become obsolete, the sole Object 511 prototype was retired in 1981 and mothballed. It is today part of the Military Technical Museum collection at Ivanovskaya, near Moscow, even though not part of the public exhibition and in a rather derelict state, waiting for restoration and eventual display.

  

Specifications:

Crew: Three (commander, gunner, driver)

Weight: about 26,000 kg (57,300 lb)

Length: 7.78 m (25 ft 5 1/2 in) with gun facing forward

6.55 m (21 ft 5 1/2 in) hull only

Width: 3.25 m (10 ft 8 in)

Height: 3.88 m (12 ft 9 in) overall,

2.66 m (8 8 1/2 ft) with search radar stowed

Suspension: Hydropneumatic

Ground clearance: 17–57 cm

Fuel capacity: 760 l (200 US gal, 170 imp gal)

 

Armor:

Unknown, but probably not more than 15 mm (0.6”)

 

Performance:

Speed: 65 km/h (40 mph) maximum on the road

Climbing ability: 0.7 m (2.3')

Maximum climb gradient: 30°

Trench crossing ability: 2.5 m (8.2')

Fording depth: 1.0 m (3.3')

Operational range: 500 km (310 mi)

Power/weight: 24 hp/t

 

Engine:

1× 2V-06-2S water-cooled multi-fuel diesel engine with 510 hp (380 kW)

1× auxiliary DGChM-1 single-shaft gas turbine engine with 70 hp at 6,000 rpm,

connected with a direct-current generator

 

Transmission:

Hydromechanical

 

Armament:

1× GSh-6-37 six-barreled 37mm (1.5 in) Gatling gun with 1.600 rounds,

plus 800 more in an optional, external auxiliary magazine

  

The kit and its assembly:

This fictional SPAAG was intended as a submission to the “Prototypes” group build at whatifmodellers.com in August 2020. Inspiration came from a Trumpeter 1:72 2P25/SA-6 launch platform which I had recently acquired with a kit lot – primarily because of the chassis, which would lend itself for a conversion into “something else”.

 

The idea to build an anti-aircraft tank with a gatling gun came when I did research for my recent YA-14 build and its armament. When checking the American GAU-8 cannon from the A-10 I found that there had been plans to use this weapon for a short-range SPAAG (as a replacement for the US Army’s M163), and there had been plans for even heavier weapons in this role. For instance, there had been the T249 “Vigilante” prototype: This experimental system consisted of a 37 mm T250 six-barrel Gatling gun, mounted on a lengthened M113 armored personnel carrier platform, even though with a very limited ammunition supply, good only for 5 sec. of fire – it was just a conceptual test bed. But: why not create a Soviet counterpart? Even more so, since there is/was the real-world GSh-6-30 gatling gun as a potential weapon, which had, beyond use in the MiG-27, also been used in naval defense systems. Why not use/create an uprated/bigger version, too?

 

From this idea, things evolved in a straightforward fashion. The Trumpeter 2P25 chassis and hull were basically taken OOB, just the front was modified for a single driver position. However, the upper hull had to be changed in order to accept the new, large turret instead of the triple SA-6 launch array.

 

The new turret is a parts combination: The basis comes from a Revell 1:72 M109 howitzer kit, the 155 mm barrel was replaced with a QuickBoost 1:48 resin GSh-6-30 gun for a MiG-27, and a co-axial laser rangefinder (a piece of styrene) was added on a separate mount. Unfortunately, the Revell kit does not feature a movable gun barrel, so I decided to implant a functional joint, so that the model’s weapon could be displayed in raised and low position – primarily for the “action pictures”. The mechanism was scratched from styrene tubes and a piece of foamed plastic as a “brake” that holds the weapon in place and blocks the view into the turret from the front when the weapon is raised high up. The hinge was placed behind the OOB gun mantle, which was cut into two pieces and now works as in real life.

Further mods include the dish antenna for the tracking radar (a former tank wheel), placed on a disc-shaped pedestal onto the turret front’s right side, and the retractable rotating search radar antenna, scratched from various bits and pieces and mounted onto the rear of the turret – its roof had to be cleaned up to make suitable space next to the commander’s cupola.

 

Another challenge was the adaptation of the new turret to the hull, because the original SA-6 launch array has only a relatively small turret ring, and it is placed relatively far ahead on the hull. The new, massive turret had to be mounted further backwards, and the raised engine cowling on the back of the hull did not make things easier.

As a consequence, I had to move the SA-6 launcher ring bearing backwards, through a major surgical intervention in the hull roof (a square section was cut out, shortened, reversed and glued back again into the opening). In order to save the M109’s turret ring for later, I gave it a completely new turret floor and transplanted the small adapter ring from the SA-6 launch array to it. Another problem arose from the bulged engine cover: it had to be replaced with something flat, otherwise the turret would not have fitted. I was lucky to find a suitable donor in the spares box, from a Leopard 1 kit. More complex mods than expected, and thankfully most of the uglier changes are hidden under the huge turret. However, Object 511 looks pretty conclusive and menacing with everything in place, and the weapon is now movable in two axis’. The only flaw is a relatively wide gap between the turret and the hull, due to a step between the combat and engine section and the relatively narrow turret ring.

  

Painting and markings:

AFAIK, most Soviet tank prototypes in the Seventies/Eighties received a simple, uniform olive green livery, but ,while authentic, I found this to look rather boring. Since my “Object 511” would have taken part in military maneuvers, I decided to give it an Eighties Soviet Army three-tone camouflage, which was introduced during the late Eighties. It consisted of a relatively bright olive green, a light and cold bluish grey and black-grey, applied in large patches.

This scheme was also adapted by the late GDR’s Volksarmee (called “Verzerrungsanstrich” = “Distortion scheme”) and maybe – even though I am not certain – this special paint scheme might only have been used by Soviet troops based on GDR soil? However, it’s pretty unique and looks good, so I adapted it for the model.

 

Based upon visual guesstimates from real life pictures and some background info concerning NVA tank paint schemes, the basic colors became Humbrol 86 (Light Olive Green; RAL 6003), Revell 57 (Grey; RAL 7000) and Revell 06 (Tar Black; RAL 9021). Each vehicle had an individual paint scheme, in this case it was based on a real world NVA lorry.

 

On top of the basic colors, a washing with a mix of red brown and black acrylic paint was applied, and immediately dried with a soft cotton cloth so that it only remained in recesses and around edges, simulating dirt and dust. Some additional post-shading with lighter/brighter versions of the basic tones followed.

Decals came next – the Red Stars were a rather dramatic addition and came from the Trumpeter kit’s OOB sheet. The white “511” code on the flanks was created with white 3 mm letters from TL Modellbau.

 

The model received a light overall dry brushing treatment with light grey (Revell 75). As a finishing touch I added some branches as additional camouflage. These are bits of dried moss (collected on the local street), colorized with simple watercolors and attached with white glue. Finally, everything was sealed and stabilized with a coat of acrylic matt varnish and some pigments (a greyish-brown mix of various artist mineral pigments) were dusted into the running gear and onto the lower hull surfaces with a soft brush.

  

An effective kitbashing, and while mounting the different turret to the hull looks simple, the integration of unrelated hull and turret so that they actually fit and “work” was a rather fiddly task, and it’s effectively not obvious at all (which is good but “hides” the labour pains related to the mods). However, the result looks IMHO good, like a beefed-up ZSU-23-4 “Schilka”, just what this fictional tank model is supposed to depict.

A return visit to St Mary.

 

I was last here about 6 years ago, parking in the little square one warm September afternoon.

 

Much colder in March, but plenty of parking spaces, and St Mary was surprisingly open.

 

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The church stands in the village square removed from the main road. The flint rubble construction and severe restoration of the exterior does not look welcoming, but the interior is most appealing with plenty of light flooding through the clerestory windows. The rectangular piers of both north and south arcades with their pointed arches and boldly carved stops are of late twelfth-century date. Between them hang some eighteenth-century text boards. The character of the church is given in the main by late nineteenth- and early twentieth-century work. The high altar has four charmingly painted panels by John Ripley Wilmer in Pre-Raphaelite style, executed in 1907. At the opposite end of the church are the organ loft, font cover and baptistry, all designed by F.C. Eden, who restored the church in the early 1900s. He also designed the west window of the south aisle as part of a larger scheme which was not completed. In the south chancel wall are two windows of great curiosity. One contains a fifteenth-century figure of St Thomas Becket while the other shows figures of David and Saul. This dates from the nineteenth century and was painted by Frank Wodehouse who was the then vicar's brother. The face of David was based on that of Mme Carlotta Patti, the opera singer, while Gladstone and Disraeli can be identified hovering in the background! It is a shame that it has deteriorated badly.

 

www.kentchurches.info/church.asp?p=Elham

 

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ELEHAM,

OR, as it is as frequently written, Elham, lies the next parish south-eastward from Stelling. It was written in the time of the Saxons both Uleham and Æiham, in Domesday, Albam. Philipott says, it was antiently written Helham, denoting the situation of it to be a valley among the hills, whilst others suppose, but with little probability, that it took its name from the quantity of eels which the Nailbourn throws out when it begins to run. There are Seven boroughsin it, of Bladbean, Boyke, Canterwood, Lyminge, Eleham, Town, Sibton, and Hurst.

 

Eleham is said to be the largest parish in the eastern parts of this county, extending itself in length from north to south, through the Nailbourn valley, about three miles and an half; and in breadth five miles and a half, that is, from part of Stelling-minnis, within the bounds of it, across the valley to Eleham down and Winteridge, and the southern part of Swinfield-minnis, almost up to Hairn-forstal, in Uphill Folkestone. The village, or town of Eleham, as it is usually called, is situated in the above-mentioned valley, rather on a rise, on the side of the stream. It is both healthy and pleasant, the houses in it being mostly modern and wellbuilt, of brick and fashed. As an instance of the healthiness of this parish, there have been within these few years several inhabitants of it buried here, of the ages of 95, 97, and 99, and one of 105; the age of 40 years being esteemed that of a young person, in this parish. The church, with the vicarage on the side of the church-yard, is situated on the eastern side of it, and the court lodge at a small distance from it. This is now no more than a small mean cottage, thatched, of, I believe, only two rooms on a floor, and unsit for habitation. It appears to be the remains of a much larger edifice, and is built of quarry-stone, with small arched gothic windows and doors, the frames of which are of ashlar stone, and seemingly very antient indeed. It is still accounted a market-town, the market having been obtained to it by prince Edward, afterwards king Edward I. in his father's life-time, anno 35 Henry III. to be held on a Monday weekly, which, though disused for a regular constancy, is held in the market-house here once in five or six years, to keep up the claim to the right of it; besides which there are three markets regularly held, for the buying and selling of cattle, in every year, on Palm, Easter, and Whit Mondays, and one fair on Oct. 20th, by the alteration of the stile, being formerly held on the day of St. Dionis, Oct. 9, for toys and pedlary. The Nailbourn, as has been already mentioned before, in the description of Liminage, runs along this valley northward, entering this parish southward, by the hamlet of Ottinge, and running thence by the town of Eleham, and at half a mile's distance, by the hamlet of North Eleham, where there are several deep ponds, in which are from time to time quantities of eels, and so on to Brompton's Pot and Wingmere, at the northern extremity of this parish. The soil in the valley is mostly an unfertile red earth, mixed with many flints; but the hills on each side of it, which are very frequent and steep, extend to a wild romantic country, with frequent woods and uninclosed downs, where the soil consists mostly of chalk, excepting towards Stelling and Swinfield minnis's, where it partakes of a like quality to that of the valley, tance,by the hamlet of North Eleham, where there only still more poor and barren. At the north-west corner of the parish, on the hill, is Eleham park, being a large wood, belonging to the lord of Eleham manor.

 

Dr. Plot says, he was informed, that there was the custom of borough English prevailing over some copyhold lands in this parish, the general usage of which is, that the youngest son should inherit all the lands and tenements which his father had within the borough, &c. but I cannot find any here subject to it. On the contrary, the custom here is, to give the whole estate to the eldest son, who pays to the younger ones their proportions of it, as valued by the homage of the manor, in money.

 

At the time of taking the survey of Domesday, anno 1080, this place was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it:

 

In Honinberg hundred, the bishop of Baieux holds in demesne Alham. It was taxed at six sulins. The arable land is twenty-four carucates. In demesne there are five carucates and forty-one villeins, with eight borderers having eighteen carucates. There is a church, and eight servants, and two mills of six shillings, and twenty eight acres of meadow. Wood for the pannage of one hundred hogs. In the time of king Edward the Confessor, and afterwards, it was worth thirty pounds, now forty, and yet it yields fifty pounds. Ederic held this manor of king Edward.

 

Four years after the bishop was disgraced, and all his possessions were consiscated to the crown, whence this manor seems to have been granted to William de Albineto, or Albini, surnamed Pincerna, who had followed the Conqueror from Normandy in his expedition hither. He was succeeded by his son, of the same name, who was made Earl of Arundel anno 15 king Stephen, and Alida his daughter carried it in marriage to John, earl of Ewe, in Normandy, whose eldest son Henry, earl of Ewe, was slain at the siege of Ptolemais in 1217, leaving Alice his sole daughter and heir, who entitled her husband Ralph D'Issondon to the possession of this manor, as well as to the title of earl of Ewe. She died in the reign of king Henry III. possessed of this manor, with the advowson of the church, and sealed with Barry, a label of six points, as appears by a deed in the Surrenden library; after which it appears to have come into the possession of prince Edward, the king's eldest son, who in the 35th year of it obtained the grant of a market on a Monday, and a fair, at this manor, (fn. 1) and afterwards, in the 41st year of that reign, alienated it to archbishop Boniface, who, left he should still further inflame that enmity which this nation had conceived against him, among other foreigners and aliens, by thus increasing his possessions in it, passed this manor away to Roger de Leyborne, who died possessed of it in the 56th year of that reign, at which time it appears that there was a park here; (fn. 2) and in his name it continued till Juliana de Leyborne, daughter of Thomas, became the sole heir of their possessions, from the greatness of which she was usually called the Infanta of Kent. She was thrice married, yet she had no issue by either of her husbands, all of whom she survived, and died in the 41st year of king Edward III. upon which this manor, among the rest of her estates, escheated to the crown, there being no one who could make claim to them, by direct or even by collateral alliance. (fn. 3) Afterwards it continued in the crown till king Richard II. vested it in feoffees in trust, towards the endowment of St. Stephen's chapel, in his palace of Westminster, which he had in his 22d year, completed and made collegiate, and had the year before granted to the dean and canons this manor, among others, in mortmain. (fn. 4) All which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 9th year, granted to them a fair in this parish yearly, on the Monday after Palm-Sunday, and on the Wednesday following, with all liberties, &c. In which situation it continued till the 1st year of king Edward VI. when this college was, with all its possessions, surrendered into the king's hands, where this manor did not continue long; for the king in his 5th year, granted it to Edward, lord Clinton and Saye, and he reconveyed it to the crown the same year. After which the king demised it, for the term of eighty years, to Sir Edward Wotton, one of his privy council, whose son Thomas Wotton, esq. sold his interest in it to Alexander Hamon, esq. of Acrise, who died in 1613, leaving two daughters his coheirs, the youngest of whom Catherine, married to Sir Robert Lewknor, entitled him to it; he was at his death succeeded by his son Hamon Lewknor, esq. but the reversion in see having been purchased of the crown some few years before the expiration of the above-mentioned term, which ended the last year of king James I.'s reign, to Sir Charles Herbert, master of the revels. He at the latter end of king Charles I.'s reign, alienated it to Mr. John Aelst, merchant, of London; after which, I find by the court rolls, that it was vested in Thomas Alderne, John Fisher, and Roger Jackson, esqrs. who in the year 1681 conveyed it to Sir John Williams, whose daughter and sole heir Penelope carried it in marriage to Thomas Symonds, esq. of Herefordshire, by the heirs of whose only surviving son Thomas Symonds Powell, esq. of Pengethley, in that county, it has been lately sold to Sir Henry Oxenden, bart. who is now entitled to it.

 

A court leet and court baron is held for this manor, which is very extensive. There is much copyhold land held of it. The demesnes of it are tithe-free. There is a yearly rent charge, payable for ever out of it, of 87l. 13s. 1d. to the ironmongers company, in London.

 

Shottlesfield is a manor, situated at the southeast boundary of this parish, the house standing partly in Liminge, at a small distance southward from the street or hamlet of the same name. It was, as early as the reign of king Edward II. the inheritance of a family called le Grubbe, some of whom had afterwards possessions about Yalding and Eythorne. Thomas le Grubbe was possessed of it in the 3d year of that reign, and wrote himself of Shottlesfeld, and from him it continued down by paternal descent to John Grubbe, who in the 2d year of king Richard III. conveyed it by sale to Thomas Brockman, of Liminge, (fn. 5) whose grandson Henry Brockman, in the 1st year of queen Mary, alienated it to George Fogge, esq. of Braborne, and he, in the beginning of queen Elizabeth's reign, sold it to Bing, who, before the end of that reign, passed it away to Mr. John Masters, of Sandwich, from whom it descended to Sir Edward Masters, of Canterbury, who at his decease, soon after the death of Charles I. gave it to his second son, then LL. D. from whose heirs it was alienated to Hetherington, whose last surviving son the Rev. William Hetherington, of North Cray place, died possessed of it unmarried in 1778, and by will devised it, among his other estates, to Thomas Coventry, esq. of London, who lately died possessed of it s. p. and the trustees of his will are now entitled to it.

 

The manor of Bowick, now called Boyke, is situated likewise in the eastern part of this parish, in the borough of its own name, which was in very antient times the residence of the Lads, who in several of their old evidences were written De Lad, by which name there is an antient farm, once reputed a manor, still known, as it has been for many ages before, in the adjoining parish of Acrise, which till the reign of queen Elizabeth, was in the tenure of this family. It is certain that they were resident here at Bowick in the beginning of king Henry VI.'s reign, and in the next of Edward IV. as appears by the registers of their wills in the office at Canterbury, they constantly stiled themselves of Eleham. Thomas Lade, of Bowick, died possessed of it in 1515, as did his descendant Vincent Lade in 1563, anno 6 Elizabeth. Soon after which it passed by purchase into the name of Nethersole, from whence it quickly afterwards was alienated to Aucher, and thence again to Wroth, who at the latter end of king Charles I.'s reign sold it to Elgar; whence, after some intermission, it was sold to Thomas Scott, esq. of Liminge, whose daughter and coheir Elizabeth, married to William Turner, esq. of the Friars, in Canterbury, at length, in her right, became possessed of it; his only surviving daughter and heir Bridget married David Papillon, esq. of Acrise, and entitled him to this manor, and his grandson Thomas Papillon, esq. of Acrise, is the present owner of it.

 

Mount and Bladbean are two manors, situated on the hills, on the opposite sides of this parish, the former near the eastern, and the latter near the western boundaries of it; the latter being antiently called Bladbean, alias Jacobs-court, a name now quite forgotten. Both these manors appear to have been in the reign of the Conqueror, part of the possessions of Anschitillus de Ros, who is mentioned in Domesday as holding much land in the western part of this county, their principal manor there being that of Horton, near Farningham. One of this family made a grant of it to the Cosentons, of Cosenton, in Aylesford, to hold of their barony of Ros, as of their manor of Horton before-mentioned, by knight's service. In the 7th year of Edward III. Sir Stephen de Cosenton obtained a charter of freewarren for his lands here. He was the son of Sir William de Cosenton, sheriff anno 35 Edward I. and was sometimes written of Cosenton, and sometimes of Mount, in Eleham. At length his descendant dying in the beginning of king Henry VIII.'s reign, without male issue, his three daughters, married to Duke, Wood, and Alexander Hamon, esq. became his coheirs, and shared a large inheritance between them, and upon their division of it, the manor of Bladbean, alias Jacobs-court, was allotted to Wood, and Mount to Alexander Hamon.

 

The manor of Bladbean, alias Jacobs-court, was afterwards alienated by the heirs of Wood to Thomas Stoughton, esq. of St. Martin's, near Canterbury, who by will in 1591 (fn. 6) gave this manor, with its rents and services, to Elizabeth his daughter and coheir, married to Thomas Wilde, esq. of St. Martin's, whose grandson Colonel Dudley Wilde, at his death in 1653, s. p. devised it to his widow, from whom it went by sale to Hills, and Mr. James Hills, in 1683, passed it away to Mr. Daniel Woollet, whose children divided this estate among them; a few years after which John Brice became, by purchase of it at different times, possessed of the whole of it, which he in 1729 conveyed by sale to Mr. Valentine Sayer, of Sandwich, who died possessed of it in 1766, and the heirs of his eldest son Mr. George Sayer, of Sandwich, are now entitled to it.

 

The manor of Mount, now called Mount court, which was allotted as above-mentioned, to Alexander Hamon, continued down to his grandson, of the same name, who died possessed of it in 1613, leaving two daughters his coheirs, the youngest of whom, Catherine, entitled her husband Sir Robert Lewknor, to it, in whose descendants it continued till Robert Lewknor, esq. his grandson, in 1666, alienated it, with other lands in this parish, to Thomas Papillon, esq. of Lubenham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present proprietor of it.

 

Ladwood is another manor in this parish, lying at the eastern boundary of it, likewise on the hills next to Acrise. It was written in old evidences Ladswood, whence it may with probability be conjectured, that before its being converted into a farm of arable land, and the erecting of a habitation here, it was a wood belonging to the family of Lad, resident at Bowick; but since the latter end of king Edward III.'s reign, it continued uninterrupted in the family of Rolse till the reign of king Charles II. soon after which it was alienated to Williams, in which name it remained till Penelope, daughter of Sir John Williams, carried it in marriage to Thomas Symonds, esq. the heirs of whose only surviving son Thomas Symonds Powell, esq. sold it to David Papillon, esq. whose son Thomas Papillon, esq. now possesses it.

 

The manor of Canterwood, as appears by an old manuscript, seemingly of the time of Henry VIII. was formerly the estate of Thomas de Garwinton, of Welle, lying in the eastern part of the parish, and who lived in the reigns of Edward II. and III. whose greatgrandson William Garwinton, dying s. p. Joane his kinswoman, married to Richard Haut, was, in the 9th year of king Henry IV. found to be his heir, not only in this manor, but much other land in these parts, and their son Richard Haut having an only daughter and heir Margery, she carried this manor in marriage to William Isaak. After which, as appears from the court-rolls, which do not reach very high, that the family of Hales became possessed of it, in which it staid till the end of queen Elizabeth's reign, when it went by sale to Manwood, from which name it was alienated to Sir Robert Lewknor, whose grandson Robert Lewknor, esq. in 1666 sold it, with other lands in this parish already mentioned, to Thomas Papillon, esq. of Lu benham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present owner of it.

 

Oxroad, now usually called Ostrude, is a manor, situated a little distance eastward from North Eleham. It had antiently owners of the same name; Andrew de Oxroad held it of the countess of Ewe, in the reign of king Edward I. by knight's service, as appears by the book of them in the king's remembrancer's office. In the 20th year of king Edward III. John, son of Simon atte Welle, held it of the earl of Ewe by the like service. After which the Hencles became possessed of it, from the reign of king Henry IV. to that of king Henry VIII. when Isabel, daughter of Tho. Hencle, marrying John Beane, entitled him to it, and in his descendants it continued till king Charles I.'s reign, when it was alienated to Mr. Daniel Shatterden, gent. of this parish, descended from those of Shatterden, in Great Chart, which place they had possessed for many generations. At length, after this manor had continued for some time in his descendants, it was sold to Adams, in which name it remained till the heirs of Randall Adams passed it away by sale to Papillon, in whose family it still continues, being now the property of Thomas Papillon, esq. of Acrise.

 

Hall, alias Wingmere, is a manor, situated in the valley at the northern boundary of this parish, next to Barham, in which some part of the demesne lands of it lie. It is held of the manor of Eleham, and had most probably once owners of the name of Wigmere, as it was originally spelt, of which name there was a family in East Kent, and in several antient evidences there is mention made of William de Wigmere and others of this name. However this be, the family of Brent appear to have been for several generations possessed of this manor, and continued so till Thomas Brent, of Wilsborough, dying in 1612,s. p. it passed into the family of Dering, of Surrenden; for in king James I.'s reign Edward Dering, gent. of Egerton, eldest son of John, the fourth son of John Dering, esq, of Surren den, who had married Thomas Brent's sister, was become possessed of it; and his only son and heir Thomas Dering, gent. in 1649, alienated it to William Codd, gent. (fn. 7) of Watringbury, who was succeeded in it by his son James Codd, esq. of Watringbury, who died s. p. in 1708, being then sheriff of this county, and being possessed at his death of this manor in fee, in gavelkind; upon which it came to the representatives of his two aunts, Jane, the wife of Boys Ore, and Anne, of Robert Wood, and they, in 1715, by fine levied, entitled Thomas Manley, and Elizabeth, his wife, to the possession of this manor for their lives, and afterwards to them in fee, in separate moieties. He died s. p. in 1716, and by will gave his moiety to John Pollard; on whose death s. p. it came, by the limitation in the above will, to Joshua Monger, whose only daughter and heir Rachael carried it in marriage to her husband Arthur Pryor, and they in 1750 joined in the sale of it to Mr. Richard Halford, gent. of Canterbury. The other moiety of this manor seems to have been devised by Elizabeth Manley above-mentioned, at her death, to her nephew Thomas Kirkby, whose sons Thomas, John, and Manley Kirkby, joined, in the above year, in the conveyance of it to Mr. Richard Halford above-mentioned, who then became possessed of the whole of it. He was third son of Richard Halford, clerk, rector of the adjoining parish of Liminge, descended from the Halfords, of Warwickshire, as appears by his will in the Prerogative-office, Canterbury, by which he devised to his several sons successively in tail, the estate in Warwickshire, which he was entitled to by the will of his kinsman William Halford, gent, of that county. They bear for their arms, Argent, a greybound passant, sable, on a chief of the second, three fleurs de lis, or. He died possessed of it in 1766, leaving by Mary his wife, daughter of Mr. Christopher Creed, of Canterbury, one son Richard Halford, gent. now of Canterbury; and two daughters, Mary married to Mr. John Peirce, surgeon, of Canterbury; and Sarah. In 1794, Mr. Peirce purchased the shares of Mr. Richard and Mrs. Sarah Halford, and he is now the present owner of this manor. He bears for his arms, Azure field, wavy bend, or, two unicorns heads, proper.

 

The manor OF Clavertigh is situated on the hills at the north-west boundary of this parish, next to Liminge, which antiently belonged to the abbey of Bradsole, or St. Radigund, near Dover, and it continued among the possessions of it till the 27th year of king Henry VIII. when by the act then passed, it was suppressed, as not having the clear yearly revenue of two hundred pounds, and was surrendered into the king's hands, who in his 29th year, granted the scite of this priory, with all its lands and possessions, among which this manor was included, with certain exceptions, however, mentioned in it, to archbishop Cranmer, who in the 38th year of that reign, conveyed this manor of Clavertigh, with lands called Monkenlands, late belonging to the same priory in this parish, back again to the king, who that same year granted all those premises to Sir James Hales, one of the justices of the common pleas, to hold in capite, (fn. 8) and he, in the beginning of king Edward VI.'s reign, passed them away to Peter Heyman, esq. one of the gentlemen of that prince's bedchamber who seems to have had a new grant of them from the crown, in the 2d year of that reign. He was succeeded by his eldest son, Ralph Heyman, esq. of Sellindge, whose descendant Sir Peter Heyman, bart. alienated the manor of Clavetigh to Sir Edward Honywood, of Evington, created a baronet in 1660, in whose descendants this manor has continued down to Sir John Honywood, bart. of Evington, who is the present possessor of it.

 

Charities.

Jonas Warley, D. D. gave by will in 1722, 50l. to be put out on good security, the produce to be given yearly in bread on every Sunday in the year, after divine service, to six poor widows, to each of them a two-penny loaf. The money is now vested in the vicar and churchwardens, and the produce of it being no more than 2l. 5s. per annum, only a three-halfpenny loaf is given to each widow.

 

Land in this parish, of the annual produce of 1l. was given by a person unknown, to be disposed of to the indigent. It is vested in the minister, churchwardens, and overseers.

 

Four small cottages were given to the parish, by a person unknown, and are now inhabited by poor persons. They are vested in the churchwardens and overseers.

 

Sir John Williams, by will in 1725, founded A CHARITY SCHOOL in this parish for six poor boys, legal inhabitants, and born in this parish, to be taught reading, writing, and accounts, to be cloathed once in two years; and one such boy to be bound out apprentice, as often as money sufficient could be raised for that use. The minister, churchwardens, and overseers to be trustees, who have power to nominate others to assist them in the management of it. The master has a house to live in, and the lands given to it are let by the trustees.

 

The poor constantly relieved are about seventy-five, casually fifty-five.

 

Eleham is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of its own name.

 

The church, which is dedicated to St. Mary, is large and handsome, consisting of three isles, the middle one having an upper range of windows, and one chancel, having a tower steeple, with a spire shast on it, at the west end, in which are eight bells, a clock, and chimes. Within the altar-rails is a memorial for John Somner, gent. son of the learned William Somner, of Canterbury, obt. 1695; arms, Ermine, a chevron voided. In the chancel a brass plate for Michael Pyx, of Folkestone, mayor and once high bailisf to Yarmouth, obt. 1601. Another for Nicholas Moore, gent. of Bettenham, in Cranbrooke; he died at Wingmer in 1577. In the middle isle a memorial for Captain William Symons, obt. 1674; arms, Parted per pale, and fess, three trefoils slipt. A brass plate for John Hill, dean and vicar of Eleham, obt. 1730. In this church was a lamp burning, called the light of Wyngmer, given before the year 1468, probably by one of the owners of that manor.

 

The church of Eleham was given by archbishop Boniface, lord of the manor of Eleham, and patron of this church appendant to it, at the instance of Walter de Merton, then canon of St. Paul's, and afterwards bishop of Rochester, to the college founded by the latter in 1263, at Maldon, in Surry. (fn. 9) After which the archbishop, in 1268, appropriated this church to the college, whenever it should become vacant by the death or cession of the rector of it, saving a reasonable vicarage of thirty marcs, to be endowed by him in it, to which the warden of the college should present to him and his successors, a fit vicar, as often as it should be vacant, to be nominated to the warden by the archbishop; otherwise the archbishop and his successors should freely from thence dispose of the vicarage for that turn. (fn. 10)

 

¶The year before this, Walter de Merton had begun a house in Oxford, whither some of the scholars were from time to time to resort for the advancement of their studies, to which the whole society of Maldon was, within a few years afterwards, removed, and both societies united at Oxford, under the name of the warden and fellows of Merton college. This portion of thirty marcs, which was a stated salary, and not tithes, &c. to that amount, was continued by a subsequent composition or decree of archbishop Warham, in 1532; but in 1559, the college, of their own accord, agreed to let the vicarial tithes, &c. to Thomas Carden, then vicar, at an easy rent, upon his discharging the college from the before-mentioned portion of thirty marcs: and this lease, with the like condition, has been renewed to every subsequent vicar ever since; and as an addition to their income, the vicars have for some time had another lease, of some wood grounds here, from the college. (fn. 11)

 

The appropriation or parsonage of this church is now held by lease from the warden and fellows, by the Rev. John Kenward Shaw Brooke, of Town-Malling. The archbishop nominates a clerk to the vicarage of it, whom the warden and fellows above-mentioned present to him for institution.

 

This vicarage is valued in the king's books at twenty pounds, (being the original endowment of thirty marcs), and the yearly tenths at two pounds, the clear yearly certified value of it being 59l. 15s. 2d. In 1640 it was valued at one hundred pounds per annum. Communicants six hundred. It is now of about the yearly value of one hundred and fifty pounds.

 

All the lands in this parish pay tithes to the rector or vicar, excepting Parkgate farm, Farthingsole farm, and Eleham-park wood, all belonging to the lord of Eleham manor, which claim a modus in lieu of tithes, of twenty shillings yearly paid to the vicar. The manor farm of Clavertigh, belonging to Sir John Honywood, bart and a parcel of lands called Mount Bottom, belonging to the Rev. Mr. Thomas Tournay, of Dover, claim a like modus in lieu of tithes.

 

www.british-history.ac.uk/survey-kent/vol8/pp95-110

History

 

The church with the dowend tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

A return visit to St Mary.

 

I was last here about 6 years ago, parking in the little square one warm September afternoon.

 

Much colder in March, but plenty of parking spaces, and St Mary was surprisingly open.

 

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The church stands in the village square removed from the main road. The flint rubble construction and severe restoration of the exterior does not look welcoming, but the interior is most appealing with plenty of light flooding through the clerestory windows. The rectangular piers of both north and south arcades with their pointed arches and boldly carved stops are of late twelfth-century date. Between them hang some eighteenth-century text boards. The character of the church is given in the main by late nineteenth- and early twentieth-century work. The high altar has four charmingly painted panels by John Ripley Wilmer in Pre-Raphaelite style, executed in 1907. At the opposite end of the church are the organ loft, font cover and baptistry, all designed by F.C. Eden, who restored the church in the early 1900s. He also designed the west window of the south aisle as part of a larger scheme which was not completed. In the south chancel wall are two windows of great curiosity. One contains a fifteenth-century figure of St Thomas Becket while the other shows figures of David and Saul. This dates from the nineteenth century and was painted by Frank Wodehouse who was the then vicar's brother. The face of David was based on that of Mme Carlotta Patti, the opera singer, while Gladstone and Disraeli can be identified hovering in the background! It is a shame that it has deteriorated badly.

 

www.kentchurches.info/church.asp?p=Elham

 

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ELEHAM,

OR, as it is as frequently written, Elham, lies the next parish south-eastward from Stelling. It was written in the time of the Saxons both Uleham and Æiham, in Domesday, Albam. Philipott says, it was antiently written Helham, denoting the situation of it to be a valley among the hills, whilst others suppose, but with little probability, that it took its name from the quantity of eels which the Nailbourn throws out when it begins to run. There are Seven boroughsin it, of Bladbean, Boyke, Canterwood, Lyminge, Eleham, Town, Sibton, and Hurst.

 

Eleham is said to be the largest parish in the eastern parts of this county, extending itself in length from north to south, through the Nailbourn valley, about three miles and an half; and in breadth five miles and a half, that is, from part of Stelling-minnis, within the bounds of it, across the valley to Eleham down and Winteridge, and the southern part of Swinfield-minnis, almost up to Hairn-forstal, in Uphill Folkestone. The village, or town of Eleham, as it is usually called, is situated in the above-mentioned valley, rather on a rise, on the side of the stream. It is both healthy and pleasant, the houses in it being mostly modern and wellbuilt, of brick and fashed. As an instance of the healthiness of this parish, there have been within these few years several inhabitants of it buried here, of the ages of 95, 97, and 99, and one of 105; the age of 40 years being esteemed that of a young person, in this parish. The church, with the vicarage on the side of the church-yard, is situated on the eastern side of it, and the court lodge at a small distance from it. This is now no more than a small mean cottage, thatched, of, I believe, only two rooms on a floor, and unsit for habitation. It appears to be the remains of a much larger edifice, and is built of quarry-stone, with small arched gothic windows and doors, the frames of which are of ashlar stone, and seemingly very antient indeed. It is still accounted a market-town, the market having been obtained to it by prince Edward, afterwards king Edward I. in his father's life-time, anno 35 Henry III. to be held on a Monday weekly, which, though disused for a regular constancy, is held in the market-house here once in five or six years, to keep up the claim to the right of it; besides which there are three markets regularly held, for the buying and selling of cattle, in every year, on Palm, Easter, and Whit Mondays, and one fair on Oct. 20th, by the alteration of the stile, being formerly held on the day of St. Dionis, Oct. 9, for toys and pedlary. The Nailbourn, as has been already mentioned before, in the description of Liminage, runs along this valley northward, entering this parish southward, by the hamlet of Ottinge, and running thence by the town of Eleham, and at half a mile's distance, by the hamlet of North Eleham, where there are several deep ponds, in which are from time to time quantities of eels, and so on to Brompton's Pot and Wingmere, at the northern extremity of this parish. The soil in the valley is mostly an unfertile red earth, mixed with many flints; but the hills on each side of it, which are very frequent and steep, extend to a wild romantic country, with frequent woods and uninclosed downs, where the soil consists mostly of chalk, excepting towards Stelling and Swinfield minnis's, where it partakes of a like quality to that of the valley, tance,by the hamlet of North Eleham, where there only still more poor and barren. At the north-west corner of the parish, on the hill, is Eleham park, being a large wood, belonging to the lord of Eleham manor.

 

Dr. Plot says, he was informed, that there was the custom of borough English prevailing over some copyhold lands in this parish, the general usage of which is, that the youngest son should inherit all the lands and tenements which his father had within the borough, &c. but I cannot find any here subject to it. On the contrary, the custom here is, to give the whole estate to the eldest son, who pays to the younger ones their proportions of it, as valued by the homage of the manor, in money.

 

At the time of taking the survey of Domesday, anno 1080, this place was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it:

 

In Honinberg hundred, the bishop of Baieux holds in demesne Alham. It was taxed at six sulins. The arable land is twenty-four carucates. In demesne there are five carucates and forty-one villeins, with eight borderers having eighteen carucates. There is a church, and eight servants, and two mills of six shillings, and twenty eight acres of meadow. Wood for the pannage of one hundred hogs. In the time of king Edward the Confessor, and afterwards, it was worth thirty pounds, now forty, and yet it yields fifty pounds. Ederic held this manor of king Edward.

 

Four years after the bishop was disgraced, and all his possessions were consiscated to the crown, whence this manor seems to have been granted to William de Albineto, or Albini, surnamed Pincerna, who had followed the Conqueror from Normandy in his expedition hither. He was succeeded by his son, of the same name, who was made Earl of Arundel anno 15 king Stephen, and Alida his daughter carried it in marriage to John, earl of Ewe, in Normandy, whose eldest son Henry, earl of Ewe, was slain at the siege of Ptolemais in 1217, leaving Alice his sole daughter and heir, who entitled her husband Ralph D'Issondon to the possession of this manor, as well as to the title of earl of Ewe. She died in the reign of king Henry III. possessed of this manor, with the advowson of the church, and sealed with Barry, a label of six points, as appears by a deed in the Surrenden library; after which it appears to have come into the possession of prince Edward, the king's eldest son, who in the 35th year of it obtained the grant of a market on a Monday, and a fair, at this manor, (fn. 1) and afterwards, in the 41st year of that reign, alienated it to archbishop Boniface, who, left he should still further inflame that enmity which this nation had conceived against him, among other foreigners and aliens, by thus increasing his possessions in it, passed this manor away to Roger de Leyborne, who died possessed of it in the 56th year of that reign, at which time it appears that there was a park here; (fn. 2) and in his name it continued till Juliana de Leyborne, daughter of Thomas, became the sole heir of their possessions, from the greatness of which she was usually called the Infanta of Kent. She was thrice married, yet she had no issue by either of her husbands, all of whom she survived, and died in the 41st year of king Edward III. upon which this manor, among the rest of her estates, escheated to the crown, there being no one who could make claim to them, by direct or even by collateral alliance. (fn. 3) Afterwards it continued in the crown till king Richard II. vested it in feoffees in trust, towards the endowment of St. Stephen's chapel, in his palace of Westminster, which he had in his 22d year, completed and made collegiate, and had the year before granted to the dean and canons this manor, among others, in mortmain. (fn. 4) All which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 9th year, granted to them a fair in this parish yearly, on the Monday after Palm-Sunday, and on the Wednesday following, with all liberties, &c. In which situation it continued till the 1st year of king Edward VI. when this college was, with all its possessions, surrendered into the king's hands, where this manor did not continue long; for the king in his 5th year, granted it to Edward, lord Clinton and Saye, and he reconveyed it to the crown the same year. After which the king demised it, for the term of eighty years, to Sir Edward Wotton, one of his privy council, whose son Thomas Wotton, esq. sold his interest in it to Alexander Hamon, esq. of Acrise, who died in 1613, leaving two daughters his coheirs, the youngest of whom Catherine, married to Sir Robert Lewknor, entitled him to it; he was at his death succeeded by his son Hamon Lewknor, esq. but the reversion in see having been purchased of the crown some few years before the expiration of the above-mentioned term, which ended the last year of king James I.'s reign, to Sir Charles Herbert, master of the revels. He at the latter end of king Charles I.'s reign, alienated it to Mr. John Aelst, merchant, of London; after which, I find by the court rolls, that it was vested in Thomas Alderne, John Fisher, and Roger Jackson, esqrs. who in the year 1681 conveyed it to Sir John Williams, whose daughter and sole heir Penelope carried it in marriage to Thomas Symonds, esq. of Herefordshire, by the heirs of whose only surviving son Thomas Symonds Powell, esq. of Pengethley, in that county, it has been lately sold to Sir Henry Oxenden, bart. who is now entitled to it.

 

A court leet and court baron is held for this manor, which is very extensive. There is much copyhold land held of it. The demesnes of it are tithe-free. There is a yearly rent charge, payable for ever out of it, of 87l. 13s. 1d. to the ironmongers company, in London.

 

Shottlesfield is a manor, situated at the southeast boundary of this parish, the house standing partly in Liminge, at a small distance southward from the street or hamlet of the same name. It was, as early as the reign of king Edward II. the inheritance of a family called le Grubbe, some of whom had afterwards possessions about Yalding and Eythorne. Thomas le Grubbe was possessed of it in the 3d year of that reign, and wrote himself of Shottlesfeld, and from him it continued down by paternal descent to John Grubbe, who in the 2d year of king Richard III. conveyed it by sale to Thomas Brockman, of Liminge, (fn. 5) whose grandson Henry Brockman, in the 1st year of queen Mary, alienated it to George Fogge, esq. of Braborne, and he, in the beginning of queen Elizabeth's reign, sold it to Bing, who, before the end of that reign, passed it away to Mr. John Masters, of Sandwich, from whom it descended to Sir Edward Masters, of Canterbury, who at his decease, soon after the death of Charles I. gave it to his second son, then LL. D. from whose heirs it was alienated to Hetherington, whose last surviving son the Rev. William Hetherington, of North Cray place, died possessed of it unmarried in 1778, and by will devised it, among his other estates, to Thomas Coventry, esq. of London, who lately died possessed of it s. p. and the trustees of his will are now entitled to it.

 

The manor of Bowick, now called Boyke, is situated likewise in the eastern part of this parish, in the borough of its own name, which was in very antient times the residence of the Lads, who in several of their old evidences were written De Lad, by which name there is an antient farm, once reputed a manor, still known, as it has been for many ages before, in the adjoining parish of Acrise, which till the reign of queen Elizabeth, was in the tenure of this family. It is certain that they were resident here at Bowick in the beginning of king Henry VI.'s reign, and in the next of Edward IV. as appears by the registers of their wills in the office at Canterbury, they constantly stiled themselves of Eleham. Thomas Lade, of Bowick, died possessed of it in 1515, as did his descendant Vincent Lade in 1563, anno 6 Elizabeth. Soon after which it passed by purchase into the name of Nethersole, from whence it quickly afterwards was alienated to Aucher, and thence again to Wroth, who at the latter end of king Charles I.'s reign sold it to Elgar; whence, after some intermission, it was sold to Thomas Scott, esq. of Liminge, whose daughter and coheir Elizabeth, married to William Turner, esq. of the Friars, in Canterbury, at length, in her right, became possessed of it; his only surviving daughter and heir Bridget married David Papillon, esq. of Acrise, and entitled him to this manor, and his grandson Thomas Papillon, esq. of Acrise, is the present owner of it.

 

Mount and Bladbean are two manors, situated on the hills, on the opposite sides of this parish, the former near the eastern, and the latter near the western boundaries of it; the latter being antiently called Bladbean, alias Jacobs-court, a name now quite forgotten. Both these manors appear to have been in the reign of the Conqueror, part of the possessions of Anschitillus de Ros, who is mentioned in Domesday as holding much land in the western part of this county, their principal manor there being that of Horton, near Farningham. One of this family made a grant of it to the Cosentons, of Cosenton, in Aylesford, to hold of their barony of Ros, as of their manor of Horton before-mentioned, by knight's service. In the 7th year of Edward III. Sir Stephen de Cosenton obtained a charter of freewarren for his lands here. He was the son of Sir William de Cosenton, sheriff anno 35 Edward I. and was sometimes written of Cosenton, and sometimes of Mount, in Eleham. At length his descendant dying in the beginning of king Henry VIII.'s reign, without male issue, his three daughters, married to Duke, Wood, and Alexander Hamon, esq. became his coheirs, and shared a large inheritance between them, and upon their division of it, the manor of Bladbean, alias Jacobs-court, was allotted to Wood, and Mount to Alexander Hamon.

 

The manor of Bladbean, alias Jacobs-court, was afterwards alienated by the heirs of Wood to Thomas Stoughton, esq. of St. Martin's, near Canterbury, who by will in 1591 (fn. 6) gave this manor, with its rents and services, to Elizabeth his daughter and coheir, married to Thomas Wilde, esq. of St. Martin's, whose grandson Colonel Dudley Wilde, at his death in 1653, s. p. devised it to his widow, from whom it went by sale to Hills, and Mr. James Hills, in 1683, passed it away to Mr. Daniel Woollet, whose children divided this estate among them; a few years after which John Brice became, by purchase of it at different times, possessed of the whole of it, which he in 1729 conveyed by sale to Mr. Valentine Sayer, of Sandwich, who died possessed of it in 1766, and the heirs of his eldest son Mr. George Sayer, of Sandwich, are now entitled to it.

 

The manor of Mount, now called Mount court, which was allotted as above-mentioned, to Alexander Hamon, continued down to his grandson, of the same name, who died possessed of it in 1613, leaving two daughters his coheirs, the youngest of whom, Catherine, entitled her husband Sir Robert Lewknor, to it, in whose descendants it continued till Robert Lewknor, esq. his grandson, in 1666, alienated it, with other lands in this parish, to Thomas Papillon, esq. of Lubenham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present proprietor of it.

 

Ladwood is another manor in this parish, lying at the eastern boundary of it, likewise on the hills next to Acrise. It was written in old evidences Ladswood, whence it may with probability be conjectured, that before its being converted into a farm of arable land, and the erecting of a habitation here, it was a wood belonging to the family of Lad, resident at Bowick; but since the latter end of king Edward III.'s reign, it continued uninterrupted in the family of Rolse till the reign of king Charles II. soon after which it was alienated to Williams, in which name it remained till Penelope, daughter of Sir John Williams, carried it in marriage to Thomas Symonds, esq. the heirs of whose only surviving son Thomas Symonds Powell, esq. sold it to David Papillon, esq. whose son Thomas Papillon, esq. now possesses it.

 

The manor of Canterwood, as appears by an old manuscript, seemingly of the time of Henry VIII. was formerly the estate of Thomas de Garwinton, of Welle, lying in the eastern part of the parish, and who lived in the reigns of Edward II. and III. whose greatgrandson William Garwinton, dying s. p. Joane his kinswoman, married to Richard Haut, was, in the 9th year of king Henry IV. found to be his heir, not only in this manor, but much other land in these parts, and their son Richard Haut having an only daughter and heir Margery, she carried this manor in marriage to William Isaak. After which, as appears from the court-rolls, which do not reach very high, that the family of Hales became possessed of it, in which it staid till the end of queen Elizabeth's reign, when it went by sale to Manwood, from which name it was alienated to Sir Robert Lewknor, whose grandson Robert Lewknor, esq. in 1666 sold it, with other lands in this parish already mentioned, to Thomas Papillon, esq. of Lu benham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present owner of it.

 

Oxroad, now usually called Ostrude, is a manor, situated a little distance eastward from North Eleham. It had antiently owners of the same name; Andrew de Oxroad held it of the countess of Ewe, in the reign of king Edward I. by knight's service, as appears by the book of them in the king's remembrancer's office. In the 20th year of king Edward III. John, son of Simon atte Welle, held it of the earl of Ewe by the like service. After which the Hencles became possessed of it, from the reign of king Henry IV. to that of king Henry VIII. when Isabel, daughter of Tho. Hencle, marrying John Beane, entitled him to it, and in his descendants it continued till king Charles I.'s reign, when it was alienated to Mr. Daniel Shatterden, gent. of this parish, descended from those of Shatterden, in Great Chart, which place they had possessed for many generations. At length, after this manor had continued for some time in his descendants, it was sold to Adams, in which name it remained till the heirs of Randall Adams passed it away by sale to Papillon, in whose family it still continues, being now the property of Thomas Papillon, esq. of Acrise.

 

Hall, alias Wingmere, is a manor, situated in the valley at the northern boundary of this parish, next to Barham, in which some part of the demesne lands of it lie. It is held of the manor of Eleham, and had most probably once owners of the name of Wigmere, as it was originally spelt, of which name there was a family in East Kent, and in several antient evidences there is mention made of William de Wigmere and others of this name. However this be, the family of Brent appear to have been for several generations possessed of this manor, and continued so till Thomas Brent, of Wilsborough, dying in 1612,s. p. it passed into the family of Dering, of Surrenden; for in king James I.'s reign Edward Dering, gent. of Egerton, eldest son of John, the fourth son of John Dering, esq, of Surren den, who had married Thomas Brent's sister, was become possessed of it; and his only son and heir Thomas Dering, gent. in 1649, alienated it to William Codd, gent. (fn. 7) of Watringbury, who was succeeded in it by his son James Codd, esq. of Watringbury, who died s. p. in 1708, being then sheriff of this county, and being possessed at his death of this manor in fee, in gavelkind; upon which it came to the representatives of his two aunts, Jane, the wife of Boys Ore, and Anne, of Robert Wood, and they, in 1715, by fine levied, entitled Thomas Manley, and Elizabeth, his wife, to the possession of this manor for their lives, and afterwards to them in fee, in separate moieties. He died s. p. in 1716, and by will gave his moiety to John Pollard; on whose death s. p. it came, by the limitation in the above will, to Joshua Monger, whose only daughter and heir Rachael carried it in marriage to her husband Arthur Pryor, and they in 1750 joined in the sale of it to Mr. Richard Halford, gent. of Canterbury. The other moiety of this manor seems to have been devised by Elizabeth Manley above-mentioned, at her death, to her nephew Thomas Kirkby, whose sons Thomas, John, and Manley Kirkby, joined, in the above year, in the conveyance of it to Mr. Richard Halford above-mentioned, who then became possessed of the whole of it. He was third son of Richard Halford, clerk, rector of the adjoining parish of Liminge, descended from the Halfords, of Warwickshire, as appears by his will in the Prerogative-office, Canterbury, by which he devised to his several sons successively in tail, the estate in Warwickshire, which he was entitled to by the will of his kinsman William Halford, gent, of that county. They bear for their arms, Argent, a greybound passant, sable, on a chief of the second, three fleurs de lis, or. He died possessed of it in 1766, leaving by Mary his wife, daughter of Mr. Christopher Creed, of Canterbury, one son Richard Halford, gent. now of Canterbury; and two daughters, Mary married to Mr. John Peirce, surgeon, of Canterbury; and Sarah. In 1794, Mr. Peirce purchased the shares of Mr. Richard and Mrs. Sarah Halford, and he is now the present owner of this manor. He bears for his arms, Azure field, wavy bend, or, two unicorns heads, proper.

 

The manor OF Clavertigh is situated on the hills at the north-west boundary of this parish, next to Liminge, which antiently belonged to the abbey of Bradsole, or St. Radigund, near Dover, and it continued among the possessions of it till the 27th year of king Henry VIII. when by the act then passed, it was suppressed, as not having the clear yearly revenue of two hundred pounds, and was surrendered into the king's hands, who in his 29th year, granted the scite of this priory, with all its lands and possessions, among which this manor was included, with certain exceptions, however, mentioned in it, to archbishop Cranmer, who in the 38th year of that reign, conveyed this manor of Clavertigh, with lands called Monkenlands, late belonging to the same priory in this parish, back again to the king, who that same year granted all those premises to Sir James Hales, one of the justices of the common pleas, to hold in capite, (fn. 8) and he, in the beginning of king Edward VI.'s reign, passed them away to Peter Heyman, esq. one of the gentlemen of that prince's bedchamber who seems to have had a new grant of them from the crown, in the 2d year of that reign. He was succeeded by his eldest son, Ralph Heyman, esq. of Sellindge, whose descendant Sir Peter Heyman, bart. alienated the manor of Clavetigh to Sir Edward Honywood, of Evington, created a baronet in 1660, in whose descendants this manor has continued down to Sir John Honywood, bart. of Evington, who is the present possessor of it.

 

Charities.

Jonas Warley, D. D. gave by will in 1722, 50l. to be put out on good security, the produce to be given yearly in bread on every Sunday in the year, after divine service, to six poor widows, to each of them a two-penny loaf. The money is now vested in the vicar and churchwardens, and the produce of it being no more than 2l. 5s. per annum, only a three-halfpenny loaf is given to each widow.

 

Land in this parish, of the annual produce of 1l. was given by a person unknown, to be disposed of to the indigent. It is vested in the minister, churchwardens, and overseers.

 

Four small cottages were given to the parish, by a person unknown, and are now inhabited by poor persons. They are vested in the churchwardens and overseers.

 

Sir John Williams, by will in 1725, founded A CHARITY SCHOOL in this parish for six poor boys, legal inhabitants, and born in this parish, to be taught reading, writing, and accounts, to be cloathed once in two years; and one such boy to be bound out apprentice, as often as money sufficient could be raised for that use. The minister, churchwardens, and overseers to be trustees, who have power to nominate others to assist them in the management of it. The master has a house to live in, and the lands given to it are let by the trustees.

 

The poor constantly relieved are about seventy-five, casually fifty-five.

 

Eleham is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of its own name.

 

The church, which is dedicated to St. Mary, is large and handsome, consisting of three isles, the middle one having an upper range of windows, and one chancel, having a tower steeple, with a spire shast on it, at the west end, in which are eight bells, a clock, and chimes. Within the altar-rails is a memorial for John Somner, gent. son of the learned William Somner, of Canterbury, obt. 1695; arms, Ermine, a chevron voided. In the chancel a brass plate for Michael Pyx, of Folkestone, mayor and once high bailisf to Yarmouth, obt. 1601. Another for Nicholas Moore, gent. of Bettenham, in Cranbrooke; he died at Wingmer in 1577. In the middle isle a memorial for Captain William Symons, obt. 1674; arms, Parted per pale, and fess, three trefoils slipt. A brass plate for John Hill, dean and vicar of Eleham, obt. 1730. In this church was a lamp burning, called the light of Wyngmer, given before the year 1468, probably by one of the owners of that manor.

 

The church of Eleham was given by archbishop Boniface, lord of the manor of Eleham, and patron of this church appendant to it, at the instance of Walter de Merton, then canon of St. Paul's, and afterwards bishop of Rochester, to the college founded by the latter in 1263, at Maldon, in Surry. (fn. 9) After which the archbishop, in 1268, appropriated this church to the college, whenever it should become vacant by the death or cession of the rector of it, saving a reasonable vicarage of thirty marcs, to be endowed by him in it, to which the warden of the college should present to him and his successors, a fit vicar, as often as it should be vacant, to be nominated to the warden by the archbishop; otherwise the archbishop and his successors should freely from thence dispose of the vicarage for that turn. (fn. 10)

 

¶The year before this, Walter de Merton had begun a house in Oxford, whither some of the scholars were from time to time to resort for the advancement of their studies, to which the whole society of Maldon was, within a few years afterwards, removed, and both societies united at Oxford, under the name of the warden and fellows of Merton college. This portion of thirty marcs, which was a stated salary, and not tithes, &c. to that amount, was continued by a subsequent composition or decree of archbishop Warham, in 1532; but in 1559, the college, of their own accord, agreed to let the vicarial tithes, &c. to Thomas Carden, then vicar, at an easy rent, upon his discharging the college from the before-mentioned portion of thirty marcs: and this lease, with the like condition, has been renewed to every subsequent vicar ever since; and as an addition to their income, the vicars have for some time had another lease, of some wood grounds here, from the college. (fn. 11)

 

The appropriation or parsonage of this church is now held by lease from the warden and fellows, by the Rev. John Kenward Shaw Brooke, of Town-Malling. The archbishop nominates a clerk to the vicarage of it, whom the warden and fellows above-mentioned present to him for institution.

 

This vicarage is valued in the king's books at twenty pounds, (being the original endowment of thirty marcs), and the yearly tenths at two pounds, the clear yearly certified value of it being 59l. 15s. 2d. In 1640 it was valued at one hundred pounds per annum. Communicants six hundred. It is now of about the yearly value of one hundred and fifty pounds.

 

All the lands in this parish pay tithes to the rector or vicar, excepting Parkgate farm, Farthingsole farm, and Eleham-park wood, all belonging to the lord of Eleham manor, which claim a modus in lieu of tithes, of twenty shillings yearly paid to the vicar. The manor farm of Clavertigh, belonging to Sir John Honywood, bart and a parcel of lands called Mount Bottom, belonging to the Rev. Mr. Thomas Tournay, of Dover, claim a like modus in lieu of tithes.

 

www.british-history.ac.uk/survey-kent/vol8/pp95-110

Copyright © 2013 by Ian J MacDonald. Permission required for any use. All rights reserved

 

The entire set: www.flickr.com/photos/ianmacdonald/sets/72157636356726526/

 

These illustrations are meant to represent the elements of the periodic table. The drawings are influenced by the Art Deco friezes seen on buildings of the 1920s and 30s - deities were used to represent the essence of the ideas being represented; such as industries, scientific ideas, civic ideals etc...

 

While the Art Deco style is an influence I did not want to directly copy what has been already been done or hang slavishly onto examples of Art Deco. I am endeavoring to work in the style, imagining creating something new in that moment when Art Deco was current.

 

Each element is represented by a goddess embedded in a representational background. The deities are purposely done in a sketchy manner - opposite to the solid background - to represent the quantum mechanical nature of atoms and particles. In quantum mechanics particles have no meaning as solid defined units of matter but are statistical entities described by complex (literally and mathematically) wave functions that provide us with the probable positions and energies of particles and systems of particles - an unsettling prospect for many people.

 

I represent the essence of the elements by goddesses for several reasons. One, they are more interesting, complex, beautiful to draw than males. Secondly it is more challenging to represent the essence of the elements in a feminine rather than a male manner. Unfortunately, science and chemistry has been male dominated and as such so has the naming and descriptions of the elements. These are meant to somewhat challenge the viewer by juxtaposing the female essence with male dominance in science. It would be too simple and cliche to represent iron, for example, as a Mars-like God. Some of the elements are quite dangerous to living creatures and it is far more challenging to express that in a feminine manner.

 

I was asked if people would get past the nudity. The answer is "No". But that is OK. I want the beauty and vulnerability to attract attention. Science is after all quite beautiful if one takes the time to stop fighting the math and difficulties in understanding, and immerse themselves in it to appreciate just how weird and strange nature really is be - far beyond anything humans could come up with. The nudity somewhat represents the primal, elemental nature of the different atoms. Clothing, such as suit of armor for iron, is a distraction and again too simple and cliche.

 

But all in all the representation is not direct. Some influence comes from the elements' names - often from properties of the elements, literary references, where they were isolated, political rivalries, honors for discoverers etc... Some influence comes from the bulk properties of the elements such as harness, conductivity, toxicity, density, etc.... Some of the pieces are inspired by the major uses for the element - in industrial processes, in natural biological processes, nuclear reactions, nucleosynthesis, in everyday objects, and so on.

 

This is a work in progress and my second go at it. I have been tinkering at this for some time and I think these are closer to the vision in my head than what I have done earlier. Enjoy.

History

 

The church with the downed tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

History

 

The church with the dowend tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . (+ 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 +). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 + ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [+ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 +) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel + Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called (+ around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, + 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch (+ 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

Copyright © 2013 by Ian J MacDonald. Permission required for any use. All rights reserved

 

The entire set: www.flickr.com/photos/ianmacdonald/sets/72157636356726526/

 

These illustrations are meant to represent the elements of the periodic table. The drawings are influenced by the Art Deco friezes seen on buildings of the 1920s and 30s - deities were used to represent the essence of the ideas being represented; such as industries, scientific ideas, civic ideals etc...

 

While the Art Deco style is an influence I did not want to directly copy what has been already been done or hang slavishly onto examples of Art Deco. I am endeavoring to work in the style, imagining creating something new in that moment when Art Deco was current.

 

Each element is represented by a goddess embedded in a representational background. The deities are purposely done in a sketchy manner - opposite to the solid background - to represent the quantum mechanical nature of atoms and particles. In quantum mechanics particles have no meaning as solid defined units of matter but are statistical entities described by complex (literally and mathematically) wave functions that provide us with the probable positions and energies of particles and systems of particles - an unsettling prospect for many people.

 

I represent the essence of the elements by goddesses for several reasons. One, they are more interesting, complex, beautiful to draw than males. Secondly it is more challenging to represent the essence of the elements in a feminine rather than a male manner. Unfortunately, science and chemistry has been male dominated and as such so has the naming and descriptions of the elements. These are meant to somewhat challenge the viewer by juxtaposing the female essence with male dominance in science. It would be too simple and cliche to represent iron, for example, as a Mars-like God. Some of the elements are quite dangerous to living creatures and it is far more challenging to express that in a feminine manner.

 

I was asked if people would get past the nudity. The answer is "No". But that is OK. I want the beauty and vulnerability to attract attention. Science is after all quite beautiful if one takes the time to stop fighting the math and difficulties in understanding, and immerse themselves in it to appreciate just how weird and strange nature really is be - far beyond anything humans could come up with. The nudity somewhat represents the primal, elemental nature of the different atoms. Clothing, such as suit of armor for iron, is a distraction and again too simple and cliche.

 

But all in all the representation is not direct. Some influence comes from the elements' names - often from properties of the elements, literary references, where they were isolated, political rivalries, honors for discoverers etc... Some influence comes from the bulk properties of the elements such as harness, conductivity, toxicity, density, etc.... Some of the pieces are inspired by the major uses for the element - in industrial processes, in natural biological processes, nuclear reactions, nucleosynthesis, in everyday objects, and so on.

 

This is a work in progress and my second go at it. I have been tinkering at this for some time and I think these are closer to the vision in my head than what I have done earlier. Enjoy.

Chronic prostatitis is really a disease with longtime treatment duration and high rate of recurrence, inflammatory cytokines in CPPS patients could even cause depression. The traditional Chinese medicine Diuretic and Anti-inflammatory Pill can kill inflammatory cytokines through the elimination of inflammation to stop sufferers from depression and largely reduce the probability of its recurrence to fix patients difficulties for treating.

 

When people discuss chronic prostatitis, they mention chronic pelvic pain syndrome(CPPS), it's the most frequent form of prostatitis. The condition is marked by urinary and genital pain not less than three of the past few months, along with pelvic pain. In addition, pain may radiate for the back and rectum, causing uncomfortable sitting. Doctors haven't found the certain source of CPPS, existing research shows that climate, food allergies, the neurological system could be to blame for chronic prostatitis/CPPS. Unhealthy lifestyles like drinking, sedentary, staying out will make symptoms worse. Patients are doomed to be terrible mood since the uncertain cause and bothering the signs of CPPS.

 

Although the certain reason for chronic nonbacterial prostatitis has not been found, many means have been supplied for treatments of computer. Antibiotics has to be essentially the most traditionally used medicine for treating CPPS due to the strong function in killing bacteria reducing inflammation, patients can also use non-antibiotic medicine for anti-inflammatory reducing pain. Prostate massage is also a good choice for patients who would like to improve the prostate blood circulation, hyperthermia is the one other strategy to accelerate prostate the circulation of blood, nonetheless it is often a little expensive. Surgical treatment can be used for severe cases of CPPS and for men whose swollen prostate is blocking the flowing urine. Almost not one of them get obvious success for common CPPS sufferers' treatments. It can be a truth that antibiotics have strong power in killing bacteria in a short time and prostate massage can improve over-swelling conditions inside the prostate, nonetheless it has become mentioned that chronic prostatitis/CPPS is a disease while using high rate of recurring, these treatments can only improve the signs of patients, not get rid of the root reason for their diseases. So that patients could find their CPPS appear and disappear repeatedly, making them anxious and worried.

 

It can be a conflict that remain in pleasure is helpful inside the process inside the treating chronic prostatitis/CPPS however it is quite challenging for many of CPPS patients for this because CPPS will largely influence their mental health insurance mood. This view originates from an experiment which used CPPS rats for the model as well as experimental conclusion is published in Nature reported by Hu, C.et al. www.nature.com/articles/srep28608 In this experiment, CPPS rats showed anxiety and depression-like symptoms while healthy rats didn't, the final results revealed that, in CP/CPPS patients with significant Mental Health Disorders. As another research of Nicole Lichtblau and Frank.M Schmidt says inflammatory cytokines are biomarkers in depressive disorder. tandfonline.com/doi/full/10.3109/09540261.2013.813442 Besides, anyone who is affected with pain has to be very miserable, staying in pleasure turns into a tough task for them while it's beneficial for their diseases. Longtime pain and inflammatory cytokines bring physiological pain and psychological anxiety to CPPS patients.

 

Diuretic and Anti-inflammatory Pill makes great process in curing CPPS and prevent its recurrence for the orderly and special step inside the treatment. The first step is anti-inflammatory, Diuretic and Anti-inflammatory has the ability of killing bacteria within the prostate that triggers CPPS without drug resistance and tolerance, in order that it works well in eliminating inflammation, the entire process of removing inflammation is also the whole process of killing inflammatory cytokines, this means the operation of preventing patients suffering from depression through the root of it. While delay pills is focusing on anti-inflammatory, it can also relieve pain of patients, herbal medicine angelica in this pill plays a crucial role in relieving pain, nourishing blood and adjusting spirit, as soon as the pain symptom is improved upon, patients is certain to get physiological relax. After improving symptoms, Diuretic and Anti-inflammatory Pill will begin repairing damaged prostate position and rebuilding the immune ability of the prostate too, this is a fatal step up preventing CPPS from recurring because regain immune ability means?regain?the opportunity to resist the infection of bacteria for the prostate.

 

Of course, strong healing ability of Diuretic and Anti-inflammatory Pill duo on the scientific formula of it. Google patents displays the patent number and formula on this pill. This pill is constructed of over fifty kinds of herbs, every one of them has its function and works together with a unique responsibility, they cannot work so well inside treatments for CPPS if an individual ones is absent. The naturalness of the pill makes sure that patients will not produce drug resistance even with a long time medication, patients can take it without worry.

 

Here is often a case about curing CPPS successfully by Diuretic and Anti-inflammatory. A men with fifteen-year CPPS and it has seen all types of doctors and tried all kinds of methods for getting eliminate his CPPS without results, during his attempt, he has to experience urinary frequency and urgency, lower back pain, anxiety, and depression. He has suffered an excessive amount of so he decided to do their own research, that is how he meets Diuretic and Anti-inflammatory. A good luck comes upon him after he actually starts to take premature ejaculation pills, his pain becomes milder with one-month medication, two-month medication changes his urinary frequency and urgency largely, five months after he took delay pills, his genital and pelvic pain are removed. When he finished all his treating course, his pain disappeared and his awesome prostate has not been infected again. Diuretic and Anti-inflammatory cures his fifteen-year CPPS in a year, this has to be one from the luckiest moments in their life. More testimonials are here: www.diureticspill.com/Testimonials/Prostatitis/

 

Diuretic and Anti-inflammatory Pill is a national patent medicine with unique formula, that is manufactured by Lee Xiaoping, a health care provider with thirty-year experience in the men and women genitourinary system disease, like prostatitis, orchitis, epididymitis, seminal vesiculitis, chlamydia, bladder infection(UTI), IC and male infertility that is due to oligospermatism, necrospermia etc., which are also the diseases that Diuretic and Anti-inflammatory pill can cure.

 

About Dr. Lee Xiaoping

prostatitisradicalcure.com/a/About_us/ graduated from Hubei College of Traditional Chinese Medicine, China. She qualified being an herbalist 30 years ago and can be a highly experienced doctor for various chronic, complicated and drug resistant prostate diseases. She specializes within the field of female and male reproductive and urinary system diseases. She has devoted three decades to her clinic and worked on the formula of Diuretic and Anti-inflammatory Pill for decades.

History

The church with the downed tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips, Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

I'm glad I'm an American. I'm glad I live an a country where if I make an effort and do the best I can there is a very high probability that I can live a comfortable life and be able to provide for my future wife and future kids. I'm glad I live in a land where I can love and worship my God without threat of governmental persecution. I'm glad others can to, even if they don't agree with me. I'm glad I can share what I think with them if they're willing to listen, and that I can disagree with my government if I so choose to.

That said I'm not the happiest with our nation's leaders. While I support the war on terror, I don't know if we're fighting it correctly. Perhaps a better model would be to exercise the second amendment and become a society that does carry guns on a more frequent basis. I think that would prevent terror on our soil. While I think Iraq is better off than it was, it runs risk of being in horrible shape if left on its own. Iran poses a severe threat to Iraq and to Israel. I don't think our leaders are doing a good job with the immigration issue. But instead of continuing to be negative, I'll explain this little celebration.

 

On the 4th of July, our Independence Day, Americans traditionally shoot off fireworks. I guess it is because we have the freedom to be stupid with our money. :-/ Anyway the Sunday before myself and some of my friends made a tank war after spending a day together after church. The premise of it is you light the tanks on the outside, then they roll in and the sparks from the front of them light the rest. It works great, and is quite fun.

St. Wilfrid's Church, Monk Fryston stands centrally in the village and is set on rising ground from the main road. It looks across to Monk Fryston Hall, former home of the Hemsworth family, through whose generosity the church was restored in 1889-91.

​

There is evidence that a pre-conquest church existed on the present site and in all probability Archbishop Thomas rebuilt the church around 1080. building work continued into the 15th century and on the 12th May 1444 the then Archbishop issued a commission to John, Bishop of Philippopolis to dedicate the church and churchyard at Monkfriston.There is documentary proof that would suggest the church was originally dedicated to St. Mary. In two 16th century parishioners wills, one, William Wheldale in 1547 stated the desire "to be buried in the church yerde of our ladie in Monkfriston" and the other, Ralph Horsman in 1553 "within the churche of our blissid ladie at Monke Friston"

There exists a fragment of medieval glass inscribed "S Wilfridvs de Repvn" and this is to be found below a modern figure of St. Wilfrid in the middle light of the east window of the north aisle. This has given rise to the thought that he was the dedication saint of this church.

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The lower portions of the tower are of pre-conquest origin. It was probably around the 15th century that the tower was raised and adorned with its parapet and pinnacles.

In the tower are three bells inscribed as follows...

Jesvs Save Our Church .............1610

Sing praise to the Lord ..............1658

Gloria in Excelsis Deo ...............1675

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The Altar Rail is constructed of Oak with balusters. The gate in the centre is inscribed "BH 1664 SVPS"

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The Organ is by Lewis and was donated by a member of the Hemsworth family, John Hemsworth.

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In the years 1889-91 a major restoration of the church took place. The work was carried out by Messrs. J Hall Thorp & Son of Leeds under the supervision of Architect Robert J Johnson FSA of York & Newcastle. The total cost being in the region of £7000.

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The Church Hall, linked to the church by a short cloistered walkway was designed by Architects G. Pace & R. Sims and was built by local builder Fred King & Son. The hall was opened and dedicated by the then Archbishop of York, Donald Coggan on 11th September 1970.

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This summary is taken from "A Guide to St. Wilfrid's Church Monk Fryston" compiled by former churchwarden Ian Metcalfe, copies of which are available by paying a visit to the church.The picture is a black & white copy of a painting by

Constance Mary Duke c.1890The parish of South Milford was formed in March 1859 from that of the neighbouring village of Sherburn -in-Elmet.

 

The church was consecrated by the then Bishop of Ripon, the Rt. Rev'd Charles Longley on November 25th 1846.

 

The land for the church was given by University College, Oxford with additional land from.Benjamin Crosland of 'Milford House'

 

The Crosland family retained links with the church until 1988 and the passing of Maimie Crosland , the spinster daughter of Walter Crosland JP and wife Emma. The present pulpit, a finely carved specimen by the "Mouseman" Robert Thompson was given to the church by Maimie in 1954, as a lasting memory to her parents.

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The church was built at a cost of £1,500 by Benjamin Bulmer of Thorpe Arch and constructed in the local Huddleston limestone to designs by George Fowler Jones. Of note on the south side, a stained glass window in memory of Georgina Young, wife of the first rector, the Rev'd Frederick Young who retained the South Milford living for 49 years.

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The Rectory, across the road on Westfield Lane was opened in 1866 and sold in 1968 when a new Rectory in the form of a bungalow was built further down the lane. This was also sold in 1985 when the parish merged with that of the neighbouring village of Monk Fryston. The new Rectory is located in Main Street, Hillam and is the home of the current Rector and family.

 

www.stwilfridsandmarys.church/st-wifrid-s

History

The church with the downed tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips, Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

History

 

The church with the dowend tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

www.minoriten.at/inhalt/wo/Minoriten/minoritenkirche.htm

History

 

The church with the downed tower

History of joy and suffering of an old christian time witness of Vienna

The Minoritenkirche in Vienna is one of the oldest and most valuable artistic churches of the city. It is therefore not surprising that it also experienced a very eventful history. In all probability, the Franciscans were - how the Friars Minor (Thomas of Celano: "Ordo Friars Minor" ) also called on account of its founders personality, called by the Babenberg Duke Leopold VI the Glorious, in 1230 into the country. Here he gave them a lot, probably with a church (probably dedicated to St. Catherine of Alexandria), before the walls of the city, between the Scots Monastery (Schottenstift) and the ducal residence. It was not until 1237, and in 1271 the entire area was included in the extended boundary wall. The Minorite Barnabas Strasser says in his chronicle from 1766 that Leopold had asked on his return from the Holy Land in 1219 Francis in Assisi to the relocation of some brothers to Vienna, which was then carried out 1224. The Franciscans, however, are detectable only in 1234 by a bull of Gregory IX . to Frederick the Warlike, the last reigning Babenberg, by the year 1239 there was already the Austrian province. The above-mentioned chapel near the present Minoritenkirche the brothers have now expanded and dedicated it to the Holy Cross ("Santa Croce"). In 1251 the dedication was by the Bishop Berthold of Passau. In addition, the friars began to build a monastery, the 1234 is mentioned in a document (the monastery comprised finally the Ballhausplatz, Minoritenplatz and parts of the Hofburg and the Public Garden) . Of the original Romanesque building stock nothing has been preserved. Especially the great fire of 1276 has cremated large parts of the Convention.

However, the strong growth of the Friars Minor now living in Vienna made ​​a new building of the church and monastery necessary. Already laid by King Otakar II of Bohemia in 1276 the foundation stone for the new building of that temple which was now already on the present site of the church, the monarch also promised tax exemption for all who had contributed to the building of the church.

First stage of construction (beginning in the third third of the 13th century.): So he decided to build new church and convent, but by the death in battle of Ottokar in 1278 at the March Field (Jedlespeigen close Dürnkrut) delayed the construction, thus only after the turn of the century it couldbe completed. The embalmed body of Ottokar remained 30 weeks in the chapter house of the monastery until it was transferred to Znojmo and finally to Prague. The king's heart is buried in the original Chapel of St. Catherine, which was now newly assigned this name because the appropriation should be reserved to the Holy Cross of Christ, the new church and the convent . This newly built house of God was given the shape of a two-aisled nave with zweijochigem (two-bay) long choir (chancel), which closed with the five sides of a decagon. This long choir, the one 1785/86 and changed into a five-storey residential building, was canceled in 1903. In connection with the subway construction (1984-86), although archaeological excavations took place, it also laid the foundations of the former free long-choir, but most of the foundations of the old presbytery were destroyed at the same time. - The first church had a rood screen, even at the turn of the 15th/16th Century the still resulting image of the Saint Francis was attached by an unknown artist. Just from this first phase, we know by the Baroque Minoritenchronik (chronicle) first mentioned the name of a builder, namely brother Hans Schimpffenpfeil .

Second stage of construction (after 1317-1328 ) Blanche (Blanche) of Valois, the wife of Duke Rudolf III . ( 1307) and daughter of Philip the Fair, in 1304 decreed in his will to build a chapel in honor of her grandfather, the Holy King Louis IX. of France (canonized in 1297) and introduced for this purpose in 1000 available books. However, the project was realized only under Isabella (Elizabeth ) of Aragon, wife of King Frederick the Fair (1330 ). The chapel dedicated to their relatives canonized in 1317, St . Louis of Anjou, son of Charles II of Naples, great-nephew of Louis IX . of France and Franciscan archbishop of Toulouse (1297 ); it was first a self- cultivation in the NE (north-east) of the two-aisled nave Minoritenkirche, until the third construction phase it was integrated into the nave (now the north aisle with Anthony's Chapel). In 1328 the chapel was apparently completed because in 1330 the founder - was buried in the chapel of Louis - in terms of her testamentary disposition. The tomb of Queen Isabella stood in the middle of the Kapellenjochs (chapel bay) in front of the apse. The tracery show similarity with those of the Albertine choir of St. Stephen (built by Duke Albrecht II [ 1358] ) as well as with that of the Sanctuary Strassengel near the Cistercian monastery Rein near Graz (around the middle of the 14th century.). Probably belonged to the tympanum with the donor portraits of Frederick the Fair and Isabella at the feet of the Mother of God, which was inserted in the third construction phase of the church in the secondary north portal, the original entrance to the Ludwig chapel. It must be mentioned that even the Duchess Blanche (1305 ) built around 1330 a high early gothic marble grave, which unfortunately disappeared in the course of the renovation of the church in the years 1784-86 by the court architect Johann Ferdinand Hetzendorf of Hohenberg. It would be in Vienna today the only work of art of this kind

Third stage of construction (from 1339 -1400): Construction of a three-aisled hall (originally nave chapel Ludwig). The north wall of the chapel was extended to the west and in the north portal installed a second yoke. In addition, it was built a new west facade, with especially the central portal - including was designed - with jamb - pompous like the French late Gothic - perhaps under South German mediation. In the obituary of the Friars Minor brother Jacob of Paris is called ( around 1340), the confessor Albrecht II as the creator of this work of art. The duke and his wife Johanna von Außenmauer MinoritenkirchePfirt have obviously significantly contributed to the emergence of Vienna undoubtedly unique late Gothic cathedrals three portal group, there is also a representation of Albrecht and his wife in the middle portal next to the cross of Christ. Together with the two for a rich Mendikantenkirche (Mendicity church) this equipment is also of French models (see Notre Dame Cathedral in Paris [after 1285] ) constructed in 1350-1370 with splendid rose windows (with "bright" and "rotating" tracery) to the south wall - unusually without a doubt. The workshop, which built the Ludwig chapel was also busy with the west facade ("Minoritenwerkstatt" (workshop)). 1350-60 or later today, finally, the bell tower was only partially built (as a builder is a lay brother Nicholas, 1385 or 1386 called ). The tower consists mainly of two parts, a lower part made ​​of stone blocks to the height of the nave, and an upper, octagonal section of mixed masonry. Its crown had because of damage - especially been renewed several times and was eventually removed - during the Turkish wars . The consecration of the enlarged Minoritenkirche must have taken place about the year 1390. So that the church had received its valid look for the next time.

In 1529, during the first siege of the monastery and the church even more extensive damage suffering (launch of the spire). Since the monastery of the Observant (Franciscans) had been destroyed by the Turks, these sought to supplant the Franciscans in their convent, where John Capistrano, the founder of the "brown Franciscan" (Observant) in Vienna, lived some time in the Franciscan monastery and in the Church had preached, but eventually instructed the Emperor Ferdinand I the now homeless Observant buildings on Singerschen Platz. In fact, the number of Wiener Friars Minor has then shrunk to seven, so that they felt compelled to call Fathers from Italy. But that but could not prevent that the church from 1569-1620 war a Protestant church. Interestingly, originate numerous coats of arms on the balcony of this period. At that time the Conventual were only in the possession of Louis Chapel and the Chapel of St. Catherine. Also during the second Turkish siege in 1683 the tower served as an observation tower and the Minoritenkirche was accordingly fired by the Turks and severely damaged. In 1733 the tower is adorned with a copper dome, but because of the danger of collapse eventually had to be removed. It brought the church to that low pointed tiled roof, which still exists today .

More and more, the bands developed in the Minoritenkirche, especially Ludwig chapel and cemetery, grave sites of the nobility. Besides Blanche of Valois and Isabella of Aragon and Margaret, the last country Duchess of Tyrol, was named Maultasch ( 1369 ), is buried here, as well as members of Lichtsteiner, Ditrichsteins, Puchaimer, Hojo, Stauffenberger, Greifensteiner; Piccolomini, Medici, Cavalcanti, Montaldi, Valperga, etc. (many of them are listed in the "Libro d'Oro of the "Congregation Italiana"). It should also be mentioned that the Franciscans since the end of the 14th Century took lively interest in teaching at the University of Vienna, especially of course in the subjects of theology, but also the jurisprudence. At the beginning of the 18th Century lived in the Vienna alsoin the Viennese Convention the Venetian cosmographer Br Vincenzo Coronelli, which the Emperor Charles VI. appointed to head the regulation of the Danube and its famous globes are now in the globe collection of the National Library in Vienna.

It is worthnoting, finally, the fact that around 1543 on the Ballhausplatz near the Imperial Palace from parts of the monastery a small hospital was donated and that the Franciscans for 13 years did all the counseling in this new Hofspital, at this time was the newly restored Chapel of St. Catherine Hospital Church. Another wing of the former minority monastery was home to the Imperial Court Library, 1558-1613.

To Minoritenkirche the second half of the 18th Century brought drastic changes. This development was initiated by the fact that the naturalized Italians in Vienna founded an Italian congregation in 1625/26 under the guidance of the Jesuit priest and professor at the University of Vienna Wilhelm Lamormaini. By the year 1773, when the Jesuit Order was temporarily released their Italian trade fairs celebrated this "Congregation Italiana" in a chapel of the Jesuits at Bognergasse, near the old Jesuit church "Am Hof". But in 1773 that little church was by the imperial government requisited. Then the Italians found in St. Catherine Chapel at Ballhausplatz, which popularly still is referred as the Italian church - ie not only the Minoritenkirche - a new home. After a thorough restoration of the chapel was consecrated on 1 February 1775 ceremony in memory of the "Santa Maria Maggiore" to Rome in the name of "Madonna della Neve" (Mary Snow church'). The Holy Mass conducted Antonio Salieri (1750-1825), who was in 1774 chamber composer and conductor of the Italian opera in Vienna, from 1788-90 to 1824 Kapellmeister and Director of the Court Chapel. Pope Pius VI . visited during his stay in Vienna on Good Friday of 1782 the church "Maria Schnee" on the Ballhausplatz. But this state of the law was short-lived: in 1783 Emperor Joseph II shifted the Friars Minor in the former Trinitarian on Alserstrasse, and the Minoritenkirche was on the grounds that the chapel "p Maria della Neve" for about 7,000 Italians living in Vienna was too small, the Congregation italiana transferred to the condition that the Community had now to restore the Great Church (imperial decree of June 3, 1784). The richly decorated chapel "Madonna della Neve" went on an imperial property and was finally in the late 18th Century canceled. Also, the Franciscan monastery passed into state ownership: one is used for imperial and feudal law firms. The cemetery near the church was abandoned. With the greatest financial burdens now led the congregation from the imperial mission of the church renovation, the thorough repair of the church was entrusted to the court architect Johann Ferdinand Hetzendorf of Hohenberg (1784-1789). In order to cover the construction costs somewhat, were the old long choir (chancel) and the beginning of the 14th Century. (Consecrated in 1317 ) at the western end of the south side of the nave grown (and now defunct) St. John's Chapel (Chapel Puchaimische Kapelle ) converted into residences. The solemn consecration of the church under the name of "Madonna della Neve" took place on 16 April 1786, on Easter Sunday.

But soon was moving closer to the church the next hardship: In the years of the Napoleonic wars, the church should serve as a warehouse for straw, hay and for different equipment, so in 1809 also the forced evacuation of the building took place. Shortly after engaging the French eventually turned this into a provisions store. Two-thirds of the floor was smashed by the rolling of drums and by the retraction of cars. In the middle of the church a wide, tunnel-like cavity had been excavated and other parts of the floor destroyed a in God's house capped oven. Until 18 April 1810, the then Prefect of the Minoritenkirche received back the church keys. In 1825 died one of the most famous Kongregaten (congregats) of this century, namely, the composer Antonio Salieri, and on 22 June this year resounded in the Italian national church with the participation of the court chapel and the first Hofchores (court choir) the Verdi Requiem.

As the situation after the Napoleonic war turmoil in the mid-19th Century had normalized, Emperor Ferdinand the Good in 1845 donated to the "Congregation italiana" the according to the model of Leonardo da Vinci's famous fresco (1495-97) designed mosaic of the Last Supper, which the Roman Giacomo Raffaelli ​​of 12 panels with a total weight of 20 tons by Napoleon's orders had made in the years 1806-1814, and was eventually bought by Emperor Franz for the Belvedere Palace. To that gave Emperor Ferdinand a considerable amount (8000 guilders) to allow the mounting of the work of art in the Minoritenkirche. The inauguration of the altar took place on 26nd in March 1847. In 1852 Emperor Franz Joseph came and soon the Crown Prince Franz Ferdinand in the "Congregation ". The former paid each year mostly coming from out of town fast preachers for the Church, in return he regularly received at the Festival of Lights (2 February) as well as on Palm Sunday the sacred candle or the olive branch.

The last major change in the church took place in the years 1892-1905 at the restructuring of the Minoritenplatz. Now two new courses, namely the Ballhausplatz and Minoritenplatz emerged, the houses adjacent to the church (former Long John's Chapel Choir and) were demolished. The former Franciscan monastery had to give way to the House, Court and State Archives. Even the church was given a new face, although the plans of the architect Viktor Luntz due to financial reasons only could be realized partially, there were clearly visible changes: Most noticeable to the viewer is undoubtedly the Gothic passage on the south side of the walled grave stones originated partly from the bands, and part of the adjacent once cemetery, as well as the above installed "Minoritenhaus". 1907 were placed in the tower four new bells cast in Trento, which is, however - with the exception of one, St. Anthony ordained, Bell - 1914 confiscated. The solemn consecration of the church took place on 4 Held in May 1909 in the presence of Emperor Franz Joseph. Due to the highly cooperative attitude of the Congregation towards the transformation plans of the City of Vienna Lueger, the mayor promised that the court should never be installed directly behind the church.

More important restoration work was carried out 1960-1962 (church affairs), in the last decade, as the outer walls have been restored.

About Minoritenplatz finally should be mentioned that the pastoral care of Italians after 1786 by each rectors appointed by the Archbishop was, from 1808 to 1813 was also here Clemens Maria Hofbauer who died 1820 and later was canonized working as a church rector. Therefore, there is also his monument on the north side of the church. Since the year 1953, and officially by the order of the archbishop Ordinariate of 1 December 1957 is the Friars Minor transmitted the pastoral care of the Italian community again, firstly the Fathers belonging to the Order of Padua Province while they are under the Austrian province today. In the year 2003, ie 50 years after the adoption of the pastoral care of Italians in the Minoritenkirche by the Conventual, that Francis statue was made, nowadays, it is located on the north side of the church, next to the Baroque cultivation.

 

(Text by Dr. Manfred Zips , Ital. Congregation )

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