View allAll Photos Tagged ProVia

Ziess Super Ikonta, Provia 100F

Beijing, December 2015

At Maalaea Bay, Maui, Hawaii

 

Fuji GA645, Provia 100F, F11, 1/125s

I've decided to go for a used Schneider Super-Symmar XL 110mm.

 

It's much cheaper than usual because someone has screwed in a filter onto it (the lens protrudes) and taken a touch off the multi-coat at the centre of the lens. Needs testing into the light to check if flare is an issue - otherwise it should have no effect on image quality. It's been sent to me on trial and should arrive tomorrow.

 

My stable is (on weight as well as quality) currently

Rodenstock Grandagon 90 f6.8 (green stripe)

Rodenstock 150S f5.6

Schneider APO 210mm f5.6

Nikkor 300mm f9

  

Ebony 45SU + Rodenstock 150S + Provia 100 - 1/15th sec @ f22

3 stops hard grad - no movements

Cloud and snow at LV=17

Wall at LV=12

Set mid-tone LV=13 2/3

  

FlickFlu

A different angle, camera, and film from this shot.

Pentax 6x7, SMC TAKUMAR 1:2.4/105, PROVIA 100F

Fuji GW670III, Provia 400X (scan from slide).

camera: olympus epic

film: fuji provia

processed and scanned at photolab berkeley ca via looking glass photo

Fuji G617 @f16, Provia

Best seen full size

Fujichrome Provia 400X @ 320

Developed in Arista Rapid E6 @ 104°F 6min 30s

Three fresh rolls of Provia 100F, ready for a trip…

pinhole on coast of Kauai on April 2 2016, 3 sec exposure, Fuji provia, home developed.

Mamiya 645 Pro TL

CZ CF Planar T* 80/2.8

Beijing, December 2015

Diana, Provia 100F slide

Fujifilm Fujichrome Provia 100F Professional RDP-III Color

 

ISO 100 daylight-type film. Unprecedented clarity, rich gradation and vivid color. Wide suitability, from product work to portraiture.

 

Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain (RMS : 8), designed to provide medium color saturation and contrast compared to other films in the 100F series.

Suited to a wide range of applications, such as product, landscape, nature and fashion photography as well as portraiture.

Provides ideal color saturation and contrast, making it suitable for all types of subject matter, along with minimal variation in performance even in long exposures and the ability to be push-processed up to +2 stops with excellent results.

 

Today I received a gift like this E-6 film: PROVIA 100F, overdue for many years. How knows. As said the mistress of the film (by the way, a good professional fotograf): "the new Film... and very old. Kept me very many years all the rules in the refrigerator. Perhaps it cannot be used for its intended purpose".

However, I will try it on purpose. I love experimenting with expired film, where (even with all amendments) of any frame becomes a surprise and a gift. Moreover, with an expired F-6 has not yet been played. Considering that this film like color, and it in Moscow latitudes, in January-February, not so much (exceptions local point on new year celebrations), then send in the refrigerator before Shrovetide and spring.

To be continued...

Yashica Mat, cross-processed Fuji Provia

Pentax 67 | SMC Takumar 105mm 2.8 | Fujifilm Fujichrome Provia 100F

Great Sand Dunes National Park - August 2010.

 

Provia 100f 4x5, ektar 127mm lens

Rokinon 21mm @ F1.4 -- Just arrived yesterday. Proving not to be the best lens for pet photography, so a more fair optical test for its focal length needs to come as a result of taking early morning or late afternoon scenics.

Its simply magical watching the sunset unfold slowly through the viewfinder.

 

Snap, wind, snap. The reassuring thunderclap of the hassy brings me back to earth.

 

Hasselblad 500C/M • Carl Zeiss Planar 80mm f2.8 CT* • Fuji Provia 100F

provia 100f cross process

Hasselblad 500C - Fuji Provia 100

Camera: Zeiss Ikon Contax II 35mm Rangefinder.

Lens: Carl Zeiss Jena T coated 50mm Sonnar f/1.5.

Film: Fujifilm Provia 100F 35mm transparency.

Unedited image: straight off the scanner.

 

Copyright 2017 Brett Rogers

ALL RIGHTS RESERVED

(holga + handmade pinhole)

provia 100f cross processed

Fuji Provia 100F, Konica AutoReflex T2, Hexanon 40mm f/1.8

Olympus trip-35, fujichrome provia 100 asa

Not one of my best exposures, for some reason

 

Ebony 45 SU - Provia100

 

Nikon F100 / AF-S Zoom Nikkor 24-85mm f3.5

 

Fluidr :)

1 2 ••• 7 8 10 12 13 ••• 79 80