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Fuji Pro400H in Bronica SQ-A

Basilique du Sacré-Cœur

Faded graffiti, graffiti déteints

The Carina Nebula and Running Chicken Nebula from my Adelaide metro (Bortle 6) backyard. This is a combination of 13 stacked shots with a Optolong L-Pro filter and 1 shot with an Astronomik 12nm Ha filter as a luminance layer. Lots of issues, no lens collar meant I was getting trailing from differential flexure despite autoguiding. The light pollution meant even with the filter the blue channel was maxing out way too early. Horrible gradients over the frame (this is a crop). After huge amounts of adjustment the star colours are somewhat red. I will try the L-Pro again with a longer focal length (see if that stops the gradients) and will see if it helps when used without light pollution. Otherwise I am doing something very wrong here!

- Press "L" or "Z" for a large view - an absolute must to fully enjoy this picture!

Novi Vinodolski - Market

â—„ â—Š â–º Run â—„ â—Š â–º

 

I′ll sing it one last time for you

Then we really have to go

You've been the only thing that′s right

In all I've done

And I can barely look at you

But every single time I do

I know we'll make it anywhere

Away from here

Light up, light up

As if you have a choice

Even if you cannot hear my voice

I′ll be right beside you, dear

Louder, louder

And we′ll run for our lives

I can hardly speak, I understand

Why you can't raise your voice to say

To think I might not see those eyes

Makes it so hard not to cry

And as we say our long goodbyes

I nearly do, hmm, oh

Light up, light up

As if you have a choice

Even if you cannot hear my voice

I′ll be right beside you, dear, oh

Louder, louder

And we'll run for our lives

I can hardly speak I understand

Why you can′t raise your voice to say

Light up, light up

As if you have a choice

Even if you cannot hear my voice

I'll be right beside you, dear

Louder, louder

And we′ll run for our lives

I can hardly speak, I understand

Why you can't raise your voice to say, ooh

i wish that this natural scene can be preserved for future generations to see

iPhone 14 Pro-4458

Charlie and Gino make room for Sunny Boy.

Rolleiflex 2.8 GX, Ilford Delta400, Xtol 1+1

Doppelbelichtung

Negative Lab Pro v2.3.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Cinematic - Flat | WB: Auto-Neutral | LUT: Frontier

 

Negative Lab Pro v2.3.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Cinematic - Flat | WB: Auto-Neutral | LUT: Frontier

Deininger Weiher,near Munich,early morning.

Pentax LX - FA43mm - Koda color Plus 200

Sunset over the small town of Orroroo, in South Australia's outback

Tmax 400 developed in Xtol, shot in Bronica SQ-A

MGB Standler Tea 2/2 No 802 shunting loco doing a transfer between the Gornergrat Railway and the Matterhorn Gotthard Bahn(MGB) which is the mainline south to Visp. Freight is transferred across daily but quite fortunate to stumble across this move.

 

More info to follow

 

iPhone 13 ProPlus photo.

A "Waterlogue" watercolour conversion of a very grainy Agfa CT18 "slide/transparency" taken near Greendale in Wasdale in the 1980's.

It was a wonderful display of stormy lighting, with a low sun. This isn't the only time I've seen it like this. The last was in 2014(?), with my digital camera, but sadly the pool reflections were less good, having reeded up since the above was taken.

The original slide, won't stand close inspection, but I rather like what Waterlogue Pro has done with it....with a little playing with the settings.

(From Agfa CT18 film original.) DSC04928-HDR_Lr9 W. Nat. medb_Lr9

iPhone 14 Pro-7678

 

Happy Caturday!

Kodak Tri-X400 in Bronica SQ-A

Fuji pro 400H in Bronica SQ-A

Leica m6, Ilford hp5+, Rodinal 1+50

Captured by DJI Mavic Pro 2

Rolleiflex 2.8 GX, Ilford HP5+, Xtol 1+1

analogue film

Pentax PC35AF / Reflx Lab Pro 400

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