Viltrox 56mm F1.2 E + Viltrox 27mm F1.2 E AF Pro for SONY
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E é isso que eu quero, pra mim e para todos nós!!
As aulas começaram muito boas, estou MUITO BEM graças a Deus. Meus amigos são realmente tudo :) Bom, estou com -5 na minha nota em história porque um engraçadinho riscou a parede lá da sala que foi recém pintada e isso NÃO é bom. Vou começar a cuidar da minha sobrinha todas as tardes, não vou sair tanto mas vou ganhar por isso :DD daí posso comprar minha conta pro *-*
E a partir de hoje eu começo então vou entrar aqui mais pela noite.
Beijos e abraços flickeiros!
CAT
Tot fent via pels turons
albiro núvols com vanitats
de tardor regalada.
Ara l’horitzó s’enamora
d’aquesta atziaga llum.
Un sol pensament
omple la immensitat.
Tot el que veig fent via
és prou i alhora massa.
OC
Del temps que me'n vau pels puèges,
entrevesi de nívols coma de vanitats
d'automne regaladas.
Ara l'orizont s'enamora
d'aquela lutz urosa.
Una sola pensada
emplena l'immensitat.
Tot çò que vesi del temps que me'n vau
es pro e al meteis temps tròp.
Olá amigos, com o dólar na estratosfera aqui no Brasil, e depois de 6 anos, não consegui renovar minha PRO. E eles vão apagar minhas fotos!! Uma vergonha!
Hi friends, with the dollar in the stratosphere here in Brazil, and after 6 years, I haven't been able to renew my PRO. And they're going to delete my photos!! What a shame!
Trovarsi a Udine alla fine è un po' sempre quella, lo sapete, è inevitabile che la noia sopraggiunga, a volte provo davvero un fastidio fisico ad andare "in centro a Udine", uno ne ha le scatole piene... a volte, fortunatamente, gira un po' meglio, forse complice la pioggia, e parte già con l'idea che "qualche scatto si deve fare", d'altronde a me rilassa, oltre che a piacermi, al di fuori di teorie fotografiche, forum su prestazioni di sensori, pixelpeeping estremo, dilettanti che si credono pro e pro che si credono divinità egizie, ecco, alla fine fare clic ti aiuta a dimenticare tutte le miserie dell'essere umano e dei forum internettiani. E rivedi Udine oltre la coltre della noia. Alla fine, questa cittadina provincialotta è sempre quella, ma con un po' di sforzo e senza stravolgere nulla il clic lo fai e sei contento. E sono contento. Poi ti accorgi che non è che hai creato un capolavoro, sia mai, quella è roba per professionisti e artisti della fotografia, ma ti senti soddisfatto lo stesso. E per la prima volta dopo settimane dormi bene e ti svegli ancora meglio! Magia della foto!! :)
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm f/2.8 Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm f/2.8 Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm f/2.8 Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos.
Shot with the Sony a6400 and Hoya HMC 135mm f/2.8 Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Amigos hoje estou aqui porque está é a minha última postagem aqui no Flickr.
Infelizmente o 1 terabyte gratuito de fotografia que tinhamos direito para sempre que o Flickr nos deu há alguns anos atrás, não teremos mais.
Eles estão exigindo uma conta Pro e eu não farei contra Pro.
Quem quiser me encontrar e continuar vendo minhas fotos estou no Instagran como @marciaaki ou no Facebook também Márcia Aki.
Obrigada pela companhia durante esses quase 13 anos de convivência aqui no Flickr.
Estou triste, mas espero encontrar cada um de vocês em outras redes sociais.
Se houver alguma mudança. Voltarei.
Gratidão a todos!
Namastê
Friends today I'm here because this is my last post here on Flickr.
Unfortunately the 1 terabyte of free photography we were entitled to whenever Flickr gave us a few years ago, we will not have anymore.
They're demanding a Pro account and I will not do Pro.
Anyone who wants to meet me and continue to see my photos I'm in Instagran like @marciaaki or Facebook also Márcia Aki.
Thank you for the company during these almost 13 years of living here on Flickr.
I'm sad, but I hope to find each of you on other social networks.
If there is any change. I'll be right back.
Thank you all!
Namaste
NÁUTICA embarcação de dois mastros, com vela latina no da popa, velas redondas no da proa, e sem mastaréu de joanete
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm f/2.8 Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
E la luna bussò alle porte del buio
fammi entrare lui rispose di no.
E la luna bussò dov'era il silenzio
ma una voce sguaiata
disse non è più tempo
quindi spalanco le finestre del vento
e se ne andò
a cercare un po' più in là
qualche cosa da fare
dopo avere pianto un po'
per un altro no, per un altro no
che le disse il mare, che le disse il mare.
E luna bussò su due occhiali da sole,
quello sguardo non si accorse di lei
ed allora provò ad un party in piscina
senza invito non entra nemmeno la luna
quindi rotolo su champagne e caviale
e se ne andò
a cercare un po' più in là
qualche cosa da fare
dopo avere pianto un po'
per un altro no, per un altro no
di un cameriere.
E Allora giù quasi per caso
più vicino ai marciapiedi
dove è vero quel che vedi
e allora giù senza bussare
tra le ciglia di un bambino
per potersi addormentare
e allora giù fra stracci e amore
dove è un lusso la fortuna
c'è bisogno della luna
e allora giù, giù, giù.
Photo included on personal photography randomness
DO NOT use my pictures without my written permission, these images are under copyright. Contact me if you want to buy or use them. Roberto Arleo© All rights reserved
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Centon 28-70mm f/3.5-4.5 Vintage Zoom Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.
Shot with the Sony a6400 and Hoya HMC 135mm Vintage Telephoto Lens.
Camera files settings - RAW and JPEGS (B/W).
Straight out of Camera (S.O.O.C.) JPEGS, tweaked in Apple Photos Editor.