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The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
Maharishi Markandeshwar University: A Beacon of Educational Excellence
In the vibrant landscape of higher education, Maharishi Markandeshwar University (MMU) shines as a beacon of academic distinction and holistic development. Established with a vision to impart quality education and foster an environment of innovation and research, MMU has evolved into a comprehensive institution that not only provides diverse courses but also prioritizes state-of-the-art facilities, transparent admission processes, and a commitment to nurturing well-rounded individuals ready to make a positive impact in their chosen fields.
About
Maharishi Markandeshwar University (MMU) is a beacon of academic excellence, offering diverse courses, cutting-edge facilities, and transparent admission processes. Recognized for its commitment to quality education, MMU integrates state-of-the-art technology into modern classrooms and laboratories. The Maharishi Markandeshwar University's accreditations validate its rigorous academic standards, enhancing global recognition. Specialized training programs bridge theory and practice, preparing students for real-world challenges. MMU's diverse curriculum, transparent fee structures, and streamlined admission procedures underscore its dedication to accessible and transformative education, making it a premier institution for holistic development and career readiness.
State-of-the-Art Facilities: Nurturing Learning Environments
At the heart of MMU's commitment to excellence lies its state-of-the-art facilities designed to create an enriching and dynamic learning environment.
Modern Classrooms
Cutting-edge Laboratories
Extensive Library Resources
Sports Facilities
Comfortable Hostel Accommodations
Technology Integration
Cafeteria and Dining Facilities
Recreational Spaces
Complementing the modern classrooms are cutting-edge laboratories that provide students with hands-on experiences across various disciplines. These laboratories are equipped with the latest tools and technologies, ensuring that theoretical knowledge is seamlessly integrated with practical applications. MMU's commitment to fostering a research-oriented culture is further evident in its extensive library resources. The library, a reservoir of knowledge, houses a vast collection of books, journals, and digital resources, supporting academic endeavors and encouraging students to explore beyond the confines of their coursework.
Recognizing the importance of physical well-being and a balanced lifestyle, MMU offers sports facilities that go beyond the traditional academic setting. These MMU's facilities not only promote physical fitness but also contribute to the overall well-being of students. Additionally, comfortable hostel accommodations provide a secure and conducive living environment, fostering a sense of community among students and ensuring they can focus on their academic pursuits without concerns about their living arrangements.
Integrating technology into the learning environment is a cornerstone of MMU's commitment to preparing students for the digital era. Embracing modern technology ensures that students are not only well-versed in their chosen fields but are also equipped with the technological skills necessary for success in the professional world.
Recognition and Accreditations: Upholding Academic Standards
MMU's dedication to academic excellence is underscored by the recognition and accreditations it has garnered over the years. These accolades serve as a testament to the institution's commitment to rigorous academic standards. The recognition from esteemed bodies not only validates the degrees conferred by MMU but also enhances the credibility of the institution on a global scale.
Training Programs: Bridging Theory and Practice
MMU goes beyond traditional academic paradigms by offering specialized MMU training programs that bridge the gap between theory and practice. Internships form a crucial part of these programs, providing students with real-world exposure in their chosen fields. Workshops and seminars further enhance the skill set of students, ensuring that they graduate not only with academic knowledge but also with practical skills that are directly applicable in the professional world.
The institution actively collaborates with industry leaders to design training programs tailored to the demands of the evolving job market. This industry-focused approach ensures that MMU graduates are not only academically proficient but are also well-prepared for the challenges and opportunities presented by their respective industries.
Maharishi Markandeshwar University: Placement
Maharishi Markandeshwar University excels in placement initiatives, connecting students with prominent employers. The university's dedicated MMU placement cell, industry collaborations, and career counseling services contribute to high placement rates. Students benefit from mock interviews, resume-building workshops, and job fairs, ensuring they are well-positioned for successful careers upon graduation.
Accreditations: A Testament to Quality Education
MMU's accreditations from reputed bodies are a testament to the institution's commitment to providing quality education. These accreditations not only validate the degrees awarded by the university but also contribute significantly to the institution's global recognition. Students graduating from an accredited institution are assured of the quality and relevance of their education, enhancing their employability and career prospects.
Courses Offered: Diverse Academic Opportunities
MMU stands out for its diverse range of courses spanning various disciplines. The institution offers both undergraduate and postgraduate programs, providing students with a plethora of academic opportunities. The MMU Course curriculum is designed to be contemporary and aligned with industry requirements, ensuring that graduates are well-prepared for the challenges and opportunities of their respective fields.
The diverse courses offered by MMU reflect the institution's commitment to catering to the academic needs and career aspirations of a wide spectrum of students. Whether in the fields of engineering, business management, computer applications, applied sciences, or humanities and social sciences, MMU's curriculum is designed to be comprehensive and forward-looking.
Transparent Fee Structures: Ensuring Accessibility
Recognizing the financial considerations that students and their families face, MMU maintains transparent and reasonable fee structures. This commitment to affordability ensures that quality education remains accessible to students from diverse economic backgrounds. MMU's transparent fee structures align with its broader mission of making education a transformative and accessible experience for all.
Admission Process: Gateway to Educational Excellence
The admission process at MMU is a meticulously designed gateway to educational excellence. Prospective students initiate their academic journey by submitting applications through the university's online portal or designated application channels. The institution strongly emphasizes ensuring the accuracy and authenticity of submitted documents through a thorough verification process.
Depending on the course, candidates may be required to undertake entrance exams designed to assess their academic aptitude and suitability for the program. The merit evaluation process involves assessing applicants based on academic performance, relevant entrance exam scores, and other criteria specified by the university.
Some programs may necessitate additional steps such as interviews or counseling sessions to comprehensively assess a candidate's suitability for the chosen course and gauge their aspirations. An application review committee meticulously evaluates applications, considering academic achievements, extracurricular activities, and any additional criteria specified by the university.
Successful candidates receive formal notifications of acceptance, outlining further steps such as fee payment and enrollment procedures. Admitted students are required to pay the prescribed fees within the stipulated timeframe to secure their place in the program.
The admission process often includes orientation programs to familiarize incoming students with campus life, academic expectations, and available resources. This ensures a smooth transition into university life, setting the stage for a fulfilling academic journey.
User-Friendly Application Procedures: Streamlining Entry to Education
Recognizing the importance of a smooth and user-friendly application process, MMU has streamlined its procedures to ensure a seamless experience for prospective students. The simplified process guides applicants through each step, providing necessary information and support to facilitate a smooth transition from application to enrollment.
MMU's user-friendly application procedures reflect the institution's commitment to simplicity and clarity in the admissions process. By removing unnecessary complexities, the university aims to make education more accessible to aspiring students, fostering a diverse and vibrant academic
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
Samsung's super-slim Galaxy A7 prioritizes looks over power t.co/FRFHjEXcHh (via Twitter ift.tt/1BagXLt)
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
Your agent should value transparency and honesty, but they also need to be a great communicator. Make your preferences about communication known – do you prefer text, email, phone, DM? How often? Make sure your agent is aware of your expectations regarding communication and that they can sufficiently meet the Surrey BC real estate agent.
Installing an electric vehicle charging station serves as an exceptional marketing tool. It demonstrates that buildings and businesses prioritize environmental well-being and are actively engaged in initiatives to enhance the planet. This commitment to sustainability contributes positively to their reputation, attracting conscientious consumers who actively seek out eco-friendly establishments. EV Safe Charge collaborates with your team to deliver a comprehensive solution, ensuring seamless implementation. Opting for a Level 3 DC fast charger enables your team to be swiftly prepared for action. Unlike alternative options that necessitate 4-6 hours for a full charge, a direct connect electric vehicle charger can accomplish the same task in just 30 minutes! In the time it takes to enjoy a quick meal, your fleet can be fully charged and ready to tackle business operations. Additionally, the integration of DC Fast Charger EV Solutions is highly advantageous for multi-unit dwellings such as apartment buildings, condos, and co-ops. Since approximately 80-90% of EV charging occurs at home, offering this service becomes critical and beneficial for these types of residential complexes. To know more visit: solargreennature.com/installing-ev-dc-fast-charging-station/ or call us @ 9818388747 you can also write us @ info@solargreennature.com
Project with Children International: Community impact strategy developed in 8 prioritized communities in the sector of Rivera Hernández, in San Pedro Sula, which includes the strengthening of community protection mechanisms that respond to changes in the dynamics and strategies of social and territorial control of the armed groups that affect the access of the communities to their fundamental rights. The intervention focuses on strengthening the response and leadership capacities of the youth councils and the support committees that lead the risk participation / mitigation processes / activities in the Youth Community Centers.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
Today’s “Flight Path to Wellness: Prioritizing Mental Health in Aviation” panel at Communicating For Safety (CFS) 2024 tackled the critical issue of mental health within the aviation industry. The session was moderated by NATCA Executive Vice President Andrew LeBovidge, who has advocated for improving mental health support for aviation professionals. LeBovidge emphasized the importance of overcoming barriers such as fear, lack of trust, and financial uncertainty that often prevent individuals from seeking the care they need.
The panel included Air Line Pilot Association, Int’l (ALPA) Peer Support and Pilot Assistance Chair Travis Ludwig, AMAS Aviation Medical Advisory Service Dr. Kurt McCartney, Allied Pilots Association (APA) Flight Standard First Officer Evan MacPhee, and FAA Federal Air Surgeon Dr. Susan Northrup. They discussed challenges faced by pilots and air traffic controllers, the importance of peer support, and the role of medical professionals in ensuring the well-being of those working in high-stress aviation environments.
This panel underscored the necessity of prioritizing mental health within the aviation industry, offering #NATCACFS 2024 attendees practical strategies to support their own well-being and that of their colleagues.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
Trying to prioritize what I needed done most, and the fence won. The girls are SO ready to get out on the pasture, even though it's not quite tall enough to let them yet. (Should be 8 inches at least, and it's barely half that.) But at least I'll have a paddock to let them out into.
Rep. Davis listens to testimony on the "Prioritize Progress" plan to fund transportation project without tolls.
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
Project with Children International: Community impact strategy developed in 8 prioritized communities in the sector of Rivera Hernández, in San Pedro Sula, which includes the strengthening of community protection mechanisms that respond to changes in the dynamics and strategies of social and territorial control of the armed groups that affect the access of the communities to their fundamental rights. The intervention focuses on strengthening the response and leadership capacities of the youth councils and the support committees that lead the risk participation / mitigation processes / activities in the Youth Community Centers.
By Jacob Matham.
Have you ever felt badly for celebrating yourself, prioritizing rest over productivity, showing anger, feeling jealous, or acting on natural desires to have nice things, eat good food, or experience intimacy? If so, you are already acquainted with the Seven Deadly Sins – pride, sloth, wrath, envy, avarice, gluttony, and lust.
Featuring exceptional and rarely seen works from the Museum's collection of early modern prints and drawings, this exhibition showcases northern European depictions of "sinful" women to tell the story of how women became associated with sin, the role art played, and how that history shows up in our lives today.
Bad Girls Only : Women and the Seven Deadly Sins
Montreal Museum of Fine Arts, Québec.
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008
McKinsey Global Infrastructure Initiative Summit
Tokyo, Japan
Wednesday, October 19th, 2022
15:10–15:30
PRIORITIZING THE PATHWAY TO SUSTAINABLE INFRASTRUCTURE
The combined impacts of COVID-19 and net-zero commitments have resulted in an unprecedented disruption of the $11.6 trillion global infrastructure industry. Meeting net-zero targets will require the industry to transform project development and delivery to deliver a global portfolio of projects at an unprecedented scale and pace. What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?
Facilitators:
Tip Huizenga, Senior Partner, McKinsey & Company; Co-chair, GII
Detlev Mohr, Senior Partner, McKinsey & Company; Co-chair, GII
In this interactive session, Detlev and Tip will briefly frame the topic with a few slides to set the context. This will be followed by them asking the question to the audience, “What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?” The audience will be requested to discuss the question for ~7 minutes in their pods, submitting their ideas through the GII app to form a Word Cloud on the screen.
Photograph by McKinsey Global Infrastructure/Stuart Isett