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Are you a homeowner in need of an electrician? You’ll want to find the right person for the job. Otherwise, having an electrician who doesn’t know what they’re doing poke around could cause problems.
Here are the five qualities to look for in a qualified electrician.
By learning how to find an electrician with these trails, you’ll have peace of mind you’re choosing the right expert for the job. Start your search with these five qualities to look for in an expert!
Experience
When looking for an electrician to work on your home, you’ll want to prioritize finding someone with experience. After all, people learn by doing. Knowing how to find an electrician with hands-on experience will reassure you that they know what they’re doing.
Having someone who lacks experience mess with your wiring, on the other hand, can lead to unexpected and expensive repairs.
First, look for someone who has worked in your area for a long while. You can ask friends, family members, and coworkers who live in your area if they hired an electrician in the past. If they did, ask about their time working with that electrician.
Were they able to pinpoint the problem quickly? Did they explain the issue in a way that was easy to understand or hedge around their explanation? Finding someone with strong communication skills is important as well.
Otherwise, you might end up with an electrician who will overcharge you for an issue that seems complex but isn’t.
As you speak with friends and family members, make sure to learn as much as you can about the electrician in question. What problems did they have when working with the electrician? How were those problems fixed?
Finding an electrician with prior experience will also mean they’ve likely come across your electrical issue before. Their prior experience will help them pinpoint the cause of the problem and determine the best fix. Otherwise, they might waste valuable time trying to determine the issue.
When they waste timing trying to pinpoint the problem, you’ll have to pay more for their visit.
Make sure the electrician you choose is familiar with your home’s electrical wiring system. If you have a unique, complicated system, look for someone who worked on a similar system in the past.
Licensing
Once you find an electrician with the experience you need, make sure they’re licensed.
Knowing how to find an electrician with the proper licensing will also provide you with peace of mind you’re making a smart choice. In order to maintain their licensing, electricians have to undergo annual testing. This testing ensures their training is up-to-date.
An electrician who is licensed is more likely to have the knowledge you need. Electricians who have recently undergone training will have a more current skillset. That way, they’re more likely to understand newer, more complex electrical systems.
Do you have a smart home set up? Maybe you want to update your home’s current electrical system to one that’s more current. If so, make sure you choose a licensed electrician with recent training.
What happens if there’s an accident during your electrical project? What is someone is injured on the job? You’ll want the reassurance that you’re best interests are protected.
Once you find someone who has recently updated their license, ask to see proof of insurance, too. Choosing an electrician who is insured will give you peace of mind that you’re not liable if they’re injured on your property.
Reputation
As you search for “good electricians near me,” make sure to determine the professional’s local reputation. Remember, it helps to find an electrician with experience. Specifically, look for someone with experience in your area.
An electrician with experience in your county or city will have a reputation they’ll want to uphold. They’ll also feel more familiar with electrical systems specific to your area.
Take the time to head online. The Better Business Bureau can tell you if there are any complaints against the electrician you’re researching. You can also find reviews from clients who worked with that electrician in the past.
Having a difficult time finding reviews? That’s okay. Ask the electrician you’re interested in if they can provide references.
Try to speak to two or three references if you can. As you speak with each one, ask about their experience working with that electrician.
Did they face any issues? Was the electrician a good communicator? Did the homeowner experience any electrical problems after the electrician left?
Speaking with each electrician’s previous clients will help you learn more about their work ethic.
An electrician with a strong, local reputation will want to maintain that reputation. In other words, they’ll work hard to demonstrate the same level of professionalism and high-quality service with every customer.
Quality
It’s not enough to find a local electrician who knows about electrical systems. Even their past experience doesn’t guarantee they’ll do a good job. Instead, you want to find someone who has a track record of offering top-notch services.
Don’t forget to ask the references you speak with about the end results of their project. Do they feel the electrician met their expectations?
Determining the quality of work an electrician provides is important. Otherwise, you could end up paying for more than they’re worth.
Cost
Depending on your project, it can cost anywhere between $120 and $220 an hour to hire a good electrician. However, their specific rate often depends on their expertise, license, and the type of service you’re requesting.
For example, you’ll probably pay more if you’re having someone install solar panels compared to fixing a faulty outlet.
When you start looking for electricians, make sure to get an estimate from a few options. That way, you can choose someone who fits your budget.
Plug Into the Best Options: 5 Qualities to Look for in an Electrician
Looking for the best electrician in your area? Prioritize someone who has these qualities! By looking for an electrician with these traits, you’ll have the reassurance that you’re choosing someone qualified for the job.
Want to speed up your search? Contact us today to discuss your next project!
bossenergysc.com/5-critical-things-to-check-while-selecti...
Adam Whitney - (American, born 1982)
EMU Rhyton - 2021
aw-metalsmith.com/adam-whitney
It is always the complexity of an object that attracts and inspires me, and the complexity of an object that I want to achieve in its final form.
Achievement in metalsmithing happens, if at all, at a glacial pace. Around 2017, after some time teaching in Malaysia and returning to my family home in Vermont, I began to prioritize my studio practice, moving energetically away from production and collaboration work, challenging myself to reach the highest level I could in my techniques: raising, chasing, and repoussé. With this intention, I organized a lifestyle that freed up my time to work in my studio and take advantage of residencies. In this new mode, I started making the first two in what would become a five-piece series of Sea Monster Stirrup Cups. It was at this point that I began to commit to myself as an artist.
I had become fascinated by the sea monsters drawn by cartographers on 16th and 17th century maps, illustrating the real and imagined properties of what dwelled in the ocean. The stirrup cup, otherwise known as a parting or hunting cup, was served to the hunter or traveler (still on horseback, in his stirrups), and typically made in the shape of an animal to be hunted. The fear of the unknown, taking a risk and departing in a new direction (leaving my production work, focusing on art, and eventually starting my three-year residency at Penland) is embodied in this work. Over the next three years, I created four silver cups. I will eventually complete the final one in gold.
What I make and how I make it takes many intensive labor hours of hammering, unwieldy and difficult-to-acquire equipment, space, high material expense, and physical toll. Therefore the objects that I choose to create mean a great deal to me. Manifesting them is a years-long proposition. By the time I am ready to make the final iteration, I know the dance exactly, and know how the material will neither lose or be added to in mass in its crafting. The Stirrup Cups are just one example, and they provide an insight into my studio life, which is populated by both finished volumetric objects and the numbered copper multiples that I have crafted along the way to the final object whose making has been calibrated exactly. Therefore any form I make has to be honest to me, somehow, and each one, in series, is that.
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"Mint Museum Uptown houses the internationally renowned Craft + Design collection, as well as outstanding collections of American and contemporary art.
Designed by Machado and Silvetti Associates of Boston, the five-story, 145,000-square-foot facility combines inspiring architecture with cutting-edge exhibitions to provide visitors with unparalleled educational and cultural experiences.
Located in the heart of Charlotte’s burgeoning city center, Mint Museum Uptown is an integral part of the Levine Center for the Arts, a cultural campus that includes the Bechtler Museum of Modern Art, the Harvey B. Gantt Center for African-American Arts and Culture, the Knight Theater, and the Duke Energy Center. Mint Museum Uptown also features a wide range of visitor amenities, including the 240-seat James B. Duke Auditorium, the Lewis Family Gallery, art studios, a restaurant, and a museum store.
www.mintmuseum.org/plan-your-visit/
....
The Mint Museum is the largest visual arts institution in Charlotte and holds the largest public collection of Charlotte-born artist Romare Bearden's work.
The American Art collection comprises approximately 900 works created between the late 1700s and circa 1945. It includes portraiture of the Federal era, 19th century landscapes, and paintings from the group known as "The Eight" (Robert Henri, George Luks, William Glackens, John Sloan, Everett Shinn, Maurice Prendergast, Ernest Lawson, and Arthur Bowen Davies). Additional highlights in this area include works by John Singleton Copley, Gilbert Stuart, Thomas Sully, and Hudson River School painters Thomas Cole and Sanford Gifford.
The Art of the Ancient Americas collection includes roughly 2,000 objects from more than 40 cultures, spanning more than 4,500 years. The collection includes body adornments, tools, ceramic vessels, sculpture, textiles, and metal ornaments.
There are about 2,230 objects in the Mint's collection of Contemporary Art. These include the Bearden collection and other works on paper, contemporary sculpture, and photography from circa 1945 to the present.
The Mint's Decorative Arts collection, considered one of the finest in the country, centers on its holdings in ceramics. Containing more than 12,000 objects from 2000 B.C. to 1950 A.D., the collection includes a wide variety of ancient Chinese ceramics, 18th century European and English wares, American art pottery, and North Carolina pottery. The Mint has the largest and most comprehensive collection of North Carolina pottery in the nation. Its collection of North Carolina pottery comprises some 2,200 objects, dating from the 1700s.
The museum's Delhom collection, given to the Mint in 1966, contains 2,000 pieces of historic pottery and porcelain, as well as pre-Columbian pieces that are more than 4,500 years old.
Almost 10,000 items of men's, women's, and children's fashions from the early 18th century to present-day haute couture are included in the museum's collection of Historic Costume and Fashionable Dress, which approaches fashion as an art form.
en.wikipedia.org/wiki/Mint_Museum
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The Beacon Hill Bike Route project was prioritized based on public feedback and City Council actions over the past several years. The purpose of this project is to create a safe and comfortable bike route that connects people to businesses and community destinations in Beacon Hill. This project is partially funded by the 9-year Levy to Move Seattle, approved by voters in 2015.
Person bikes in a green lane across an intersection.
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
The Beacon Hill Bike Route project was prioritized based on public feedback and City Council actions over the past several years. The purpose of this project is to create a safe and comfortable bike route that connects people to businesses and community destinations in Beacon Hill. This project is partially funded by the 9-year Levy to Move Seattle, approved by voters in 2015.
A person bikes across an intersection along the route.
Prioritizing Hearing Health for Employees
03.13.2024
Photo by Telly Myles
Supervisor of Shipbuilding Newport News
The Mobile Hearing Conservation and Testing Van sits outside Supervisor of Shipbuilding, Conversion and Repair, USN, Newport News, conducting annual audiology exams. SUPSHIPNN Code 140 Environmental Safety & Health Office, took a big step in protecting employee hearing with the arrival of the MOHCAT, 13 March.
Date Taken:03.13.2024
Date Posted:03.15.2024 14:54
Photo ID:8291375
VIRIN:240313-N-DJ454-6522
Resolution:3984x2656
Size:1.54 MB
Location:VA, US
www.dvidshub.net/news/466315/prioritizing-hearing-health-...
Alberta’s Health Minister Adriana LaGrange announced in Calgary on Tuesday, October 15, 2024, that Primary Care Alberta, the new provincial health agency overseeing and coordinating the delivery of primary health care services, will become operational later this fall.
Alberta’s government is taking action to refocus the health care system so that every Albertan has access to a primary health care provider and timely, high-quality primary health care, no matter where they live.
Alberta’s new primary care provincial health agency, Primary Care Alberta, will create a modern, more responsive and unified health care system that prioritizes patients, empowers front-line health care professionals and helps reduce pressures on the entire health system.
The immediate priority of Primary Care Alberta is to ensure every Albertan has access to high-quality primary care services in all areas of the province, so all Albertans and their families are supported in their day-to-day health needs through every stage of life. The new primary care agency will focus on supporting integrated teams of family physicians, nurse practitioners and pharmacists to provide patients with the best care possible.
Kim Simmonds (pictured), the current assistant deputy minister of strategic planning and performance at Alberta Health, will be appointed as chief executive officer of Primary Care Alberta. Simmonds brings a wealth of public and private sector experience to the role and has extensive experience working with stakeholders across the health care system. She has experience working with clinicians and understands the need for data and evidence-based decision-making when it comes to delivering primary care services to Albertans, no matter where they live. (photography by Chris Schwarz/Government of Alberta)
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
If Go is to provide a better place for developers it must eliminate long garbage collector (GC) pauses. This talk discusses the motivation, performance, and technical challenges of Go's low latency concurrent GC and why the approach fits Go well.
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
Edmund Yaghjian (1903 - 1997)
Around the Bend - 1950's
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer
.
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See also: www.flickr.com/photos/ugardener/albums/72177720322921517/
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer.'
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"If you’re looking for a vibe, this is where you’ll find it. Spartanburg is one of South Carolina’s most established, respected, progressive, and diverse art communities with everything from the fine arts—ballet, symphonies, and opera—to the cutting edge—street performers, graffiti, and dance mobs.
Experience the Cultural District
Downtown Spartanburg has even been designated as a cultural district by the South Carolina Arts Commission. Within the cultural district, you can walk to and enjoy world-class art galleries, studios, music venues, breweries, culinary arts, local literature publishers, coffee shops, libraries, museums, and more. Regardless of when you visit, you’re likely to encounter live music in the streets, featuring jazz, rock ‘n’ roll, or beach music.
Come experience how we put the art in SpARTanburg."
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
By Jacob Matham.
Have you ever felt badly for celebrating yourself, prioritizing rest over productivity, showing anger, feeling jealous, or acting on natural desires to have nice things, eat good food, or experience intimacy? If so, you are already acquainted with the Seven Deadly Sins – pride, sloth, wrath, envy, avarice, gluttony, and lust.
Featuring exceptional and rarely seen works from the Museum's collection of early modern prints and drawings, this exhibition showcases northern European depictions of "sinful" women to tell the story of how women became associated with sin, the role art played, and how that history shows up in our lives today.
Bad Girls Only : Women and the Seven Deadly Sins
Montreal Museum of Fine Arts, Québec.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
The Beacon Hill Bike Route project was prioritized based on public feedback and City Council actions over the past several years. The purpose of this project is to create a safe and comfortable bike route that connects people to businesses and community destinations in Beacon Hill. This project is partially funded by the 9-year Levy to Move Seattle, approved by voters in 2015.
People board a King County Metro bus on Beacon Hill.
Every Mind Matters: The Many Dimensions of Mental Illness
The Hill brings together lawmakers, mental health experts, and advocates to discuss these questions and more and explore why prioritizing mental health is intrinsically linked to good health overall.
The United States is facing an unprecedented mental health crisis as two in five American adults reported experiencing symptoms of anxiety and depression in 2021. Fortunately, the country has witnessed a positive sea change in recognizing the importance of mental health and self-care in recent years, but significant work still remains to create a system that recognizes the nuances and needs of those with mental illness.
Schizophrenia, major depressive disorder, generalized anxiety disease, and post-traumatic stress disorder are just some of the many conditions affecting the 1 in 20 Americans experiencing serious mental illness today. The generalization of these disorders extends beyond everyday vernacular as one-size-fits-all policies, drugs and treatments continue to fail patients. Even when services are available, barriers like cost, cultural bias, and inconvenience often prevent people from accessing the care they need.
How can we break down the stigma associated with mental illness? How can we build a comprehensive care system to support all individuals affected by it?
LOCATION
In person at National Press Club Holeman Lounge, 529 14th St. NW, 13th Floor, Washington, DC 20045 & streaming nationally
DATE & TIME
Wednesday, October 18
8:00 AM – 10:00 AM ET
Speakers:
Daniel Gillison, CEO, National Alliance on Mental Illness (NAMI)
Dr. Joshua A. Gordon, Director, National Institute of Mental Health
Susan Gurley, Executive Director, Anxiety & Depression Association of America
Gabe Howard, “Inside Mental Health” Podcast Host, Author, Speaker
Dafna Michaelson Jenet, Colorado State Senator (CO-21)
Rep. Lisa McClain (R-MI), Co-Chair, Task Force on Mental Health & Substance Use Disorder
Rep. David Trone
.
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See also: www.flickr.com/photos/ugardener/albums/72177720322921517/
THE JOHNSON COLLECTION - A Private Collection for Public Good
thejohnsoncollection.org/the-collection/
Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.
What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.
Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.
.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.
Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.
Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.
Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.
In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."
"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer.'
__________________________________________
"If you’re looking for a vibe, this is where you’ll find it. Spartanburg is one of South Carolina’s most established, respected, progressive, and diverse art communities with everything from the fine arts—ballet, symphonies, and opera—to the cutting edge—street performers, graffiti, and dance mobs.
Experience the Cultural District
Downtown Spartanburg has even been designated as a cultural district by the South Carolina Arts Commission. Within the cultural district, you can walk to and enjoy world-class art galleries, studios, music venues, breweries, culinary arts, local literature publishers, coffee shops, libraries, museums, and more. Regardless of when you visit, you’re likely to encounter live music in the streets, featuring jazz, rock ‘n’ roll, or beach music.
Come experience how we put the art in SpARTanburg."
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.
At HealthieQ, we believe in a holistic approach, prioritizing safety, effectiveness, and overall health.
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
Until now, Facebook rated stories in News Feed with an emphasis on what you click, Like, remark on and share. But thanks to insights from new qualitative surveys in which end users gave every feed story 1 to 5 stars, Facebook is now leaning seriously on a second sign — what you want to see. ...
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Kaelyn Sexton, a dedicated Certified Nurse Midwife, prioritizes collaborative care. Her fond travel memories, from Disney parks to Dublin, reflect her vibrant spirit. Dreaming of establishing a warm family environment in an idyllic neighborhood, she harbors aspirations of leading healthcare organizations in the future. Visit at :- muckrack.com/kaelyn-sexton
Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.
Photos by UNAMI PIO.
In today's fast-paced world, convenience is king. From ordering groceries online to summoning rides with a tap of a finger, modern consumers prioritize efficiency in every aspect of their lives. This trend extends to the realm of laundry services, where individuals seek reliable solutions to the chore of washing clothes. We are the Best Laundry Company in San Diego. While the option of doing laundry at home exists, there's a compelling case for entrusting this task to a professional laundry company like lndry.com, especially in a bustling city like San Diego.
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In conclusion, the decision to entrust your laundry to a professional company like lndry.com in San Diego is a wise one. Beyond the convenience and time savings, professional services offer expertise, quality, and peace of mind. By leveraging advanced technology and adhering to stringent standards, these companies elevate the laundry experience, transforming a mundane chore into a hassle-free delight. So why wrestle with laundry at home when you can experience the unparalleled convenience and quality of professional services? Make the smart choice and let lndry.com take care of your laundry needs today.
Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.
DEGAP: Prioritize phase.
Max, Harry, 2024. Managing Priorities: How to Create Better Plans and Make Smarter Decisions
New York: Rosenfeld
Participatory Varietal Selection (PVS): Female and male panel discussion to prioritize traits for evaluation
A prioritized subproject -- to install a water system with 16 faucets throughout the village so that they do not rely on walking to the river, or for rain collection.
Bicycles are everywhere in Amsterdam. The City prioritizes bicycling over any other form of transportation. On our second day in Amsterdam, we rented bicycles from Black Bikes (across the street from the Rijksmuseum and Vondelpark) for 24 hours at a whopping cost of 10 euros (including helmet rental). This was one of the best things we did on our entire trip. We cycled to the Rijksmuseum and roamed through its gardens, which are free. We continued our self-guided cycling tour and cruised through Vondelpark on our way to Rembrandtpark.
Unlike Vondelpark which had winding lanes, numerous weeping willows, and lush open lawns for sunbathing, Rembrandpark was must less "manicured" in a way that made it feel like you were cycling through a forest. The cycling path was narrow and slightly bumpy, but the park itself was fantastic. While there were a few public art pieces to look at as we cycled, a majority of the park was simply wooded expanse. We exited Rembrandtpark and headed toward the City's largest park, Amsterdamse Bos.
When in Amsterdam rent a bike! Even if you have not ridden a bicycle in years (me!), you CAN bike in Amsterdam. Do not let yourself be intimidated by all of the other cyclists or their mastery of cycling etiquette. Pedal with confidence and mind the traffic rules and you will be absolutely fine!