View allAll Photos Tagged Prioritize

ProductTank London,

15 April 2015

Central Foundation Boys School, London

The Beacon Hill Bike Route project was prioritized based on public feedback and City Council actions over the past several years. The purpose of this project is to create a safe and comfortable bike route that connects people to businesses and community destinations in Beacon Hill. This project is partially funded by the 9-year Levy to Move Seattle, approved by voters in 2015.

 

People cross the street outside of the Beacon Hill light rail station.

The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.

Design a visual way to prioritize time.

Design a visual way to prioritize time.

Design a visual way to prioritize time.

Design a visual way to prioritize time.

Prioritizing Hearing Health for Employees

03.13.2024

Photo by Telly Myles

Supervisor of Shipbuilding Newport News

 

The Mobile Hearing Conservation and Testing Van sits outside Supervisor of Shipbuilding, Conversion and Repair, USN, Newport News, conducting annual audiology exams. SUPSHIPNN Code 140 Environmental Safety & Health Office, took a big step in protecting employee hearing with the arrival of the MOHCAT, 13 March.

Date Taken:03.13.2024

Date Posted:03.15.2024 14:54

Photo ID:8291375

VIRIN:240313-N-DJ454-6522

Resolution:3984x2656

Size:1.54 MB

Location:VA, US

www.dvidshub.net/news/466315/prioritizing-hearing-health-...

 

THE JOHNSON COLLECTION - A Private Collection for Public Good

 

thejohnsoncollection.org/the-collection/

 

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

 

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

 

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

 

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

 

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

 

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

 

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

 

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

 

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer

THE JOHNSON COLLECTION - A Private Collection for Public Good

 

thejohnsoncollection.org/the-collection/

 

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

 

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

 

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

 

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

 

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

 

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

 

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

 

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

 

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer

If Go is to provide a better place for developers it must eliminate long garbage collector (GC) pauses. This talk discusses the motivation, performance, and technical challenges of Go's low latency concurrent GC and why the approach fits Go well.

Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.

 

Photos by UNAMI PIO.

Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.

Edmund Yaghjian (1903 - 1997)

 

Around the Bend - 1950's

 

THE JOHNSON COLLECTION - A Private Collection for Public Good

 

thejohnsoncollection.org/the-collection/

 

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

 

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

 

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

 

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

 

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

 

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

 

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

 

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

 

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer

The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.

By Jacob Matham.

 

Have you ever felt badly for celebrating yourself, prioritizing rest over productivity, showing anger, feeling jealous, or acting on natural desires to have nice things, eat good food, or experience intimacy? If so, you are already acquainted with the Seven Deadly Sins – pride, sloth, wrath, envy, avarice, gluttony, and lust.

 

Featuring exceptional and rarely seen works from the Museum's collection of early modern prints and drawings, this exhibition showcases northern European depictions of "sinful" women to tell the story of how women became associated with sin, the role art played, and how that history shows up in our lives today.

 

Bad Girls Only : Women and the Seven Deadly Sins

 

Montreal Museum of Fine Arts, Québec.

The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.

May 10, 2024 Record-breaking expansion of mental health services

Climate change in Southeast Asia has been becoming a threat to agricultural production, food security, ecological stability, and sustainable development. Realizing the ongoing climate change issues, ASEAN Member States (AMS) together with international and national research agencies, and the private sector further continue working hand-in-hand to promote Climate-Smart Agriculture (CSA) practices to increase the resilience of the agriculture sector to the changing climate. From this background, the ASEAN Climate Resilience Network (ASEAN-CRN) Workshop on Promoting CSA Practices was held from 27-28 October 2015 at the Sheraton Hotel in Ho Chi Minh City, Vietnam. The two-day workshop served as way forward to promote the prioritized best CSA practices among AMS.

 

The workshop is led by the Thailand Ministry of Agriculture and Cooperatives (MOAC) through its Department of Agriculture (DOA) in its capacity as the current chair of the ASEAN-CRN, with the Ministry of Agriculture and Rural Development (MARD) of Vietnam as host. The German-ASEAN Programme on Response to Climate Change (GAP-CC) – implemented by the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH in cooperation with the ASEAN Secretariat, provided support for this event, along with the Food and Agriculture Organization (FAO) of the United Nations.

 

Photo by: GIZ

 

If you use one of our photos, please credit it accordingly and let us know. Reach us at mieke.yuniarti@giz.de

Every Mind Matters: The Many Dimensions of Mental Illness

The Hill brings together lawmakers, mental health experts, and advocates to discuss these questions and more and explore why prioritizing mental health is intrinsically linked to good health overall.

The United States is facing an unprecedented mental health crisis as two in five American adults reported experiencing symptoms of anxiety and depression in 2021. Fortunately, the country has witnessed a positive sea change in recognizing the importance of mental health and self-care in recent years, but significant work still remains to create a system that recognizes the nuances and needs of those with mental illness.

 

Schizophrenia, major depressive disorder, generalized anxiety disease, and post-traumatic stress disorder are just some of the many conditions affecting the 1 in 20 Americans experiencing serious mental illness today. The generalization of these disorders extends beyond everyday vernacular as one-size-fits-all policies, drugs and treatments continue to fail patients. Even when services are available, barriers like cost, cultural bias, and inconvenience often prevent people from accessing the care they need.

How can we break down the stigma associated with mental illness? How can we build a comprehensive care system to support all individuals affected by it?

LOCATION

In person at National Press Club Holeman Lounge, 529 14th St. NW, 13th Floor, Washington, DC 20045 & streaming nationally

 

DATE & TIME

Wednesday, October 18

8:00 AM – 10:00 AM ET

 

Speakers:

 

Daniel Gillison, CEO, National Alliance on Mental Illness (NAMI)

Dr. Joshua A. Gordon, Director, National Institute of Mental Health

Susan Gurley, Executive Director, Anxiety & Depression Association of America

Gabe Howard, “Inside Mental Health” Podcast Host, Author, Speaker

Dafna Michaelson Jenet, Colorado State Senator (CO-21)

Rep. Lisa McClain (R-MI), Co-Chair, Task Force on Mental Health & Substance Use Disorder

Rep. David Trone

The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.

The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.

At HealthieQ, we believe in a holistic approach, prioritizing safety, effectiveness, and overall health.

Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.

 

Photos by UNAMI PIO.

Design a visual way to prioritize time.

Design a visual way to prioritize time.

Until now, Facebook rated stories in News Feed with an emphasis on what you click, Like, remark on and share. But thanks to insights from new qualitative surveys in which end users gave every feed story 1 to 5 stars, Facebook is now leaning seriously on a second sign — what you want to see. ...

First 1000 businesses who contacts honestechs.com will receive a business mobile app and the development fee will be waived. Contact us today.

‪#‎electronics‬ ‪#‎technology‬ ‪#‎tech‬ ‪#‎electronic‬ ‪#‎device‬ ‪#‎gadget‬ ‪#‎gadgets‬ ‪#‎instatech‬ ‪#‎instagood‬ ‪#‎geek‬ ‪#‎techie‬ ‪#‎nerd‬ ‪#‎techy‬ ‪#‎photooftheday‬ ‪#‎computers‬ ‪#‎laptops‬ ‪#‎hack‬ ‪#‎screen‬

 

honestechs.com/2016/02/01/to-combat-clickbait-facebooks-f...

Kaelyn Sexton, a dedicated Certified Nurse Midwife, prioritizes collaborative care. Her fond travel memories, from Disney parks to Dublin, reflect her vibrant spirit. Dreaming of establishing a warm family environment in an idyllic neighborhood, she harbors aspirations of leading healthcare organizations in the future. Visit at :- muckrack.com/kaelyn-sexton

Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.

 

Photos by UNAMI PIO.

In today's fast-paced world, convenience is king. From ordering groceries online to summoning rides with a tap of a finger, modern consumers prioritize efficiency in every aspect of their lives. This trend extends to the realm of laundry services, where individuals seek reliable solutions to the chore of washing clothes. We are the Best Laundry Company in San Diego. While the option of doing laundry at home exists, there's a compelling case for entrusting this task to a professional laundry company like lndry.com, especially in a bustling city like San Diego.

  

1. Time Efficiency: In San Diego, where the vibrant lifestyle often leaves little time for mundane tasks, lndry.com offer a valuable commodity: time. Instead of spending hours sorting, washing, drying, and folding clothes, individuals can reclaim their precious time for more meaningful pursuits, whether it's pursuing a hobby, spending quality time with loved ones, or focusing on career goals.

  

2. Expertise and Quality: lndry.com have skilled personnel who are well-versed in the nuances of fabric care. From delicate silk blouses to rugged denim jeans, these experts know the appropriate washing techniques to ensure garments are cleaned thoroughly without risking damage. By entrusting your clothes to professionals, you can rest assured that they'll receive the care and attention they deserve, resulting in a longer lifespan for your wardrobe essentials.

  

3. Advanced Equipment and Technology: Professional laundry companies like lndry.com invest in state-of-the-art equipment and cutting-edge technology to deliver superior results. High-capacity washers and dryers, along with eco-friendly detergents and solvents, ensure efficient cleaning while minimizing environmental impact. Additionally, advanced tracking systems and mobile apps offer seamless communication and real-time updates, allowing customers to track the progress of their laundry conveniently.

  

4. Convenience and Flexibility: With pickup and delivery services, lndry.com offer unparalleled convenience. Whether you're a busy professional, a parent juggling multiple responsibilities, or a student focused on academics, the hassle of laundry becomes a thing of the past. Simply schedule a pickup online or through the mobile app, and lndry.com will handle the rest, delivering freshly laundered clothes to your doorstep at your convenience.

  

5. Hygiene and Sanitation: Especially in light of recent health concerns, maintaining cleanliness and hygiene is paramount. lndry.com adheres to strict hygiene protocols and sanitation standards to ensure the safety of their customers. From washing clothes at optimal temperatures to using disinfectants during the laundering process, these measures provide peace of mind, particularly in high-traffic urban areas like San Diego.

  

6. Cost-Effectiveness: Contrary to popular belief, outsourcing laundry to a professional company can be cost-effective in the long run. When considering the cost of water, electricity, detergent, and the wear and tear on your own appliances, the savings offered by professional services become apparent. Moreover, the value of time saved and the extended lifespan of clothes further justify the investment in professional laundering.

 

In conclusion, the decision to entrust your laundry to a professional company like lndry.com in San Diego is a wise one. Beyond the convenience and time savings, professional services offer expertise, quality, and peace of mind. By leveraging advanced technology and adhering to stringent standards, these companies elevate the laundry experience, transforming a mundane chore into a hassle-free delight. So why wrestle with laundry at home when you can experience the unparalleled convenience and quality of professional services? Make the smart choice and let lndry.com take care of your laundry needs today.

 

lndry.com/

Baghdad, 15 April 2019 - The Deputy Special Representative for Iraq of the United Nations Secretary-General and UN Resident Coordinator, Ms. Marta Ruedas, European Union Ambassador, Mr. Ramon Blecua, and NGO Coordinating Committee of Iraq Executive Director, Mr. Aaron Moore, at the launch the UN Strategic Prioritization Retreat. The event brought together government, civil society, international partners and the UN System to discuss the priorities of United Nations for 2020 – 2024 in support of Iraq’s development objectives.

 

Photos by UNAMI PIO.

Wallingford,CT. Tonight at the Wallingford Town Hall, Senate Republican Leader Len Fasano (R) North Haven, hosted an informational forum about proposed tolling on Connecticut roadways. Senator Fasano was joined by the ranking members of the legislatures transportation committee, Senator Henri Martin (R) Bristol and Representative Laura Devlin (R) Fairfield who presented Governor Lamont's and legislative Democrats proposed tolling plan and the Republican Prioritize Progress plan which funds transportation costs without the use of tolls. April 10, 2019. Photos, Joseph Lemieux Jr. CT Senate Republicans.

DEGAP: Prioritize phase.

 

Max, Harry, 2024. Managing Priorities: How to Create Better Plans and Make Smarter Decisions

New York: Rosenfeld

rosenfeldmedia.com/books/managing-priorities/

Participatory Varietal Selection (PVS): Female and male panel discussion to prioritize traits for evaluation

A prioritized subproject -- to install a water system with 16 faucets throughout the village so that they do not rely on walking to the river, or for rain collection.

Bicycles are everywhere in Amsterdam. The City prioritizes bicycling over any other form of transportation. On our second day in Amsterdam, we rented bicycles from Black Bikes (across the street from the Rijksmuseum and Vondelpark) for 24 hours at a whopping cost of 10 euros (including helmet rental). This was one of the best things we did on our entire trip. We cycled to the Rijksmuseum and roamed through its gardens, which are free. We continued our self-guided cycling tour and cruised through Vondelpark on our way to Rembrandtpark.

 

Unlike Vondelpark which had winding lanes, numerous weeping willows, and lush open lawns for sunbathing, Rembrandpark was must less "manicured" in a way that made it feel like you were cycling through a forest. The cycling path was narrow and slightly bumpy, but the park itself was fantastic. While there were a few public art pieces to look at as we cycled, a majority of the park was simply wooded expanse. We exited Rembrandtpark and headed toward the City's largest park, Amsterdamse Bos.

 

When in Amsterdam rent a bike! Even if you have not ridden a bicycle in years (me!), you CAN bike in Amsterdam. Do not let yourself be intimidated by all of the other cyclists or their mastery of cycling etiquette. Pedal with confidence and mind the traffic rules and you will be absolutely fine!

THE JOHNSON COLLECTION - A Private Collection for Public Good

 

thejohnsoncollection.org/the-collection/

 

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

 

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

 

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

 

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

 

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

 

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

 

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

 

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

 

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer

The Beacon Hill Bike Route project was prioritized based on public feedback and City Council actions over the past several years. The purpose of this project is to create a safe and comfortable bike route that connects people to businesses and community destinations in Beacon Hill. This project is partially funded by the 9-year Levy to Move Seattle, approved by voters in 2015.

 

A person rides an electric cargo bike on Beacon Hill.

who not only prioritizes the visual appeal of your book but also upholds a strong sense of quality and morality in their work.

 

Our book formatting services go beyond just making your book look good on the surface. We understand the importance of accuracy, consistency, and attention to detail in every aspect of formatting, from font selection and spacing to margins and alignment. Our team of experienced formatters ensures that your book is not only visually appealing but also easy to read and navigate.

 

Furthermore, we believe in upholding a strong sense of morality in our work. We are committed to maintaining the integrity of your content and ensuring that it is presented in the most ethical and respectful way possible. We take pride in being a trusted partner for authors who want to share their stories and ideas with the world while maintaining the highest standards of quality and morality.

 

Whether you are publishing a novel, a memoir, a self-help book, or any other type of book, we are here to help you bring your vision to life. Contact us today to learn more about our book formatting services and how we can help you achieve your publishing goals while upholding the values of quality and morality.

who not only prioritizes the visual appeal of your book but also upholds a strong sense of quality and morality in their work.

 

Our book formatting services go beyond just making your book look good on the surface. We understand the importance of accuracy, consistency, and attention to detail in every aspect of formatting, from font selection and spacing to margins and alignment. Our team of experienced formatters ensures that your book is not only visually appealing but also easy to read and navigate.

 

Furthermore, we believe in upholding a strong sense of morality in our work. We are committed to maintaining the integrity of your content and ensuring that it is presented in the most ethical and respectful way possible. We take pride in being a trusted partner for authors who want to share their stories and ideas with the world while maintaining the highest standards of quality and morality.

 

Whether you are publishing a novel, a memoir, a self-help book, or any other type of book, we are here to help you bring your vision to life. Contact us today to learn more about our book formatting services and how we can help you achieve your publishing goals while upholding the values of quality and morality.

THE JOHNSON COLLECTION - A Private Collection for Public Good

 

thejohnsoncollection.org/the-collection/

 

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

 

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

 

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

 

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

 

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

 

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

 

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

 

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

 

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer

Design a visual way to prioritize time.

Design a visual way to prioritize time.

Design a visual way to prioritize time.

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