The Government of Azerbaijan and United Nations launched the formulation of the joint strategic partnership framework for the next five years.

The Ministry of Economy and Industry hosted the launch of the joint consultation process, which brought together senior government officials, development partners, representatives from the private sector and civil society to identify the broad priority areas for the cooperation between the UN system and the Government. The prospective collaboration framework will be aligned with the national priorities that are articulated in ‘Azerbaijan: Vision 2020’ development concept, which builds on the country’s latest socio-economic achievements and provides a framework for its transition from a traditional economy to a knowledge-based, competitive and diversified economy.

The new strategy will support the agreed international goals and Post-2015 Development Agenda, a new framework for sustainable development, reaffirming the mutual commitment of the Government of Azerbaijan and United Nations to further deepen partnership and continue working in a concerted and effective manner. It will constitute a robust mechanism to foster coherence, relevance, effectiveness and efficiency within the UN system, and will give a significant attention to achieving results, with a focus on strengthening national Monitoring & Evaluation (M&E) capacity and deepening the integration of M&E into national development planning process.

On behalf of the Government of Azerbaijan, the Ministry of Economy and Industry will further co-lead the process of the preparation of the next partnership strategy until the end of August together with the United Nations and in consultation with all government and international partners. The strategic directions and expected results of the next partnership framework will be validated tentatively by end-September and endorsed by the Government by December 2014.

The Tree -- 1992,

Herbert Gentry,

Interlocking faces, masks, and bird-like creatures populate this fiery red background. Images like these recur throughout Herbert Gentry's work. They suggest a powerful connection between nature and the spiritual realm.

Stationed in Paris during World War II, Gentry saw the French city as a gateway for his creative expression. He was closely aligned with CoBrA, an artist group that prioritized spontaneity over rigid forms of abstraction. Gentry's expressive use of color, active brushwork, and distortion of forms marked a fresh approach to abstract painting.

________________________________

With Passion and Purpose

Gifts from the Collection of Larry D. and Brenda A. Thompson

June 7 - October 5, 2025

Locations East Building, Mezzanine — Gallery 214

See standout works by Black artists from the past century, newly gifted to the Nation.

For over four decades, Larry D. and Brenda A. Thompson have championed the work of Black artists. They have supported exhibitions and scholarship as they built a remarkable collection that spans 100 years of Black creativity in America.

This exhibition celebrates the recent and promised gifts of 175 works from the Thompsons to the National Gallery—the largest group of objects by Black artists to enter our collection at one time. Explore more than 60 paintings, sculpture, drawings, and prints organized in sections around themes of music and abstraction, figuration and portraiture, civil rights and social politics, as well as landscape and transcultural connections and influences.

Works range from a captivating portrait by Beauford Delaney and lyrical abstractions by Mildred Thompson to a towering allegorical woodcut by Alison Saar and an intricate sculpture of found objects by vanessa german. Enjoy works by renowned artists—Jacob Lawrence, Archibald Motley, and Kara Walker—and discover artists you may not yet know, such as Camille Billops, Vivian Browne, Moe Brooker, and Alonzo Davis.

www.nga.gov/exhibitions/passion-and-purpose

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"In April of this year, the National Gallery of Art in Washington, DC announced that it received a substantial gift of more than one hundred seventy artworks by Black American artists from art collectors Larry D. and Brenda A. Thompson. “The breadth of artistic achievement across media and styles in this transformative gift enriches the story of American art that we can share with our visitors,” Kaywin Feldman, director of the National Gallery of Art, stated in the press release. The National Gallery of Art collection includes one hundred sixty thousand artworks that span the history of Western art from the Middle Ages to the contemporary moment, but although the collection covers a huge period of time, its holdings are not as diverse as the people who live and work in the Western world. The Thompsons’ gift is the largest gift of Black art the museum has ever received, and because Western art is so heavily Eurocentric, the Thompsons’ gift is, indeed, “transformative”—and vital.

The exhibition With Passion and Purpose: Gifts from the Collection of Larry D. and Brenda A. Thompson, on view at the museum until October 5, features sixty paintings and sculptures from the collection. The donation spans one hundred years and features works by well-known artists, including Jacob Lawrence and Kara Walker, and more obscure artists like Moe Booker and Alonzo Davis. The collection is diverse in style, subject matter, and genre, featuring representational portraits to abstract paintings.

The four galleries that make up With Passion and Purpose are curated by Kanitra Fletcher, associate curator of African American and Afro-Diasporic Art; Shelley Langdale, curator and head of the department of modern prints and drawings; Claudia Watts, research assistant; and Emily Wehby, curatorial assistant, all of the National Gallery of Art. Vibrant abstract works greet the viewer upon arrival, setting up for a dynamic exhibition of varied artistic styles and subjects. While many artworks express narratives about Black America, not all of them take on such an arduous task; others celebrate beauty and joy. Artworks like Mento, 1968 by Mavis Pusey and Untitled, 1971 by Daniel LaRue Johnson exude the transformative nature of the post-civil rights moment they were created in. Other artworks like Sweeping Beauty, 1997 by Alison Saar and New York Rail, 1993 by Radcliffe Bailey illustrate Black life by expressing narratives that speak to harsh historical realities.

Sweeping Beauty, a woodcut on Okawara Natural Paper, depicts the figure of a pregnant nude woman positioned upside down, rendered in yellow pigment against a red and black background. The play on the classic children’s story Sleeping Beauty is evident, but Saar subverts the stereotypical female figure who is required to be chaste and dainty. The bold colors defy misogynist desires for women to be demure. For Black women, being modest was not always a choice, as from the time African women stepped onto American soil in the 1600s, they were relegated to chattel, and poked, prodded, and examined as such. Saar’s artwork of the nude figure might be also reckoning with the reality that Black women for so long were domestics made to clean and sweep. In these roles, Black women were not respected for their full humanity, and they were often forced to succumb to unwanted advances from their enslavers and bosses. Saar’s artwork is layered: her depiction of a fertility goddess highlights the notion that Black women birthed a workforce, and the figure’s hair sweeping the floor alludes to domestic servitude.

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With Passion and Purpose: Black Collectors Complicate Western Art Culture

on artessay

Shantay Robinson

Alison Saar

Sweeping Beauty,1997

3-color woodcut on Okawara Natural Paper

overall: 193.04 × 83.82 cm (76 × 33 in.)

National Gallery of Art, Promised Gift of Larry D. and Brenda A. Thompson

© Alison Saar. Courtesy of L.A. Louver, Venice, CA

In April of this year, the National Gallery of Art in Washington, DC announced that it received a substantial gift of more than one hundred seventy artworks by Black American artists from art collectors Larry D. and Brenda A. Thompson. “The breadth of artistic achievement across media and styles in this transformative gift enriches the story of American art that we can share with our visitors,” Kaywin Feldman, director of the National Gallery of Art, stated in the press release. The National Gallery of Art collection includes one hundred sixty thousand artworks that span the history of Western art from the Middle Ages to the contemporary moment, but although the collection covers a huge period of time, its holdings are not as diverse as the people who live and work in the Western world. The Thompsons’ gift is the largest gift of Black art the museum has ever received, and because Western art is so heavily Eurocentric, the Thompsons’ gift is, indeed, “transformative”—and vital.

The exhibition With Passion and Purpose: Gifts from the Collection of Larry D. and Brenda A. Thompson, on view at the museum until October 5, features sixty paintings and sculptures from the collection. The donation spans one hundred years and features works by well-known artists, including Jacob Lawrence and Kara Walker, and more obscure artists like Moe Booker and Alonzo Davis. The collection is diverse in style, subject matter, and genre, featuring representational portraits to abstract paintings.

The four galleries that make up With Passion and Purpose are curated by Kanitra Fletcher, associate curator of African American and Afro-Diasporic Art; Shelley Langdale, curator and head of the department of modern prints and drawings; Claudia Watts, research assistant; and Emily Wehby, curatorial assistant, all of the National Gallery of Art. Vibrant abstract works greet the viewer upon arrival, setting up for a dynamic exhibition of varied artistic styles and subjects. While many artworks express narratives about Black America, not all of them take on such an arduous task; others celebrate beauty and joy. Artworks like Mento, 1968 by Mavis Pusey and Untitled, 1971 by Daniel LaRue Johnson exude the transformative nature of the post-civil rights moment they were created in. Other artworks like Sweeping Beauty, 1997 by Alison Saar and New York Rail, 1993 by Radcliffe Bailey illustrate Black life by expressing narratives that speak to harsh historical realities.

Sweeping Beauty, a woodcut on Okawara Natural Paper, depicts the figure of a pregnant nude woman positioned upside down, rendered in yellow pigment against a red and black background. The play on the classic children’s story Sleeping Beauty is evident, but Saar subverts the stereotypical female figure who is required to be chaste and dainty. The bold colors defy misogynist desires for women to be demure. For Black women, being modest was not always a choice, as from the time African women stepped onto American soil in the 1600s, they were relegated to chattel, and poked, prodded, and examined as such. Saar’s artwork of the nude figure might be also reckoning with the reality that Black women for so long were domestics made to clean and sweep. In these roles, Black women were not respected for their full humanity, and they were often forced to succumb to unwanted advances from their enslavers and bosses. Saar’s artwork is layered: her depiction of a fertility goddess highlights the notion that Black women birthed a workforce, and the figure’s hair sweeping the floor alludes to domestic servitude.

Radcliffe Bailey

NY Rail (Transportation), 1993

cut-and-pasted offset printed paper and painted paper, acrylic paint, and blue crayon on wove paper

sheet: 45.8 x 58.9 cm (18 1/16 x 23 3/16 in.)

National Gallery of Art, Gift of Larry D. and Brenda A. Thompson

2023.145.14

Radcliffe Bailey, who passed away in 2023 and is known for telling Black American narratives through his artwork, is represented here by the six separate paintings that make up his NY Rail. Like Jacob Lawrence’s Migration Series, this artwork depicts the migration of Black people from the south and the Caribbean to parts of the United States. For NY Rail (Transportation), Bailey uses an archival photograph of Black people boarding a train, overlayed with a grid of colorful acrylic paint and a depiction of tree limbs with leaves. In NY Rail (Boats Arriving), he paints three and a half row boats, with the word “Mississippi,” “Jamaica,” and “Cuba” written on the sides of them, telling where and how Black people migrated. The background is in coordination with the other paintings in the series, as they incorporate the orange, blue, yellow, and green painted horizontal stripes depicting water and the landscape. In other artworks, NY Rail (Bird of Death) and NY Rail (Death of Infant), the artist illustrates the unfortunate trials faced during the migration. Though optimism drove the migrants, they still faced challenges that led to death in Northern cities, from mob violence to unhealthy environments in ghettos.

Without the stewardship of Black art collectors from the beginning of the early twentieth century when Black art burgeoned due to the New Negro Movement, commonly known as the Harlem Renaissance, the preservation of Black art would not have happened, and the art would be lost. During the early twentieth century, instead of exhibiting in downtown New York museums and galleries, Black artists exhibited their work in libraries, churches, and private homes. In 1921, the 135th Street Branch of the New York Public Library in Harlem held its first exhibition by African American artists. The library became a focal point for the Harlem Renaissance. Today, the library is known as the Schomburg Center for Research in Black Culture, after Arturo Alfonso Schomburg, who was fundamental to the movement and in 1926 contributed his collection of more than four thousand books to the library for $10,000 furnished by the Carnegie Corporation. Black American artists were excluded from the art establishment largely until the mid to late twentieth century when postmodern conceptual art started to become popular. Because of this exclusion, museum collections around the country lack art that represents historical Black narratives. But today, museums are beginning to acquire art that fills the historical gaps in their collections through the generosity of collectors like the Thompsons, University of Georgia emeritus trustees, who have been collecting art since 1980. In 2011, they donated one hundred artworks to the Georgia Museum of Art, and in 2008, they gifted thirty nine artworks to the David C. Driskell Center at the University of Maryland, College Park. Collectors Walter O. and Linda Evans, who hold one of the largest collections of Black art, gifted the Telfair Museums thirty artworks; Seteria and Najee Dorsey, founders of Black Art in America, gifted the Columbus Museum fifteen artworks; and Constance E. Clayton, an educator and civic leader who collected Black art over fifty years, gifted the Pennsylvania Academy of Fine Art more than seventy artworks.

Without Black art collectors, so much of the artwork by Black artists would be forgotten. With the loss of the physical art, the impalpable sensibilities of Black life throughout varied stages of history would not be preserved. Black collectors have cared for their collections and also contributed to the dissemination of the art and ideas through gifts to institutions that benefit from the inclusion of Black history. These Black collectors who steward Black art are making judgments on what should be preserved in a field that is dominated by western culture’s Eurocentric gaze. And though Black collectors have gifted historically Black institutions, including Clark Atlanta University, Hampton Unviersity, and Howard University, with artworks throughout African American art’s history, it is notable that the Thompsons are Black collectors making a profound contribution to one of the most highly regarded collections in the United States—the National Gallery of Art.

Shantay Robinson, educator and art writer, lives in Northern Virginia. Her work has appeared regularly in ARTnews, Smithsonian Magazine, Black Art in America, and other notable publications where she primarily writes about Black Art. She holds a PhD in Writing and Rhetoric from George Mason University."

hopkinsreview.com/features/with-passion-and-purpose-shant...

The Government of Azerbaijan and United Nations launched the formulation of the joint strategic partnership framework for the next five years.

The Ministry of Economy and Industry hosted the launch of the joint consultation process, which brought together senior government officials, development partners, representatives from the private sector and civil society to identify the broad priority areas for the cooperation between the UN system and the Government. The prospective collaboration framework will be aligned with the national priorities that are articulated in ‘Azerbaijan: Vision 2020’ development concept, which builds on the country’s latest socio-economic achievements and provides a framework for its transition from a traditional economy to a knowledge-based, competitive and diversified economy.

The new strategy will support the agreed international goals and Post-2015 Development Agenda, a new framework for sustainable development, reaffirming the mutual commitment of the Government of Azerbaijan and United Nations to further deepen partnership and continue working in a concerted and effective manner. It will constitute a robust mechanism to foster coherence, relevance, effectiveness and efficiency within the UN system, and will give a significant attention to achieving results, with a focus on strengthening national Monitoring & Evaluation (M&E) capacity and deepening the integration of M&E into national development planning process.

On behalf of the Government of Azerbaijan, the Ministry of Economy and Industry will further co-lead the process of the preparation of the next partnership strategy until the end of August together with the United Nations and in consultation with all government and international partners. The strategic directions and expected results of the next partnership framework will be validated tentatively by end-September and endorsed by the Government by December 2014.

THE JOHNSON COLLECTION - A Private Collection for Public Good

thejohnsoncollection.org/the-collection/

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

The United States prioritizes high-quality U.S. direct investment and economic engagement throughout the Indo-Pacific region, including the Lao PDR.

Today, #AmbHaymond hosted the Indo-Pacific Business Forum event in Vientiane Capital, which convened more than 40 people from senior representatives from government, industry, and the non-profit sector for a major event linked to the 2020 Indo-Pacific Business Forum – which is being held in Hanoi, Vietnam.

“We will continue to partner with the Lao government and private sector to further enhance the business environment and promote transparent public-private dialogue, thereby creating more opportunities for foreign investors, including American companies, to contribute to socio-economic development in Laos.” said Ambassador Haymond.

To learn more click here: www..usaid.gov/laos/news-information/press-releases/unite...

ສ. ອາເມລິກາ ໄດ້ໃຫ້ບູລິມະສິດສູງກ່ຽວກັບ ການລົງທຶນຂອງ ອາເມລິກາ ທີ່ມີຄຸນະພາບສູງ ໃນພາກ ພື້ນ ອິນໂດ-ປາຊີຟິກ ລວມທັງ ສປປ ລາວ.

ມື້ນີ້ ສະຖານທູດສະຫະລັດອາເມລິກາປະຈຳລາວທີ່ນະຄອນຫຼວງວຽງຈັນໄດ້ຈັດກອງປະ ຊຸມຂຶ້ນໃນວັນທີ 29 ຕຸລາ ເຊິ່ງມີຜູ້ເຂົ້າຮ່ວມຈາກລັດຖະບານ, ເອກະຊົນ ແລະ ພາກສ່ວນທີ່ບໍ່ຫວັງຜົນກຳໄລ ຫຼາຍກ່ວາ 40 ທ່ານ ເຊິ່ງກອງປະຊຸມດັ່ງກ່າວຖືກຈັດຂຶ້ນຄຽງຄູ່ກັບກອງປະຊຸມການດຳເນີນທຸລະກິດໃນພາກພື້ນອິນໂດ-ປາຊີຟິກ ປະຈຳປີ 2020 ທີ່ຈັດຂຶ້ນທີ່ ນະຄອນຫຼວງ ຮ່າໂນຍ ປະເທດຫວຽດນາມ.

#ທ່ານທູດປີເຕີ ກ່າວວ່າ: ພວກເຮົາຈະສືບຕໍ່ເຮັດວຽກຮ່ວມກັບລັດຖະບານລາວ ແລະ ພາກເອກະຊົນເພື່ອສ້າງສະພາບແວດລ້ອມທີ່ເອື້ອອຳນວຍຕໍ່ການເຮັດທຸລະກິດ ແລະ ສະໜັບສະໜູນເວທີການສົນທະນາປຶກສາຫາລືລະຫວ່າງພາກລັດ ແລະ ເອກະຊົນແບບໂປ່ງໃສຍິ່ງຂຶ້ນເຊິ່ງຈະມີຜົນປະໂຫຍດໃຫ້ແກ່ການສ້າງໂອກາດໃຫ້ແກ່ບັນດານັກລົງທຶນຕ່າງປະເທດ ລວມທັງບໍລິສັດຂອງອາເມລິກາເພື່ອ ປະກອບສ່ວນເຂົ້າໃນການພັດທະນາເສດຖະກິດ - ສັງຄົມ ໃນ ສປປ ລາວ.

ອ່ານເພີ່ມເຕີມທີ່: www..usaid.gov/laos/news-information/press-releases/unite...

The product back log was prioritized with the most pressing items on the top of the wall and items that can wait near the bottom of the wall. If something is high risk or is a prerequisite for another item to be completed, it went near or at the top. Items such as packing our dishes went at the bottom.

Officials from the 66 MDS continue to vaccinate personnel deemed eligible by the Department of Defense prioritization schema while vaccine supplies last.

The Government of Azerbaijan and United Nations launched the formulation of the joint strategic partnership framework for the next five years.

The Ministry of Economy and Industry hosted the launch of the joint consultation process, which brought together senior government officials, development partners, representatives from the private sector and civil society to identify the broad priority areas for the cooperation between the UN system and the Government. The prospective collaboration framework will be aligned with the national priorities that are articulated in ‘Azerbaijan: Vision 2020’ development concept, which builds on the country’s latest socio-economic achievements and provides a framework for its transition from a traditional economy to a knowledge-based, competitive and diversified economy.

The new strategy will support the agreed international goals and Post-2015 Development Agenda, a new framework for sustainable development, reaffirming the mutual commitment of the Government of Azerbaijan and United Nations to further deepen partnership and continue working in a concerted and effective manner. It will constitute a robust mechanism to foster coherence, relevance, effectiveness and efficiency within the UN system, and will give a significant attention to achieving results, with a focus on strengthening national Monitoring & Evaluation (M&E) capacity and deepening the integration of M&E into national development planning process.

On behalf of the Government of Azerbaijan, the Ministry of Economy and Industry will further co-lead the process of the preparation of the next partnership strategy until the end of August together with the United Nations and in consultation with all government and international partners. The strategic directions and expected results of the next partnership framework will be validated tentatively by end-September and endorsed by the Government by December 2014.

Photo Credit: Gerardo Romo / NYC Council Media Unit

The Government of Azerbaijan and United Nations launched the formulation of the joint strategic partnership framework for the next five years.

The Ministry of Economy and Industry hosted the launch of the joint consultation process, which brought together senior government officials, development partners, representatives from the private sector and civil society to identify the broad priority areas for the cooperation between the UN system and the Government. The prospective collaboration framework will be aligned with the national priorities that are articulated in ‘Azerbaijan: Vision 2020’ development concept, which builds on the country’s latest socio-economic achievements and provides a framework for its transition from a traditional economy to a knowledge-based, competitive and diversified economy.

The new strategy will support the agreed international goals and Post-2015 Development Agenda, a new framework for sustainable development, reaffirming the mutual commitment of the Government of Azerbaijan and United Nations to further deepen partnership and continue working in a concerted and effective manner. It will constitute a robust mechanism to foster coherence, relevance, effectiveness and efficiency within the UN system, and will give a significant attention to achieving results, with a focus on strengthening national Monitoring & Evaluation (M&E) capacity and deepening the integration of M&E into national development planning process.

On behalf of the Government of Azerbaijan, the Ministry of Economy and Industry will further co-lead the process of the preparation of the next partnership strategy until the end of August together with the United Nations and in consultation with all government and international partners. The strategic directions and expected results of the next partnership framework will be validated tentatively by end-September and endorsed by the Government by December 2014.

The Government of Azerbaijan and United Nations launched the formulation of the joint strategic partnership framework for the next five years.

The Ministry of Economy and Industry hosted the launch of the joint consultation process, which brought together senior government officials, development partners, representatives from the private sector and civil society to identify the broad priority areas for the cooperation between the UN system and the Government. The prospective collaboration framework will be aligned with the national priorities that are articulated in ‘Azerbaijan: Vision 2020’ development concept, which builds on the country’s latest socio-economic achievements and provides a framework for its transition from a traditional economy to a knowledge-based, competitive and diversified economy.

The new strategy will support the agreed international goals and Post-2015 Development Agenda, a new framework for sustainable development, reaffirming the mutual commitment of the Government of Azerbaijan and United Nations to further deepen partnership and continue working in a concerted and effective manner. It will constitute a robust mechanism to foster coherence, relevance, effectiveness and efficiency within the UN system, and will give a significant attention to achieving results, with a focus on strengthening national Monitoring & Evaluation (M&E) capacity and deepening the integration of M&E into national development planning process.

On behalf of the Government of Azerbaijan, the Ministry of Economy and Industry will further co-lead the process of the preparation of the next partnership strategy until the end of August together with the United Nations and in consultation with all government and international partners. The strategic directions and expected results of the next partnership framework will be validated tentatively by end-September and endorsed by the Government by December 2014.

The United States prioritizes high-quality U.S. direct investment and economic engagement throughout the Indo-Pacific region, including the Lao PDR.

Today, #AmbHaymond hosted the Indo-Pacific Business Forum event in Vientiane Capital, which convened more than 40 people from senior representatives from government, industry, and the non-profit sector for a major event linked to the 2020 Indo-Pacific Business Forum – which is being held in Hanoi, Vietnam.

“We will continue to partner with the Lao government and private sector to further enhance the business environment and promote transparent public-private dialogue, thereby creating more opportunities for foreign investors, including American companies, to contribute to socio-economic development in Laos.” said Ambassador Haymond.

To learn more click here: www..usaid.gov/laos/news-information/press-releases/unite...

ສ. ອາເມລິກາ ໄດ້ໃຫ້ບູລິມະສິດສູງກ່ຽວກັບ ການລົງທຶນຂອງ ອາເມລິກາ ທີ່ມີຄຸນະພາບສູງ ໃນພາກ ພື້ນ ອິນໂດ-ປາຊີຟິກ ລວມທັງ ສປປ ລາວ.

ມື້ນີ້ ສະຖານທູດສະຫະລັດອາເມລິກາປະຈຳລາວທີ່ນະຄອນຫຼວງວຽງຈັນໄດ້ຈັດກອງປະ ຊຸມຂຶ້ນໃນວັນທີ 29 ຕຸລາ ເຊິ່ງມີຜູ້ເຂົ້າຮ່ວມຈາກລັດຖະບານ, ເອກະຊົນ ແລະ ພາກສ່ວນທີ່ບໍ່ຫວັງຜົນກຳໄລ ຫຼາຍກ່ວາ 40 ທ່ານ ເຊິ່ງກອງປະຊຸມດັ່ງກ່າວຖືກຈັດຂຶ້ນຄຽງຄູ່ກັບກອງປະຊຸມການດຳເນີນທຸລະກິດໃນພາກພື້ນອິນໂດ-ປາຊີຟິກ ປະຈຳປີ 2020 ທີ່ຈັດຂຶ້ນທີ່ ນະຄອນຫຼວງ ຮ່າໂນຍ ປະເທດຫວຽດນາມ.

#ທ່ານທູດປີເຕີ ກ່າວວ່າ: ພວກເຮົາຈະສືບຕໍ່ເຮັດວຽກຮ່ວມກັບລັດຖະບານລາວ ແລະ ພາກເອກະຊົນເພື່ອສ້າງສະພາບແວດລ້ອມທີ່ເອື້ອອຳນວຍຕໍ່ການເຮັດທຸລະກິດ ແລະ ສະໜັບສະໜູນເວທີການສົນທະນາປຶກສາຫາລືລະຫວ່າງພາກລັດ ແລະ ເອກະຊົນແບບໂປ່ງໃສຍິ່ງຂຶ້ນເຊິ່ງຈະມີຜົນປະໂຫຍດໃຫ້ແກ່ການສ້າງໂອກາດໃຫ້ແກ່ບັນດານັກລົງທຶນຕ່າງປະເທດ ລວມທັງບໍລິສັດຂອງອາເມລິກາເພື່ອ ປະກອບສ່ວນເຂົ້າໃນການພັດທະນາເສດຖະກິດ - ສັງຄົມ ໃນ ສປປ ລາວ.

ອ່ານເພີ່ມເຕີມທີ່: www..usaid.gov/laos/news-information/press-releases/unite...

THE JOHNSON COLLECTION - A Private Collection for Public Good

thejohnsoncollection.org/the-collection/

Sharing the art it stewards with communities across the country is The Johnson Collection’s essential purpose and propels our daily work. Much more than a physical place, TJC seeks to be a presence in American art, prioritizing access over location. Since 2013, the collection’s touring exhibitions have been loaned twenty-five times, placed without fee in partner museums with a combined annual attendance of over 1.2 million visitors. In its showcase of over 1,000 objects, TJC’s website functions as a digital museum, available anywhere and anytime.

What began as an interest in paintings by Carolina artists in 2002 has grown to encompass over 1,400 objects with provenances that span the centuries and chronicle the cultural evolution of the American South.

Today, The Johnson Collection counts iconic masterworks among its holdings, as well as representative pieces by an astonishing depth and breadth of artists, native and visiting, whose lives and legacies form the foundation of Southern art history. From William D. Washington’s The Burial of Latané to Malvin Gray Johnson’s Roll Jordan Roll, the collection embraces the region’s rich history and confronts its complexities, past and present.

.The contributions of women artists, ranging from Helen Turner—only the fourth woman elected to full membership in the National Academy of Design in 1921—to Alma Thomas—the first African American woman to have a solo exhibition at a major national museum in 1972—are accorded overdue attention, most notably in TJC's most recent publication and companion exhibition, Central to Their Lives: Southern Women Artists in the Johnson Collection. Landmark works by American artists of African descent such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, William H. Johnson, Leo Twiggs, and Hale Woodruff pay homage to their makers' barrier-defying accomplishments. Modern paintings, prints, collages, and sculpture created by internationally renowned artists associated with the experimental arts enclave of Black Mountain College, including Josef Albers, Ruth Asawa, Ilya Bolotowsky, Elaine de Kooning, Robert Motherwell, Kenneth Noland, and Robert Rauschenberg highlight the North Carolina school's geographic proximity to the collection's home.

Hailed by The Magazine Antiques as having staged a "quiet art historical revolution" and expanding "the meaning of regional," The Johnson Collection heralds the pivotal role that art of the South plays in the national narrative. To that end, the collection's ambitious publication and exhibition strategies extend far beyond a single city's limit or a territorial divide.

Since 2012, TJC has produced four significant scholarly books—thoroughly researched and beautifully illustrated investigations of Southern art time periods, artists, and themes: Romantic Spirits: Nineteenth Century Paintings of the South (2012); From New York to Nebo: The Artistic Journey of Eugene Thomason (2014); Scenic Impressions: Southern Interpretations from the Johnson Collection (2015); and Central to Their Lives: Southern Women Artists in the Johnson Collection (2018). These volumes are accompanied by traveling exhibitions that have been loaned without fee to partner museums with a combined annual attendance of over 1.7 million visitors.

Smaller curated presentations rotate at the collection's hometown exhibition space, TJC Gallery. Individual objects are regularly made available for critical exhibitions such as La Biennale di Venezia, Afro-Atlantic Histories, Outliers and American Vanguard Art, Leap Before You Look: Black Mountain College, 1933-1957, Alma W. Thomas: Everything is Beautiful, Riffs and Relations: African American Artists and the European Modernist Tradition, and Bold, Cautious, True: Walt Whitman and American Art of the Civil War Era and featured in important publications and catalogues, including The New Encyclopedia of Southern Culture: Art & Architecture, and The Civil War and American Art.

In 2016, the state of South Carolina honored The Johnson Collection with the Governor’s Award for the Arts, its highest arts distinction. The commendation paid tribute to the Johnson family's enduring contributions: "Equally dedicated to arts advancement and arts accessibility, the Johnsons generously share their vision, energy, passion and resources to benefit the arts in South Carolina."

"Who can say what ignites a passion? Was it those three red roses frozen in blue? An awakened connection to one's geographical roots? Perhaps the familiarity of the road to Nebo? The nucleus of what was to become our collection was formed by such seemingly unrelated catalysts. Looking back, it was always the sense of place that drew George and me to beautiful pictures—pictures that capture not only the glorious landscape of the South, but that also enliven its unique culture and dynamic history." ~Susu Johnson, Chief Executive Officer

In 2000, Jakob Nielsen, the world’s leading expert on Web usability, published a book that changed how people think about the Web—Designing Web Usability (New Riders). Many applauded. A few jeered. But everyone listened. The best-selling usability guru is back and has revisited his classic guide, joined forces with Web usability consultant Hoa Loranger, and created an updated companion book that covers the essential changes to the Web and usability today. Prioritizing Web Usability is the guide for anyone who wants to take their Web site(s) to next level and make usability a priority! Through the authors’ wisdom, experience, and hundreds of real-world user tests and contemporary Web site critiques, you’ll learn about site design, user experience and usability testing, navigation and search capabilities, old guidelines and prioritizing usability issues, page design and layout, content design, and more!

www.amazon.com/Prioritizing-Web-Usability-Jakob-Nielsen/d...

In Ghana, hardworking individuals often prioritize work over self-care. But there's a unique self-care ritual that's both practical and efficient – using the Ghanaian sun to dry their hair while they work.

In a country where time is precious, many Ghanaians wash and set their hair but can't spare the time to sit under a hairdryer. Instead, they turn to the reliable Ghanaian sun. While going about their busy workdays, they let the sun naturally dry their hair, harnessing nature's power to save time and money.

This practice is a testament to their resourcefulness, showing that self-care can be integrated into even the busiest of lives. It's a reminder that self-care doesn't always require elaborate routines; sometimes, it's as simple as making the most of what's readily available.

So, when you see a Ghanaian worker with their hair drying in the sun, appreciate the ingenuity behind this practical form of self-care.

2013 ReSAKSS Annual Conference on “Achieving the Maputo Declaration Target and Prioritizing Public Agricultural Expenditures”, Dakar, Senegal, Nov 12-13 2013

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

In Organizations like hospitals, the Clinical Decision Support System plays a critical role. It is becoming an essential tool for all healthcare providers as it helps to see the available data in a more precise way, which allows the delivery of value-based care. Maintaining a reimbursement environment and following modern regulatory rules, such as reducing clinical variation, duplicative testing, and ensuring patient safety, should be prioritized. There are various Clinical Decision support tools designed to help the sift amount of massive data. It will help suggest new ideas for treatments and help the healthcare providers that will help the new type of information they are unaware of to ensure patient safety.

CDSS in healthcare is an application that helps healthcare providers to make accurate decisions. It analyzes the insights data and smartly filters out healthcare data to enhance the quality and outcomes through value-based care reasoning. CDSS has transformed and has seen rapid revolution, all credit to the automated decision support system in healthcare. It has helped a lot, providing healthcare providers the support they needed, saving costs and time, and making excellent use of web applications like Electronic Health Records(EHR) and computerized provider order entry systems(CPOE). They are administering through desktop, tablet, and smartphone and devices like biometric and wearable health technology devices. In some cases, these devices won't produce the output directly on the device.

How is CDSS progressing and helping the healthcare industry?

With the help of advanced technologies, CDSS has progressed since the 1980s when they made their first use in US Healthcare. It is helping the hospitals in various ways such as.

1. CDSS ensures there is an outstanding success in Patient Safety.

Specific medication errors have been diagnosed, like drug interactions that are not catching and patients are not diagnosed. With the help of CDSS software, these patients are diagnosed and are ensuring the safety they require. CDSS improves patient safety through the reminder systems for various medical events, not just medication-related.

2. CDSS can help out in Proper Clinical Management

CDSS can increase adherence to various clinical guidelines. There were assumptions that clinicians do not follow proper procedures, which was not valid. CDSS ensures good clinical management is being taken care of. CDSS alerts the clinicians to alert the patient if they do not follow proper management plans or follow up is adequately taken based on research-based criteria. An alert is sent to the clinicians, which is then forwarded to the patient and ensures all steps like the clinical trial patient information sheet fulfill all patient data.

3. CDSS helps in providing proper administrative functions for the streamlined process

CDSS helps out in clinical and diagnostic coding too. Maintaining a proper schedule, procedures, tests, and patient triage is part of CDSS care. CDSS can help out to directly improve the quality of the clinical documentation. CDSS takes the help of a prompting system that significantly enhances labor induction documentation compared to hospitals.

Conclusion: CDSS in healthcare has helped Healthcare Providers make a variety of decisions such as patient care, proper clinical management, and it is showing significant results and has ubiquitously support for adequate delivery of quality care. CPOE systems also have played tremendous roles and have helped for patient safety. In the age of Electronic Medical records, support for CDSS is very strong. It has shown excellent results, which will continue in the future too in sectors like interoperability, speed, easing of deployment, and affordability, which will have the same goal: ensuring patient safety and quality-based care.

Source: www.osplabs.com/cdss/

Medics prepare for a practical exercise using the UH-60 Black Hawk helicopter during Cadet Summer Training on Fort Knox, Ky., June 6, 2026. Medic Training prioritizes Cadet well-being by running through simulated, practical exercises and discussing essential practices. | Photo by Andrew Fuhrman, Ball State University, CST Public Affairs

008

McKinsey Global Infrastructure Initiative Summit

Tokyo, Japan

Wednesday, October 19th, 2022

15:10–15:30

PRIORITIZING THE PATHWAY TO SUSTAINABLE INFRASTRUCTURE

The combined impacts of COVID-19 and net-zero commitments have resulted in an unprecedented disruption of the $11.6 trillion global infrastructure industry. Meeting net-zero targets will require the industry to transform project development and delivery to deliver a global portfolio of projects at an unprecedented scale and pace. What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?

Facilitators:

Tip Huizenga, Senior Partner, McKinsey & Company; Co-chair, GII

Detlev Mohr, Senior Partner, McKinsey & Company; Co-chair, GII

In this interactive session, Detlev and Tip will briefly frame the topic with a few slides to set the context. This will be followed by them asking the question to the audience, “What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?” The audience will be requested to discuss the question for ~7 minutes in their pods, submitting their ideas through the GII app to form a Word Cloud on the screen.

Photograph by McKinsey Global Infrastructure/Stuart Isett

This image is excerpted from a U.S. GAO report:

www.gao.gov/products/GAO-25-107115

Railway-Highway Crossings: Improvements Needed to Federal Technical Assistance About Pedestrian Projects Related to Trespassing

Andee was soooo tired after all the opening. Up to now, she can't figure out what to prioritize.

The United States prioritizes high-quality U.S. direct investment and economic engagement throughout the Indo-Pacific region, including the Lao PDR.

Today, #AmbHaymond hosted the Indo-Pacific Business Forum event in Vientiane Capital, which convened more than 40 people from senior representatives from government, industry, and the non-profit sector for a major event linked to the 2020 Indo-Pacific Business Forum – which is being held in Hanoi, Vietnam.

“We will continue to partner with the Lao government and private sector to further enhance the business environment and promote transparent public-private dialogue, thereby creating more opportunities for foreign investors, including American companies, to contribute to socio-economic development in Laos.” said Ambassador Haymond.

To learn more click here: www..usaid.gov/laos/news-information/press-releases/unite...

ສ. ອາເມລິກາ ໄດ້ໃຫ້ບູລິມະສິດສູງກ່ຽວກັບ ການລົງທຶນຂອງ ອາເມລິກາ ທີ່ມີຄຸນະພາບສູງ ໃນພາກ ພື້ນ ອິນໂດ-ປາຊີຟິກ ລວມທັງ ສປປ ລາວ.

ມື້ນີ້ ສະຖານທູດສະຫະລັດອາເມລິກາປະຈຳລາວທີ່ນະຄອນຫຼວງວຽງຈັນໄດ້ຈັດກອງປະ ຊຸມຂຶ້ນໃນວັນທີ 29 ຕຸລາ ເຊິ່ງມີຜູ້ເຂົ້າຮ່ວມຈາກລັດຖະບານ, ເອກະຊົນ ແລະ ພາກສ່ວນທີ່ບໍ່ຫວັງຜົນກຳໄລ ຫຼາຍກ່ວາ 40 ທ່ານ ເຊິ່ງກອງປະຊຸມດັ່ງກ່າວຖືກຈັດຂຶ້ນຄຽງຄູ່ກັບກອງປະຊຸມການດຳເນີນທຸລະກິດໃນພາກພື້ນອິນໂດ-ປາຊີຟິກ ປະຈຳປີ 2020 ທີ່ຈັດຂຶ້ນທີ່ ນະຄອນຫຼວງ ຮ່າໂນຍ ປະເທດຫວຽດນາມ.

#ທ່ານທູດປີເຕີ ກ່າວວ່າ: ພວກເຮົາຈະສືບຕໍ່ເຮັດວຽກຮ່ວມກັບລັດຖະບານລາວ ແລະ ພາກເອກະຊົນເພື່ອສ້າງສະພາບແວດລ້ອມທີ່ເອື້ອອຳນວຍຕໍ່ການເຮັດທຸລະກິດ ແລະ ສະໜັບສະໜູນເວທີການສົນທະນາປຶກສາຫາລືລະຫວ່າງພາກລັດ ແລະ ເອກະຊົນແບບໂປ່ງໃສຍິ່ງຂຶ້ນເຊິ່ງຈະມີຜົນປະໂຫຍດໃຫ້ແກ່ການສ້າງໂອກາດໃຫ້ແກ່ບັນດານັກລົງທຶນຕ່າງປະເທດ ລວມທັງບໍລິສັດຂອງອາເມລິກາເພື່ອ ປະກອບສ່ວນເຂົ້າໃນການພັດທະນາເສດຖະກິດ - ສັງຄົມ ໃນ ສປປ ລາວ.

ອ່ານເພີ່ມເຕີມທີ່: www..usaid.gov/laos/news-information/press-releases/unite...

Portland State University (PSU) undergraduate Jill Rosenberger presents her research titled, "Prioritizing Constant Communication over Safety While Driving," at the Undergraduate Scholars Research Conference (USRC) at the Western States Communication Association (WSCA) 2008 Annual Convention in Denver/Boulder, CO., at the Omni Interlocken Resort. Rosenberger's empirical research on public opinion about cell phone use restrictions for drivers was completed in Wynde Dyer's SP399 Cell Phones and Society course at PSU. Respondent Dr. Bill Eadie of San Diego State University said Rosenberger's mixed-methods research design was "state of the art" and encouraged her to continue to look into the communicative and sociological implications of cell phones.

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

Boliver Oddfellow (rl Drew Stein of Infinitevisionmedia.com) decides mints are too precious to think about avoiding the risk of having his hand bitten off.

...

...

Okay, so it' s a plastic alligator head and I asked him to pose. Sue me! hahah

Presenting the results of the Participatory Rural Appraisal before prioritizing the project Mercy Corps will fund.

The Community Archiving Workshop prioritized collections centering Native Hawaiian culture and history, as well as prioritizing workshop volunteers with Native Hawaiian or other Indigenous ancestry. We partnered with the Lāna'i Culture & Heritage Center and the Ka Ipu Makani Cultural Heritage Center, with support from the ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive.

The Government of Azerbaijan and United Nations launched the formulation of the joint strategic partnership framework for the next five years.

The Ministry of Economy and Industry hosted the launch of the joint consultation process, which brought together senior government officials, development partners, representatives from the private sector and civil society to identify the broad priority areas for the cooperation between the UN system and the Government. The prospective collaboration framework will be aligned with the national priorities that are articulated in ‘Azerbaijan: Vision 2020’ development concept, which builds on the country’s latest socio-economic achievements and provides a framework for its transition from a traditional economy to a knowledge-based, competitive and diversified economy.

The new strategy will support the agreed international goals and Post-2015 Development Agenda, a new framework for sustainable development, reaffirming the mutual commitment of the Government of Azerbaijan and United Nations to further deepen partnership and continue working in a concerted and effective manner. It will constitute a robust mechanism to foster coherence, relevance, effectiveness and efficiency within the UN system, and will give a significant attention to achieving results, with a focus on strengthening national Monitoring & Evaluation (M&E) capacity and deepening the integration of M&E into national development planning process.

On behalf of the Government of Azerbaijan, the Ministry of Economy and Industry will further co-lead the process of the preparation of the next partnership strategy until the end of August together with the United Nations and in consultation with all government and international partners. The strategic directions and expected results of the next partnership framework will be validated tentatively by end-September and endorsed by the Government by December 2014.

008

McKinsey Global Infrastructure Initiative Summit

Tokyo, Japan

Wednesday, October 19th, 2022

15:10–15:30

PRIORITIZING THE PATHWAY TO SUSTAINABLE INFRASTRUCTURE

The combined impacts of COVID-19 and net-zero commitments have resulted in an unprecedented disruption of the $11.6 trillion global infrastructure industry. Meeting net-zero targets will require the industry to transform project development and delivery to deliver a global portfolio of projects at an unprecedented scale and pace. What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?

Facilitators:

Tip Huizenga, Senior Partner, McKinsey & Company; Co-chair, GII

Detlev Mohr, Senior Partner, McKinsey & Company; Co-chair, GII

In this interactive session, Detlev and Tip will briefly frame the topic with a few slides to set the context. This will be followed by them asking the question to the audience, “What are the pivotal actions we need to take now to enable sustainable infrastructure for the decades to come?” The audience will be requested to discuss the question for ~7 minutes in their pods, submitting their ideas through the GII app to form a Word Cloud on the screen.

Photograph by McKinsey Global Infrastructure/Stuart Isett

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

Please credit accordingly and leave a comment when you use a CIAT photo.

For more info: ciat-comunicaciones@cgiar.org

In Vietnam's climate-smart village of Ma in Yen Bai province, researchers and farmers discussed what tools they find most useful to tackle climate change. The tools will be whittled down and adapted for farmers to tackle the climate changes within their specific landscape. Vietnam, July 2015.

Credit: ©2015CIAT/Georgina Smith

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