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A few snaps of some of the work produced during this weekly course with Hester.

A few snaps of some of the work produced during this weekly course with Hester.

oh, how i love the bathtub doubling as "the yard/garden hose" in apartments.

During the "Printmaking in the Age of Rembrandt" exhibition at the Currier Museum of Art, Manchester, NH (on view September 29, 2012- January 6, 2013) visitors were invited to carve prints throughout October. Those plates will then be inked and printed during a "Steamroller Printmaking" event on Sunday, November 4 where we'll use an actual steamroller (yes, we mean the road construction vehicle) to produce multiple large-scale prints. These prints will be displayed in the museum's Community Gallery and Art Center.

BFA Thesis Exhibition

"Reflections of Vulnerability"

 

Imaging Arts & Printmaking

 

Htein Lin guides us through the process of finger painted printing he developed as a political prisoner in Yangon's notorious Insein prison.

 

Using bits of glass, plastic and soap, Htein Lin's creativity was able to flourish even under the direst of circumstances; in fact he felt a responsibility to continue his art in prison as a peaceful statement to the junta that freedom of expression cannot ever really be repressed.

Curated by Lorraine Tady. Left, Ben Munoz; right, Strange Powers Press risographs.

 

Annie Nguyen, GR8 Songs to Cry To, 4 Color Risograph Print, 10” x 10”

 

Annie Nguyen, Listen to When You’re Lonely but Don’t Want to Talk to Anyone, 4 Color Risograph Print ,

10” x 10”

 

Mylan Nguyen, Pobrecita, Poetry by Amy Zapien, Illustrated by Mylan Nguyen

 

Mylan Nguyen, Pobrecita Y La Curandera, Poetry by Amy Zapien, Illustrated by Mylan Nguyen

 

Taro Kun (Fantasy Boy Taro/F. Boy Taro), Boogie Man, Risograph

 

Taro Kun (Fantasy Boy Taro/F. Boy Taro), Kitchen Gods, 2021, Risograph

 

Taro Kun (Fantasy Boy Taro/F. Boy Taro), Satoshi no Kokuhaku, 2021, Risograph

 

Taro Kun (Fantasy Boy Taro/F. Boy Taro), Younger Days, zine

 

collagraph, 450x580mm. Commission for PandO

[1AP remaining]

 

from the series Impropiaciones (woodlike edition)

edition of 8

linocut on amate paper

17x17cm

2012.

These fabrics were all printed by myself in India. I attended a week long course facilitated by Skills Tourism to utilise local artisans in Mysore and showcase their skills. It was a busman's holiday for me as a printmaker but one of the best things I have ever done in India. If you ever get the opportunity, you must try it.

Printmaking, April 2010

Printmaking

9x12

big lagoon, color stone lithography, eureka ca.

Paper Lithography print on dyed and collaged paper

eventually I hope to print the "moon" block in a yellow color under the "skull" block in black or gray... could also work under the "bat" block but I sort of see Batty a a stand alone fellow

stupid red tint from my sister's pink room.

i need better lighting.

 

original image: www.flickr.com/photos/purpleskies/281753217/in/set-1732451/

'Rabbit King'

Monotype, 2009

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