Three different versions of Spurn Point based on the same view.

Essentially the most conventional - it reminds me of Michael Foreman's use of colour. Watercolour + graphite watercolour pencil.

07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

This is my proof from a workshop I did in the city on silk aquatint. I didn't ink or print this, the lady who ran the workshop did so I'm kind of peeved about that, I'm going to attempt to ink and print this plate by myself this week.

"I PUT MY HEART AND SOUL INTO MY WORK AND LOST MY MIND IN THE PROCESS"

Acid room floor drain

1 day with Hester Cox

The Gallery offered printmaking workshops with Sarah as part of Education Week. The grade 4 students were lucky enough to participate in this wonderful art making experience.

A big thankyou to Tianee Hurst, Giselle Allgood, Kylie Milne, Mila Jamison, and Cassanda Woods for their help on the day. Without the support of parents these opportunities would not be possible.

07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

with Hester Cox

Using polystyrene and pigment ink

STONES THROW: NY/LA Exchange Show Robert Blackburn Printmaking Workshop

07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

Good Illustration of how printmakers create by working in mirror images.

Photo Credit : Claire Emery

I made this in art. I printed it onto orange paper and the ink was an aqua greenish-blue (to me at least). To be honest, I'm not sure if this was taken with the Nikon or the Mamiya, but I'm thinking it was the Mamiya 645. I'll go out on a limb with this one... Taken with a Mamiya 645.

For my honor's thesis, I wrote a story and illustrated it with linocuts. These are a few of the illustrations from the book.

It is being published and will be for sale on my website, on Amazon.com and on Barnes/Nobles in July.

If you would like to buy a copy directly from me, please contact me.

linocut, 5x7

These stencils were placed randomly on a sheet of paper without a coloured background. From Jo Hollier's weekend workshop

"Þessi eru nöfn hrafns: krákr, Huginn, Muninn, borginmóði, árflognir, ártali, holdboði".

First experience in engraving.

Another double page spread from the story.

For my honor's thesis, I wrote a story and illustrated it with linocuts. These are a few of the illustrations from the book.

It is being published and will be for sale on my website, on Amazon.com and on Barnes/Nobles in July.

If you would like to buy a copy directly from me, please contact me.

fire into earth

black etching ink with red and yellow spray on rice paper

Friend just brought over my wind-down book press that I used to use for linocuts (any relief printing basically), I haven't seen it since 2001! :)

First proper appearance of arms.

Styrofoam print

A4 size

Monotype

1 Color Lithography

10 x 12 inches - 1999