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I've recently begun collecting interesting looking indoor plants and this is one. 15 units in the Nuarc, Rosaspina 250gsm, Charbonnel raw sepia...

Results of my day of printmaking at the Columbus cultural arts Center

Illustration project // handmade book//

2009// etching, dry point, aquatint

 

Illegal imigrants: what do you have to live to cross illegaly a border? After analizing EU migration politics and getting in some actions in Lesvos island dedicated to close a detention center Pagani, i made a book telling a personal story of a boy Azadi from Afghanistan, which is at the same time the story of all illegal imigrants.

Relief print 11.5x11.5" framed

AVAILABLE

monoprints created with a gelli plate + acrylics

Litho gum transfer print work recently I'm working on. The transfer was made on 245gsm Stonehenge Rising paper(left) and traditional Korean Mulberry paper.

copyright 2017 Kye Lee

Linocut, 12”x18”, dated 2007

 

www.nataliamoroz.com

Results of my day of printmaking at the Columbus cultural arts Center

started off as a drypoint demo, decided to stay after class and flesh it out.

 

after Remberant

print for charity auction for a local montessori school...

3 color, 15 x 22

printed at home

 

same as the other will print ion the adana and will add letterpress to it ,this book belong ect.

Monoprint( 10 x 12) from Lino with ink and watercolour. Framed.

Collagraph print from three plates on Rising Stonehenge

I am a printmaker

Visual thinker

Thinking what can I put together

What image?

What picture?

What words?

What material and texture?

I am the printmaker

callumsart.com

www.pinterest.com/callumjoelricha/

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www.facebook.com/callumjoelart?ref=tn_tnmn

In October, I attended a wonderful print-making workshop. This is the image I created then with a suitable mat. Thank you for your appreciation, Gail (cell phone image)

Some linocut artists can attack blank lino and 'draw' their picture with the gouge, but not me. I need a sketch to guide my cutting. For a long time I have done this by transferring a photocopy or laser print using solvent to soften the toner so it sticks to the lino. You can't do this with inkjet prints, but here's a way round it. Load your printer with gummed paper (Flat Sam, Pancake, that sort of thing) the wrong way up so it prints on the gummed side.

If you then place the paper print face down on the lino, put a piece of damp tissue on the top and press it for a second or two, the water softens the gum so it sticks to the lino, taking the ink with it.

This is my new (used) press!!! It is a Ray Trayle etching press. He is a retired engineer who built around 63 presses--all are different and unique. Mine is dual motor/fly wheel action, press bed is 32" across. It's so pretty! I bought it with the money I earned from this commission---->(next pic)

 

Results of my day of printmaking at the Columbus cultural arts Center

handprinted coffee toned cyanotype print. i made this print using a16"x24" dry glass plate negative exposed in my homemade camera.

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