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07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

My monotype instructor, Chris Karl, and I at the end of the semester.

Part of the Bournemouth University Art Loan exhibition until end December 2013

07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

Work in progress at the University of Texas of the Permian Basin, Odessa, Texas

A few snaps of some of the work produced during this weekly course with Hester.

the annual Under Pressure Steamroller Print Festival was this weekend

Acrylics on paper ; gelli print.

23-25 june.

IMG_0003 (1280x1101)

07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

Artist's Proof — "Wet erasure of Wall Drawing No. 5, 2010 by Wendy V Hough at Kala Gallery" Copper-plate photogravure on Hahnemuhle paper with Chine-collé, 2010. (Photograph & Photogravure by Matthew P Hrudka)

Linocut dahlias. Tried some different papers.

Paper, tags and cards with Hester Cox

Files & palette knives at S.O.P.A.

07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

Anderson Ranch Arts Center, Snowmass, CO

These fabrics were all printed by myself in India. I attended a week long course facilitated by Skills Tourism to utilise local artisans in Mysore and showcase their skills. It was a busman's holiday for me as a printmaker but one of the best things I have ever done in India. If you ever get the opportunity, you must try it.

This is a collage of pieces of prints (woodblocks, linocuts, etchings, etc.) that were trashed for one reason or another. I attached orange paper to a canvas board and glued these pieces to it. Each of the pieces had something special I liked.

For my honor's thesis, I wrote a story and illustrated it with linocuts. These are a few of the illustrations from the book.

 

It is being published and will be for sale on my website, on Amazon.com and on Barnes/Nobles in July.

 

If you would like to buy a copy directly from me, please contact me.

Uploaded for a blog post:

bradcornelius.com/wordpress/?p=639

 

A few more photos of the elements used to lock up a chase for letterpress printing.

 

This is (obviously) an antique backwards British pound symbol - 5" tall, and probably carved from oak or maple which would stand up well to the years of hard labor.

07 March 2015 - getting a sense of a variety of different printmaking techniques with Hester

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