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My high school graduating class motto was "be the change you wish to see in the world" which was attributed to Eleanor Roosevelt. The quote is usually attributed to Gandhi. Neither is correct.
I have been working out (and written a program to assist with) how to do Post-It note art.
Vincent Van Gogh, Sunflowers. Plan for producing in Post-it notes.
Assuming an 8 foot square space within which to work (or using a smaller space by overlapping Post-it notes) reproducing this painting would take:
ultra_purple 55
aquatic_purple 240
aquatic_lightblue 1
aquatic_darkblue 6
neon_yellow 86
neon_orange 16
aquatic_teal 36
pastel_blue 254
pastel_darkblue 356
pastel_purple 519
ultra_orange 1824
neon_red 125
ultra_crimson 15
neon_green 83
aquatic_green 136
I have no idea what the actual names of the post-it notes are, I've coded them by the palette and the colour it looked like to me.
This computer assisted part is the first stage of a design, the second is to optimise the colours in terms of actually buying post-it notes
This is a gift for my friend. I was travelling in Philippine, and I thought what would be the best gift for people. (Also, save money, coz I was broke). So, I thought of this post-it. This can also let my friend know at least I was thinking of them, also, this would be something they feel they were there also.
I also create a group, Go! Post-it!, Everyone are welcome to join.
Jacky
What I Heard About The World research project at the Forest Fringe Microfestival in The Arches, Glasgow, April 2010 (first night).
Zusammen mit Gunhilde Storeide www.storeide.se/gunhild/ und Ray Larabie www.larabiefonts.com/ entstanden beispielsweise diese kleinen www.Stoff-Schmie.de Postit's, während wir an der Umsetzung und dem Start der Stoff-Schmie.de gearbeitet haben. Wer Lust hat, kann Grafiken aus diesem Album mitnehmen und unser Projekt verlinken :-)
What I Heard About The World research project at the Forest Fringe Microfestival in The Arches, Glasgow, April 2010 (first night).
Dans ce monde en folie où chaque jour la tombe se creuse un peu plus sous nos pas, il est bon parfois de revenir aux fondamentaux.
Le post-it art est devenu décadent. Récupéré par une marchandisation sans cesse croissante, le projet ne signifie rien, n'est plus rien.
Voici donc notre réponse : une abstraction révolutionnaire qui place le spectateur face à ses propres contradictions : « Le Pixel ».