View allAll Photos Tagged Position,
I had an interview in Lenexa, KS today and have high hopes of landing the position. As with all of my other interviewing trips, I try to leave some "buffer time" prior to the interview just in case of traffic issues. Buffer time sometimes equals "Get The Shot." This local crew probably got some chuckles out of the guy in a suit taking pictures of their job.
I was astonished to find all green fore-and-aft as the 3443 & 2740 were shoving north with another green "waycar" protecting the shove. 3443 was originally a Frisco switcher so she continues to work on "home" rails. Other than the stored 3400 in Springfield, I'm not sure I can remember seeing a switcher on the BNSF in years. I've seen other KC area fans have shots of this job or passing trains with the parked equipment and I was happy to stumble into this scene. I'm hoping catching all of this cascade green goodness was a good omen as I felt I did well with the interview. Keeping finger crossed!
Tim - don't even start about my Q speak, high sun or shadowy side!
08-16-2012
Colas Tug at Worlaby.
*English*
It was kind of hard to find a spot where this train would pass with a good sun position as we kind of failed a day earlier near Thorne because the choosen location wasn't suitable anymore because the fast growth of bushes near the railway. Lucky we found a second chance if we would move some further east the next day.
Colas Rail 56087 & 56105 shatter the peace as they pass through Worlaby working the 6E32 from Colas Ribble Rail to Lindsey Oil Refinery just in time to catch a bit of sunlight on the front. Class 56 locomotives were build between 1976 and 1984 with a total of 135. Only 10 of them is currently owned by Colas and being serviced at Washwood Heath.
_________________________
*Nederlands*
Het viel in de regio waar we verbleven niet mee om deze trein goed voor de zon op foto te krijgen en bij de eerste poging faalden we ook hopeloos omdat de gewenste locatie weg viel door de aanwezigheid van hinderlijk ver doorgegroeide struiken. Gelukkig bleek er na wat research wat oostelijker gelegen wel wat mogelijk te zijn wat we dan ook voor de volgende dag inplanden.
Colas Rail 56087 & 56105 verstoren de rust en vrede wanneer ze passeren ter hoogte van Worlaby als trein 6E32 onderweg van Colas Ribble Rail naar Lindsey Oil Refinery nog net op tijd om wat zonlicht op het front te krijgen. De reeks van 135 locomotieven Class 56 werd gebouwd tussen 1976 en 1984 waarvan er slechts 10 in eigendom zijn van Colas Rail. Deze machines worden onderhouden in Washwood Heath.
This snake was really angry. Rattling, attacking position - luckily I was far enough away (the terrarium was open) not to get biten. C. durissus have the strongest venom from all rattlesnakes!
Also the high neurotoxic component in the venom is not typical for rattlesnakes. And last but not least, there are large differences in venom composition between the regions in south america. Thus an antivenin for a bite of this snake may e.g. help in Rio but not in Bolivia - or vice versa.
Conclusio: Bites from tropical rattlesnakes usually take a fatal end!
Canon 1D III with Sigma 150/2.8 Macro
1/80s f/8 ISO 1250 with flash
FRONT PAGE!!! Highest position: 31 on Sunday, November 28, 2010
Please see it LARGE ON BLACK!!! Early morning glow - Islas Cies, on Black
This comes once again from one of my session while I was staying at the Islas Cies, hope you're not tired of these.
After walking about ten minutes to get here, I realized the foreground wouldn't have been good a few minutes after, so I run to get to the beach before the sun appeared, since the clouds you can see in the upper
left corner got close and became pink/orange.
I could get a few decent compositions from there, but I do like this one, too.
As you can see, I set the ISO to 400 and exposed for 20 sec: the light was still pretty low.
Since the overall exposure is good, even in the original RAW file noise is barely visible.
The lights you can see on the right come from Vigo.
Details
- CANON 5d Mark II, EF 17-40 @ 17 mm, f/10, 20 s, ISO 400
- Mirror Lockup, Phottix TR-90 Remote Shutter
- Lee 0.9 (3 stops) soft GND
- Tripod
The shot
Shot on Islas Cies.
The Processing
Camera Raw
-Tuned White Balance
Photoshop:
- Added a Color balance layer to improve tones;
- Resized for the Web (1200px);
- Applied a slight noise reduction (on the sky only) with Noise Ninja;
- Applied an Unsharp Mask to slightly improve contrast;
- Smart Sharpen + More accurate (On luminosity 'blending mode' with the sky masked off);
- Framing and Signature.
Take a look at it, LARGE on Black :
Early morning glow - Islas Cies, on Black
@ You all
Comments, faves and critiques are always welcomed!
Thanx a lot for the positive feedback on my last upload.Have the best weekend ever!
"Precarious Position" 2006
Taken in Les Jardins Tuileries, Paris. He seemed to be sleeping well as i watched him for several minutes .. and my admiration grew as I realised he was very well balanced. I framed the image carefully and cropped very tightly to emphasise the subject and his sleepytime equilibrium !
"Position précaire" 2006
Prise dans les Jardins des Tuileries, à Paris. Il semblait bien dormir et je l'ai observé pendant plusieurs minutes... mon admiration s'est accrue lorsque j'ai réalisé qu'il était très bien équilibré. J'ai cadré l'image avec soin et l'ai recadrée très serrée pour mettre l'accent sur le sujet et son équilibre pendant le sommeil !
Highest Explore Position #235 ~ On January 14th 2009.
Seagull - Herne Bay, Kent, England - Sunday January 11th 2009.
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Every once in a while you get lucky, lol...The weather may have been rubbish these last few weeks, but for one brief moment on Sunday the sun came out and this lil gull flew passed just at the right moment, It'll probably never happen again..:O))
Oh...and I forgot to mention, but my Lazy cow image is being used in a Spanish TV commercial for a supermarket (DIA %...for milk surprisingly lol), any Spanish people out there will soon be able to watch it...although, it goes passed soooooooo quickly, you will blink and miss it lol..:O)))
Yahhhh..I'm BIG IN SPAIN...lol..:O))))
Anyhoo, I hope everybody is having an awesome Tuesday..:O)))
From Wikipedia, the free encyclopedia ~ The Black-headed Gull (Chroicocephalus ridibundus) is a small gull which breeds in much of Europe and Asia, and also in coastal eastern Canada. Most of the population is migratory, wintering further south, but some birds in the milder westernmost areas of Europe are resident. Some birds will also spend the winter in northestern North America, where it was formerly known as the Common Black-headed Gull. As is the case with many gulls, it has traditionally been placed in the genus Larus.
This gull is 38-44 cm (15-17½ in) long with a 94-105 cm (37-41 in) wingspan. It breeds in colonies in large reedbeds or marshes, or on islands in lakes, nesting on the ground. Like most gulls, it is highly gregarious in winter, both when feeding or in evening roosts. It is not a pelagic species, and is rarely seen at sea far from coasts.
The Black-headed Gull is a bold and opportunist feeder and will scavenge in towns or take invertebrates in ploughed fields with equal relish.
In flight, the white leading edge to the wing is a good field mark. The summer adult has a chocolate-brown head (not black, despite the name), pale grey body, black tips to the primary wing feathers, and red bill and legs. The hood is lost in winter, leaving just dark vertical streaks.
This species takes two years to reach maturity. First year birds have a black terminal tail band, more dark areas in the wings, and, in summer, a less fully developed dark hood.
This is a noisy species, especially at colonies, with a familiar "kree-ar" call. Its scientific name means "Laughing Gull".
The Black-headed Gull is the prefectural bird of Tokyo and the Yurikamome mass transit system is named after it.
Highest Explore Position #307 ~ On September Thirteenth 2008.
Prairie Dog - Wingham Wildlife Park, Kent, England - Sunday August 10th 2008.
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This lil guy is dedicated to my two great flickr chums Cherish ~ www.flickr.com/photos/cherishlovespink/ ~ and Robert ~ www.flickr.com/photos/robert_hoge/ ~ , who are currently having job worries.....Chin up guys...as it's says above every cloud has a silver lining, I am sure you will both go on to bigger and better things....good luck with the future my flickr chums...sending you both {{{{{{{{{{HUGS}}}}}}}}}}
JJ was in a rare holding position as the last minute of direct sunlight hit him from behind, about 30 seconds after this shot all was in shadow as the sun continued to set.
In Explore: 51st position on Tuesday, December 30, 2008
Heavy snow in downtown Vancouver, BC
Woman crosses Pacific, near the intersection of Drake.
Camera: Canon EOS 5D
Exposure: 0.013 sec (1/80)
Aperture: f/6.3
Focal Length: 32 mm
ISO Speed: 640
EXPLORE - 28 APR 2009 best position: #151
Honduran Cashews
Anacardium occidentale
The cashew is a tree in the flowering plant family Anacardiaceae. The plant is native to northeastern Brazil. Its English name derives from the Portuguese name for the fruit of the cashew tree, caju, which in turn derives from the indigenous Tupi name, acajú. It is now widely grown in tropical climates for its cashew "nuts" and cashew apples.
What appears to be the fruit of the cashew tree is an oval or pear-shaped accessory fruit or false fruit that develops from the receptacle of the cashew flower. Called the cashew apple, better known in Central America as "jocote de marañón", it ripens into a yellow and/or red structure about 5–11 cm long. It is edible, and has a strong "sweet" smell and a sweet taste. The pulp of the cashew apple is very juicy, but the skin is fragile, making it unsuitable for transport. It is often used as a flavor in agua fresca.
The true fruit of the cashew tree is a kidney or boxing-glove shaped drupe that grows at the end of the pseudofruit. The drupe develops first on the tree, and then the peduncle expands into the pseudofruit. Within the true fruit is a single seed, the cashew nut. Although a nut in the culinary sense, in the botanical sense the fruit of the cashew is a seed. The seed is surrounded by a double shell containing a dermatogenic phenolic resin, urushiol, a potent skin irritant toxin also found in the related poison ivy
Lesson 39, part 1. Drawn from a reference. The bottom left one took about 1hr 12min. I didn't record how long the other ones took. These are old drawings I finally finished.
Empúries, formerly known by its Spanish name Ampurias , was a town on the Mediterranean coast of the Catalan comarca of Alt Empordà in Catalonia, Spain. It was founded in 575 BC by Greek colonists from Phocaea with the name of Ἐμπόριον (Emporion, meaning "trading place", cf. emporion). It was later occupied by the Romans (Latin: Emporiæ), but in the Early Middle Ages, when its exposed coastal position left it open to marauders, the town was abandoned.
The ruins are midway between the Costa Brava town of L'Escala and the tiny village of Sant Martí. There are good car parking facilities and the site may be reached by a traffic-free coastal walk from L'Escala.
Empúries was founded on a small island at the mouth of the river Fluvià, in a region inhabited by the Indigetes. This city came to be known as the Palaiapolis, the "old city" when, towards 550 BC, the inhabitants moved to the mainland, creating the Neapolis, the "new city".
After the conquest of Phocaea by the Persian king Cyrus II in 530 BC, the new city's population increased considerably through the influx of refugees. In the face of strong pressure from Carthage, the city managed to retain its independent Hellenic character. Political and commercial agreements were concluded with the indigenous population long settled in the nearby city of Indika. Situated as it was on the coastal commercial route between Massalia (Marseille) and Tartessos in the far south of Hispania, the city developed into a large economic and commercial centre as well as being the largest Greek colony in the Iberian Peninsula.
During the Punic Wars, Empúries allied itself with Rome, and Publius Cornelius Scipio initiated the conquest of Hispania from this city in 218 BC.
After the conquest of Hispania by the Romans, Empúries remained an independent city-state. However, in the civil war between Pompey and Julius Caesar, it opted for Pompey, and after his defeat it was stripped of its autonomy. A colonia of Roman veterans, named Emporiae, was established near Indika to control the region.
From that time onwards, Empúries began to decline, obscured by the power of Tarraco (Tarragona) and Barcino (Barcelona). At the end of the 3rd century it became one of the first cities in Spain to admit Christian evangelists. In that century, too, the Greek town was abandoned while the Roman town survived as a mint and the largely ceremonial seat of a coastal county, Castelló d'Empúries, until the Viking raids of the mid-9th century. Coinage began again under count Hugh II of Empúries (1078–1117).
Although the precise location of the town was known since the 15th century, it was only in the 20th century that systematic excavations were carried out. The first official excavations started in 1908 and were held by the Junta de Museus de Barcelona and directed by Emili Gandia i Ortega under the instructions of Josep Puig i Cadafalch and Pere Bosch-Gimpera. These excavations are still going on.
The island on which the Palaiopolis was situated is now part of the mainland and is the site of the mediaeval village of Sant Martí d'Empúries. The former harbour has silted up as well. Hardly any excavation has been done here.
After the founding of the Neapolis, the old city seems to have functioned as an acropolis (fortress and temple). Strabo mentions a temple dedicated to Artemis at this site.
The Neapolis consisted of a walled precinct with an irregular ground plan of 200 by 130 m. The walls were built, and repeatedly modified in the period from the 5th to the 2nd century BC. To the west the wall separated the Neapolis from the Iberian town of Indika.
In the south-west part of the city were various temples, replacing an older one to Artemis, such as a temple to Asclepius, of whom a marble statue was found. In the south-east part was a temple to Zeus-Serapis. The majority of the excavated buildings belong to the Hellenistic period. In addition to houses, some of which are decorated with mosaics and wallpaintings, a number of public buildings have come to light, such as those in the agora and the harbour mole. In the Roman period, thermae and a palaeochristian basilica were built.
To the south and east of the new city was an area that served as a necropolis.
Of the Roman city only some 20% has been excavated thus far. It has the typical orthogonal layout of Roman military camps, with two principal roads meeting at the forum. The Roman city is considerably larger than the Greek one. During the Republican period a temple was built dedicated to the Capitoline Triad: Jupiter, Juno, and Minerva. During the reign of the emperor Augustus a basilica and curia were added.
In the eastern part of the town a number of large houses have been excavated, with an inner courtyard, numerous annexes, floor mosaics, and paintings. In the 2nd century the town was surrounded by a wall without towers. An amphitheatre and palaestra were built outside the wall.
The necropolis of Ampurias remained in use for a very long period, from the 7th century BC up to the Middle Ages, but many tombs were looted. Almagro wrote two books[2] collecting all data on the majority of cemeteries in the area. There are four types: early Greek and Iberian, late Republican, early Roman Empire and late Roman Empire
Burials were located in the southern and western sides of Neapolis. The western sector was occupied by the so-called necropolis of the wall northeast. Inhumation (Greeks) predominated while a third of burials were cremations (Iberians).
The ancient necropolis remained in use with inhumations and cremations, possibly Greek and indigenous from the Neapolis. Cremations predominated in another group, possibly of Roman origin, whose cemetery is located on the north side of the neighboring hill of Les Corts, located southwest of the city. This necropolis was in use particularly during the 2nd and 1st centuries BC. Archaeologists found small mounds built with square blocks of stone with the remains of cremation in the middle.
No burials have been found clearly from the second quarter of the 1st century BC until the reign of Augustus (about 35 years). Cremation burials then predominated until the reign of Emperor Flavian (at the end of the 1st century AD) around a hillside where the Roman city is located.
Burial rituals changed in the 2nd century AD, with only inhumations found.
Precise chronologies are hampered by the lack of grave goods in tombs. The whole area of the ancient Greek city was filled with inhumation burials, perhaps related to the worship of the early Christian basilica or Cella Memoria, situated there. Burials are also in many of the ancient necropolis of earlier times (as Bonjoan, in use for a thousand years) and in new ones. It is possible they were related to the Roman villae located near them. There is a monument of El Castellet and nearby tombs
I started travelling internationally right after finishing college when I took a teaching position in Kuwait. Over the decades of my career, my partner and I have continued to work in or explore different parts of the world. More recently, since taking early retirement, we manage to spend around five months away during Canadian winters.
I kept track of all the places with a blogged list. In 2018, I decided it would be useful to find a single, personal image to represent each country I've visited. I have put these into a single Flickr Album. A photograph may occasionally be updated if we have a return visit.
These are organized alphabetically. You should be able to go forward or background from the image's main page where you can also see the names, and dates. In most cases the EXE date is correct. Some images may have been scanned and dates approximated.
Explore, position 235
Lavatera.
For best results, please View On Black
As I was darkening down the beautiful heart of this flower in editing, today's Mupic (Music and Picture combination) came to mind, a favourite of mine. ~~ Total Eclipse Of The Heart, by Bonnie Tyler. Hope you approve .... Have a great Thursday everyone. I've got hospital but will be back later to catch-up.
Please right click on the following blue link and select "Open Link in New Tab."
♪ ♫ Total Eclipse of The Heart ♪ ♫ ~~ Bonnie Tyler.
Turnaround, every now and then I get a
little bit lonely and you're never coming around
Turnaround, Every now and then I get a
little bit tired of listening to the sound of my tears
Turnaround, Every now and then I get a
little bit nervous that the best of all the years have gone by
Turnaround, Every now and then I get a
little bit terrified and then I see the look in your eyes
Turnaround bright eyes, Every now and
then I fall apart
Turnaround bright eyes, Every now and
then I fall apart
Turnaround, Every now and then I get a
little bit restless and I dream of something wild
Turnaround, Every now and then I get a
little bit helpless and I'm lying like a child in your arms
Turnaround, Every now and then I get a
little bit angry and I know I've got to get out and cry
Turnaround, Every now and then I get a
little bit terrified but then I see the look in your eyes
Turnaround bright eyes, Every now and
then I fall apart
Turnaround bright eyes, Every now and
then I fall apart
And I need you now tonight
And I need you more than ever
And if you'll only hold me tight
We'll be holding on forever
And we'll only be making it right
Cause we'll never be wrong together
We can take it to the end of the line
Your love is like a shadow on me all of the time
I don't know what to do and I'm always in the dark
We're living in a powder keg and giving off sparks
I really need you tonight
Forever's gonna start tonight
Forever's gonna start tonight
Once upon a time I was falling in love
But now I'm only falling apart
There's nothing I can do
A total eclipse of the heart
Once upon a time there was light in my life
But now there's only love in the dark
Nothing I can say
A total eclipse of the heart
Turnaround bright eyes
Turnaround bright eyes
Turnaround, every now and then I know
you'll never be the boy you always you wanted to be
Turnaround, every now and then I know
you'll always be the only boy who wanted me the way that I am
Turnaround, every now and then I know
there's no one in the universe as magical and wonderous as you
Turnaround, every now and then I know
there's nothing any better and there's nothing I just wouldn't do
Turnaround bright eyes, Every now and
then I fall apart
Turnaround bright eyes, Every now and
then I fall apart
And I need you now tonight
And I need you more than ever
And if you'll only hold me tight
We'll be holding on forever
And we'll only be making it right
Cause we'll never be wrong together
We can take it to the end of the line
Your love is like a shadow on me all of the time
I don't know what to do and I'm always in the dark
We're living in a powder keg and giving off sparks
I really need you tonight
Forever's gonna start tonight
Forever's gonna start tonight
Once upon a time I was falling in love
But now I'm only falling apart
There's nothing I can do
A total eclipse of the heart
Once upon a time there was light in my life
But now there's only love in the dark
Nothing I can say
A total eclipse of the heart
Eindhoven, The Netherlands.
Shot on Kodak Trix film, ISO 400, with a Canon A1, 50mm 1.4 lens. Developed with Kodak D76 and scanned with a Minolta Dimage Multi II.
German postcard by Ross Verlag, no. 8398/1, 1933-1934. Photo: Walther Jaeger, Berlin.
Wolfgang Liebeneiner (1905-1987) was a German-Austrian film and stage actor, who turned into a successful director in the mid-1930s. Under the Nazi regime, he had a thriving career. He directed a few propaganda films and had important positions at the Reichsfilmkammer and the Ufa. After the war, he could continue his career smoothly in both the theatre and the cinema.
Wolfgang Georg Louis Liebeneiner was born in Liebau in Prussian Silesia Germany (now Lubomierz, Poland) in 1905. He was the son of a textile manufacturer. Wolfgang was sent to the cadet schools Wahlstatt und Berlin-Lichterfelde and went for further schooling to Berlin-Zehlendorf. After graduating, he studied philosophy, Germanistik, and international history in Innsbruck (Austria), Berlin, and Munich. During his studies, he became the head of an academic stage group in Munich. In 1928, he studied acting and directing with Otto Falckenberg, the director of the Munich Kammerspiele. That same year he debuted in Frank Wedekind's Frühlings Erwachen (Spring Awakening) and from then on he devoted himself entirely to acting. In 1931 he made his debut as a theater director and that year he also made his first film appearance as a British lieutenant in the World War I drama Die andere Seite/The Other Side (Heinz Paul, 1931), based on the play 'Journey’s End' by R.C. Sherriff. Conrad Veidt and Theodor Loos were the stars, and Liebeneiner played a supporting part. Soon followed more films, such as the romantic drama Liebelei/Flirtation (Max Ophüls, 1933) with Magda Schneider, the comedy Die schönen Tage von Aranjuez/The good old days of Aranjuez (Johannes Meyer, 1933) starring Brigitte Helm, and the biopic Abschiedswalzer/Farewell Waltz (Géza von Bolváry, 1934), in which he starred as composer Frédéric Chopin. In these films, he often played subtle, tragic lovers, both in supporting as well as leading roles. In 1936, Liebeneiner became a member of the Preußisches Staatstheater Berlin (Prussian State Theatre of Berlin).
In 1937, Wolfgang Liebeneiner directed his first film, Versprich mir nichts!/Promise Me Nothing (Wolfgang Liebeneiner, 1937) with Luise Ulrich. It was soon followed by the Heinz Rühmann comedy Der Mustergatte/Model Husband (Wolfgang Liebeneiner, 1937). Liebeneiner’s career thrived in Nazi Germany. In the following years, he directed a dozen films, including hits as Du und ich/You and I (1938) with Brigitte Horney, the comedy Der Florentiner Hut/The Leghorn Hat (1939), and Bismarck (1940), a biographical film of Otto von Bismarck, the Prime Minister of Prussia, which focuses on how he and his aggressive war policies helped to unite Germany. Liebeneiner was appointed artistic director of the Deutsche Filmakademie Babelsberg (German Film Academy Babelsberg) in 1938 and a year later he became head of the Fachschaft Film of the Reichsfilmkammer (this was a department of the chamber of film, to which all actors, directors and other film-makers had to accede to further pursue their professional activities in Nazi-Germany. This department was responsible for the Berufsverbote for Jews and left-wingers. About 3000 film workers were excluded by the Reichsfilmkammer). In 1941, he directed the film Ich klage an/I accuse (Wolfgang Liebeneiner, 1941) in cooperation with the National Socialist ministry of propaganda. The film was about voluntary Euthanasia of a woman suffering from multiple sclerosis but was intended to support the T-4 Euthanasia Program. (Over 70,000 men, women, and children were killed as a result of this program.). His next film, Die Entlassung/Bismarck's Dismissal (Wolfgang Liebeneiner, 1942) focused once again on Bismarck, played by Emil Jannings. From 1942 to 1945, Liebeneiner became the production chief at the Ufa (Universum Film AG), the largest German film studio at that time. In 1943, Goebbels even appointed him professor.
After the war, Wolfgang Liebeneiner could soon resume his theatre career. Already in the autumn of 1945, he was directing again. In 1947, he directed the premiere of Wolfgang Borchert's play 'Draußen vor der Tür' at the Hamburger Kammerspiele. He also directed the film version, Liebe 47/ Love ‘47 (Wolfgang Liebeneiner, 1949) with Hilde Krahl. From then he directed two to three light entertainment films a year. In the Adenauer era, Liebeneiner directed romantic dramas in which Ruth Leuwerik repeatedly played the lead role, such as Die Trapp-Familie/The Trapp Family (Wolfgang Liebeneiner, 1956) with Hans Holt, and Königin Luise/Queen Louise (Wolfgang Liebeneiner, 1957) with Dieter Borsche. These films were all very successful in the German-speaking countries, and Liebeneiner also played bit parts in some of them. In the 1960s he turned more and more to television, for which he filmed mainly plays, novels, and short stories. Incidentally, he made a film, for instance, Schwejks Flegeljahre/Schweik's Years of Indiscretion (Wolfgang Liebeneiner, 1965) with Peter Alexander in the role of soldier Josef Schwejk. In 1966 he directed the Mini-series Die Schatzinsel/Treasure Island, based on Robert Louis Stevenson's novel. In 1977 he made one final feature film, Das chinesische Wunder/The Chinese Wonder (Wolfgang Liebeneiner, 1977) starring Senta Berger and Heinz Rühmann. Jan Onderwater at IMDb: “This is a dreadful and almost unbearable drama (…) Not only the subject of the badly written script is boring, Liebeneiner directs with disinterest.” He continued to make TV films till 1984. Meanwhile, in the theatre, he focused particularly on the staging of operas and operettas at various opera houses. After a long illness, Wolfgang Liebeneiner died in 1987 in Mödling near Vienna, Austria. He had been married twice: first, from 1934 to actress Ruth Hellberg. This marriage ended in a divorce. In 1944 he married the actress Hilde Krahl, whom he had met during the filming of Yvette, and who starred in several of his films. They had two daughters, of which Johanna Liebeneiner also became an actress.
Sources: Rudi Polt (IMDb), Wikipedia (German and English), and IMDb.
And, please check out our blog European Film Star Postcards.