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Portland Cement Works Number 6 Made by Peckett 1927.
At work in 1967.
Northland, New Zealand.
B & W negative.
Experimental multiple exposure in Portland, using Hoya Pop Colour Filters.
Nikon F65. Kodak Ektar 100 35mm C41 film.
Portland Head Light, is a historic lighthouse in Cape Elizabeth, Maine. The light station sits on a head of land at the entrance of the primary shipping channel into Portland Harbor, which is within Casco Bay in the Gulf of Maine. Completed in 1791, it is the oldest lighthouse in the state of Maine. The light station is automated, and the tower, beacon, and foghorn are maintained by the United States Coast Guard, while the former lighthouse keepers' house is a maritime museum within Fort Williams Park.
(wikipedia.org)
A wet and windy day at Portland Bill Lighthouse, Portland, Dorset.
Canon EOS 5D Mk IV
Canon EF16-35mm f/4L IS USM.
ISO100, f/11, 0.5 sec.
-6733
These are stills from new time-lapse "Finding Portland"
More information and final video can be found at:
This guy dropped down from the high tree canopy for a few seconds, long enough to get this shot, taken in Portland, Maine
These are stills from new time-lapse "Finding Portland"
More information and final video can be found at:
This interesting string of railway equipment is in storage on an unused industry spur in Norhtwest Portland
A woman is arrested after punching a member of the right wing group "The Patriot Prayer Movement," in downtown Portland Oregon September 10. 2017. Several hundred protesters descended in to downtown Portland to oppose a right-wing group. (Photo by Natalie Behring for AFP)
David Hockney (1938 – )
iPad drawing printed on paper, ed. 10/25
Published by David Hockney, Inc.,
Los Angeles
Collection of Jordan D. Schnitzer
Portland Art Museum
In spring and summer 2026, the Portland Art Museum presents David Hockney: Works from the Collections of Jordan D. Schnitzer and His Family Foundation, celebrating one of the most influential artists of our time. The vibrant exhibition, on view February 14 – July 26, 2026, is the largest North American survey exhibition of Hockney’s work, with more than 200 colorful prints, collages, video, and photographic and iPad drawings spanning six decades of the artist’s career.
Best known for vivid scenes that highlight his passion for both the natural world and human connection, visitors will experience a stunning array of dimensions and media that underscore Hockney’s innovative experiments. Included are his iconic subjects and series—California swimming pools, the monumental Yosemite, and British landscapes in full bloom, as well as intimate portrayals of friends, family, and queer desire.
“Hockney’s colorful, fresh perspectives encourage us to reconsider everyday objects, faces, and places of our rapidly changing contemporary world in whimsical new ways,” said Catherine Whitney, Honolulu Museum of Art Director of Curatorial Affairs and exhibition consulting curator.
Highlighting some of Hockney’s most celebrated pieces, David Hockney: Works from the Collections of Jordan D. Schnitzer and His Family Foundation sheds light on the artist’s process, driven by his fascination with technology as a channel for both artistic creation and human connection. In a pursuit to better understand how artists translate visual perception, Hockney has explored historical modes of representation, including the expansive spaces of traditional Chinese scrolls, the condensed dimensionality of Cubism, and the linear perspective of the Italian Renaissance, as well as optical devices like mirrors and the camera obscura. He also takes inspiration from the continual advancement of modern technology to evolve his approach and visual vocabulary, utilizing tools such as copy machines, photo editing software, iPhones, and iPads.
“To many, David Hockney is the most important artist working today. His images take us on a journey through country roads and gardens and let us view his exploration of perspective. More than any other artist, he has used technology to create art,” said ARTnews Top 200 Collector Jordan Schnitzer. “Whether it was Xerox prints, Polaroid photographs, or on the iPad, Hockney’s eye and hand create some of the most intriguing and beautiful art ever made!”
Hockney’s ability to engage deeply with an ever-changing world invites viewers to reconsider ideas of relationships versus solitude, spectacle versus reality, and tradition versus technology. A highlight of the exhibition is a 2014 photographic series that demonstrates an innovative approach involving “reversed perspective,” in which the spectator’s view is tightly focused on the foreground of an image, rather than upon a far-off vanishing point. Multiple angles and equally sharp viewpoints converge simultaneously to visually simulate the experience of moving through space and time.
“We are pleased to be partnering with Jordan D. Schnitzer and His Family Foundation on this impressive exhibition of David Hockney’s work,” said Portland Art Museum Director Brian Ferriso. “We are excited for visitors to experience the artist’s vibrant style, subject matter, and perspective shifts in the newly renovated and expanded museum.”
Organized by Catherine Whitney, Honolulu Museum of Art Director of Curatorial Affairs.