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Back in The Day.
Revolution.
a High-School Underground-Newspaper was launched by
classmate Billy Swislow, as Editor -
with a few covers that I drew- but were never used..
The Plot. circa 1973.
(Back when I signed my work with the nome de plume:: " Free “)
Still finding stuff from trips we took last year. This was In early April, 2010. Kind of a cold and slippery hike, as I remember, and the mist from these large falls prevented any closer shots.
Gotta get the archives cleaned out - spring is coming!!
Work and Win / Heft-Reihe
Hal Standish / Fred Fearnot's Narrow Escape ; or, The Plot that failed
Frank Tousey / USA (3. January 1913)
Reprint / Comic-Club NK 2010
ex libris MTP
Playing with plotter drawing with opencv -> autotrace -> pstoedit -> chiplotle python plotter library.
In Nyalugano, South Kivu province, members of 13,800 households across 39 villages worked for a year to build 152 km of drainage canals on 914 hectares of marsh owned by their mwame, or local chief, turning it into arable land.
Community members have elected a management committee to ensure the rehabilitation of the land is sustained. Each household gets a 25m x 20m plot to grow food in return for helping maintain the canals they built to drain the land. Overseen by the management committee, community farmers are required to keep canals clean and free of silt, cut the grass around canals and make sure gardens are well-tended. Commonly grown crops include maize, beans, soya, and sorghum.
USAID officials, including Deputy Mission Director Christophe Tocco and Eastern Congo Transition Office Director Zeric Smith, visited this Food for Peace activity on Dec. 10, 2015.
Photo by Kaukab Jhumra Smith/USAID.
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I picked up this plotter on consignment for $8.50. I almost didn't buy it because I figured at that price it couldn't work. Turns out it does work, although the paper feed is a little iffy and it only had 6 out of 8 pens, only 3 of which work.
I still need to get the right adapters to hook it up to a computer, which will end up costing more than I paid for the plotter. (The item next to it on the shelf when I paid for it was a 8-inch floppy for $50)
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Andy Baker, William Oberlin, Steph Goralnick, and Brian Ferrier are Plot, Experience Engineers. they designed hole number 2, the GLORY hole, at the putting lot, a mini-golf course in bushwick.
the lot will be there til november 2009. go out and play!
'Lost Plot' a group show by Jack Teagle, Liam Barrett, Rose Robbins & Simon Daly.
preview: Thursday 6th Sept 7-9pm
open: Fri 7th Sept - Sat 6th Oct
www.facebook.com/events/306289422802840/
A freak tidalwave has left the contents of a nonexistent attic washed up on the gallery walls...
Four artists based in the south west of England take over Here Gallery . Together they have created a parallel culture, fragments of stories and illustrated memorabilia that combine elements of the familiar and unfamiliar.
Jack Teagle is a freelance illustrator, comic artist and painter, his most recent comic "Fight 2!" was published by Nobrow Press. Jack joined forces with fellow illustrator Liam Barrett earlier this year, to exhibit as part of the Pick Me Up graphic arts fair held at Somerset House, London.
Rose Robbins self-publishes comics as one half of Often and Mistakes, she was recently awarded "Best New Blood" at D&AD 2012. Simon Daly has also self-published his comics, including fantastical tales of electronic music pioneer Delia Derbyshire. Simon's experience in a variety of filmmaking roles, from music videos to software development, has led to collaborations with several artists, most recently assisting Liam and Rose in animating their work.
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Iowa State University has planted several pollinator plots across the state. The idea is to have flowering plants as early in the spring and late in the fall as possible. There are two plots near Elkhart Iowa. Looking at the image for NRCS's Pollinator plot you can see some difference in the plant mix but the same end result Taken 9/19/18
Sony A100
Sony 3.5-5.6/18-70
Plots een oorverdovend lawaai. Piep zit rechtop in bed.
Suddenly a terrible racket makes Piep shoot up.
n ancient Greek cult-practice and literature, a nekyia or nekya (Ancient Greek: νέκυια, νεκυία; νεκύα) is a "rite by which ghosts were called up and questioned about the future," i.e., necromancy. A nekyia is not necessarily the same thing as a katabasis. While they both afford the opportunity to converse with the dead, only a katabasis is the actual, physical journey to the underworld undertaken by several heroes in Greek and Roman myth.Main article: Nekyia For broader coverage of this topic, see Active imagination and Amplification (psychology). See also: Dialectic, Dialogic, Hero's journey, and Katabasis As the shadow is a part of the unconscious, a method called Shadow work is practiced through active imagination with daydreaming and meditation – the experience is then mediated by dialectical interpretation through narrative and art (pottery, poetry, drawing, dancing, singing, etc.); analysts perform dreamwork on analysands, using amplification to raise the unconscious to conscious awareness.[33][34][35] Jung uses the term Nekyia to describe the descent into darkness, where the ego fades.[36] The eventual encounter with the shadow plays a central part in the process of individuation. Jung considered that "the course of individuation [...] exhibits a certain formal regularity. Its signposts and milestones are various archetypal symbols" marking its stages; and of these "the first stage leads to the experience of the shadow."[37] If "the breakdown of the persona constitutes the typical Jungian moment both in therapy and in development,"[38] it is this that opens the road to the shadow within, coming about when "beneath the surface a person is suffering from a deadly boredom that makes everything seem meaningless and empty...as if the initial encounter with the Self casts a dark shadow ahead of time."[30]: 170 Jung considered as a perennial danger in life that "the more consciousness gains in clarity, the more monarchic becomes its content...the king constantly needs the renewal that begins with a descent into his own darkness"[39]: 334 – his shadow – which the "dissolution of the persona" sets in motion.[40] "The shadow personifies everything that the subject refuses to acknowledge about himself",[41]: 284 whether consciously or unconsciously, and represents "a tight passage, a narrow door, whose painful constriction no one is spared who goes down to the deep well."[41]: 21 [If and when] an individual makes an attempt to see his shadow, he becomes aware of (and often ashamed of) those qualities and impulses he denies in himself but can plainly see in others – such things as egotism, mental laziness, and sloppiness; unreal fantasies, schemes, and plots; carelessness and cowardice; inordinate love of money and possessions...[30]: 174 The dissolution of the persona and the launch of the individuation process also brings with it "the danger of falling victim to the shadow ... the black shadow which everybody carries with him, the inferior and therefore hidden aspect of the personality" – resulting in a merger with the shadow.
en.wikipedia.org/wiki/Shadow_(psychology)
In common parlance, however, the term "nekyia" is often used to subsume both types of event, so that by Late Antiquity for example "Olympiodorus ... claimed that three [Platonic] myths were classified as nekyia (an underworld story, as in Homer's Odyssey book 11)".[1]
Questioning ghosts
A number of sites in Greece and Italy were dedicated wholly or in part to this practice. "The Underworld communicated with the earth by direct channels. These were caverns whose depths were unplumbed, like that of Heraclea Pontica."[2] The most notable was the Necromanteion in the northwestern Greek town of Ephyra. Other oracles of the dead could be found at Taenaron and Avernus. Such specialized locations, however, were not the only places where necromancy was performed. One could also perform the rite at a tomb, for example. Among the gods associated with the nekyia rite are Hades, his wife Persephone, Hecate, and Hermes (in his capacity as psychopompus – one who escorted souls to Hades).
The Odyssey
The earliest reference to this cult practice comes from Book 11 of the Odyssey, which was called the Nekyia in Classical antiquity. Odysseus was instructed to "make a journey of a very different kind, and find your way to the Halls of Hades ... across the River of Ocean".[3] There he consults the soul of the priest and prophet Tiresias about the means to return home to Ithaca, in a setting of "ghosts and dark blood and eerie noises, like a canvas of Hieronymous Bosch".[4] He sacrifices a ram and an ewe so that "the countless shades of the dead and gone" would "surge around" him[5] and then he meets and talks to the souls of the dead.
"The story of Odysseus's journey to Hades ... was followed ... by further accounts of such journeys undertaken by other heroes", although it is clear that, for example, "the κατάβασις [katabasis, "descent"] of Herakles in its traditional form must have differed noticeably from the Nekyia".[6]
The Athenian playwright Aeschylus features the use of tombside nekyiai in his Persians and Libation Bearers.
The Aeneid
In the Aeneid, Aeneas descends into the House of Hades and travels through the world of the dead.[7] In this, his journey differs from that of Odysseus, who merely journeys to the entrance of the Underworld to perform the ritual sacrifice needed to summon the spirits of the dead, the ghosts whose knowledge he seeks.
Menippus and Lucian of Samosata
Lucian of Samosata is the author of a satirical dialogue titled Μένιππος ἢ Νεκυομαντεία, dating from 161–162 CE, which, as German classical philologist Rudolf Helm (1872–1966) argues,[8] may be an epitome of the lost Nekyia of cynic philosopher Menippus. In The Lives of the Philosophers, Diogenes Laërtius lists the Nekyia among the thirteen works composed by Menippus (Vitae philosophorum, VI, 101). In Lucian's dialogue, Menippus, perplexed by the conflicting accounts of the afterlife put forward by Homer, Hesiod, the philosophers, and the tragic poets, decides to discover the truth for himself. He therefore enlists the help of a Babylonian Magus, named Mithrobarzanes, in order to visit the underworld. Mithrobarzanes performs a necromantic ritual, and the two descend to Hades, where they see Pyriphlegethon, Cerberus, the palace of Pluto, Charon, and the rest of the mythological machinery of the Greek underworld. Ultimately, the underworld setting serves Lucian as a vehicle for satire on not only the rich and powerful, but also the philosophers.
Jung
C. G. Jung used the concept of Nekyia as an integral part of his analytical psychology: "Nekyia ... introversion of the conscious mind into the deeper layers of the unconscious psyche".[9] For Jung, "the Nekyia is no aimless or destructive fall into the abyss, but a meaningful katabasis ... its object the restoration of the whole man".[10]
Jolande Jacobi added that "this 'great Nekyia' ... is interwoven with innumerable lesser Nekyia experiences".[11]
Night sea-journey
Jung used the images of the Nekyia, of "the night journey on the sea ... descend[ing] into the belly of the monster (journey to hell)", and of "'Katabasis' (descent into the lower world)"[12] almost interchangeably. His closest followers also saw them as indistinguishable metaphors for "a descent into the dark, hot depths of the unconscious ... a journey to hell and 'death'" – emphasising for example that "the great arc of the night sea journey comprises many lesser rhythms, lesser arcs on the same 'primordial pattern,'"[13] just like the nekyia.
The post-Jungian James Hillman however made some clear distinctions among them:
The descent of the underworld can be distinguished from the night sea-journey of the hero in many ways… the hero returns from the night sea-journey in better shape for the tasks of life, whereas the nekyia takes the soul into a depth for its own sake so that there is no "return." The night sea-journey is further marked by building interior heat (tapas), whereas the nekyia goes below that pressured containment, that tempering in the fires of passion, to a zone of utter coldness ... The devil image still haunts in our fears of the unconscious and the latent psychosis that supposedly lurks there, and we still turn to methods of Christianism – moralizing, kind feelings, communal sharing, and childlike naivete – as propitiations against our fear, instead of classical descent into it, the nekyia into imagination… (Only) after his nekyia, Freud, like Aeneas (who carried his father on his back), could finally enter "Rome".[14]
Cultural references
"Thomas Mann's conception of the nekyia draws extensively from 'the doctrines of the East...Gnosticism, and Hellenism'".[15]
Jung viewed Picasso's "early Blue Period ... as the symbol of 'Nekya', a descent into hell and darkness".[16]
In 1937, English composer Michael Tippett planned a large choral work based on Jungian concepts, titled Nekyia. The work would become the basis of his secular oratorio, A Child of Our Time.[17]
See also
Wikimedia Commons has media related to Nekyia.
Odyssey
Geography of the Odyssey
References
Gary A. Stilwell, Afterlife (2005) p. 11
Felix Guirand ed., The New Larousse Encyclopedia of Mythology (1968) p. 164
E, V. Rieu trans., The Odyssey (Penguin 1959) p. 158-9
M. I. Finley, The World of Odysseus (Penguin 1967) p. 164
The Odyssey (translated by Robert Fagles, Penguin Books, 1997): pages 246–47, 250–51 and following
E. Rohde, Psyche (2000) pp. 244
Morford, Mark P. O. (1999). Classical mythology. Lenardon, Robert J., 1928- (6th ed.). New York: Longman. pp. 394–395. ISBN 0195143388. OCLC 39189848.
Lucian und Menipp, Leipzig and Berlin: Teubner, 1906, chapter 1 "Die Nekyomantie", pp. 17-62.
C . G. Jung, Analytical Psychology (London 1976) p. 41
Quoted in D. R. Griffin, Archetypal Process (1990) p. 118
J. Jacobi, Complex, Archetype, Symbol (London 1959) p. 186
C. G. Jung, Psychology of the Unconscious (London 1944) p. 131, p. 156, and p. 220
Jacobi, p. 187
Hillman, James (1979). Dream and the Underworld. HarperCollins. pp. 88, 168, 206 01. ISBN 0-06-090682-0.
E. L. Smith, The Hero Journey in Literature (1997) p. 343
Golding, John (1973). "Picasso and Surrealism". In Penrose, Roger (ed.). Picasso, 1881-1973. Paul Elek. p. 81. ISBN 0236176773. OL 5476165M.
O. Soden, Michael Tippett: The Biography (2019) p. 195
Fenced off plot farms in Laos.
Photo by Terry Sunderland/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Stone Family Plot - area surrounded by concrete curbing, 1 large stone w/ Cora A & AF, 1 small stone to left of large stone and 4 other small stone with only CAS on them, after researching believe following also buried here:
Amanda Cora Ann (King) Stone, (10/14/1863-10/31/1908) unmarked except for blank marker)
William Gardner Stone (1822NY-1903KS), father of Alfred Frank Stone,husband of Eunice Tanner;
Nellie Stone 4/15/1905KS-4/15/1905KS, 10th child of Alfred Frank & Amanda Cora Ann (King) Stone;
Ruth McCarter 8/25/1911KS-9/2/1911KS, 1st child of Francis Fern & Eva May (Stone) McCarter, granddaughter of Alfred Frank & Amanda Cora Ann (King) Stone;
George Wasson Stone (1849NY-3/24/1920Turkville,KS) Oldest son of William Gardner Stone & Eunice Tanner, Older brother of Alfred Frank Stone.
'A bold house of two boxes of honest industry, one in timber skin floating above the other in white, penetrations into each skin from balcony and window.
A site responsive design that takes full advantage of orientation to assist in heating the house and maximize available views.'
www.scotlandshousingexpo.com/plot6.php
Composite image of all the properties.
Back inThe Day.
Revolution.
Afro. Jew-fro. Hippes, Freaks,Stoners..these were the labels of my "yout"
a High School Underground Newspaper was launched, with Billy Swislow @ the helm- these were a few covers that I drew- but were never used..
The Plot. circa 1973.
back when I signed my work with the nome de plume:: " Free "
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This is the first season of me working my own allotment, i had wroked a small patch of my dads a couple of seasons back but became despondent due to his constant nit picking. Anyhoo, i have harvested quite a lot so far but never had my camera handy until yesterday. So far i have pulled all my spinach, 6 white cabbages, a mountain of strawberries, a few onions, broccoli, then yesterday i picked a load of peas, a few lil tommytomoes & 5 colliflowers.
This is proper food that tastes fantastic & has had absolutely no contact with any chemicals what so ever & it free - just a little effort for a massive reward.