Taken at John Ball Zoo

"What we imagine ... we can make happen" - GE

Original version of the GE equation here. Same content but with more contrast to increase readability. Why doesn't picnik save OVER the image instead of creating a new one? Hmmm.

Sample image taken with a Nikon Z 14-30mm f4 S lens. If you find my reviews and samples useful, please treat me to a coffee at www.paypal.me/cameralabs

These samples and comparisons are part of my Nikon Z 14-30mm f4 S review at:

www.cameralabs.com/nikon-z-14-30mm-f4-s-review/

Feel free to download the original image for evaluation on your own computer or printer, but please don't use it on another website or publication without permission from www.cameralabs.com/

Taken with the Pentax 3II and the Tamron 28 mm f/2.5, Adaptall 2

In-Camera Pixel Shift employed.

A Macro with the Minolta Amcro Rokkor 3.5 and the pixelshift mode of the Olympus OM-D E-M5 Mark 2

iso800 70mm f9 1/10

Sample image taken with a Nikon Z 14-30mm f4 S lens. If you find my reviews and samples useful, please treat me to a coffee at www.paypal.me/cameralabs

These samples and comparisons are part of my Nikon Z 14-30mm f4 S review at:

www.cameralabs.com/nikon-z-14-30mm-f4-s-review/

Feel free to download the original image for evaluation on your own computer or printer, but please don't use it on another website or publication without permission from www.cameralabs.com/

Rainy day, the oxen stay below the trees

"A clean, crisp, delicately balanced beer, our Kolsch displays subtle aromas of grass and lemon, owing to the use of the Japanese hop variety Sorachi Ace"

Experimenting with Pentax K-1 Pixel Shift at Longwood Gardens, Kennett Square, PA

Pixel-Shifted

Pixelshift Aufnahme

"To the memory of the Brave Soldiers and Sailors Who Saved the Union": Soldiers' and Sailors' Monument

The photo was taken with Soviet’s Zorki-4K film camera with Jupiter-8 50mm f/2 lens on Kodak Porta 400 35mm film. Then the negative was photo-scanned with Fuji GFX100S camera / Carl Zeiss Distagon 60 mm f/3.5 CB lens, using “pixelshift” technology, and converted in Negative Lab Pro software.

Autobahnkirche Wilnsdorf I

17280x11520 Pixel (200 MP) image created using Pixel Shift mode (16 images) of Sony A1, JPEG size is 133 MB, original size (16 bit TIFF) was 1.1 GB

See the article at 3d-kraft.com/index.php?option=com_content&view=articl...

Pentax K-3II with Sigma 17-50mm f/2.8 lens

Pixel Shift mode

Testing the K-1’s Pixel Shift Resolution function.

Test of PixelShift - 2 pictures with PixelShift MC

pushed from a night photograpy with the Moon as sun placeholder.

Detail of the design on a well-worn soup cup, shot with a 50mm macro lens on the Pentax K-3 II. Pixel Shift Resolution is OFF for this shot. To see the difference, be sure to download the full-size images.

Z8 (FW v3.0 - Beta)

Z 105mm MC (Micro)

Westcott Solix

Westcott Apollo (Octabox)

Focus Shift + Pixel Shift

The poppies were a bit too old for this image. I couldn't get them to stand up fully. To fix this, I simply hung each flower upside down from a background stand. A sheet of pink poster board that was very over-exposed near the flower blossoms finished the lighting.

50 Focus Shift Images each with a 32-image pixel shift were captured in camera. Each of the pixel-shift images were combined and then exported as a 16-bit TIF (1.09GB) each of the 50 TIFs were then brought onto Helicon Soft stacking software. The software automatically stacked the TIFs into a single file that had the desired part of the frame in focus. That stacked image was brought into Photoshop for resizing and final adjustments.

I’m working up changes and additions/grafting-in to our D&D campaign; these are the books I’m using (the physical ones at any rate; there’re other digital/online resources I’m finding good as well).

This is my new Seiko Coutura Radio Sync Solar watch model SSG009, caliber 8B92.

Taken with a Pentax K-3 II and D FA 50mm Macro lens in Pixel Shift Resolution mode. The image took me nearly an hour and more than 20 attempts to get right. I had to put the watch into manual receiving mode to stop the second hand for long enough to complete the four exposures for a Pixel Shift image.