View allAll Photos Tagged Pixelshift
This church was mostly completed by 1420 but took another 80 years to fully complete with the tower being last. There have been earlier churches here as records exists of rectors going back tho 1253.
To allow for the new tower the earlier smaller tower was taken down and part of the church roof and windows were raised. You can see the raised roof in the image.
Hasselblad 501CM
Carl Zeiss Sonnar 5.6/250 Superachromat CF
f16
1/8th second
Gitzo GT3532LS
Arca-Swiss Z1
Kodak Ektar 100
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source.
(best viewed fullscreen in the lightbox)
A shadowed summit of Win Hill set against a sunlit Hope Valley, as seen from the ascent to Bamford Edge. The Peak District, Derbyshire.
Linhof Technikardan S45
Schneider-Kreuznach Apo-Symmar L 5.6/150
Heliopan Slim High Transmission SH-PMC CPL
LEE ProGlass 0.6 medium GND
4mm front fall
2° front forward tilt
f36
1/4th second
Fuji Provia 100F
Lab development
Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.
Best viewed fullscreen in the lightbox (Press L + F11)
I tried to do something different today with these mild flowing waterfall shots, I tried to sort the sky out along with the rest of the scene.
Usually my sky shot is less than desirable, grey whiteout highlight blown mess, I tried to approach the problem from a different angle and take two shots, one exposed for the sky, the other for the fall.
Eh... it's a work in progress...
Still waiting for the weather to improve so I can get out and test some of the K-1 Pixel Shift capabilities in the field. In the meantime, here are a couple of quickie still life/macro shots, shot on a tripod in my lviing room with natural light.
I used a Canon FL 55mm f/1.2 prime lens that I had converted a while back to fully manual K mount. Despite being half a century old, it's one of my favorite lenses, making up for any shortcomings in sharpness/aberrations with simply gorgeous rendering of both in-focus and out of focus elements of a scene.
Both images were taken at ISO100 with pixel shift activated. The closeup of the Columbine flower required the use of a 20mm extension tube, while the wider angle stil life has been cropped about 10-15%.
Spring arrives in the North Carolina piedmont. Eno River State Park.
Pentax K-1, super-resolution mode
Mirex tilt/shift adapter
SMC Pentax-A 645 macro 120/4
Iridient Developer
100% crop from Secret hollow. I just noticed this Galax (Galax urceolata) in the photo; this closer look shows developing bloom spikes. A good example of how much resolution the K-1's "pixel-shift" mode can produce.
Shop Creek, Fabulous Newton County Arkansas
Pentax K-1 mII, K15f3.5, sitting vertically on a Peak Design travel tripod in the middle of the creek. The water was cold. It was awesome.
Pixel Shift photo processed in the latest DCU to jpg, then finished off in Lightroom.
2D and 3D elements in this attempt at a logo for the FAA group "Born To Create" logo contest. The orb was a combination of two Chaosope designs put together to form one anaglyph. I added my own hand later via Photoshop.
For 3D viewing: Red/Cyan filtered 3D glasses are required.
Z8 + FW 3.0 (beta)
Z 105mm MC (Micro)
Westcott Solix + Apollo (Octabox)
Pixel Shift with Nikon NX Studio
Focus stacking with Helicon
I was asked by Nikon to test shoot the 3.0 FW with a special interest in the new ability to use Pixel Shift and Focus Shift at the same time.
Pixel Shift is an option where the camera moves the sensor during a series of captures. This series is then merged in the Nikon NX Studio software. In this case, the pixel shift option was set to the maximum capture option of 32 images. The camera exposed an image then moved the sensor… about half the width of a single pixel… and exposed the next one. For 32 images. Those 32 NEF (RAW) files were merged into one massive NEFX raw file that now has a resolution of about 180,000,000 pixels.
Focus Shift Shooting is an option where the camera makes an exposure then shifts focus to a different plane and makes another exposure. The cool part is that the camera is automatically setting the shift movement so that a series of images can be stacked on post in such a way to increase the depth of the PLANE of focus. This results in a subject the can have a nearly unlimited amount of the subject focus. Not just more depth of field, but depth of actual in focus.
The Z8 FW 3.0 is the first time anyone has offered both at the same time on a full frame professional camera.
Crossview (X-View): Gently converge (cross) your eyes while viewing and focus on the middle image that appears while ignoring the outside.
This image is not only 3D stereo but a 2D-3D conversion using SPM. It also has an OOF (Out Of Frame) or OOB (Out Of Bounds or Out Of Border) effect.
Image taken in Pasadena, Maryland on 03-29-10 with a Pentax K10 DSLR using a Quantary 70-300mm lens.