View allAll Photos Tagged Pixelshift
Spring arrives in the North Carolina piedmont. Eno River State Park.
Pentax K-1, super-resolution mode
Mirex tilt/shift adapter
SMC Pentax-A 645 macro 120/4
Iridient Developer
100% crop from Secret hollow. I just noticed this Galax (Galax urceolata) in the photo; this closer look shows developing bloom spikes. A good example of how much resolution the K-1's "pixel-shift" mode can produce.
Shop Creek, Fabulous Newton County Arkansas
Pentax K-1 mII, K15f3.5, sitting vertically on a Peak Design travel tripod in the middle of the creek. The water was cold. It was awesome.
Pixel Shift photo processed in the latest DCU to jpg, then finished off in Lightroom.
2D and 3D elements in this attempt at a logo for the FAA group "Born To Create" logo contest. The orb was a combination of two Chaosope designs put together to form one anaglyph. I added my own hand later via Photoshop.
For 3D viewing: Red/Cyan filtered 3D glasses are required.
Z8 + FW 3.0 (beta)
Z 105mm MC (Micro)
Westcott Solix + Apollo (Octabox)
Pixel Shift with Nikon NX Studio
Focus stacking with Helicon
I was asked by Nikon to test shoot the 3.0 FW with a special interest in the new ability to use Pixel Shift and Focus Shift at the same time.
Pixel Shift is an option where the camera moves the sensor during a series of captures. This series is then merged in the Nikon NX Studio software. In this case, the pixel shift option was set to the maximum capture option of 32 images. The camera exposed an image then moved the sensor… about half the width of a single pixel… and exposed the next one. For 32 images. Those 32 NEF (RAW) files were merged into one massive NEFX raw file that now has a resolution of about 180,000,000 pixels.
Focus Shift Shooting is an option where the camera makes an exposure then shifts focus to a different plane and makes another exposure. The cool part is that the camera is automatically setting the shift movement so that a series of images can be stacked on post in such a way to increase the depth of the PLANE of focus. This results in a subject the can have a nearly unlimited amount of the subject focus. Not just more depth of field, but depth of actual in focus.
The Z8 FW 3.0 is the first time anyone has offered both at the same time on a full frame professional camera.
Crossview (X-View): Gently converge (cross) your eyes while viewing and focus on the middle image that appears while ignoring the outside.
This image is not only 3D stereo but a 2D-3D conversion using SPM. It also has an OOF (Out Of Frame) or OOB (Out Of Bounds or Out Of Border) effect.
Image taken in Pasadena, Maryland on 03-29-10 with a Pentax K10 DSLR using a Quantary 70-300mm lens.
Dicentra cucullaria, AKA Dutchman's Breeches, along the Eno River. While this early spring wildflower is common across large sections of the US, we are near the southern end of its range here. There's a very large stand of it here, in a cooler microclimate created by a steep north-facing bluff.
Pentax K-1 (pixel-shift mode)
SMC Pentax Bellows 1:4 100mm
Iridient Developer
Plus Pentax 50mm f1.8 Prime. . . The 24MP K3 II has 90+ seals for weatherproofing, 4.5-stop in-body stabilization, pixel shifting mode, GPS, compass, and star tracking. . . sweet
"To the memory of the Brave Soldiers and Sailors Who Saved the Union": Soldiers' and Sailors' Monument
A few pixelshifted shots here all stitched with ICE. One of the very best falls, never fails to impress, pictures do little justice.
Pentax K-1, SMC A* 200mm macro, 11 stacked images.
First experiments using pixel shift mode to enhance detail.
MCCP0244-MCCP0257 PMax_v2_tu2